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Eldest (Inheritance, Book 2)
Christopher Paolini Manufacturer: Knopf Books for Young Readers ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 0375840400 Release Date: 2007-03-13 |
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Surpassing its popular prequel Eragon, this second volume in the Inheritance trilogy shows growing maturity and skill on the part of its very young author, who was only seventeen when the first volume was published in 2003. The story is solidly in the tradition (some might say derivative) of the classic heroic quest fantasy, with the predictable cast of dwarves, elves, and dragons--but also including some imaginatively creepy creatures of evil.The land of Alagaesia is suffering under the Empire of the wicked Galbatorix, and Eragon and his dragon Saphira, last of the Riders, are the only hope. But Eragon is young and has much to learn, and so he is sent off to the elven forest city of Ellesmera, where he and Saphira are tutored in magic, battle skills, and the ancient language by the wise former Rider Oromis and his elderly dragon Glaedr. Meanwhile, back at Carvahall, Eragon's home, his cousin Roran is the target of a siege by the hideous Ra'zac, and he must lead the villagers on a desperate escape over the mountains. The two narratives move toward a massive battle with the forces of Galbatorix, where Eragon learns a shocking secret about his parentage and commits himself to saving his people.
The sheer size of the novel, as well as its many characters, places with difficult names, and its use of imaginary languages make this a challenging read, even for experienced fantasy readers. It is essential to have the plot threads of the first volume well in mind before beginning--the publisher has provided not only a map, but a helpful synopsis of the first book and a much-needed Language Guide. But no obstacles will deter the many fans of Eragon from diving headfirst into this highly-awaited fantasy. (Ages 12 and up) --Patty Campbell
Meet Author Christopher Paolini
Paolini talks more about the series, and about what inspires him in this video clip.
The Eragon/Eldest Boxed Set
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Eragon, a young farm boy, finds a marvelous blue stone in a mystical mountain place. Before he can trade it for food to get his family through the hard winter, it hatches a beautiful sapphire-blue dragon, a race thought to be extinct. Eragon bonds with the dragon, and when his family is killed by the marauding Ra'zac, he discovers that he is the last of the Dragon Riders, fated to play a decisive part in the coming war between the human but hidden Varden, dwarves, elves, the diabolical Shades and their neanderthal Urgalls, all pitted against and allied with each other and the evil King Galbatorix. Eragon and his dragon Saphira set out to find their role, growing in magic power and understanding of the complex political situation as they endure perilous travels and sudden battles, dire wounds, capture and escape.
In spite of the engrossing action, this is not a book for the casual fantasy reader. There are 65 names of people, horses, and dragons to be remembered and lots of pseudo-Celtic places, magic words, and phrases in the Ancient Language as well as the speech of the dwarfs and the Urgalls. But the maps and glossaries help, and by the end, readers will be utterly dedicated and eager for the next book, Eldest. (Ages 10 to 14) --Patty Campbell
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A New York Times Bestseller
One boy... one dragon... A world of adventure When Eragon finds a polished blue stone in the forest, he thinks it is the lucky discovery of a poor farm boy; perhaps it will buy his family meat for the winter. But when the stone brings a dragon hatchling, Eragon realizes he has stumbled upon a legacy nearly as old as the Empire itself. Overnight his simple life is shattered, and he is thrust into a perilous new world of destiny, magic, and power. With only an ancient sword and the advice of an old storyteller for guidance, Eragon and the fledgling dragon must navigate the dangerous terrain and dark enemies of an Empire ruled by a king whose evil knows no bounds. Can Eragon take up the mantle of the legendary Dragon Riders? The fate of the Empire may rest in his hands. Visit
Alagaesia.com to find out more about Eragon and the Inheritance Trilogy. "Unusual, powerful, fresh, and fluid.... An impressive start to a writing career that's sure to flourish."
"[A] solid, sweeping epic fantasy..."
"An auspicious beginning to both career and series."
"An authentic work of great talent."
"Christopher Paolini make[s] literary magic with his precocious debut."
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The blue jays and cardinals of Stone-Run Forest have turned against each other. According to legend, only Swordbird, son of the Great Spirit, has the power to conquer evil and restore peace to the land. But is he real or just a myth? Can Swordbird arrive in time to save the forest . . . or will it be too late? Twelve-year-old author Nancy Yi Fan has woven a captivating tale about the birds of Stone-Run Forest and the heroism, courage, and resourcefulness in their quest for peace.
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Atwater-Rhode's writing, while still showing strong traces of Anne Rice and Stephen King, is maturing nicely as she cleverly constructs this story within a story. Her vampires, while thousands of years old, have adolescent mood swings and tempers, which will sit well with the under-16 crowd. Demon in My View will undoubtedly find its way into many backpacks and Trapper Keepers. (Ages 12 to 15) --Jennifer Hubert
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Christopher Paolini's abiding love of fantasy and science fiction inspired him to begin writing his debut novel, Eragon, when he graduated from high school at age 15.
"Writing is the heart and soul of my being. It is the means through which I bring my stories to life. There is nothing like putting words on a page and knowing that they will summon certain emotions and reactions from the reader. In my writing, I strive for a lyrical beauty somewhere between Tolkien at his best and Seamus Heaney's translation of Beowulf." --Christopher Paolini
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Want to learn more about the series? Check out our review of Eragon: Here's a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords. Read more
Order your copy of the boxed set today
Our quickie pronunciation guide will help you get to know some of the names and places in the Inheritance series.
Ajihad
AH-zhi-hod
The Leader of the Varden
Argetlam
ARE-jet-lahm
Elven word to describe Dragon Riders meaning "silver hand"
Arya
AR-ee-uh
A powerful elf who is both beautiful and a master swordswoman
Eragon
EHR-uh-gahn
A Dragon Rider from Carvahall
Ra-zac
RAA-zack
Evil creatures
Saphira
suh-FEAR-uh
Eragon's dragon
*Art copyright © 2004 John Jude Palencar
Eragon and his dragon, Saphira, have just saved the rebel state from destruction by the mighty forces of King Galbatorix, cruel ruler of the Empire. Now Eragon must travel to Ellesmera, land of the elves, for further training in the skills of the Dragon Rider: magic and swordsmanship. Soon he is on the journey of a lifetime, his eyes open to awe-inspring new places and people, his days filled with fresh adventure. But chaos and betrayal plague him at every turn, and nothing is what it seems. Before long, Eragon doesn’t know whom he can trust.
Meanwhile, his cousin Roran must fight a new battle–one that might put Eragon in even graver danger.
Will the king’s dark hand strangle all resistance? Eragon may not escape with even his life. . . .
Praise for Eragon:
“Unusual, powerful . . . fresh and fluid. An impressive start to a writing career that’s sure to flourish.” –Booklist, Starred
“Christopher Paolini make[s] literary magic with his precocious debut.” –People
“The new ‘It’ book of children’s lit.” –U.S. News & World Report
“An auspicious beginning to both career and series.” –Publishers Weekly
A #1 New York Times Bestseller
A #1 Publishers Weekly Bestseller
A USA Today Bestseller
A Wall Street Journal Bestseller
A Book Sense Book of the Year
A #1 Book Sense Selection
From the Hardcover edition.
Eragon and his dragon, Saphira, have just saved the rebel state from destruction by the mighty forces of King Galbatorix, cruel ruler of the Empire. Now Eragon must travel to Ellesmera, land of the elves, for further training in the skills of the Dragon Rider: magic and swordsmanship. Soon he is on the journey of a lifetime, his eyes open to awe-inspring new places and people, his days filled with fresh adventure. But chaos and betrayal plague him at every turn, and nothing is what it seems. Before long, Eragon doesn’t know whom he can trust.
Meanwhile, his cousin Roran must fight a new battle–one that might put Eragon in even graver danger.
Will the king’s dark hand strangle all resistance? Eragon may not escape with even his life. . . .
Praise for Eragon:
“Unusual, powerful . . . fresh and fluid. An impressive start to a writing career that’s sure to flourish.” –Booklist, Starred
“Christopher Paolini make[s] literary magic with his precocious debut.” –People
“The new ‘It’ book of children’s lit.” –U.S. News & World Report
“An auspicious beginning to both career and series.” –Publishers Weekly
A #1 New York Times Bestseller
A #1 Publishers Weekly Bestseller
A USA Today Bestseller
A Wall Street Journal Bestseller
A Book Sense Book of the Year
A #1 Book Sense Selection
From the Hardcover edition.
Dull, Derivative, Didactic.......2007-09-27
In addition to these flaws, Paolini has added in another literary no-no. Preachiness. Though we saw hints of his amateur philosophy in Eragon, it's ten times worse in Eldest. He uses Oromis as a soapbox to inject random sermons on atheism and vegetarianism into his story. I have no problem with sermons in fiction if they are relevant to themes well-woven into the plot. Yet atheism, religion, and vegetarianism seem irrelevant to Eragon's fight with Galbatorix. So why are they there?
The worst part is that Eldest's religious debates are frightfully immature. Neither side is well articulated. Oromis is a superficial question-dodger (which embarrasses me as an atheist). The religious characters are stereotypical screaming, spitting, straw men (that last alliterative bit surpasses all Paolini's poetic ability by the way). I can only pray (pun intended) that Paolini will give up this sad adolescent attempt at depth.
Awesome Continuation of an Incredible Book.......2007-09-17
I had read some reviews which complained about the training which Eragon and Saphira go through - how it takes up so much time and how its so boring and all that. I'll admit I'm a bit of a nerd, but I thought Paolini did an excellent job keeping things moving through the training phase. He actually left me wanting more. He also utilizes that period in the book to explore a little more the history of the world he's created. You can see a very strong Tolkien emphasis there (not to mention with many of the names he's chosen for characters and places!).
And I think this book turns the tale more into a multi-character tale, with the return of Roran and the adventure he undertakes which eventually links him back to Eragon.
Overall, very well done. I pretty much inhaled the book - it definitely moved and kept the story rolling on. I had a really hard time putting it down every night. It's also neat to see Paolini's maturation as an author. And I just can't wait for the third book!
Amazing book!!!!.......2007-09-10
A Derivitave Cluster (Insert Expletive).......2007-09-05
1. Because Obi-Wan Kenobi/Brom's died before completing Luke/Eragon's training, he travels to Dagobah/Elven Lands, to complete his training with Master Yoda/Deebag Lord of Elves.
2. Hero trains for awhile in secluded location by last jedi master/dragonrider left.
3. Luke/Eragon gets a vison of his friends in trouble and travels to Cloud City/Battlefield where he meets a dark figure who he battles and loses his lightsabre/dragonsword in the process. The critical all shocking moment is when Darth Vader/Red Dragon Knight reveals that Luke/Eragon I am your father/brother. Of course if you could be blind as a bat reading the book in braile and seen that Murtag was the red dragon rider about a million miles away...so it wasn't much of a revelation.
4. This book is bad, not in the mildly gosh that's several hours of my life I'll never get back but in a jaw dropping, utterly shocked, the world is now dumber for having read this book way. I read a review that mentioned that the editor of this book did a dismal job. He was certainly accurate in that assessment. Abysmally written, unoriginal to a point of plot plagarism, and editing to shock the conscience.
5. I know that Amazon requires you be over the age of 13 to post a review but I have to sincerely believe that no one over the age of 12 could honestly get mild entertainment out of such a sloppy mess as Eldest. It makes me worry to see so many positive reviews of such utter tripe.
6. I have a Bachelor's Degree in English Literature which I earned departmental Honor's in as well as Juris Doctor degree. Not that it makes my point anymore valid or the book any worse. But I would recommend avoiding this book like a leper with a bad case of herpes.
Nice derivation for uses of magic and when it comes from.......2007-08-29
Looking forward to Book 3.
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Eragon / Eldest (Inheritance, Books 1 & 2)
Christopher Paolini
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ASIN: 0375826696
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A New York Times Bestseller
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BOOKLIST, STARRED REVIEW
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PEOPLE
Adults and Kids!.......2007-10-06
What utter drek........2007-10-03
If you want to read an adolescent fantasy novel, go read The Golden Compass, or a Wrinkle in Time. Don't even bother touching trash like this.
Eragon.......2007-09-27
Eragon is a classic coming of age story, with fresh writing, and new perspective. Yes, there is magic and dragons, and a young hero coming to terms with responsibility and adulthood, and an evil, corrupt king to trust his growing powers. All classic elements of the fantasy genre, but the story and the characters drive the tale, giving solid footing to well-worn foundations.
Eragon is a solid first novel, and there's great promise in Christopher Paolini. He was only sixteen when he penned this novel. If you are a reader of fantasy, you'll see influence from masters of the genre-such as Tolkien, and Ann McCaffrey, and even elements of the Star Wars saga. But I like to think good story telling transcends the boundaries of genre, and this is a book with sound plot, good character development, and an epic tale to lose yourself. I found Eragon to be one of those rare books I never wanted to end, but luckily the next book in the trilogy, Eldest, has been released. So, you know what I'm reading next!
Author "Hobo Finds A Home" and editor of "Of A Predatory Heart"
Eragon.......2007-09-25
Eragon Inheritance Book 1.......2007-09-22
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Eragon/Eldest Trade Paperback Boxed Set
Christopher Paolini
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ASIN: 0375842403
Release Date: 2007-03-13
Great Book!.......2007-08-06
Better than the movie..........2007-08-04
Not too shabby.......2007-08-01
Too predictable........2007-06-22
I found the tale predictable as the author adheres far too ridgedly to the classic hero's journey. Unlike with Tolkien's epic, which Paolini is obviously attempting to imitate, or the Star Wars Trilogy (Episodes IV-VI), there is no real sense of tension troughout these works. I was never surprised by anything that happened in the story, nor have I any real doubt about the ultimate outcome. Furthermore, though Paolini's world, Alagaesia, comes with it's own distinct races, cultures and liguistics, it lacks the profound sense of history that is one of the wonderful hallmarks of Tolkien's Middle Earth, leaving one with a gnawing impression of deficiency. Moreover, I found the characters rather two-dementional: lacking in depth and generally uninteresting upon the whole.
All this is understadable. Unlike Tolkien, who was a professor of ancient languages and mythology, as well as WWI combat veteran, when he wrote The Lord of the Rings, Paolini was still an adolescent at the time these books were written and his novels evidence inexperience throughout their length. Having yet to embark upon his own life's quest, Paolini's insights into the causes of human behavior and its effects on others are more theoretical than precise. Consequently, I have real doubts about his ability to develop Eragon into a grown man by the end of the third book, as he himself has yet to fully mature.
One might feel that my comparison of the Inheritance Trilogy to the Lord of the Rings is unfair, but since Paolini clearly set out to mimic Tolkien, I believe such treatment to be fully justified. That said, Paolini admittedly possesses raw literary talent, but reminds me of a minor league ball player who has advanced to the majors too soon. Wisdom would have waited another thirty or forty years before attempting to tackle the grand master of fantasy.
Rip off of JRR Tolkien.......2007-05-17
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
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How to Write Science Fiction & Fantasy
Orson Scott Card
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Short, sweet, to the point.......2007-10-07
For example, Mr. Card writes that you should know why things are the way they are in your world. (Well duh, right?) Of course you should know why things work the way they do in your world, whether it's how spaceships manage to travel faster than light, or what the price of magic is. But the important thing is to know how all this stuff works before you really start, as opposed to making it up as you go. If you know what the rules are, then you can make your world believable. (Also, you don't have to keep going back and forth trying to find what you wrote before so that you don't contradict yourself.) What your characters do within those rules can happen spur of the moment, but the world they live in must be pretty well defined in your own mind before they start living there.
The last section (The Life and Business of Writing) was the least intuitive of all, but so necessary. Getting published doens't mean quitting your day job (OK, that part was intuitive). Some of what he says is almost disheartening, but my feeling is, being prepared is better than being surprised. Knowing about the pitfalls can help you avoid them.
I could go on and on about how helpful this book is, but I have a future bestseller calling to me, demanding that I plug a few holes and flesh out some of those pesky middle parts. So get this book if you like to write sci-fi or fantasy and your intuition is being a bit non-specific. It's good, plain and simple.
Helpful thoughts on fantasy and sci-fi specific issues.......2007-07-25
How to Write Science Fiction & Fantasy.......2007-06-25
Don't Bother..........2007-05-13
A good history lesson.......2007-04-11
Paul Genesse, Author & Copy Editor
[...]
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Swordbird
Nancy Yi Fan
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Release Date: 2007-01-30
Swordbird.......2007-08-13
People all say "oh, this is a wonderful book for children!" but all the inaccuracies and predictable plotlines got annoying. It also didn't help that the book was like a spin-off from the Redwall series. Sorry, but the only good thing in it were the illustrations. Maybe there is a reason why most authors are adults.
A little book with a big moral.......2007-06-25
A book that's great all the way.
Swordbird.......2007-06-23
Fan's book is focussed on birds who battle each other, and is mostly action-oriented. King's book is focussed in a thief turned wizard and her friends, and has action, adventure, and humor. Of the two, my family had the most fun with King's book. You can't help but laugh when Digorence the gnome makes an appearance.
I'd recommend both books to young readers. What a great time we live in when young writers like Fan and King can touch our hearts!
We love Swordbird!.......2007-06-09
I just want to say, your book was very enjoyable, and I have recommended it to all of my friends. I think you will be the most famous author in the world, next to Charles Dickens and J. K. Rowling. Well, it'll be really cool if you can email me back along with your probably other thousands of fans.
-Sunghyun Kim (10 yrs old, CA)
Isn't it just amazing to think that such an original story such as swordbird can come from someone of this age? She really captured a sense of freedom in this story and not many people can truly write from their hearts about how they feel about that kind of thing. Nancy will always remain a favorite author of mine and swordbird, a favorite book.
My favorite part of the whole book is the epilogue where Aska leaves swordbird's feather on Milton's grave and the grave seems to get brighter.
Long live Windvoice! Happy Writing!
- Emily R.
I would strongly recommend this book to ages nine and up. I think it is worth spending money for Swordbird. I enjoyed it very much. The book uses strong words that are very powerful.
This book reminded me of some events in history, slavery. I would recommend this book for those who like the Redwall and Warriors. I would also recommend this book to strong readers, people who like action, powerful words, and those who enjoy a great story.
- Kaitlyn (11 yrs old)
An outstanding book I've ever read before! Nancy Yi Fan has a amazing talent for writing. The plot was just outstanding! Brilliant work Nancy! It was worth it!
-Hazel H. (13 yrs old)
A group of young writers' comments.......2007-06-09
I just finished Swordbird and it's an excellent book. I thought it was nice that I'm not the only one who has thoughts about peace and war. It was a powerful book. If the book becomes a movie, I think it would win an award. Great job. It gave me inspiration to turn my story into a book.
- Megan, 14 yrs old, Long Island, NY
I really like this book because it's exciting and different because the characters are all birds. The blue jays are battling the cardinals because an evil hawk is tricking them by stealing their food and eggs. The hawk is trying to build a fortress so he can rule the bird world and he makes the other birds into slaves. Swordbird is the hero in the story because he saves the other birds. The story is exciting because there are many different places in the bird world and the hawk is trying to rule it all. I also like this book because the author wrote it when she was in the sixth grade.
- Dalton Booker, 3rd grade
The book is an amazing tale filled with adventure, courageous characters and a message the whole world needs to hear: "Peace is wonderful; freedom is sacred."
Nancy Yi Fan uses such imagination and vivid detail in the story that you begin to feel as if you're in the book. Swordbird is perfect for any teenager with a good imagination and hopes for a more peaceful world.
-Taylor Glogowski (15 yrs old)
I was totally crazy about your book! I finished the book this weekend and it is amazing! I found it so amazing that Nancy Yi Fan wrote a novel that included both peace and violence. It was so impressive that Nancy wrote this when she was 11! The story is full of suspense and the characters are all birds. I would've have thought of that as a story. I hope Nancy Yi Fan continues to write amazing novels. This book should be sold in every language around the world! This book is truly 5 stars. I want Nancy Yi Fan to know that she has been a true inspiration and I hope in the future I could create a book just like this one!
-Sharon, 5th grader
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The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community
Diana Pavlac Glyer
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ASIN: 0873388909
The literary community as a source of Tolkein's and Lewis's fantasy classics.......2007-09-19
In an appendix by a David Bratman, relevant background on 17 members of the Inklings besides Tolkein and Lewis is given. Most became university professors of English or medieval literature or of language studies, with most doing scholarly writings on literary criticism. This work of literary criticism and author biography is obviously timely given the current interest in these authors as evidenced by widely-popular movies made from books of theirs.
A book I wish I could write.......2007-04-27
Warning! Homework distraction!.......2007-04-24
Keeping Company with The Inklings.......2007-04-02
"The Company They Keep" is a must read for writers as well as enthusiasts of the Inklings.
A Longer Review & Some Comments from the Real Critics.......2007-01-16
Verlyn Flieger, professor of English, University of Maryland at College Park, Author of _Splintered Light_ and _A Question of Time_
"Not only does _The Company They Keep_ provide a much-needed fresh look at the Inklings, but it also affords rich insights into the creative and collaborative process itself. There is much to learn and much to enjoy in this excellent volume. This engaging study deserves a place in the library of all those who value the works of the Inklings and is also a worthwhile volume for any who are interested in examining the craft of writing and the impact of creating within the community."
Marjorie Lamp Mead, associate director of the Marion E. Wade Center, Wheaton College
"_The Company They Keep_ is an astonishingly thorough work, lucidly and boldly illuminating the collaborative writing process of Lewis, Tolkien, and their colleagues during the most fruitful period of their careers. Diana Glyer's impressive achievement supersedes in scope and authority all previous treatments of the Inklings and will perhaps become the new standard by which rhetoricians and literary critics should judge the cogency of subsequent research into the phenomenon of writing in community."
Bruce L. Edwards, professor of English, Bowling Green State University
In 1978, Humphrey Carpenter published _Inklings: C. S. Lewis, J. R. R. Tolkien, Charles Williams and Their Friends_. Although Carpenter's book is perhaps more a biography of C. S. Lewis than anything else, it remains an important and seminal work. However, if Carpenter erred in anything in his book, it was his persistent conviction that the Inklings did not influence one another. For instance, he states matter-of-factly, "It must be remembered that the word `influence', so beloved of literary investigators, makes little sense when talking about their [the Inklings'] association with each other. Tolkien and Williams owed almost nothing to the other Inklings, and would have written everything they wrote had they never heard of the group" (160).
Wholeheartedly disagreeing with Carpenter, Diana Glyer sets out in _The Company They Keep_ to show how and why the Inklings did, in fact, influence one another. Her work is a conglomerate of biography, composition theory, and literary criticism. She not only illuminates your understanding of this remarkable writing group but also expands your concept of the word influence. She persuasively argues that through encouragement, opposition, editing, and collaboration, the Inklings influenced each other's writing in a rich and profound way.
Had this been the book's only strength, I would say that Glyer's book had achieved more than any work written on the Inklings in the last three decades. However, the book's remarkable appeal does not stop there. Another great feat of this book is the amount of time and effort the author poured into her research. To say that the author was exhaustive in her research is perhaps an understatement. There are very few primary and secondary sources she leaves unexplored. In addition, there is a significant amount of previously unpublished material. To put this project in perspective, her Works Cited is 20 pages.
Again, this would be enough to encourage most readers to purchase this book. However, I would add one final note. The beauty of this book lies in the clarity and eloquence of the author's prose. It is one of those extraordinary academic works that is actually easy and enjoyable to read.
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History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
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ASIN: 2913621066
Check and see.......2007-06-21
Suprise! Suprise!.......2007-03-22
Prescient St Augustine?.......2006-02-05
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
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Demon in My View (Laurel-Leaf Books)
Amelia Atwater-Rhodes
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ASIN: 0440228840
Release Date: 2001-09-11
But two new students have just arrived in Ramsa, and both want Jessica's attention. She has no patience for overly friendly Caryn, but she's instantly drawn to Alex, a handsome boy who seems surprisingly familiar. If she didn't know better, she'd think that Aubrey, the alluring villain from her novel, had just sprung to life. That's impossible, of course; Aubrey is a figment of her imagination. Or is he?
Don't waste your money.......2007-10-11
Honestly, it just didn't do it for me........2007-09-30
Well, I was sourly disapointed.
In the book a "flawless" girl named Jessica has a talent for writing vampire storys and thinks thats all that they are- storys.
Then the relization kicks in on how her storys are actually real and vampires want to kill her, one falls in love with her, typico!
I found myself hating this Jessica. Too perfect was she, the author should have created some flaws to make her less dry and boring.
The book was so pridictable that at one point I put it down and didn't come back to it for a week, already knowing what was going to happen.
To me, it was dry and tastless. yet, for a fifteen year old I think if she stives towards making her charatures more interesting, she could come out with a good one.
It honestly didn't do it for me, and if your still debating on wether or not to read it I say go for it. Just, be prepared for disapointment.
Impressed.......2007-08-15
Very good........2006-12-18
Demon in My Veiw is about a girl named Jessica who doesn't fit in at school at all. She is looking for something to do , some excitment and when Aubry shows up as a new student at school there is deffinetly some excitement. He is a complete mystery and Jessica decides she will go all the way until she knows more about him. Throughout the book Jessica begins to relize Aubry is very dangerous ,but the great thing about it is she doesn't care! It is a great book , for sure.
Wonderful story.......2006-10-31