Average customer rating:
- Unbelievable In This Day and Age
- Real Life Horror
- No good ending here
- Lack of remorse in Oklahoma
- Had it been a work of fiction I would have given it 1 star...
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The Innocent Man: Murder and Injustice in a Small Town
John Grisham
Manufacturer: Doubleday
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ASIN: 0385517238
Release Date: 2006-10-10 |
Amazon.com
John Grisham tackles nonfiction for the first time with The Innocent Man, a true tale about murder and injustice in a small town (that reads like one of his own bestselling novels). The Innocent Man chronicles the story of Ron Williamson, how he was arrested and charged with a crime he did not commit, how his case was (mis)handled and how an innocent man was sent to death row. Grisham's first work of nonfiction is shocking, disturbing, and enthralling--a must read for fiction and nonfiction fans. We had the opportunity to talk with John Grisham about the case and the book, read his responses below. --Daphne Durham
20 Second Interview: A Few Words with John Grisham
Q: After almost two decades of writing fiction, what compelled you to write non-fiction, particularly investigative journalism?
A: I was never tempted to write non-fiction, primarily because it's too much work. However, obviously, I love a good legal thriller, and the story of Ron Williamson has all the elements of a great suspenseful story.
Q: Why this case?
A: Ron Williamson and I are about the same age and we both grew up in small towns in the south. We both dreamed of being major league baseball players. Ron had the talent, I did not. When he left a small town in 1971 to pursue his dreams of major league glory, many thought he would be the next Mickey Mantle, the next great one from the state of Oklahoma. The story of Ron ending up on Death Row and almost being executed for a murder he did not commit was simply too good to pass up.
Q: How did you go about your research?
A: I started with his family. Ron is survived by two sisters who took care of him for most of his life. They gave me complete access to the family records, photographs, Ron's mental health records, and so on. There was also a truckload of trial transcripts, depositions, appeals, etc., that took about 18 months to organize and review. Many of the characters in the story are still alive and I traveled to Oklahoma countless times to interview them.
Q: Did your training as a lawyer help you?
A: Very much so. It enabled me to understand the legal issues involved in Ron's trial and his appeals. It also allowed me, as it always does, to be able to speak the language with lawyers and judges.
Q: Throughout your book you mention, The Dreams of Ada: A True Story of Murder, Obsession, and a Small Town. How did you come across that book, and how did it impact your writing The Innocent Man?
A: Several of the people in Oklahoma I met mentioned The Dreams of Ada to me, and I read it early on in the process. It is an astounding book, a great example of true crime writing, and I relied upon it heavily during my research. Robert Mayer, the author, was completely cooperative, and kept meticulous notes from his research 20 years earlier. Many of the same characters are involved in his story and mine.
Q: You take on some pretty controversial and heated topics in your book--the death penalty, prisoner's rights, DNA analysis, police conduct, and more--were any of your own beliefs challenged by this story and its outcome?
A: None were challenged, but my eyes were open to the world of wrongful convictions. Even as a former criminal defense attorney, I had never spent much time worrying about wrongful convictions. But, unfortunately, they happen all the time in this country, and with increasing frequency.
Q: So many of the key players in this case are either still in office or practicing attorneys. Many family members and friends still live in the same small town. How do you think The Innocent Man will impact this community and other small rural towns as they struggle with the realities of the justice system?
A: Exonerations seem to be happening weekly. And with each one of them, the question is asked--how can an innocent man be convicted and kept in prison for 20 years? My book is the story of only one man, but it is a good example of how things can go terribly wrong with our judicial system. I have no idea how the book will be received in the small town of Ada, Oklahoma, or any other town.
Q: What do you hope your readers will take away from The Innocent Man?
A: A better understanding of how innocent people can be convicted, and a greater concern for the need to reimburse and rehabilitate innocent men after they have been released.
Book Description
John Grisham’s first work of nonfiction, an exploration of small town justice gone terribly awry, is his most extraordinary legal thriller yet.
In the major league draft of 1971, the first player chosen from the State of Oklahoma was Ron Williamson. When he signed with the Oakland A’s, he said goodbye to his hometown of Ada and left to pursue his dreams of big league glory.
Six years later he was back, his dreams broken by a bad arm and bad habits—drinking, drugs, and women. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept twenty hours a day on her sofa.
In 1982, a 21-year-old cocktail waitress in Ada named Debra Sue Carter was raped and murdered, and for five years the police could not solve the crime. For reasons that were never clear, they suspected Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with capital murder.
With no physical evidence, the prosecution’s case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence. Ron Williamson was sent to death row.
If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you.
Customer Reviews:
Unbelievable In This Day and Age.......2007-09-30
I read this book thinking it had to be another Grisham work of fiction because if the story were true, America is in trouble.
This story is riveting, fast-paced and shows how truly horrible our justice system can be for those who can't afford a "Johnny Cochran".
I couldn't put this book down. The more you read the more you can't believe it really happened. Thank goodness for the pictures of the people in this story, it really brought home the fact that it's a true story.
Excellent job by Mr. Grisham.
Real Life Horror.......2007-09-29
"The Innocent Man" is a chronicle of Ron Williamson (former minor league baseball star), his life and ordeal as he was wrongly accused of murder and sentenced to death row as a result. He was forced to suffer this horror for 11 years until finally the system began to work for him, but only through the diligence and persistence of attorneys assigned to him years later, Mark Barrett and Barry Scheck, his loving mother and persistent sisters, in particular, his sister Annette. The cruelties and disrespect by the officers and District Attorney Bill Peterson that were inflected on him were horrifying. The shabby police work and "junk science," as well as the district attorney's expert witnesses (a majority of them picked from men and women serving time for horrendous crimes themselves) and brought to the stand to testify against Ron, was not only incomprehensible in itself but the fact that the Judge allowed their testimony to stand and control a man's life sentence is abominable. Ron's hometown of Ada, Oklahoma completely turned on him and he was proven guilty without a shred of hard evidence as was his friend, a respected 7th grade Science teacher, Dennis Fritz, merely by association. The book goes on to tell Ron's sad story as only it can be told by such an esteemed author/attorney as John Grisham. I would highly recommend everyone read this true story; it is a real eye opener as to how our justice system can go astray with the wrong people serving in our trusted government positions.
No good ending here.......2007-09-27
I seldom read Grisham but found his first non-fiction work hard to put down. The story of Ron Williamson has no happy ending. Not for Ron nor the young woman who was so brutually murdered.
Grisham does an excellent job of drawing us into the story. If you have never experienced justice (or lack of) in a small town you need to read this book. Had Ron lived in New York City or even Dallas he may have gone unnoticed wandering the streets and babbling like a mad man. But not in Ada, OK.
Lack of remorse in Oklahoma.......2007-09-26
This story had a tremendous impact on me. I support the death penalty but was abhorred to see how flippantly it was applied in Ada Oklahoma. Read this book first and then log onto District Attorney Peterson's web site to read his defense of his actions that were the subject of the book. The first thing he displays on his website is the American flag. Then he has a lengthy and tedious defense of all the minor points in Grisham's novel. He provides statistics on the probability of innocent people being convicted of felonies as if this excuses him for almost sending an innocent person to his death. Peterson tries to blow off Grisham as an anti-death penalty advocate. I truly fear for the soul of Mr. Peterson and the good people of Ada Oklahoma - a bit of remorse and repentance for what they almost did to an innocent man would help them when they meet their Maker. Hiding behind the American flag might help now but certainly not later!
Had it been a work of fiction I would have given it 1 star..........2007-09-18
... but it's not. It only looks like fiction in bad taste. Instead, this truly happened as described.
I'm not summarizing the story as the editorial reviews and most reviewers before me are quite descriptive.
May I just say that I think that every judicial system has its share of faults and flaws, but what's revealed in this book is simply astonishing and unbelievable from beginning to end. I can only hope that it rattles a few consciences whilst increasing awareness to prevent disastrous consequences for those involved.
As it always happens when I read J. Grisham's books, I've appreciated and enjoyed the clear and well structured narrative, even more so on this occasion. Being a real-life story, I'm sure it must have been quite a task to extrapolate all the relevant facts from all the interviews and paperwork generated by this case during the years, in order to present them clearly to the readers.
Unless you already know the epilogue, try not to peek at the photographs published right in the middle of the book. Some are quite revealing for the yet-to-be-read rest of the story. They don't actually "spoil everything" -in fact, whatever unfolded after turning those pages kept me on the alert and as incredulous as ever- but I still think it would have been preferable to print them at the very end of the book.
A part from that, "The Innocent Man" is highly recommendable.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Average customer rating:
- Disappointing
- Social Commentary?
- Capital Crimes
- Capital Crimes
- For fans of the Kellermans
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Capital Crimes
Jonathan Kellerman , and
Faye Kellerman
Manufacturer: Ballantine Books
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Binding: Hardcover
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Release Date: 2006-11-21 |
Book Description
Internationally bestselling novelists each in their own right, husband and wife Jonathan and Faye Kellerman team up for a powerful one-two punch with Capital Crimes, a gripping pair of original crime thrillers set in two cities rich in atmosphere, and featuring appearances by the authors’ signature heroes: LAPD lieutenant Peter Decker and psychologist sleuth Dr. Alex Delaware.
MY SISTER’S KEEPER: BERKELEY
Progressive state representative Davida Grayson fits in well with her Berkeley constituents. But some of Davida’s views have made her unpopular elsewhere. Davida’s foes are numerous: politicians on the other side of the aisle, racist hatemongers, even dissenters in her own party. Still, no one suspects that any buttons Davida might push could evoke deadly force.
But now Davida lies brutally murdered in her office, and Berkeley homicide detectives Will Barnes and Amanda Isis must unravel Davida’s complex, surprising life in order to find her killer. As they dig deeper, Will and Amanda realize that the real Davida Grayson was someone the public never knew. The investigation draws the detectives into a labyrinth of hidden sexuality, dark secrets, betrayal, and bloody vengeance that leads tortuously into madness. With time short and the suspect list long, Barnes and Isis must find the answers before the killer pulls off a repeat performance.
MUSIC CITY BREAKDOWN: NASHVILLE
Baker Southerby, the son of musicians, was a child prodigy performer. But something Baker won’t talk about leads him to quit the honky-tonk circuit, become a Nashville cop, and never look back. His partner, Lamar Van Gundy, is a would-be studio bassist from up North who never quite made the cut in Music City, so instead earned himself a detective’s badge. Now both men are members of Nashville PD’s elite Murder Squad, with a solid record for solves. But when they catch a homicide that’s high-profile even for a city where musical celebrity is routine, their skills are tested: Jack Jeffries, a rock legend who cast aside personal demons and emerged from retirement to perform at a charity benefit, has been discovered in a ditch near the Cumberland River, his throat slashed.
It’s a whodunit as heartbreaking as it is baffling. Southerby and Van Gundy understand the rhythms of the music biz as intimately as the streets they work–and know that both have their dark sides. What the detectives don’t realize is just how high the price of success can be. Long before the last notes of Jack Jeffries’s final song have faded, Southerby and Van Gundy will learn about the dangers of concealing a hidden past . . . the hard way. Capital Crimes
is page-turning, psychologically resonant suspense–just what we’ve come to expect from two of the world’s most successful crime writers.
Customer Reviews:
Disappointing.......2007-06-24
I am a fan of both authors, but did not care for these novellas at all. Both Kellermans usually flesh out the main characters so that they are more interesting than the ones presented in this book.
Social Commentary?.......2007-05-10
This mystery may be commentary on our society today. You'll enjoy this read as you race to solve the murder with the characters.
Capital Crimes.......2007-03-08
I really enjoyed reading this book, and I recommend it to anyone that love mysteries. They are a great writing team.
Capital Crimes.......2007-02-09
Jonathan and Faye Kellerman as always have succeeded in writing an intriguing book. They were able to bring as much depth and understanding to the characters in this book as they do in their more lengthy novels and the inclusion of their more famous and noted characters made for a very enjoyable read. Definitely a 5 star rating!
For fans of the Kellermans.......2007-01-27
Anyone who waits avidly for the newest Kellerman novel, either by Jonathan or his wife, Faye, will want to read "Capital Crimes", which has two novellas, one by each author.
The major theme of both stories seems to be love. Or rather, the lack of it. Davida, in "My Sister's Keeper", is a lesbian activist, who lives in the midst of people who have tossed out any standards of behavior except fretting about their own feelings. Certainly no one seemed to care about fidelity, and no one seemed capable of loving another human being. The landscape is thick with monsters. In "Music City Breakdown" singer Jeff Jeffries was once at the top of the music heap. His fame and wealth allowed him to squander his life in a sea of casual sex and drug abuse. And led to his murder.
The entire time I was reading these novellas I kept recalling that the authors were a married couple with four children. And wondering if these stories weren't their comments on our current society.
Book Description
Margaret Truman, who knows where all the bodies are buried inside the Beltway, has written her most thrilling novel of suspense yet. Murder at the Opera features the popular crime-fighting couple Mac Smith and his wife, Annabel Reed-Smith, as they navigate the glitz, glamour, and grime that is Washington, D.C.
It ain’t over till the fat lady sings . . . but the show hasn’t even started yet when a diva is found dead. The soprano in question, a petite young Asian Canadian named Charise Lee, was scarcely a star at the Washington National Opera. But when the aspiring singer is stabbed in the heart backstage during rehearsals, she suddenly takes center stage.
Georgetown law professor Mac Smith thought he’d just be carrying a rapier in Tosca as a favor for his beloved Annabel, but now they’re both being pressured by the panicked theater board to unmask a killer. Providing accompaniment will be former homicide detective, current P.I., and eternal opera fan Raymond Pawkins.
Soon the Smiths find themselves dangerously improvising among an expanding cast of suspects with all sorts of scores to settle. What they uncover is an increasingly complex case reaching far beyond Washington to a dark world of informers and terror alerts in Iraq, and climaxing on a fateful night at the opera attended by none other than the President himself.
Customer Reviews:
Classical gas.......2007-05-24
One thing about this book-the plot of Tosca is fully revealed. When nothing exciting is happening, Margaret Truman explains Pucini to the uninitiated-myself included.
The other thing about this book is that the plot structure is closely modeled on those from Italian opera. This means in practicality that the real villain must be someone we would find villainous today. That means Middle Eastern terrorists. That the terrorist plot subplot seems contrived escapes Ms Truman. In modern thrillers the chase is the thing, but in this book the terrorists come and go in clouds of dust and mystery, and nobody you find interesting even knows about them.
I particularly found the continuation of the Opera Ball after an assassination attempt to be laughable. Remember 9/11? Everyone wanted to get out of any possible line of fire and hurried home. In Washington society they dance the night away.
If the DVD is broken and the cable out, you might pick up this book. Otherwise look for the new Michael Connelly or Robert Parker.
I never read her books.......2007-05-13
I liked her father! I don't care for her books but my daughter-in-law does and I bought it as a gift for her.
Please Kill Off Annabell Lee.......2007-03-19
I have read that Margaret Truman does not write these books. It is hard to believe that a woman would write a character such as Mac's "beautiful"
wife. She is nothing but irritating; almost as irritating as Susan Silverman. However, I've tolerated Susan over the years because I love Hawk. Unfortunately, these books don't have enough Rufus to justify tolerating the beautiful wife, but they do have great info on Washington and for that reason I read them and give this one 4 stars.
trip down memory lane.......2007-02-09
love her mysteries---- i love the intrique and background of Washington D.C. which i knew some time ago
My least favorite MT novel, but still not bad.......2007-01-17
I seem to be the only person (so far) who thought this novel was thin and somewhat uninteresting, despite my interest in opera. You know who one of the bad guys are from the beginning since the author gives it away, and the rest just seemed to stretch out a story that should have been half this size. It's a good thing Mac lusts after his wife, because that allowed the author to stretch the story out a bit more. (many references to this in the book.)
So, although I was looking forward to reading this book, it was just okay, and very "put-downable". (I used to enjoy reading Ms. Truman's books cover to cover, but this one was no problem to put down while I walked the dog.)
Summary: not a bad read, but not a great one. One other comment: according to Olivia Goldsmith's book "Bestseller", Margaret Truman doesn't write her own books. I've always wondered if that was true. According to rumors on the 'net, Donald Bain is her ghostwriter. Not that this affects the quality of the books; it's just interesting.
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Average customer rating:
- The Good, Bad & The Ugly
- A Great Mystery that keeps you guessing to the very end
- what snot to like?
- A Departure from Traditional Truman
- Mediocre Mystery
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Murder at the Washington Tribune: A Capital Crimes Novel (Truman, Margaret, Capital Crimes Series.)
Margaret Truman
Manufacturer: Ballantine Books
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Binding: Mass Market Paperback
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ASIN: 0345478207
Release Date: 2006-10-31 |
Book Description
“Truman can write suspense with the best of them.”
–Larry King
“Satisfying . . . [a] solid mystery . . . a cautionary tale about ambition and a vote for journalistic integrity.”
–Publishers Weekly
At the big, aggressive Washington Tribune, a young woman, fresh out of journalism school, has been brutally strangled to death–and the hunt for her killer is making sensational headlines. Then a second woman is found dead. She, too, worked in the media. For veteran Trib reporter Joe Wilcox, the case strikes too close to home: His daughter is a beautiful rising TV news star. Seeing a chance to revive his free-falling career, Joe spearheads the Trib’s investigation and baits a trap for the murderer with a secret from his own past. Suddenly Joe is risking his career, his marriage, and even his daughter’s life by playing a dangerous game with a possible serial killer . . . one who hides in plain sight.
“Ripe with suspense, Truman’s mystery gets edgier with each page. . . . A captivating, fast-paced thriller.”
–Romantic Times
“Hooks the reader immediately.”
–The Ottawa Sun
Customer Reviews:
The Good, Bad & The Ugly.......2007-06-24
Margaret Truman knows how to craft a novel and although the story of Joe Wilcox and his journalistic integry is put to question and makes for an interesting read, the book is absolutely riddled with cliche. Murder At The Washington Tribune is not an entirely bad read, albeit a bit slow and clunky at times. It has just enough to keep you interested and wondering. However ... ahhh ... as a reporter Joe Wilcox is virtually handed the name of the person who may have killed a young female reporter at the paper about 120 pages in, courtesy of the young women's parents. Wilcox never considers looking into this angle. Flew past him like a Roger Clemens fast ball. Twenty five years of crime reporting and what becomes a major clue goes unreported. Wilcox, the newspaper reporter has, of course, a beautiful daughter in television. Chalk another cliche up. Anyway, the dialog between the two is often pedestrian and dumb. They're constantly sharing sources for stories and get irritated with each other when one of two holds back information for their own employer. As I think about it, there's another cliche at every page. Wilcox' boss is a "tough" Metro News Editor in constant need of the latest scoop. Cliche. Wilcox' wife is a stay-at-homer, all too eager to please and have dinner cooked when he arrives home. Cliche. The main female police officer investigating the murders has a life so cliche -- failed marriage, amazing good looks, high morality -- that she could be a piece of swiss cheese. Cliche. Then, there's the long lost brother whose past creates the books sense of mystery, but he turns out to be medium spicy. You see everything he does or is going to do coming a mile away. The last chapter of the book? CLICHE. Just read for yourself. The one redeeming part of this book is the issues facing newspapers across the country: Integrity. Revenue. The conflict between tabloid journalism and real news journalism. For exploring this angle, I give Ms. Truman thumbs up. For the rest of the book, cut the cliches.
A Great Mystery that keeps you guessing to the very end.......2007-05-03
I found myself pulled into this mystery. I've read a number of the Capital Crimes Series and feel this is one of the best ones that the author's written. I was guessing all the way until the end to figure out who the murderer was. I highly recommend this book. It is well written and the attention to detail was good without being overwhelming.
Susan K. Behm, author of The Journey, Secrets in Paradise, and Civilized Savages.
what snot to like?.......2007-04-30
Margaret Truman is one of my favorite writers. I learn about DC politics and the city while getting a good yarn, and usually can't put them down. Unlike other mystery writers, I do not skip her words -- I do nto "speed read" but savor the whole book!
A Departure from Traditional Truman.......2007-02-23
I found this book to be a bit of a departure from Truman's other novels and I have to say I really enjoyed it and found it to be a breath of fresh air. Not that Truman's other novels aren't spectacular, they really are! This book however is quite special in that the main character turns takes a path that strays away from the straight and narrow. With books where Mac Smith is the main character, we are used to him taking the high road, so this is definitely a departure from that way of thinking!
Joe Wilcox, a respected, but aging reporter finds himself in a moral dilemma when he has the opportunity to gain some fame in the autumn of his career. One thing leads to another and soon he finds himself losing is journalistic integrity in order to show up a young, hot shot reporter. To add further intrigue, someone from his past shows up on the scene that has a lot more to hide than the reader first realizes.
This complicated tale of deception and murder in the Nation's capitol should not be missed!
Mediocre Mystery.......2006-09-16
Murder at the Washington Tribune by Margaret Truman is not the worst book I've read this year (I'll reserve that dubious honor for Patricia Cornwell's Predator). And it's not even really that bad. It's just not that good either.
I have to applaud Ms. Truman for venturing away from her usual Washington series starring attorney Mac Smith and coming up with an entirely new set of characters for this novel. I generally enjoy her mysteries, with the combination of Washington insider intrigue, solid mystery writing, and good characters.
This book, however is not so much a mystery as a journey into the temptation of and subsequent fall from grace of a good man. As such, the mystery, the murder of a young journalist takes second place to the relationship between veteran news reporter Joe Wilcox, his daughter, hotshot television reporter Roberta Wilcox and MPD detective Edith Vargas-Swayze.
Also entering the mix is Joe's brother Michael, newly arrived in Washington after years spent in a mental institution after his killing of a teen-age girl. Truman mixes all these characters together, and tosses in a few other mysteries as well-- the murder of another reporter and the killing of an elderly veteran. Sometimes she loses some of the threads-- I don't believe the murder of the second reporter is ever solved, and the resolution of the murder of the first reporter is no big surprise-- the surprise is that no one tumbled to it sooner.
Ultimately the murders in this book are merely window dressing for the true story, which is the downfall of Joe Wilcox. There's nothing terribly wrong with that, however Ms. Truman could have given her story more oomf if she had devoted as much time and energy toward the mysteries as she did to Joe's story. As it is, the reader is left at the end feeling dissatisfied-- not only are all the questions not answered, but there just doesn't seem to have been any purpose to the whole book.
Amazon.com
Here comes the story of the Hurricane: On June 17, 1966, two men entered the Lafayette Grill in Paterson, New Jersey, and shot four people, killing three. Rubin "Hurricane" Carter, a onetime contender for the middleweight boxing crown, and John Artis, an acquaintance of Carter's, were charged with the murders. In a highly publicized and racially loaded trial, the prosecution hinged its case upon the convoluted and contradictory testimonies of two lifelong criminals, and failed to present any definitive evidence of Carter and Artis's guilt. Nonetheless, both innocent men were sentenced to life in prison. Hurricane is a detailed, inspiring account of Carter's 22-year effort to exonerate himself and regain his freedom.
Carter's saga is rich and complicated, and James Hirsch deserves praise for his balanced treatment. He brings Carter's electrifying and complex personality alive without unnecessarily lionizing him, masterfully detailing his transformation from a defiant, intimidating man known for his dangerous temper and stubborn pride into a enlightened one who defeated despair and unimaginable injustice. Upon incarceration, Carter refused to behave like a guilty man--by defying the rules: rejecting prison garb and keeping his jewelry, shunning prison food, and failing to see a parole officer. His defiance earned him cruel punishment, but he compelled the rigid, unforgiving system to come to terms, at least in certain instances.
Though he began an earnest study of the law in order to issue his own appeals, he could not have won his freedom without the astonishing collective effort of others. After a 1974 front-page story in The New York Times revealed his plight, there followed an outpouring of public support that included celebrity endorsements from, among many others, Muhammad Ali, Jesse Jackson, and Bob Dylan, who immortalized him in the famous song "Hurricane". Though all the publicity turned Carter into an icon for a time, ultimately it was the efforts of a group of enigmatic Canadians and a team of persistent lawyers that helped Carter achieve justice.
He lost his family, his boxing career, and 22 years of his life, yet in the end, he refused to allow bitterness to consume him. When the charges against him were finally dropped in 1988, he spoke at a press conference:
If I have learned nothing else in life, I've learned that bitterness only consumes the vessel that contains it. And for me to permit bitterness to control or infect my life in any way whatsoever, would be to allow those who imprisoned me to take even more than the twenty-two years they've already taken. Now, that would make me an accomplice to their crime...
He emerged from the fight of his life with his dignity and humanity intact. --Shawn Carkonen
Book Description
In 1967, the black boxer Rubin "Hurricane" Carter and a young acquaintance, John Artis, were wrongly convicted of triple murder by an all-white jury in Paterson, New Jersey. Over the next decade, Carter gradually amassed convincing evidence of his innocence and the vocal support of celebrities from Bob Dylan to Muhammad Ali. He was freed in 1976 pending a new trial, but he lost his appeal -- to the amazement of many -- and landed back in prison. Carter, bereft, shunned almost all human contact until he received a letter from Lesra Martin, a teenager raised in a Brooklyn ghetto. Against his bitter instincts, Carter agreed to meet with Martin, thus taking the first step on a tortuous path back to the world. Martin introduced him to an enigmatic group of Canadians who helped wage a successful battle to free him. As Carter orchestrated this effort from his cell, he also embarked on a singular intellectual journey, which led ultimately to a freedom more profound than any that could be granted by a legal authority.
Customer Reviews:
My Journey to Rubin.......2007-05-12
I loved this book almost as much as I loved the movie. For me it was one more step to tracking down the man, the legend. This is a wonderful book for anyone to read, from juveniles through senior citizens. The justice that eventually prevailed is of the feel good sort. It was such an incredible coming together of so many elements. I think that it should be included on recommended booklists in middle and elementary schools.
Emotional Story Chronicling One Setback After Another.......2005-12-24
The life of Rubin Carter is certainly worth reading about regardless of what side of the debate you are on. Many people feel passionate about both his innocence and guilt. This book may help the reader decide for himself or herself, but it obviously has an innocent slant to it which the author makes known and makes no apologies.
The story as many of you know involved the conviction of Rubin Carter and John Artis for a triple murder that took place at a bar in Patterson, NJ. The men always maintained their innocence much to the chagrin of prosecutors. Whether Rubin did this crime or not is besides the question considering he got released from a Federal Court over a writ of habeas corpus issue. The court did not rule on whether he was guilty or innocent even though he had been convicted twice before for the triple murders. The Supreme Court judge that decided to overturn the convictions cited a "racial revenge" motive and prosecutorial withhlding of information as reasons to overturn the case. Therefore, after many intense struggles with personal demons and many years in prison Rubin Carter was released a free man. The book recounts his troubled life as a juvenile, his violent temper, his prize-fighting boxing days, and his many years spent in different prison institutions. Apparently while in prison Carter transformed these former attributes by personal study and reflection. He found some people from a Canadian commune to help go to battle for him and eventually won his freedom. It's a powerful story with a few problem areas. One problem area is that there are so many legal meanderings throughout the book that you begin to feel as if you are undertaking a tedious chore sorting through all of it. You lose the zest and earnest interest you first had when you started the book. The other problem area is it's obviously a very opinionated book meant to portray Carter as an innocent man wronged by the system. However, after reading about Carter's past, his media provoking of local authorities, and his temper, I came away feeling very ambivalent. Whereas, I expected to become totally convinced of his innocence I began to feel I wasn't for sure. Nevertheless, it's a compelling story if you can get past the legal "John Grisham" feel of the book.
Rubin Carter continues to fight to this day to overcome the hardness and emotional devastation he had thrust upon him while in prison. We learn that while he is thankful to be out he still has a long way to go to live the life he yearns for. To put to rest the demons bothering him (such as alcohol) and to be able to trust people is one of the great challenges he faces. One can only hope that justice was served in this instance and that he picks up what he has left of his life and makes the most of it.
READ THIS BOOK! It's that simple........2005-09-23
I have read both this and Rubin Carter's own The 16th Round. There are some things that I believe on both sides of the story. I do believe that Rubin did have a violent juvenile past, and was an angry man. Yet, if a person who is facing oppression on a daily basis i'm sure you would tend to have violent tendancies as well; it's easy to make statements about a man's life when we are in a prosperous 21st century and not in the 1940 - 1950's. I do agree that the film does cut out the large part of Rubin's transformation from a violent individual to a more spiritual one.
I am a young Australian who is not of the age to be around when Rubin Carter was set free. This case was so badly stuck together it provides a good look at the judicial system considering it kept an innocent man in jail for 19 years.
And one of the most insulting facts of the case was that when Rubin was set free from jail in 1985, he was set free because of the biased and racial case that was built before him. NOT because he didn't do the crime. Makes me aggrovated.
If you want a book that will open your mind and make you think independently, then buy this and the 16th Round straight away.
This Biography changed my mind.......2005-09-22
Before I read this bio my only knowledge of the Hurricane case was from what other's had told me. Based on that I always felt the guy was probably framed. After reading this bio, I feel he was probably guilty.
By the first third of this book I found myself not liking Carter. It seemed obvious to me that this was a very angry and violent man who was also very dishonest. This book attempts to make a martyr of a man who seemed like trouble even before he was convicted of the alleged murder. It also attempts to explain away every bad thing this man did (and there were many) by trying to make him look like the victim.
The author nor Carter never once admit to any wrong doing on Carter's part regardless of what it may be. If just ONCE Carter had taken responsibility for some of his nasty behavior and poor dealings with other folk, I may have had a more open mind. But this is a blatant attempt at reaching for excuses for every thing that went wrong in his life. Carter and the author want everybody to believe that Carter was the victim of frame-ups, conspiracies, and racism at every turn in his life. I was not convinced.
The pattern that I found apparent in Carter's personality is that he only opened up to folks who could give him something he wanted and once he got it, he changed his personable and trusting come-on and threw them on the scrap heap. Often rationalizing his using of those who helped him by twisting it into some delusional offense against him. The best I can say for Carter is that he struck me as a very cunning con-man who ultimatley beat the system by using people for his own needs until he was portrayed in the main stream media as a martyr and a victim. I no longer buy into that portyrayel after reading this book.
Skip the movie, Read this Book.......2004-03-02
I read this book and then saw the movie. This is a familiar formula for disappointment. The book is much better and richer than the movie. The movie portrays Carter as some kind of saint, deeply-principled, who is railroaded by the justice system. As the book reveals, Carter was a deeply troubled individual during the 1960's. Carter was a very angry person who seemed to antagonize authority. He was also an alcoholic and had selfish, chauvanistic attitudes towards women. These traits are overlooked in the film. In fact, the movie shows Carter a suave, kind person. The filmmakers probably skipped these aspects of Carter because they wanted the viewers to like Carter and root for him. In reality, Carter didn't seem a likeable person.
HOWEVER, the fact that Carter was a troubled, angry person doesn't mean he's guilty of murder. Some people seem to invest their dislike of "hollywood justice" and the "cause celeb" aura surrounding this case, into convicting Carter for the murders. Don't confuse the issues. Carter was not a saint but he's still entitled to justice. Part of this book is the story of the unraveling of the prosecutor's case. As a federal district court found, the prosecutors withheld vital evidence from the defense - evidence which the defense was legally entitled to. The prosecutors also resorted to prejudice during the trial to persuade the jury of Carter's guilt. This is the so-called racial revenge theory advanced by the prosecution.
The other important and most fascinating part of the book is the transformation of the man. During his prison sentence, Carter transforms himself, with the help of others, from an angry, troubled individual to a much kinder and complete human being. The movie, by overlooking Carter's bad traits, robs the viewer of this incredible growth of one person.
My advice is to skip the movie and read this excellent book.
Book Description
DEAD SOULS - A call from an old friend brings back memories and more than a little guilt for DI John Rebus. An old schoolfriend's son has gone missing, the ghost of Jack Morton is inhabiting Rebus' dreams, a part-time poisoner is terrorising the local zoo and a freed paedophile rouses the vigilantes. SET IN DARKNESS - Two unusual incidents in one day seem unconnected, until a third body - that of a prospective member of the Scottish Parliament - is found at Queensbury House. Inspector Rebus investigates, and uncovers old secrets that suggest Scotland's second attempt at devolution will be just as dirty. THE FALLS - A student has gone missing in Edinburgh - completely out of character. There's almost nothing to go on but Detective Inspector John Rebus gets an unmistakable gut feeling that there's more to this than just another runaway high on unaccustomed freedom. Two leads emerge: a carved wooden doll in a toy coffin, found in the student's home village, and an Internet role-playing game. The ancient and the modern, brought together by uncomfortable circumstance . . .
Customer Reviews:
Twisted minds and the dark secrets of Edinburgh's other side........2005-11-07
He had wanted to update Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde" for modern times, Ian Rankin writes about his first Inspector Rebus novel, "Knots and Crosses" in the introduction to this 1999 compilation, which contains the first three installments of the series. Oblivious to the mere existence of such a thing as the mystery genre - or so Rankin says - he was stunned to soon hear his book described first and foremost as a crime novel. But eventually this characterization prompted him to have a closer look at the work of other mystery writers, and he found that the form suited his purposes just fine; that in fact he "could say everything [he] wanted to say about the world, and still give readers a pacy, gripping narrative."
Bearing in mind the original duality of Jekyll and Hyde, however, Rankin's tales are not dominated by a contrast painted in black and white. While the villains Inspector Rebus faces are certainly every bit as evil as Stevenson's Mr. Hyde, Rebus himself is far from a clean-slated "good guy:" Divorced, cynical, hard-drinking and a former member of the SAS, he is a brother in spirit to every noir detective from Dashiell Hammett's Sam Spade and Raymond Chandler's Philip Marlowe to Michael Connelly's Harry Bosch, James Ellroy's squad of crooked cops and Peter Robinson's Alan Banks. Nor is Rebus's Edinburgh the touristy town of Calton Hill, castle and Summer Festival (although the series has meanwhile sparked real-life guided tours to its most famous locations, too) - as befitting a true detective of his ilk, Rankin's antihero moves primarily in the city's dark and dirty underbelly, which is populated by society's losers and where those who have "made it," those with money in their pockets, only show up if they have shady deals to conduct as well.
In a similar fashion to Michael Connelly's first Harry Bosch novel "The Black Echo," where Bosch is forced to revisit the experiences he made as a Vietnam "tunnel rat," in "Knots and Crosses" Rebus must uncover long-buried memories of his SAS past. For hunting a serial killer whom the tabloids quickly dub "The Edinburgh Strangler," and whose headline-gathering murders at first seem totally unrelated, Rebus eventually makes the connection between those crimes and a series of anonymous letters he receives, and realizes that it is he himself who is the killer's true target, and that the murderer's crimes are based on such a cruel scheme - and executed with such inhuman skill and precision - that only one particular man's thoroughly disturbed mind can have come up with them. And at the same time, Rebus is trying to work out his difficult relationship with his brother Michael, whose life is so different from his own - financially successful and ostensibly happily married and squeaky clean throughout, Michael seems to be on the sunny side of life in every respect labeled a failure in Rebus's own life story - but he soon discovers that even Michael has secrets he is trying hard to keep from coming to light.
The title of Rankin's second Rebus novel, "Hide and Seek," is an even more overt play on Robert Louis Stevenson's famous dual character(s) than the mere juxtaposition of cop and killer. This time, Rebus is on the hunt for the killer of a junkie whose half-naked body is found in a run-down, deserted building in the Pilmuir housing estates - the worst part of town, notwithstanding a nearby construction project involving high-priced luxury condominiums - positioned crucifixion-style and near a drawing possibly hinting at Satanic rituals. And Rebus's only witness seems to be the young woman who had been living with the dead man for the last three months and heard him yell "Hide!" before pushing her out of the door, telling her: "They've murdered me;" but who is now more than just a little reluctant to cooperate, taking refuge, instead, behind an almost unbreakable rebel-against-society-facade, complete with peroxide hair, stud earrings and Attitude with a capital "A."
"Tooth and Nail" finally (originally titled "Wolfman," for the alias that police have given the subject of their hunt) takes Rebus to London, where he is to assist metro CID with the case of another serial killer, this one named for the bite marks he leaves on his victims' bodies. Not overly enthusiastic about his mission to the capital (and thus mirroring once more the feelings of Rankin himself, who did not much like living there, either, and "brought Rebus to London so he could suffer, too"), Rebus soon alienates his metro counterpart by his constant unwillingness to follow protocol, although the two men get along reasonably well on a personal level. Eventually, Rebus so seriously jeopardizes his and - by extension - Edinburgh CID's reputation with the Met that he is about to be recalled home, when he finally makes the crucial connection that unmasks the killer, just in time to save the young psychologist who has offered her help with the case and who is his latest love interest. (As befits a good noir detective, Rebus has a new flame in every book, not without incurring fresh scars from each separation, however.)
While this series had a terrific start already in its first three novels, published between 1987 and 1992, Rebus's character - and Rankin's writing - has evolved significantly over time. Thus, it is probably wise to read it in the order of publication. Contrary to the novels he wrote under the pseudonym Jack Harvey, however, and which he views much more critically in hindsight, Ian Rankin overall still seems to be happy with his early Rebus books, commenting: "I can't read them without thinking back to my own early years, my apprenticeship as a crime writer. Read and enjoy." I have nothing to add to that ...
Book Description
When Washington’s splendid Union Station opened its doors in 1908, the glorious structure epitomized capital stylishness. Today, restored and refurbished, the station is again a hub of activity where the world’s most famous and infamous people meet–and often collide. Now, in Margaret Truman’s new Capital Crime novel, this landmark locale becomes the scene of a sensational shooting whose consequences ricochet from seedy bars to the halls of Congress.
Historic Union Station means nothing to the elderly man speeding south on the last lap of what turns out to be a one-way journey from Tel Aviv to D.C.–on a train that will soon land him at Gate A-8 and, moments later, at St. Peter’s Gate. This weary traveler, whose terminal destination is probably hell, is Louis Russo, former mob hit man and government informer. Two men are at the station to meet him. One is Richard Marienthal, a young writer whose forthcoming book is based on Russo’s life. The other is the man who kills him.
Russo has returned to help promote Marienthal’s book, which, although no one has been allowed to read it, already has some people shaking in their Gucci boots. The powerful fear the contents will not only expose organized crime’s nefarious business, but also a top-secret assignment abroad that Russo once masterminded for a very-high-profile Capitol Hill client. As news of Russo’s murder rockets from the MPD to the FBI and the CIA, from Congress to the West Wing, the final chapter of the story begins its rapid-fire unfolding.
In addition to the bewildered Marienthal and his worried girlfriend, there is an array of memorable characters: rock-ribbed right-wing Senator Karl Widmer; ruthless New York publisher Pamela Warren; boozy MPD Detective Bret Mullin; shoe-shine virtuoso Joe Jenks; dedicated presidential political adviser Chet Fletcher; and President Adam Parmele himself–not to mention freelance snoops, blow-dried climbers, and a killer or two. There’s no place like the nation’s capital, and as her myriad fans know, Margaret Truman always gets it right. Murder at Union Station is a luxury express, nonstop delight.
From the Hardcover edition.
Download Description
When Washington’s splendid Union Station opened its doors in 1908, the glorious structure epitomized capital stylishness. Today, restored and refurbished, the station is again a hub of activity where the world’s most famous and infamous people meet—and often collide. Now, in Margaret Truman’s new Capital Crime novel, this landmark locale becomes the scene of a sensational shooting whose consequences ricochet from seedy bars to the halls of Congress.
Historic Union Station means nothing to the elderly man speeding south on the last lap of what turns out to be a one-way journey from Tel Aviv to D.C.—on a train that will soon land him at Gate A-8 and, moments later, at St. Peter’s Gate. This weary traveler, whose terminal destination is probably hell, is Louis Russo, former mob hit man and government informer. Two men are at the station to meet him. One is Richard Marienthal, a young writer whose forthcoming book is based on Russo’s life. The other is the man who kills him.
Russo has returned to help promote Marienthal’s book, which, although no one has been allowed to read it, already has some people shaking in their Gucci boots. The powerful fear the contents will not only expose organized crime’s nefarious business, but also a top-secret assignment abroad that Russo once masterminded for a very-high-profile Capitol Hill client. As news of Russo’s murder rockets from the MPD to the FBI and the CIA, from Congress to the West Wing, the final chapter of the story begins its rapid-fire unfolding.
In addition to the bewildered Marienthal and his worried girlfriend, there is an array of memorable characters: rock-ribbed right-wing Senator Karl Widmer; ruthless New York publisher Pamela Warren; boozy MPD Detective Bret Mullin; shoe-shine virtuoso Joe Jenks; dedicated presidential political adviser Chet Fletcher; and President Adam Parmele himself—not to mention freelance snoops, blow-dried climbers, and a killer or two. There’s no place like the nation’s capital, and as her myriad fans know, Margaret Truman always gets it right. Murder at Union Station is a luxu
