Book Description
Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on generations of artists. His insistence on painting from nature, on rendering the emotional truth of experience, whether religious or secular, makes him an artist who speaks across the centuries to our own time.
Born in 1571 near Milan, Michelangelo Merisi (da Caravaggio) moved to Rome when he was twenty-one years old. He became a brilliant and successful artist, protected by the influential Cardinal del Monte and other patrons. But he was also a man of the streets who couldn't seem to free himself from its brawls and vendettas. In 1606 he fled Rome, apparently after killing another man in a dispute. He spent his last years in exile, in Naples, Malta, and Sicily, at once celebrated for his art and tormented by his enemies. Through it all, he produced masterpieces of astonishing complexity and power. Eventually he received a pardon from the Pope, only to die, in mysterious circumstances, on the way back to Rome in 1610.
Francine Prose presents the brief but tumultuous life of one of the greatest of all painters with passion and acute sensitivity.
Average customer rating:
- The Holy Sinner
- A Brillant Concise Biography
- Caravaggio is Caravaggio
- you'll love it.
- Interesting Account of Caravaggio and his works
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Caravaggio: A Passionate Life
Desmond Seward
Manufacturer: William Morrow & Company
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M : The Man Who Became Caravaggio
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The Lost Painting: The Quest for a Caravaggio Masterpiece
ASIN: 0688150322 |
Amazon.com
Historian Desmond Seward has written an indispensable book on Caravaggio--equally balanced and historically double-checked. But even with all its references, dates, names, quotes, and careful scholarship, this biography reads like a novel that is impossible to put down. Caravaggio, of course, with his "wild, wild spirit" and "very strange temper," according to contemporary accounts, is a natural subject for a galloping narrative. Caravaggio's religious and social status as a Knight of Malta, his protection by a famous cardinal, his street fighting, his fine silk clothes worn until they rotted away, his prostitute models and lowlife friends, his repeated failure to win a commission for St. Peter's, and his bitterness at the rise of mediocre rivals are just some of the ingredients of this good read.
What Seward does, to riveting perfection, is convey 16th-century life to the reader. He takes Caravaggio's renowned naturalism and shows us where it came from. He transports readers to Rome in the 1590s, where they explore the old stones of the ancient empire, step over the human excrement in the streets, and witness the pageantry of luxurious horse-drawn carriages promenading through the mud. Readers lurk with Seward in the darkness, light lamps and candles, and feel the damp as the Tiber rises, leaving behind more than a thousand corpses when it finally recedes after a terrible flood. They stand in the crowd and watch as the heads and bodies of decapitated criminals are quartered and hoisted on spears and ramparts for display. Gradually readers get the feeling that Caravaggio's predilection for severed heads was less the product of a tormented imagination than it was simply all in a day's observation for an unwavering realist. --Peggy Moorman
Book Description
Michael Angelo da Caravaggio (1571-1610) had an amazingly colorful and adventurous career, full of dramatic contrasts. He was a religious artist who used prostitutes and castrati as his models; a mystic with a police record; the favorite of Cardinals and the Pope's portrait painter, who committed a murder; an outlaw from the Roman hills, lionized at Naples; a Knight of Malta imprisoned in a Maltese dungeon; hunted by hired assassins in a vendetta with an unknown enemy; horribly disfigured by sword cuts in a Neapolitan brothel. Ironically, he died on a lonely Tuscan beach after receiving a pardon that would have allowed him to become an even greater painter.
Based on the latest research, but largely written as an adventure story, the book concentrates on the man and his personality, without neglecting the artist. It vividly re-creates his life in early Baroque Italy and as a "monk of war" on Malta.
Customer Reviews:
The Holy Sinner.......2006-06-07
I am fascinated by the combination in one person, of great creativity, in the service of religious ideals, with uncontrolled sexuality, violence and criminality, and depression. The relationship between these two extremes may be the modern temperament writ large. Thus, in the company of many people, I have long been interested in the art and character of the great Italian baroque artist, Michelangelo de Caravaggio (1571 -- 1610). Desmond Seward's short and readable biography, "Caravaggio: A Passionate Life" (1998) offers a good overview of a remarkable artist and deeply flawed and troubled person. Seward is an English historian who has written on the medieval and renaissance periods. He is a member of the Knights of Malta, as was Caravaggio for a brief time; and Seward's religious perspective undoubtedly has much to do with how he sees the artist. I was not convinced by parts of Seward's understanding of his subject. But he presents his materials well with room for his readers to disagree.
Caravaggio was born in the small Italian village for which he is named, and his father died a victim of the plague early in life. From 1588 -1592 he served an apprenticeship as a painter in Milan but fled to Rome, most likely as a result of killing a policeman. In Rome, Caravaggio ultimately received recognition for his extraordinary paintings but was forced to flee the city in 1606 after killing a man named Tommasoni in a duel. (He had earlier accumulated a long police record in Rome.) He received a dispensation to join the Knights of Malta but was expelled and forced to flee after another duel in which he severely wounded a superior in the Order. Caravaggio had strong defenders in Rome, greatly aware of his extraordinary gifts, and received a papal pardon. But, knowing that he had been pardoned, in 1610 Caravaggio died a miserable death en route to Rome after drinking contaminated water. During his years in Rome and thereafter, Caravaggio was an astonishing painter, creating many masterworks, mostly on religious themes. Many of his works have been lost, but some have resurfaced in recent years.
Seward gives a brief treatment of the little that is known about Caravaggio's life and makes an effort to separate knowledge from speculation in the original source material. He does a good job in putting the artist's life in the context of the Italy of his day, with its many states, cultures of endemic and pervasive violence, and susceptibility to natural disasters, such as floods, and plagues. He also discusses effectively the counter-reformation in the Catholic Church; and he places Caravaggio's paintings squarely within the goals and religious outlook of the attempt to revitalize Catholicism from the challenges of Protestantism. For all the violence and difficulties in his life, Seward stresses, Caragaggio never had doctrinal difficulties that might have interested the Inquisition.
Seward also discusses Caravaggio's major paintings (the book includes good color reproductions of 16 of them) emphasizing their naturalism -- Caragaggio's attempt to paint people and things as they were -- and, increasingly, their mysticism and religiosity. He is good at pointing out the violence in many of the paintings -- especially the scenes of beheadings -- and their use of light and of dark shadings. Seward is far less convincing on issues of sexuality. He is dismissive on issues of eroticism in Caravaggio's art, and on the artist's likely bisexual or homosexual orientation. The historical record may be sparse, but many viewers have found compelling evidence of eroticism in the paintings -- including the paintings reproduced in his book. Seward properly emphasizes, I think, the religious, mystical nature that finds expression in Caravaggio's art, but he downplays the violent, demonic, and sexual nature of the artist. Thus, while he properly subtitles his book "A Passionate Life", he gives the reader less than the whole of it.
As Seward points out, in many respects Caravaggio, with his great talent and equally great human flaws, is the prototype of the modern antihero. Undoubtedly, this combination accounts for much of the fascination the artist and his works continue to exert. Seward's book sets the stage for considering the tortured relationship between Caravaggio's life and his art; but in the end he fails to do his subject complete justice.
Robin Friedman
A Brillant Concise Biography.......2004-10-02
It is no secret among my friends that Michelangelo Merisi da Carvaggio is among my favorite painters. Because Caravaggio's paintings have a narrative quality, an almost universal appeal and real drama, they have long spoken to me. When the National Gallery of Ireland loaned its newly discovered Caravaggio - one of the best and notably, one that hasn't suffered at the hands of overzealous restorers of past centuries - to our own National Gallery of Art, I flew to Washington to see it. Even hanging in the gallery of Baroque masterpieces, it stood out as a sublime work of art. Like his paintings, Caravaggio's life was a study in contrasts. While he painted soaring religious masterpieces, he lived his life in the gutter, fighting, killing, gambling and whoring. So, enjoying his work as much as I do, it is with pleasure that I share a elegantly crafted, well-written little monograph titled "Caravaggio: A Passionate Life." The author, Desmond Seward, is not an art historian but a historian of the Middle Ages and because of the number of art historians with an agenda; this is almost certainly a good thing...instead of being filled with jargon or far fetched theories, he has provided readers with a consise, well-written monograph on a epoch creating artist!
Caravaggio is Caravaggio.......2002-10-14
Any biography of Caravaggio is bound to be immensely interesting because he was far from ordinary, someone who will never fail to shock and amuse modern readers. While several reviews I have read complain about the brevity of the book, I found its length appropriate-it did the artist justice without bogging the reader down with too much analysis and irrelevant details. It assumes some familiarity with Italy and European history, but it has several chapters devoted solely to discussing the time period, while always making a connection to Caravaggio's life. I found it particularly nice that nearly all of Caravaggio's paintings were discussed and analyzed within the biography. The book has several copies of paintings inserted in its middle, but lacks the majority. Therefore, I found it incredibly helpful to have my Caravaggio anthology nearby so that I could follow the author's discussions. Undoubtedly, anyone that is not a Caravaggio fan would find these sections tremendously boring, but I loved the opportunity to pore over his paintings with a new understanding of their significance and context.
you'll love it........2000-03-18
This may be the best of the new Caravaggio books. As a painter and a student of art history, I found this book by Seward to be absolutely absorbing. Seward not only gives insight about Caravaggio's life, but also delves into the events that may have inspired his paintings. Please read this exciting book!
Interesting Account of Caravaggio and his works.......1999-11-25
Firstly an admission, I had no prior knowledge of Caravaggio or his paintings. My main area of interest is military history but after seeing the beautiful cover on this book I picked it up and browsed through the wonderful colour plates. I had to have the book to read and after ordering it from Amazon.com and sat and waited. It was worth the wait! I enjoyed the story of this most interesting man, yes its a bit short (200 odd pages) but to a person like me who had no prior knowledge or interest in this subject it filled a gap in my education. This was an interesting book to read and I just loved the colour plates of the artists work (16 colour pictures). The book has sparked an interest to learn more of this man, his times and his art. For that alone the book was worth it and the author has done his job. I would recommend this book for those who want to learn a little bit more about this man and his art.
Book Description
Teamwork Is an Individual Skill argues that learning to work with others may be the most important skill in the knowledge economy. The book promotes productive relationships by focusing on five abilities: assuming personal responsibility for productive relationships; creating powerful partnerships; aligning individuals around a shared purpose; trusting when something is "just right"; and developing a collaborative mindset.
Customer Reviews:
Managerial Material.......2007-08-24
This book is a must for anyone who is managing an office. if your office is full of egotistical employees or employees who are not term players, this book will help you to help employess get on the right track.
This book featured in Fortune Magazine.......2006-06-15
Excerpt from Fortune Article: How to build a great team by Jerry Useem, FORTUNE, June 1, 2006: 3:31 PM EDT
........ The fact is, most of what you've read about teamwork is bunk. So here's a place to start: Tear down those treacly motivational posters of rowers rowing and pipers piping. Gather every recorded instance of John Madden calling someone a "team player." Cram it all into a dumpster and light the thing on fire. Then settle in to really think about what it means to be a team.
We're certainly not against the concept of teamwork. But that's the point: All the happy-sounding twaddle obscures the actual practice of it. And teamwork is a practice. Great teamwork is an outcome; you can only create the conditions for it to flourish. Like getting rich or falling in love, you cannot simply will it to happen.
We will go further and say: Teamwork is an individual skill. That happens to be the title of a book. Christopher Avery writes, "Becoming skilled at doing more with others may be the single most important thing you can do" to increase your value - regardless of your level of authority.
As work is increasingly broken down into team-sized increments, Avery's argument goes, blaming a "bad team" for one's difficulties is, by definition, a personal failure, since the very notion of teamwork implies a shared responsibility. You can't control other people's behavior, but you can control your own. Which means that there is an "I" in team after all. (Especially in France, where they spell it Equipe.)
Individual Responsibility Exposed.......2006-03-21
Many of us charged with leading teams are expected to take the role of 'scapegoat' for team performance. While most of us agree that the team leader does contribute (critically) to the team's success, each individual member can and does impact the team's performance. This book provides a validation that individuals impact teams and goes further to explain that every team member has an obligation to provide for the success of the team. This book helps empower those that want to make a difference in their teams.
The first sentence floored me.......2003-04-16
The book entitled "Teamwork is an Individual Skill" is quite interesting. I work at a large semi-conductor manufacturer as a non-exempt fab technician on a self managed team on night shift.
I am the most experienced and capable person on my team, yet with all of my background I have come to realize how relatively little influence I often have on team performance, and on my ability to push the team in the direction I think it should go. The very first sentence in your book on page 1, "Do you share responsibility with others to get work done but don't have authority over them (and they don't have authority over you)?" absolutely floored me, 'cause that is me to the tee.
I had only gotten to page 8 of your book when I was thoroughly blown away by the directness with which the differences between flat and hierarchical structures were addressed. At my company there is no mention of this approach; even once when I mentioned the term "semi-autonomous team" to the most qualified tech (who happened to be on day shift--arguably a more hierarchical environment due to the presence of many exempt employees) he did not know what the term meant. The company has this structure in place almost as an unwritten agenda.
Your comment on page 5, "Many individuals--especially smart, high achievers--can experience great angst if asked to serve in teams." is in retrospect a great source of comfort to help me understand my angst during my three years with this company. In all of the areas I have worked in during that time I am sure that I had (at least on paper) more qualifications than any one other person (B.S. deg, two A.A.S. degs, 12+ prior years of technical experience, and a whole host of other skills that my teammates do not exhibit.) Plus add to that, that my experience has almost exclusively come from a strongly tilted hierarchical background in retrospect is why I struggled with teams, as you describe them.
Every page of your book is quite thought-provoking, causing me to pause and reflect on how your observations compare to my situation.
Take Responsibility for Team Success.......2002-05-16
For years, I have resisted the popular notion of "there is no `I' in "teamwork" because teams are a collection of individuals working toward a common goal. Each of us brings our own values and skill sets to the table. It is our choice to work together (or not) as a team.
Christopher M. Avery has captured this idea and more in his latest book, Teamwork is an Individual Skill: Getting Work Done When Sharing Responsibility. Chris suggests that individuals take responsibility for team success versus blame others He challenges the reader to be proactive and work through team issues rather than avoid or accommodate others.
This is a perfect book for team members who have been on teams before. It will validate good team behaviors and point out areas to upgrade...in a gentle and non-threatening way. The book is easy to read with lots of stories and examples to highlight the key points.
Average customer rating:
- Crappy
- Excellent Book That Lacks Color Plates
- Transcends the usual assigned texts
- A Great Book for a Great Artist
- A Book Of The Arts!
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Caravaggio (Icon Editions)
Howard Hibbard
Manufacturer: HarperCollins Publishers
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Customer Reviews:
Crappy.......2007-01-16
This is by far the crappiest books on painting book ever. The pictures are black and white and look like a photocopy of a bad photocopy. Needless to say, I returned it the next day. Buyer Beware.
Excellent Book That Lacks Color Plates.......2006-11-21
I would agree with the other reviewers that in many respects this is an excellent book. Mr. Hibbard analyzes Caravaggio's works in terms that are comprehensive, and yet not puffed up with academic hot air. He describes the historical context of the paintings, and often compares individual works of Caravaggio with similar paintings of other artists. He even points out artistic errors, such as the lack of perspective in the hands of a man in the painting Supper At Emmaus. Hibbard talks about the striking use of color in Caravaggio's compositions, and it is here that one can be somewhat disappointed with the book for, the wonderful paintings of Caravaggio are, with very few exceptions, reproduced in a dismal black and white. If you are familiar with Caravaggio, and are most interested in the author's commentary, than this deficiency would probably not bother you. I have John Spike's "Caravaggio" that is full of color plates, but it is more expensive. Although I have not seen it, I understand C. Puglisi's book by the same name also has many color plates. For the relative newcomer to this great painter, I would encourage consideration of one of these other two books as a companion volume to this excellent book.
Transcends the usual assigned texts.......2001-10-30
In one of my last classes for my degree, this book was the required text. I am awed by Caravaggio's work anyway, but combine that with Howard Hibbert's insightful text and you have an amazing book. I would definitely recommend this text for anyone interested in this fantastic artist.
A Great Book for a Great Artist.......2001-06-27
Caravaggio is one of the greatest artists of the 17th century. In a very brief period of time he managed to exert a influence over all of European painting.
Caravaggio was the original bad boy of the art world. He was willing to use well known prostitutes as models when portraying the Virgin Mary or to show saints with dirty feet. This offended authorities in Baroque Rome and Caravaggio was often a trial to his patrons. During the majority of his active career he was on the lam fleeing from a murder charge. He burst on the Roman art scene during the height of its influence and spent his last days in Malta in the company of the knights.
Although Caravaggio's influence was immense immediately after his death where his masterful use of light and shadow was immitated by countless lesser artists. For a number of years Caravaggio's reputation declined. Raphael's influence dominated academic art and Caravaggio's relatively harsh realism was in disfavor. It was only in the 1950's when a major evaluation occurred.
This book by Howard Hibbard is probably the first of these modern reevaluations of Caravaggio and it is still one of the best. Professor Hibbard is one of the country's leading art historians and he brings considerable scholarship to his study of Caravaggio's work. Although there are plenty of other books on Caravaggio, I think that this book is still the best of lot in terms of understanding Caravaggio's art (his life was sufficiently messy and his sexuality ambiguous to spur the mills of contemporary scholarship for many years). Professor Hibbard's writing is sufficiently free from academic claptrap to make it an invaluable guide to both the specialist and the novice.
A Book Of The Arts!.......2000-03-24
This is a beautiful book. As a divorced hardworking mother of 3, I spend all of my time reading this book to my children, Isaul (age 90) Gabriella (age 16) and Kraquel (age 3) I also read it to my co-workers where I work, a prositute. This is truley a work of art.
Book Description
This moving memoir of an African-American woman's lifelong fight to identify and overcome depression offers an inspirational story of healing and emergence. Wrapped within Danquah's engaging account of this universal affliction is rare and insightful testimony about what it means to be black, female, and battling depression in a society that often idealizes black women as strong, nurturing caregivers. A startlingly honest, elegantly rendered depiction of depression, Willow Weep for Me calls out to all women who suffer in silence with a life-affirming message of recovery. Meri Danquah rises from the pages, a true survivor, departing a world of darkness and reclaiming her life.
Customer Reviews:
A must read for any Black woman coping with depression!.......2006-01-22
As a 20-something Black woman who has suffered from depression since adolescence, I found this book to be completely validating. The author pens a story that so many of us wish we could. In our community, issues of mental health tend to be taboo. So those who suffer, often do in silence. However, Ms. Danquah writes with such a bold honesty that I for one was inspired to face my struggle with this illness head on! This book will definitely move you as well!
This was a great read.......2004-12-19
After experiencing several bouts with depression throughout my 30s--I am now 38 and the daily battle continues, this book caught my attention from another message board. I checked it out from my local library and finished it within 2 days. I could so relate to the author. Her story was very poignant and I appreciated her honesty. While medication has not worked for me I am trying a daily balance of selfcare to work with my depression. This is a book I will buy. Continued success to the author, her family and circle of friends.
Excellent.......2004-05-01
I bought this book and didn't want to read it at first. I thought it would be too sad. But I read it anyway. I am sure glad I did. This book gave me the courage I needed to go find help for my own depression. Thanks Meri.
Just Saved My Marriage.......2004-02-06
Reading the excerpts of this book on your web site got me thinking deeply about my wife, who is presently looking for a place of her own. I just sent her the url to the excerpts and hope she will read it and change her mind and stay. Thanks for saving my marriage!
A must read.......2003-04-24
I read this book after going through a bad break-up with my fiance. It's wonderful to read about a black woman being totally honest about her emotions, her illness and her reality. I appreciated Meri telling her story without wearing the "Superwoman" mask mainstream America forces on black women. This was an eye-opening book and it helped me to realize that I don't have to wear the superwoman mask. It inspired me to be brave enough to be honest about my own emotions and vulnerabilities! Black women and men should read this book, and everybody else should too! Dispel the myths!
Book Description
Birth order has a powerful effect on children's emotional development, on their self-esteem, and on their sense of well-being. The youngest child, the firstborn, the middleborn, twins, and the only child all have specific birth order issues that, if not atted to early on, can impair their functioning and their interpersonal relations at home and at school, and can follow them into adulthood. Parental birth order, too, plays an important role, as do such other factors as gender and family size. To understand these birth order blues, the author, an expert in parent-child relationships, first raises parents' awareness of the impact of birth order upon children. She then shows how to identify their children's birth order problems, often disguised by behaviors such as underachievement or aggression, and suggests how they can resolve these issues and prevent negative behavioral patterns from developing.
Average customer rating:
- A great study of the artist Caravaggio
- Artist
- Great book on the greatest of all Italian painters
- Highly recommended
- This is the one.
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Caravaggio
John T. Spike ,
Michelangelo Merisi Da Caravaggio , and
Michele K. Spike
Manufacturer: Abbeville Press
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ASIN: 0789206390 |
Book Description
For the first time nearly every extant work by Caravaggio is reproduced in color in this lavish new volume, the long-awaited result of more than 20 years of research by a leading authority on the artist.
In an engaging and informed text, John T. Spike explores in detail Caravaggio's scandalous life and provocative work. Placing Caravaggio within the broad panorama of society and ideas at the turn of the 17th century, the author sets a richly detailed stage for an artist who has been called "the first modern painter." Caravaggio (1571-1610) reflected in his canvases his own desires and spiritual crises to an extent no one ever had imagined possible, and he shocked his contemporaries by portraying the saints and virgins of Christianity with the faces and bodies of his companions and lovers in Rome's demimonde.
Accompanying the book is a critical catalog on CD-ROM in which all of Caravaggio's extant paintings, as well as lost and rejected works, are thoroughly described. Each entry specifies the work's medium, dimensions, location, and provenance, and provides an annotated bibliography of sources. Most of the entries conclude with a brief technical analysis. Much of this scientific data, of prime importance for attribution and dating, has not previously been published.
With its fresh insights, as well as judicious readings of the documents and the physical evidence of the paintings themselves, Caravaggio is the most thorough study on the artist to date, and it will no doubt remain a definitive monograph for many years to come.
Other Details:
160 color, 190 b/w illustrations. 11 x 13" trim size. Published in 2001.
Customer Reviews:
A great study of the artist Caravaggio.......2007-06-12
the quality of the research and the color of the paintings are outstanding.
Also the CD-ROM has an unbelievable amount of information on the artist's
works and their provenance.
Dr.John T. Spike's 20 years of research is shared with the reader and is so readable and engaging.
Artist.......2007-03-31
The reproductions are excellent. The binding is fine and the cover handsome. The writing is solid academically. I would have liked the book to have had more information on the artist and his life. Much is left to be done in the study of Caravaggio. His life still seems to be quite mysterious. His probable use of optics and mirrors in his work is touched on and needs further exploration. This book provides a good introduction to Caravaggio and his paintings in a handsome package.
Great book on the greatest of all Italian painters.......2006-06-28
Great book on the greatest of all Italian painters. Glorious plates. And the text is a pretty good bio.
Highly recommended .......2006-04-07
My husband and I just came back from Italy and we had to have a Caravaggio book. His painting in Vatican museum was especially memorable! I picked this book and it is very good. I agree with the earlier comments that some (not "many") pictures are poor quality (too red), but many photographs are very good, nice size for an art book and very important - it is an interesting and detailed research.
This is the one........2002-03-10
My library contains many various volumes on the subject of Caravaggio--fiction, biography, fictionalized biography and photo surverys of his works--but if I were allowed only one book on this most extradordinary painter and his life I'd take "Caravaggio" by John T. Spike. In this weighty large-format picture-book Mr. Spike has given us the most complete look at the artist and his works currently available, presented in graceful depth so as to engage any interested reader and art enthusiast regardless of the nature of his commitment. It's unusual to find such an authoritative colaboration of art historical expertise and first quality illustration as we have here, a book to read, study and savor.
Average customer rating:
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Medieval Islamic Civilization: An Encyclopedia (Routledge Encyclopedias of the Middle Ages)
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ASIN: 0415966906 |
Book Description
Islamic civilization flourished in the Middle Ages across a vast geographical area that spans today's Middle and Near East. Islamic civilization during that era was a thriving society whose contributions in diverse fields as science, medicine, mathematics, literature, and philosophy left an indelible mark on Europe.
Medieval Islamic Civilization examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th century. This important two-volume work contains over 700 alphabetically arranged entries, contributed and signed by international scholars and experts in fields such as Arabic languages, Arabic literature, architecture, art history, history, history of science, Islamic arts, Islamic studies, Middle Eastern studies, Near Eastern studies, politics, religion, Semitic studies, theology, and more. This reference provides an exhaustive and vivid portrait of Islamic civilization including the many scientific, artistic, and religious developments as well as all aspects of daily life and culture. Entries also explore the importance of interfaith relations and the permeation of persons, ideas, and objects across geographical and intellectual boundaries between Europe and the Islamic world.
From the Umayyad Mosque in Damascus to Christian merchants and the Qur'an to Fatima bint Muhammad, Medieval Islamic Civilization brings together in one authoritative resource all aspects of Islamic civilization during the Middle Ages. Accessible to the non-specialist, this resource will be of great use in research and to understand the roots of today's Islamic society as well as to explore the rich and vivid culture of medieval Islamic civilization.
Average customer rating:
- a very impressive book
- Is the world flat ?
- Pure Imagination
- A Superlative Read!
- A thrilling story and a great art book
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M: The Man Who Became Caravaggio
Peter Robb
Manufacturer: Henry Holt and Co.
ProductGroup: Book
Binding: Paperback
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Caravaggio, Michelangelo
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Similar Items:
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Caravaggio
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The Lost Painting: The Quest for a Caravaggio Masterpiece
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Caravaggio
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Caravaggio: Painter of Miracles (Eminent Lives)
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Midnight in Sicily
ASIN: 0805063560 |
Book Description
A bold, fresh biography of the world's first modern painter As presented with "blood and bone and sinew" (Times Literary Supplement) by Peter Robb, Caravaggio's wild and tempestuous life was a provocation to a culture in a state of siege. The of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological cold war against which, despite all odds and at great cost to their creators, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same."Caravaggio threw out Renaissance dogma to paint with dazzling originality and fierce vitality, qualities that are echoed in Robb's prose. As with Caravaggio's art, M arrests and susps time to reveal what the author calls "the theater of the partly seen." Caravaggio's wild persona leaps through these pages like quicksilver; in Robb's skilled hands, he is an immensely attractive character with an astonishing connection to the glories and brutalities of life.
Customer Reviews:
a very impressive book.......2007-09-03
Even though the historical part of the book seems to be disputable, the part devoted to M.'s paintings is extremely well written. The broad public needs more books like this one. The book was written with skill and true passion.
Is the world flat ?.......2006-09-29
It might have appeared so in Carravagio's day but like Robb, he was not intimidated by so called dusty 'scholars' and 'fusspots'. Carravagio's 'style' and his rejection of the establishment are what make his work so interesting today. There is no doubt Carravagio's work was wildly controversial in his time. Robb dissects the evidence, such as it is, and invites conclusions in a direct manner from the reader. The fact that Robb's book has drawn a response from `noted historians', 'grammar nerds' and other sundry 'desk polishers' is a credit to the work. Carravagio, if he were around today might give a wry twinkle of a smile to one of his subjects.
Robb includes well-selected and compelling illustrations in the book to aid his view. He does not mess around. Robb goes straight for the aorta of the reader. Carravaggio wasn't popular with his recklessness and Robb has a get there quick style that leaves the scholars and critics in his dust.
Hitler said, " A man with no sense of history is a man with no ears". Robb has a sense of history in spades. So called 'historians' and flat-earthers will no doubt continue to criticise, like the Vatican in Carravaggio's day. Gallileo had imagination, so does Robb. The earth was not flat. Gallileo was right. The Vatican and its legions of scholars, scribes and `dust collectors' were wrong. Read the book. Ignore the pseudo intellectuals. *****
A Masterpiece.
Pure Imagination.......2006-01-08
As Amazon organizes reviews by date, the sole review (writen by noted Caravaggio scholar David Stone) which attacks this book for its unscholarly tendency to unashamedly make things up is buried deep on the last page. Therefore, I thought I'd add another to make this fact a little more visible to the casual shopper. A few others have noted the appalling grammar and syntax, but the real crime is the baselessness of Robb's conclusions. Does no one care about evidence any more? Do none of you who loved this book find anything wrong with Robb's practice of examining complex, vague, and contradictory sources, choosing the most dramatic answer possible, and presenting it as an irrefutable truth? Caravaggio was an unconventional, brilliant man who lived a wild and crazy life--stick with the evidence and you'll still be amazed.
A Superlative Read!.......2005-09-26
This book has it all - erudition, polemics, irreverence, controversy, intrigue, irony, eroticism, romance, depravity... the list is endless! Meticulously researched and annotated, soundly argued and reasoned, Mr. Robb is a gracious champion to the very complex artist who is historically reduced to a one-dimensional churl who happened to have a way with a paint-brush.
Caravaggio was a pioneer (a very dangerous occupation during the counter-reformation), - the manner in which he approached his subjects, the lighting (or relative lack there-of), his refusal to sketch out a work before painting it, his perspective, his "earthy" handling of religious themes; these approaches became both his claim to fame, and his downfall. A downfall facilitated by jealous contemporaries, greedy art collectors, and Caravaggio's own sexual and social indiscretions.
Not a light read by any means - make sure your thinking cap is well positioned, and your seat belt is tightly fashioned - you're in for one hell of a ride!
A thrilling story and a great art book.......2003-01-11
Peter Robb has managed to achieve a miraculous symphony in this long (500 + pages) book: It's a biography, a detective story (little is known about Caravaggio's life), a social history of Rome, and a definitive art book. As a result, you can read this book on many levels. I read it first as a "beach book" for the story, and then again, when I took a vacation to Rome and tried to see as many of his remaining paintings as I could.
Robb explains how Caravaggio was a breakthrough painter in his use of light, and in his use of recognizable local models (almost all of whom Robb has been able to identify) to express the religious art of the day. Mannerism died at his hands.
Moreover, Peter Robb builds a credible portrait of Caravaggio's brittle personality--it's easy to see why people were out to kill him. At first I thought the title "M" was a little contrived, but by the end of the book, I realized that it's cipher for the real man behind the familiar name. (Calling someone "Caravaggio" after the town is like giving someone the nickname "Boston").
The reproductions are carefully chosen and richly presented. You'll enjoy reading--and re-reading--this wonderful book.
Average customer rating:
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Sirens: Symbols of Seduction
Meri Franco-Lao
Manufacturer: Park Street Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0892816538 |
Book Description
* A celebration of the irresistible allure of sirens and mermaids in art, literature, and mythology throughout the world. * 160 beautiful color and black-and-white illustrations depicting sirens in all their various seductive forms. * An examination of the psychological drives behind our 3,000-year-old obsession with sirens.
Ever since the Sirens first tempted Ulysses closer to a rocky death with their celestial voices and forbidden secrets, they and their mermaid sisters have maintained an ongoing love affair with humanity's greatest writers, artists, and poets. With the torsos of women and the lower halves of birds or fish, they have long been symbols of the lure of the dark feminine, seducers who beckon men with promises of desires fulfilled. Sirens: Symbols of Seduction is both a celebration of Sirens and an examination of the psychological drives underlying this archetype.
Sirens play important roles in the classical writings of Homer and Euripides, as well as the modern works of James Joyce, H. G. Wells, Oscar Wilde, William Butler Yeats, and many others. Matching these writings with the vibrant work of such artists as Peter Paul Rubens, Hieronymous Bosch, Edvard Munch, and Rene Magritte, Meri Lao has created a feast for the eye and ear as seductive as the Sirens themselves. She traces their evolution from fierce, winged creatures who carry the dead from the battlefield to the elusive, sensuous mermaids glimpsed by sailors for centuries and immortalized in Hollywood by actresses such as Esther Williams and Daryl Hannah. Exploring our 3,000-year-old obsession with Sirens, Lao reveals the secret of their power: their song is the sound of subversiveness, luring us from the orderly world above the waves down to the phantasmagoric realm of dreams, and the harder we try to ignore what they are singing, the more we desperately want to hear it.
Customer Reviews:
A Very Good Resource.......2000-08-01
In researching a paper I am currently writing on the mermaid in literature, I was surpised at the dearth of scholarship on this subject. Lao's book is more a coffee table piece than a scholarly discourse, but it is nicely researched and has pointed me to numerous literary works in which mermaids are mentioned. I must say that the illustrations are not nearly as interesting as those in, say, Ratisseau's beautiful book, but there is more substance here.
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