History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

An Incomplete History of the Art of the Funerary Violins

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A sustained jeu d'esprit
A Brilliant Work of Imaginary Scholarship

An Incomplete History of the Art of the Funerary Violins
Rohan Kriwaczek
Manufacturer: Overlook Hardcover
ProductGroup: Book
Binding: Hardcover

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ASIN: 1585678260
Release Date: 2007-01-11

Book Description

During the Protestant revolution in Europe, a new kind of music emerged, one that ultimately sought to recognize the deceased and to individuate the sense of loss and grief. But the tradition was virtually wiped out by the Great Funerary Purges of the 1830s and 40s. Kriwaczek tells the fascinating story of this beautiful music, condemned by the Catholic Church for political as much as theological reasons, and of the mysterious Guild of Funerary Violinists that, yes, defends its secrets in our time. This is unquestionably one of the strangest books any publisher has ever risked publishing. Discussing the evolution of European culture, musical forms and society's changing attitudes to mortality and the emotional effects of music upon the soul, this is a dark and magical history.

Customer Reviews:

A sustained jeu d'esprit.......2007-04-11

This is the imagined history of an imagined art form: solo violin playing at funerals. Written in an academic style, it is a brilliant pastiche and as such is bound to make one smile: the writing itself is mostly dead-pan and does not attempt to be overtly humorous, except perhaps in the invention of the delicious name - Herr Hieronymous (sic) Gratchenfleiss - given to one particular practitioner of the art and in an odd phrase like the one describing a lady as having `married well and widowed better'. The author fits his story into real events in the political, social and musical history from the 16th to the 19th century, which adds an air of verisimilitude to this tongue-in-cheek work. The book is handsomely produced, and is complete with period illustrations (some must surely have been specially concocted for it) and musical scores.

In the 1830s and 1840s the Catholic Church is said to have launched the Great Funerary Purges to eradicate both the art and, wherever it could, the records relating to it: hence the purported incompleteness of the history. As part of the Purge, in 1841 a fire is said to have destroyed the headquarters of the Guild of Funerary Violinists in Cadogan Square, together with most of its archives.

A fine chapter near the end has some heartfelt reflections about the nature of funerals today from which the spirit embodied in the art of the funerary violin is sadly absent.

A book of fabulously rich invention and ingenuity.

A Brilliant Work of Imaginary Scholarship.......2007-01-26

Put this one on the shelf next to your old Borges paperbacks and Pavic's Dictionary of the Khazars. It is a wonderfully written and illustrated (both with pictures and scores) scholarly history of a wholly imaginary historical episode: the rise, flourishing, and ruthless suppression of a tradition of violin music played at funerals. Kriwaczek tells of his discovery of the almost forgotten tradition of funerary violin, the guild that carried on its tradition, and the lives of its eccentric geniuses. We learn about funerary violins with their characteristic death's head scrolls, the duels at funerals between rival violinists with whitened faces and beauty marks, the great Hieonymous Gratchenfleiss, who proudly rejected his proper title of "Kurfürstentrauerviolistenmeister" in favor of the simple "Herr." The fact that this is all a product of Mr. Kriwaczek's fertile imagination is beside the point; it should have been real. It's wonderful reading and not to be missed.

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Intriguing mystery
Death in Bath
a little too british, thanks
a superbly plotted and extremely intriguing read
well written allegro paced murder mystery

Funeral Music (Sara Selkirk Mysteries)
Morag Joss
Manufacturer: Dell
ProductGroup: Book
Binding: Mass Market Paperback

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ASIN: 044024241X
Release Date: 2005-03-29

Book Description

To the ancient Romans, the healing waters of Bath belonged to the goddess Minerva. Today they belong to the gods of commerce, as tourists teem, shops prosper, and the incense of gourmet food rises to the English skies. Among the throng is Sara Selkirk, a world-class cellist who came undone in a Paris performance. For Sara, taking a break from performing has given her a chance to look at what’s missing from her life– and even at a case of murder.…

The killing occurred in the famous Roman Baths, and the victim was the museum’s director. Knowing several people close to the investigation–from a potential suspect to a detective who cajoled her into giving him cello lessons–Sara discovers a talent for making sense of things. But like a Bach fugue, the pattern she grasps is more complex than it seems. And as she moves down a trail strewn with secrets and damaged lives, a chilling story begins to emerge: of greed, envy–and a killer performance that may not be quite finished yet.

Customer Reviews:

Intriguing mystery.......2006-05-30

I found this book at a garage sale, along with her "Fearful Symmetry" ~~ and I picked it up for a few hours of escapism reading. It is a pleasant book and I love English mysteries. This one seems to do the trick on both counts.

This mystery features Sara Selkirk, a renowned cellist on hiatus since her lover's death in Paris the year before. She has lost her desire and passion for music ~~ but she agreed to play for a friend at the local museum one night. The next day, she discovers the musuem's director's body ~~ and almost against her will, she was drawn into solving the murder mystery case.

This is not your typical suspense novel ~~ it is more relaxed than Elizabeth George's novels and it does move at a slower pace. It is a fun read and I enjoyed it ~~ I plan to read her other books eventually. It's just a good novel with a mystery plot. If you're looking for a good escapism novel ~~ this one would be it.

5-29-06

Death in Bath.......2005-08-27

The classic detective story differs from the police procedural in that the characters tend to be part of a small interconnected group, and the artificiality of this device in Morag Joss' hands is obvious. There is also a trendy upper-middle-class aura which is rather off-putting. But her descriptions of Bath and its surroundings are spot on, and her leading character, a professional cellist, is well conceived. Indeed, some of the passages having to do with music and the blocks which so often prevent us from reaching it seem written out of first-hand experience and are quite moving. It is a pity that the nascent romance in the story has to be nipped in the bud at the end - but these days you have to write with at least one eye open for a possible sequel!

a little too british, thanks.......2005-07-31

In Morag Joss' FUNERAL MUSIC, the main character is Sara Selkirk, a famous cellist recuperating in Bath, England after a nervous breakdown in the middle of a concert. After making a small scale return to playing at a charity event, Sara discovers a dead body...the body of a man she never met.

The central plot of FUNERAL MUSIC revolves around Sara's emotional recovery...the circumstances of her breakdown are reveealed late, although many readers will probably figure it out early on. Meanwhile, Sara's involvement in the murder case is tangiental, driven by the fact that people tell her things almost constantly.....especially the hunky police offer whose marriage is on the rocks and loves the cello.

There almost no suspense in FUNERAL MUSIC, and much of the book is taken up with descriptions of interior design or food preparation......I'm not quite sure where this series can go.

a superbly plotted and extremely intriguing read.......2005-04-10

I do enjoy coming across a new British mystery series, and by the looks of things I'm going to derive a lot of fun from reading the next two installments in the Sara Selkirk mystery series scheduled to be released later this year. Well plotted, intriguing and full of beautiful and lush descriptions of modern day Bath, "Funeral Music" was a treat to read from beginning to end.

Suffering from an emotional breakdown that has prevented her from performing for quite a while, world renowned cellist has retreated to her cottage in Bath where she marks time exercising and giving cello lessons to Detective Chief Inspector Andrew Poole. And while her friends have been worried, none of them have met with any success in persuading Sara to perform publicly again. However her good friend, James has had enough, and manages to bully her into performing with him at the Pump Room. Giving in with bad grace, little did Sara expect that this one act would catapult into the middle of a murder investigation when she discovers the body of the Director of Museums and Civic Leisure Resources dead in one of the baths. Because Andrew is in charge of the investigations, Sara finds herself privy to all sorts of information, and when people she likes and care about come under police scrutiny, Sara finds herself reluctantly playing detective. And although she feels strangely invigorated, Sara will have to pay great care that her investigations don't land her on the killer's hit list...

What made "Funeral Music" so much fun to read was not so much the mystery at hand (if you're an avid mystery buff, you can more or less figure out what's going on about half way through the book) as the characters involved. Morag Joss has peopled her novel with characters that are engaging, flawed and sympathetic. Wanting to know what would happen to most of the characters had me glued to the pages till the very end. Another plus factor, "Funeral Music" was that this was an extremely well written book - the language, and the manner in which the book was framed was brilliantly done. And let no one tell you differently, a well written book is almost a rarity these days. So am I looking forward to the next Sara Selkirk mystery novel? Goodness, yes. If nothing else it will be fascinating to see how the author handles the relationship that's brewing between Sara and DCI Andrew Poole.

well written allegro paced murder mystery.......2005-03-30

World class cellist Sara Selkirk remains stunned by the death of her lover, which led to her inability to perform at a recent Paris concert. She has come to Bath to play the Cello at a charity event although she still mourns her loss. Following the event in the Pump Room, Sara finds the host organizer Museum Director Matthew Sawyer floating in the Roman Baths' Sacred Spring, stabbed to death.

Heading the investigation Detective Chief Investigator Andrew Poole has a vested interest that should probably disqualify him as he gets cello lessons from Sara and is attracted to her although he is unhappily married. The inquiries go nowhere as everyone detested the victim. Initially reluctant to talk with Sara about the suspects, Andrew realizes he needs her insight to reduce the list because so many seem to have motive and opportunity. She helps the DCI but rejects his romantic advances even when he swears he left his wife because he loves her. Sara's efforts help her overcome her grief, but also threaten her career as an angry female warns her that if she fails to back off she will lose her hands.

This British police procedural tale hooks the audience due to the star Sara, who struggles with the death of a loved one, understands that the show must go on and rejects the romantic advances of the head investigator. The who-done-it is cleverly designed for an Agatha Christie like finish, but what makes the tale is the deep look at Bath and Sara especially her refreshing refusal to become Andrew's lover. Several secondary players seem add nothing to this well written allegro paced murder mystery that has a crescendo ending.

Harriet Klausner

Rest in Peace: A Cultural History of Death and the Funeral Home in Twentieth-Century America

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The flip side of the "American Way of Death" debate
A Never-to-Be-Reconciled Fact of Life
Morticians & Memory Images

Rest in Peace: A Cultural History of Death and the Funeral Home in Twentieth-Century America
Gary Laderman
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 019518355X

Book Description

Though it has often been passionately criticized--as fraudulent, exploitative, even pagan--the American funeral home has become nearly as inevitable as death itself, an institution firmly embedded in our culture. But how did the funeral home come to hold such a position? What is its history? And is it guilty of the charges sometimes leveled against it? In Rest in Peace, Gary Laderman traces the origins of American funeral rituals, from the evolution of embalming techniques during and after the Civil War and the shift from home funerals to funeral homes at the turn of the century, to the increasing subordination of priests, ministers, and other religious figures to the funeral director throughout the twentieth century. In doing so he shows that far from manipulating vulnerable mourners, as Jessica Mitford claimed in her best-selling The American Way of Death (1963), funeral directors are highly respected figures whose services reflect the community's deepest needs and wishes. Indeed, Laderman shows that funeral directors generally give the people what they want when it is time to bury our dead. He reveals, for example, that the open casket, often criticized as barbaric, provides a deeply meaningful moment for friends and family who must say goodbye to their loved one. But he also shows how the dead often come back to life in the popular imagination to disturb the peace of the living. Drawing upon interviews with funeral directors, major historical events like the funerals of John F. Kennedy and Rudolf Valentino, films, television, newspaper reports, proposals for funeral reform, and other primary sources, Rest in Peace cuts through the rhetoric to show us the reality--and the real cultural value--of the American funeral.

Customer Reviews:

The flip side of the "American Way of Death" debate.......2003-09-12

A few years ago, I read Jessica Mitford's "American Way of Death Revisited" a 1998 update of her classic book about the funeral industry. I came away with an extremely unfavorable opinion of the funeral industry as a whole. So when I saw "Rest In Peace", I thought that it might be a good idea to give consideration to the opposing viewpoint. Gary Laderman's sympathetic portrait of the funeral business makes some very valid points. He traces the origins of the industry from Civil War times and the gradual transition from funerals conducted at the home to the modern concept of the funeral home. Today's funeral director has assumed a myriad of responsibilities formerly left to the family. Laderman points out that conscientious funeral directors are on call 24 hours a day/7 days a week and make great sacrifices in their personal lives to take care of grief stricken families in their time of need. And the influx of immigrants from Spanish speaking countries, Asia and the Middle East has certainly complicated the task as funeral directors scramble to meet the particular needs of those indivduals.
The author does devote several pages to what most people consider to be the real problem in the funeral business today.
Two or three major corporations are beginning to dominate the industry. Led by Houston based SCI Corp., these companies have been buying up local funeral homes at an alarming rate. What is most deceptive about this practice is that they usually keep the same name, giving customers the impression that the business is still locally owned and operated. Furthermore, these giant corporations are vertically integrating, meaning that they now also own all or a piece of casket companies, florists etc. Inevitably, this kind of control results in price fixing and higher costs to consumers. These giant corporations have read the demographics and have determined that as the "baby boom" generation ages death will be a most profitable business in the coming decades. These corporations now control nearly a quarter of all of the funeral homes in this country. The author quotes a funeral director who makes the point "There's a big difference between corporations and family run funeral homes. Corporations are an assembly line. When you've got them in your office sell them everything you can. The interest of the sole proprietor is providing good service, helping a family through trying times." The author also discusses cremation and some of the alternative funeral services that are now emerging. All in all, I found this book to be a worthwhile read, though a bit long winded at times. I think it is very important that people become conversant in these issues before they are in the position of having to plan a funeral themselves. I would strongly recommend reading both Ladermans work as well as Jessica Mitford's offering to get a balanced view of the issues involved.

A Never-to-Be-Reconciled Fact of Life.......2003-09-05

This is an unusual book because its faults are not that of the author, but that of American culture. A very detailed and informative history of death care in our society is laid out here, but the reading becomes repetitive and boring due to the fact that, as mortal beings, we cannot come to resolve issues about death. Topics such as embalming, the moral character of funeral directors, the viewing of the body, and the role of religion seem to be things that throughout the decades we are always circling around but never really confronting. Therefore, the same debates keep coming up on the same subjects. The most important point I take from this book is that we will never come to terms with death, but will always be psychologically held prisoners by the thought of it.

Morticians & Memory Images.......2003-01-28

I thoroughly enjoyed reading this thought-provoking book concerning the management of human dead bodies in America. Though it is a scholarly work, it is filled with interesting anecdotes. Especially intriguing are accounts of the Kennedy family's private moments beside the dead President's open casket, the riots at the public viewing of Rudolph Valentino's body in New York, and the various ways in which death has been portrayed in the media. As a cultural history of the American funeral industry, it reveals morticians to be something other than stereotypical manipulative businessmen. Rather, many are "artists" who perform a significant service. Their skill at embalming and artistry in cosmetic preparation of dead bodies produces an all-important final "memory image" of the lost loved one for surviving family members and friends. This book provides an insightful perspective on a dark, but essential, subject.

A Minister's Treasury of Funeral & Memorial Messages

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A Minister's Treasury of Funeral & Memorial Messages
Jim Henry
Manufacturer: B&H Publishing Group
ProductGroup: Book
Binding: Hardcover

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Keys of the Kingdom: Piano Arrangements for Weddings and Funerals (Keys of the Kingdom)

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Keys of the Kingdom: Piano Arrangements for Weddings and Funerals (Keys of the Kingdom)

Manufacturer: Abingdon Press
ProductGroup: Book
Binding: Paperback

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The Funeral: A Service of Witness to the Resurrection Supplemental Liturgical Resource 4 (Supplemental Liturgical Resource)

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The Funeral: A Service of Witness to the Resurrection Supplemental Liturgical Resource 4 (Supplemental Liturgical Resource)
Office of Worship for the Presbyterian Churc
Manufacturer: Westminster John Knox Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0664240348

Funeral Music for Freemasons (New Directions Book)

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Not Lars' Best Book But Worth A Look

Funeral Music for Freemasons (New Directions Book)
Lars Gustafsson
Manufacturer: New Directions Publishing Corporation
ProductGroup: Book
Binding: Paperback

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ASIN: 0811210189

Customer Reviews:

Not Lars' Best Book But Worth A Look.......2004-11-30

Lars Gustafsson is a treasure in American writing, but many of his books were written in Swedish first and we have to go through different translators to get to the meat of what he's saying and doing. Yvonna Sandstroem doesn't do him many favors, either here nor in the poetry she's done, everything sounds really weird, almost the way the members of ABBA pronounce English, as though at a distance.

In Funeral Music the narrator tells a kind of ABBA tale (think of "The Winner Takes It All") about the melancholia of having once been young, and now the freshness of youth, its dreams and hopes, is all swept away. Set in prison in a dingy African cell in Senegal, the narrator remembers how once he had a wonderfully talented soprano girlfriend, Ann Marie (as well as a number of more sexual adventures with white and black men and boys) -- women are theology, he says, men are philosophy. Their youth together was filled with promise, and now their lives have fallen apart--cue up the ABBA tune, "Knowing Me, Knowing You." I really enjoyed the book, but it isn't half as original as some of Lars' other titles.

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A Great Resource for Preachers

Funeral Homilies
L. Swords
Manufacturer: Paulist Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0809127849

Book Description

A presentation of the Gospel as illuminated through the Jungian personality types.

Customer Reviews:

A Great Resource for Preachers.......2007-05-12

This book represents a great resource for preachers! It provides a collection of good homilies that give inspiration and show the variety of approaches one may take when preparing to write one's own funeral homily. This short anthology groups contents according to circumstance: the death of a parent, the death of a young person, tragic death, death of an old person, etc. It allows one to see how successful homilists have handled the topic of death and have extended comfort and reflection to those who are grieving.

A Christian Funeral (Worship Matters (Augsburg Fortress))

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A Christian Funeral (Worship Matters (Augsburg Fortress))
Melinda Ann Quivik
Manufacturer: Augsburg Fortress Publishers
ProductGroup: Book
Binding: Paperback

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ASIN: 0806651482

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