Book Description
Darkness falls…despair abounds…evil reigns…
Eragon and his dragon, Saphira, have just saved the rebel state from destruction by the mighty forces of King Galbatorix, cruel ruler of the Empire. Now Eragon must travel to Ellesmera, land of the elves, for further training in the skills of the Dragon Rider: magic and swordsmanship. Soon he is on the journey of a lifetime, his eyes open to awe-inspring new places and people, his days filled with fresh adventure. But chaos and betrayal plague him at every turn, and nothing is what it seems. Before long, Eragon doesn’t know whom he can trust.
Meanwhile, his cousin Roran must fight a new battle–one that might put Eragon in even graver danger.
Will the king’s dark hand strangle all resistance? Eragon may not escape with even his life. . . .
Praise for Eragon:
“Unusual, powerful . . . fresh and fluid. An impressive start to a writing career that’s sure to flourish.” –Booklist, Starred
“Christopher Paolini make[s] literary magic with his precocious debut.” –People
“The new ‘It’ book of children’s lit.” –U.S. News & World Report
“An auspicious beginning to both career and series.” –Publishers Weekly
A #1 New York Times Bestseller
A #1 Publishers Weekly Bestseller
A USA Today Bestseller
A Wall Street Journal Bestseller
A Book Sense Book of the Year
A #1 Book Sense Selection
From the Hardcover edition.
Download Description
Darkness falls…despair abounds…evil reigns…
Eragon and his dragon, Saphira, have just saved the rebel state from destruction by the mighty forces of King Galbatorix, cruel ruler of the Empire. Now Eragon must travel to Ellesmera, land of the elves, for further training in the skills of the Dragon Rider: magic and swordsmanship. Soon he is on the journey of a lifetime, his eyes open to awe-inspring new places and people, his days filled with fresh adventure. But chaos and betrayal plague him at every turn, and nothing is what it seems. Before long, Eragon doesn’t know whom he can trust.
Meanwhile, his cousin Roran must fight a new battle–one that might put Eragon in even graver danger.
Will the king’s dark hand strangle all resistance? Eragon may not escape with even his life. . . .
Praise for Eragon:
“Unusual, powerful . . . fresh and fluid. An impressive start to a writing career that’s sure to flourish.” –Booklist, Starred
“Christopher Paolini make[s] literary magic with his precocious debut.” –People
“The new ‘It’ book of children’s lit.” –U.S. News & World Report
“An auspicious beginning to both career and series.” –Publishers Weekly
A #1 New York Times Bestseller
A #1 Publishers Weekly Bestseller
A USA Today Bestseller
A Wall Street Journal Bestseller
A Book Sense Book of the Year
A #1 Book Sense Selection
From the Hardcover edition.
Customer Reviews:
Dull, Derivative, Didactic.......2007-09-27
In Eldest, Paolini carries over all his mistakes with Eragon. The stealing from LOTR and Star Wars is more blatant than before. The needless details and purple prose are still there. The dialogue and characters are dryer than ever.
In addition to these flaws, Paolini has added in another literary no-no. Preachiness. Though we saw hints of his amateur philosophy in Eragon, it's ten times worse in Eldest. He uses Oromis as a soapbox to inject random sermons on atheism and vegetarianism into his story. I have no problem with sermons in fiction if they are relevant to themes well-woven into the plot. Yet atheism, religion, and vegetarianism seem irrelevant to Eragon's fight with Galbatorix. So why are they there?
The worst part is that Eldest's religious debates are frightfully immature. Neither side is well articulated. Oromis is a superficial question-dodger (which embarrasses me as an atheist). The religious characters are stereotypical screaming, spitting, straw men (that last alliterative bit surpasses all Paolini's poetic ability by the way). I can only pray (pun intended) that Paolini will give up this sad adolescent attempt at depth.
Awesome Continuation of an Incredible Book.......2007-09-17
I had been waiting for years when this came out. After reading Eragon, the first of the Inheritance Trilogy, I was just left hanging with the abrupt ending. Well this one picks up just about as abruptly, and doesn't really let go or calm down throughout.
I had read some reviews which complained about the training which Eragon and Saphira go through - how it takes up so much time and how its so boring and all that. I'll admit I'm a bit of a nerd, but I thought Paolini did an excellent job keeping things moving through the training phase. He actually left me wanting more. He also utilizes that period in the book to explore a little more the history of the world he's created. You can see a very strong Tolkien emphasis there (not to mention with many of the names he's chosen for characters and places!).
And I think this book turns the tale more into a multi-character tale, with the return of Roran and the adventure he undertakes which eventually links him back to Eragon.
Overall, very well done. I pretty much inhaled the book - it definitely moved and kept the story rolling on. I had a really hard time putting it down every night. It's also neat to see Paolini's maturation as an author. And I just can't wait for the third book!
Amazing book!!!!.......2007-09-10
I was bored one day at my libary and so i picked Eragon, that was most likly one of the best desisions of my life. It started my on this world of adventure Eldest, the sequel takes off right where Eragon left off and while being much thicker in length is also much better in story and plot. The Author does a great job in creating a world that just bursts in creativity, while also involving some of the clasic elements of surprise, suspence, romance, and the thrill before a battle. Eldest also brings you deep into the culture of Alligasia, I personaly did an all nighter while reading this book, i just could not put it down. My only disappointnent was that it had such a cliff hanger at the end!!! You should not read this book before reading Eragon, but please do read this eventually because this is currently the best book ever written!
A Derivitave Cluster (Insert Expletive).......2007-09-05
Although some have commented on this previously I will try and put my own spin on this...(warning plot spoilers, what little plot there was are below)
1. Because Obi-Wan Kenobi/Brom's died before completing Luke/Eragon's training, he travels to Dagobah/Elven Lands, to complete his training with Master Yoda/Deebag Lord of Elves.
2. Hero trains for awhile in secluded location by last jedi master/dragonrider left.
3. Luke/Eragon gets a vison of his friends in trouble and travels to Cloud City/Battlefield where he meets a dark figure who he battles and loses his lightsabre/dragonsword in the process. The critical all shocking moment is when Darth Vader/Red Dragon Knight reveals that Luke/Eragon I am your father/brother. Of course if you could be blind as a bat reading the book in braile and seen that Murtag was the red dragon rider about a million miles away...so it wasn't much of a revelation.
4. This book is bad, not in the mildly gosh that's several hours of my life I'll never get back but in a jaw dropping, utterly shocked, the world is now dumber for having read this book way. I read a review that mentioned that the editor of this book did a dismal job. He was certainly accurate in that assessment. Abysmally written, unoriginal to a point of plot plagarism, and editing to shock the conscience.
5. I know that Amazon requires you be over the age of 13 to post a review but I have to sincerely believe that no one over the age of 12 could honestly get mild entertainment out of such a sloppy mess as Eldest. It makes me worry to see so many positive reviews of such utter tripe.
6. I have a Bachelor's Degree in English Literature which I earned departmental Honor's in as well as Juris Doctor degree. Not that it makes my point anymore valid or the book any worse. But I would recommend avoiding this book like a leper with a bad case of herpes.
Nice derivation for uses of magic and when it comes from.......2007-08-29
Very good effort, and with a few parts that I found myself reading 5 or six times at different dates. If your have read it or happen to be Christopher Paolini, all I have to say is "Good Lord" middle section "Eldest", that section was my favorite. I also noticed the werecat clue you dropped in Eragon which as not reared it's head as of 2 books. A very good read, even if you are tired of old style fantasy books. The charactors make all the diffence.
Looking forward to Book 3.
Average customer rating:
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Eragon / Eldest (Inheritance, Books 1 & 2)
Christopher Paolini
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ASIN: 0375836586
Release Date: 2005-08-23 |
Book Description
In the #1 New York Times bestselling novels Eragon and Eldest, fifteen year-old Eragon discovers his destiny as a Dragon Rider. With only an ancient sword and the advice of an old storyteller for guidance, Eragon and his dragon must navigate the dangerous terrain and dark enemies of an Empire ruled by a king whose evil knows no bounds. This beautiful boxed set includes books I and II in the Inheritance trilogy.
Average customer rating:
- Adults and Kids!
- What utter drek.
- Eragon
- Eragon
- Eragon Inheritance Book 1
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Eragon (Inheritance, Book 1)
Christopher Paolini
Manufacturer: Knopf Books for Young Readers
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ASIN: 0375826696
Release Date: 2005-04-26 |
Amazon.com
Here's a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords.
Eragon, a young farm boy, finds a marvelous blue stone in a mystical mountain place. Before he can trade it for food to get his family through the hard winter, it hatches a beautiful sapphire-blue dragon, a race thought to be extinct. Eragon bonds with the dragon, and when his family is killed by the marauding Ra'zac, he discovers that he is the last of the Dragon Riders, fated to play a decisive part in the coming war between the human but hidden Varden, dwarves, elves, the diabolical Shades and their neanderthal Urgalls, all pitted against and allied with each other and the evil King Galbatorix. Eragon and his dragon Saphira set out to find their role, growing in magic power and understanding of the complex political situation as they endure perilous travels and sudden battles, dire wounds, capture and escape.
In spite of the engrossing action, this is not a book for the casual fantasy reader. There are 65 names of people, horses, and dragons to be remembered and lots of pseudo-Celtic places, magic words, and phrases in the Ancient Language as well as the speech of the dwarfs and the Urgalls. But the maps and glossaries help, and by the end, readers will be utterly dedicated and eager for the next book, Eldest. (Ages 10 to 14) --Patty Campbell
Book Description
Now in paperback! Fifteen-year-old Eragon believes that he is merely a poor farm boy—until his destiny as a Dragon Rider is revealed. Gifted with only an ancient sword, a loyal dragon, and sage advice from an old storyteller, Eragon is soon swept into a dangerous tapestry of magic, glory, and power. Now his choices could save—or destroy—the Empire.
A New York Times Bestseller
A USA Today Bestseller
A Wall Street Journal Bestseller
A Book Sense Bestseller
Download Description
A New York Times Bestseller
A USA Today Bestseller
A Wall Street Journal Bestseller
A Book Sense Bestseller
One boy... one dragon... A world of adventure
When Eragon finds a polished blue stone in the forest, he thinks it is the lucky discovery of a poor farm boy; perhaps it will buy his family meat for the winter. But when the stone brings a dragon hatchling, Eragon realizes he has stumbled upon a legacy nearly as old as the Empire itself.
Overnight his simple life is shattered, and he is thrust into a perilous new world of destiny, magic, and power. With only an ancient sword and the advice of an old storyteller for guidance, Eragon and the fledgling dragon must navigate the dangerous terrain and dark enemies of an Empire ruled by a king whose evil knows no bounds. Can Eragon take up the mantle of the legendary Dragon Riders? The fate of the Empire may rest in his hands.
Visit
Alagaesia.com to find out more about Eragon and the Inheritance Trilogy.
"Unusual, powerful, fresh, and fluid.... An impressive start to a writing career that's sure to flourish."
BOOKLIST, STARRED REVIEW
"[A] solid, sweeping epic fantasy..."
KIRKUS REVIEWS
"An auspicious beginning to both career and series."
PUBLISHERS WEEKLY
"An authentic work of great talent."
THE NEW YORK TIMES BOOK REVIEW
"Christopher Paolini make[s] literary magic with his precocious debut."
PEOPLE
Customer Reviews:
Adults and Kids!.......2007-10-06
This is a marvelous book that my son and I read for one of his school projects. By the time we finished with the book, virtually the whole family was wrapped up in it. We watch as a small town boy finds himself the chosen one of a wonderful but very dangerous item. When this item turns into a "pet," things get really exciting... and Hazardous. Read as Eragons life is torn apart, and his very life is linked with a dragon. This book (an the next) are books that will have you reading well into the night with anticipation. The characters come alive in this wonderfully creative book. Best of all, if you have young writers in your home, this is especially a must read because if you check out the age on this writer, you will find he was quite young when he wrote it... proving our point that kids can do great things!
What utter drek........2007-10-03
I was excited to read this book, what with all of the praise I had heard for the 17-year-old that had written. How disappointed was I. This is, without an ounce of doubt, the most poorly written book I have ever regrettably paid money for. Shoddy characters, a splotchy story, and an over all plot that seems to pull from other fantasy writers that are much, much better than he is. Honestly, I cannot believe how many mistakes he made while writing his story. I just wanted to take a red pen and scribble out whole pieces of useless details.
If you want to read an adolescent fantasy novel, go read The Golden Compass, or a Wrinkle in Time. Don't even bother touching trash like this.
Eragon.......2007-09-27
The lazy, hazy, crazy days of Summer, a great time to lounge in the shade, sip a cold lemonade, and lose yourself in a good book-Ahh, so many books, so little time. Yep, it reminds me of those carefree days of youth. And for the young reader, or the child in you, I very much recommend Eragon , a first novel, and first in a new fantasy trilogy by young author Christopher Paolini.
Eragon is a classic coming of age story, with fresh writing, and new perspective. Yes, there is magic and dragons, and a young hero coming to terms with responsibility and adulthood, and an evil, corrupt king to trust his growing powers. All classic elements of the fantasy genre, but the story and the characters drive the tale, giving solid footing to well-worn foundations.
Eragon is a solid first novel, and there's great promise in Christopher Paolini. He was only sixteen when he penned this novel. If you are a reader of fantasy, you'll see influence from masters of the genre-such as Tolkien, and Ann McCaffrey, and even elements of the Star Wars saga. But I like to think good story telling transcends the boundaries of genre, and this is a book with sound plot, good character development, and an epic tale to lose yourself. I found Eragon to be one of those rare books I never wanted to end, but luckily the next book in the trilogy, Eldest, has been released. So, you know what I'm reading next!
Author "Hobo Finds A Home" and editor of "Of A Predatory Heart"
Eragon.......2007-09-25
This book was ok. The story was pretty good. I really liked the characters, but I wish there was more information about their personalities and backgrounds.
Eragon Inheritance Book 1.......2007-09-22
My 12 y/o son loves this book. He cannot put it down and has read it several times. He cannot wait for the next installment to be published!
Customer Reviews:
Great Book!.......2007-08-06
Eragon is a great book. I was looking for something to read in between Harry Potter books and this was a great choice! I saw the movie and didn't even realize that it was based on these books.
Better than the movie..........2007-08-04
These two books really show off the author's talent a a writer. I was glued to the pages until I finished and then wanted more.
Not too shabby.......2007-08-01
For the price, the book set isn't bad. I've finished Eragon and am working on Eldest, and I've found the books to be entertaining (certainly much better than the movie). Still, they aren't on quite the same level of fantasy writing as some of the more popular authors. Despite this, the books are very understandable and easy to read for younger readers.
Too predictable........2007-06-22
While the first two novels of the Inheritance Trilogy, Eragon and Eldest, are a decent first attempt of a budding young author, they certainly cannot be considered masterpieces of fantasy and likely would never have been published had Paolini's parents not owned their own publishing company.
I found the tale predictable as the author adheres far too ridgedly to the classic hero's journey. Unlike with Tolkien's epic, which Paolini is obviously attempting to imitate, or the Star Wars Trilogy (Episodes IV-VI), there is no real sense of tension troughout these works. I was never surprised by anything that happened in the story, nor have I any real doubt about the ultimate outcome. Furthermore, though Paolini's world, Alagaesia, comes with it's own distinct races, cultures and liguistics, it lacks the profound sense of history that is one of the wonderful hallmarks of Tolkien's Middle Earth, leaving one with a gnawing impression of deficiency. Moreover, I found the characters rather two-dementional: lacking in depth and generally uninteresting upon the whole.
All this is understadable. Unlike Tolkien, who was a professor of ancient languages and mythology, as well as WWI combat veteran, when he wrote The Lord of the Rings, Paolini was still an adolescent at the time these books were written and his novels evidence inexperience throughout their length. Having yet to embark upon his own life's quest, Paolini's insights into the causes of human behavior and its effects on others are more theoretical than precise. Consequently, I have real doubts about his ability to develop Eragon into a grown man by the end of the third book, as he himself has yet to fully mature.
One might feel that my comparison of the Inheritance Trilogy to the Lord of the Rings is unfair, but since Paolini clearly set out to mimic Tolkien, I believe such treatment to be fully justified. That said, Paolini admittedly possesses raw literary talent, but reminds me of a minor league ball player who has advanced to the majors too soon. Wisdom would have waited another thirty or forty years before attempting to tackle the grand master of fantasy.
Rip off of JRR Tolkien.......2007-05-17
Tons of hype, NYT best seller and a movie; boy did I expect more! Its nothing more than a rip off of Lord of the Rings, without the cute little hobbits. Dwarves live underground, make elaborate cities in mountains, bond with stone. Graceful Elves have pointy ears, live a long time, are aloof and above mere mortals. Protagonist is a young male-on-a-mission. Long trek with protagonist at center, elf and dwarf in-tow ensues. Sound familiar? It should. Its a re-invention of the characters and even sub plots of the LofR trilogy, only not nearly as well written or clever. Tired, familiar, and predictable, I'd like a refund. Time better spent rereading the original Tolkien. Pass on this.
Average customer rating:
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
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Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Book Description
Finally, Orson Scott Card's Hugo award-winning classic on the art and craft of writing science fiction and fantasy is available in paperback! Card provides invaluable advice for every science fiction and fantasy writer interested in constructing stories about people, worlds and events that stretch the boundaries of the possible...and the magical. They'll learn: * what is and isn't science fiction and fantasy, and where their story fits in the mix * how to build, populate, and dramatize a credible, inviting world readers will want to explore * how to use the MICE quotient--milieu, idea, character and event--to structure a successful story * where the markets are, how to reach them and get published There's no better source of information for writers working in these genres. This book will help them effectively produce exciting stories that are both fascinating and market-ready.
Customer Reviews:
Short, sweet, to the point.......2007-10-07
This is an awesome little book that delves into the basics of writing speculative fiction from world building to publishing to dealing with family members who don't understand your need to write. I read one Amazon reviewer who didn't care for this book because everything in it is intuitive. Yes, most of what's in here makes perfect sense in a "Well, duh!" kind of way, but sometimes intuitive things need to be spelled out clearly. You may kind of know something at the back of your brain, but unless you can bring it to the front of your mind, it's not going to work for you. This book brings these things to the front of your mind, simply, clearly, and effectively.
For example, Mr. Card writes that you should know why things are the way they are in your world. (Well duh, right?) Of course you should know why things work the way they do in your world, whether it's how spaceships manage to travel faster than light, or what the price of magic is. But the important thing is to know how all this stuff works before you really start, as opposed to making it up as you go. If you know what the rules are, then you can make your world believable. (Also, you don't have to keep going back and forth trying to find what you wrote before so that you don't contradict yourself.) What your characters do within those rules can happen spur of the moment, but the world they live in must be pretty well defined in your own mind before they start living there.
The last section (The Life and Business of Writing) was the least intuitive of all, but so necessary. Getting published doens't mean quitting your day job (OK, that part was intuitive). Some of what he says is almost disheartening, but my feeling is, being prepared is better than being surprised. Knowing about the pitfalls can help you avoid them.
I could go on and on about how helpful this book is, but I have a future bestseller calling to me, demanding that I plug a few holes and flesh out some of those pesky middle parts. So get this book if you like to write sci-fi or fantasy and your intuition is being a bit non-specific. It's good, plain and simple.
Helpful thoughts on fantasy and sci-fi specific issues.......2007-07-25
Having taken a number of fiction-writing classes, I thought that the most valuable part of this book was that it discusses the ways in which writing a good fantasy novel or sci-fi novel is not the same as writing non-genre fiction. Past workshops have given me plenty of information on character-building and similar standard elements of fiction, but it was really helpful to have someone articulate the special concerns needing attention in the realm of fantasy.
How to Write Science Fiction & Fantasy.......2007-06-25
If you've never written Sci-fi and DON'T know the market it's 5 star, even though its print date is a little old. It's a start. I'm not all the way through the book and so far most of what's discussed I already knew--through my own research.
Don't Bother..........2007-05-13
I began reading "How to Write SF & F" with high hopes, which were ultimately dashed. This man has no business writing a how-to guide. In fact, he gives the worst advice on agents and publishers I have ever heard. If you are seriously interested in writing sf or fantasy (i.e. you write sf/f whether or not you are paid), please save yourself the few hours it will take you to read this and spend it writing instead. There is more useful information on the many websites on this topic than Card gives in this book; most of it is regurgitated in watered-down form from the many excellent writing guides on the market. Though I think the idea in his style is to portray himself as wise and all-knowing, he just comes off as arrogant and pompous. There are probably only a few chapters of actual meat in this book and the rest is filled with stories about the struggles of the unrecognized writer to support his family, his long-suffering wife (who he mentions as a side note had a miscarriage and he carted her off to her mother's so he could write in peace), and of course shameless name-dropping-- including constantly mentioning other books he's written. It took me a whopping two-and-a-half hours to read this "guide", at the end of which I was left feeling empty and annoyed. Card is a hack that has somehow been allowed to continue to write through some strange miracle of publishing. My granny has more talent in her bunion.
A good history lesson.......2007-04-11
How To Write Science Fiction & Fantasy by Orson Scott Card spells out the history of sci-fi and fantasy and gives advice on how to continue the tradition with your own work. Card has read so many old books that it boggles my mind. I wish I'd read as many books as he has. He's also written some great books, so he knows what he's talking about. This book was one of the first books I read about writing when I started my career as a fantasy author. It definitely helped me get published and gave me valuable information about the genre that I love. It's not essential, but a good treatise on the history of the f/sf genre.
Paul Genesse, Author & Copy Editor
[...]
Average customer rating:
- Swordbird
- A little book with a big moral
- Swordbird
- We love Swordbird!
- A group of young writers' comments
|
Swordbird
Nancy Yi Fan
Manufacturer: HarperCollins
ProductGroup: Book
Binding: Hardcover
Fiction
| Birds
| Animals
| Children's Books
| Subjects
| Books
Science Fiction, Fantasy, & Magic
| Science Fiction, Fantasy, Mystery & Horror
| Literature
| Children's Books
| Subjects
| Books
General
| Literature
| Children's Books
| Subjects
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General
| Ages 9-12
| Children's Books
| Subjects
| Books
ASIN: 0061130990
Release Date: 2007-01-30 |
Book Description
The blue jays and cardinals of Stone-Run Forest have turned against each other. According to legend, only Swordbird, son of the Great Spirit, has the power to conquer evil and restore peace to the land. But is he real or just a myth? Can Swordbird arrive in time to save the forest . . . or will it be too late?
Twelve-year-old author Nancy Yi Fan has woven a captivating tale about the birds of Stone-Run Forest and the heroism, courage, and resourcefulness in their quest for peace.
Customer Reviews:
Swordbird.......2007-08-13
After my friend told me about this book (we're both the author's age), I was very excited to find a book that was written by someone who understands what the age group is like. Boy, were we in for a disappointment.
People all say "oh, this is a wonderful book for children!" but all the inaccuracies and predictable plotlines got annoying. It also didn't help that the book was like a spin-off from the Redwall series. Sorry, but the only good thing in it were the illustrations. Maybe there is a reason why most authors are adults.
A little book with a big moral.......2007-06-25
The story, simple as it might seem to be, contains something profound and meaningful to the world: it sows the seeds of peace and freedom in the hearts of children who read it. You can find volumes of bloody, gory battles for adults, yet you can hardly find such a story for children that, through an idyllic world of birds, so gently and yet so vividly illustrates the price of battle, the value of life, the weight of peace and freedom.
A book that's great all the way.
Swordbird.......2007-06-23
Nancy Fan is a 12-year-old author, and Swordbird is her debut novel. While reading Swordbird, I couldn't help but compare her work to that of another 12-year-old author, J R King who wrote Arianna Kelt And the Wizards of Skyhall.
Fan's book is focussed on birds who battle each other, and is mostly action-oriented. King's book is focussed in a thief turned wizard and her friends, and has action, adventure, and humor. Of the two, my family had the most fun with King's book. You can't help but laugh when Digorence the gnome makes an appearance.
I'd recommend both books to young readers. What a great time we live in when young writers like Fan and King can touch our hearts!
We love Swordbird!.......2007-06-09
A group of young writers like me regularly visit Nancy's website to chat on her message board. I want to quote some of us to share our thoughts with other kids!
I just want to say, your book was very enjoyable, and I have recommended it to all of my friends. I think you will be the most famous author in the world, next to Charles Dickens and J. K. Rowling. Well, it'll be really cool if you can email me back along with your probably other thousands of fans.
-Sunghyun Kim (10 yrs old, CA)
Isn't it just amazing to think that such an original story such as swordbird can come from someone of this age? She really captured a sense of freedom in this story and not many people can truly write from their hearts about how they feel about that kind of thing. Nancy will always remain a favorite author of mine and swordbird, a favorite book.
My favorite part of the whole book is the epilogue where Aska leaves swordbird's feather on Milton's grave and the grave seems to get brighter.
Long live Windvoice! Happy Writing!
- Emily R.
I would strongly recommend this book to ages nine and up. I think it is worth spending money for Swordbird. I enjoyed it very much. The book uses strong words that are very powerful.
This book reminded me of some events in history, slavery. I would recommend this book for those who like the Redwall and Warriors. I would also recommend this book to strong readers, people who like action, powerful words, and those who enjoy a great story.
- Kaitlyn (11 yrs old)
An outstanding book I've ever read before! Nancy Yi Fan has a amazing talent for writing. The plot was just outstanding! Brilliant work Nancy! It was worth it!
-Hazel H. (13 yrs old)
A group of young writers' comments.......2007-06-09
There are many kids like me who love Swordbird. We, a group of young writers, often visit Nancy's website to chat on her message board. I'd like to cite our comments:
I just finished Swordbird and it's an excellent book. I thought it was nice that I'm not the only one who has thoughts about peace and war. It was a powerful book. If the book becomes a movie, I think it would win an award. Great job. It gave me inspiration to turn my story into a book.
- Megan, 14 yrs old, Long Island, NY
I really like this book because it's exciting and different because the characters are all birds. The blue jays are battling the cardinals because an evil hawk is tricking them by stealing their food and eggs. The hawk is trying to build a fortress so he can rule the bird world and he makes the other birds into slaves. Swordbird is the hero in the story because he saves the other birds. The story is exciting because there are many different places in the bird world and the hawk is trying to rule it all. I also like this book because the author wrote it when she was in the sixth grade.
- Dalton Booker, 3rd grade
The book is an amazing tale filled with adventure, courageous characters and a message the whole world needs to hear: "Peace is wonderful; freedom is sacred."
Nancy Yi Fan uses such imagination and vivid detail in the story that you begin to feel as if you're in the book. Swordbird is perfect for any teenager with a good imagination and hopes for a more peaceful world.
-Taylor Glogowski (15 yrs old)
I was totally crazy about your book! I finished the book this weekend and it is amazing! I found it so amazing that Nancy Yi Fan wrote a novel that included both peace and violence. It was so impressive that Nancy wrote this when she was 11! The story is full of suspense and the characters are all birds. I would've have thought of that as a story. I hope Nancy Yi Fan continues to write amazing novels. This book should be sold in every language around the world! This book is truly 5 stars. I want Nancy Yi Fan to know that she has been a true inspiration and I hope in the future I could create a book just like this one!
-Sharon, 5th grader
Book Description
C. S. Lewis and J. R. R. Tolkien were members of a writing group known as the Inklings, a group that also included novelist Charles Williams, historian Warren Lewis, and philosopher Owen Barfield. In this groundbreaking book, Diana Glyer invites readers into the heart of their meetings, showing how encouragement, criticism, and collaboration changed The Lord of the Rings, The Chronicles of Narnia, and dozens of other important works. While this book is a must for those who read Lewis or Tolkien, it will also appeal to those who are interested in the writing process, small-group interaction, the nature of creativity, and the various ways that artists challenge, correct, and encourage one another as they work together in community.
Customer Reviews:
The literary community as a source of Tolkein's and Lewis's fantasy classics.......2007-09-19
The fantasy literature of C. S. Lewis and J. R. R. Tolkein is so imaginative and idiosyncratic that one accepts that they wrote such lasting works somewhat obstinately and mainly privately almost as a hobby with little hope they would ever be published, much less popular. The picture of J. R. Rowling writing the beginnings of the first Harry Potter book sitting along at a table in an English shop comes to mind with this image of the earlier authors. Lewis and Tolkein are known to be good friends as well as professional colleagues at Oxford University. But as professor of English at Azusa Pacific U. in California Glyer puts forward, Lewis and Tolkein were part of a circle of academics and writers who had a large, discernible, and often documented influence on their works. From diaries, memoirs, letters, and other sources, Glyer finds that this influence is most evident with Tolkein. This circle which acquired the name "The Inklings," "modeled the behavior of poets and storytellers, provided feedback on his drafts, helped him develop his own critical faculties, recommended reading material that supported and shaped his imagination, and suggested that certain pieces be started, reworked, completed, or submitted for publication." Glyer continues, "It is no small matter that all of this early influence took place within a highly interactive group setting." What the author says with respect to Tolkein applies as well to Lewis, though not quite so overtly recognizably. In their turn, Tolkein and Lewis were active participants in the group offering the same support and suggestions to its other members. Shortly after arriving at Oxford as a student, Tolkein founded the literary society named the "Apolausticks."
In an appendix by a David Bratman, relevant background on 17 members of the Inklings besides Tolkein and Lewis is given. Most became university professors of English or medieval literature or of language studies, with most doing scholarly writings on literary criticism. This work of literary criticism and author biography is obviously timely given the current interest in these authors as evidenced by widely-popular movies made from books of theirs.
A book I wish I could write.......2007-04-27
This book shows scholarly intellect, hard work, dedication, and insightful thought that I have only achieved in lofty dreams. Diana Glyer presents interesting, insiteful, and inspiring information about the Inklings that you will not find anywhere else. I have never read a book that so skillfully puts scholarship in such an accessable read. For anyone who is a fan of the Inklings, Lewis, Tolkien, Williams, or anyone remotely related to these men do yourself a favor and read this book.
Warning! Homework distraction!.......2007-04-24
If you're interested in community, the writing process, or Tolkien and Lewis, this is the best book out this year. I have to be careful not to pick up the book when I'm supposed to be doing homework. It's entertaining reading full of fascinating facts and an inside look at how works like Lord of the Rings got written.
Keeping Company with The Inklings.......2007-04-02
Diana Pavlac Glyer does a great service to both the history and understanding of literature and to budding writers (and friends of writers), who may have been misled by previous theories about the interaction by the Inklings. The former gain a well-documented investigation of who the Inklings were as well as how and when they influenced each other's writers. The latter gain a practical guide of the ways and means by which writers in community. As Glyer approvingly quotes Karen Burke LeFevre, "Certain acts of invention--or certain phases of the inventive acts--are best understood if we think of them as being made possible by other people." Glyer makes a good case that Tolkien's "The Lord of the Rings" might never have been written, let alone published had it not been for the support of other Inklings.
"The Company They Keep" is a must read for writers as well as enthusiasts of the Inklings.
A Longer Review & Some Comments from the Real Critics.......2007-01-16
"This is an admirably balanced overview of the web of intellectual and literary interactions of the Inklings that is sure to become an invaluable resource for future readers and scholars. I found myself captured by her engaging writing style, the breadth of her research, and the cogency of her argument. Her own work will itself influence the texture of Inklings scholarship for years to come. It's good, very good indeed."
Verlyn Flieger, professor of English, University of Maryland at College Park, Author of _Splintered Light_ and _A Question of Time_
"Not only does _The Company They Keep_ provide a much-needed fresh look at the Inklings, but it also affords rich insights into the creative and collaborative process itself. There is much to learn and much to enjoy in this excellent volume. This engaging study deserves a place in the library of all those who value the works of the Inklings and is also a worthwhile volume for any who are interested in examining the craft of writing and the impact of creating within the community."
Marjorie Lamp Mead, associate director of the Marion E. Wade Center, Wheaton College
"_The Company They Keep_ is an astonishingly thorough work, lucidly and boldly illuminating the collaborative writing process of Lewis, Tolkien, and their colleagues during the most fruitful period of their careers. Diana Glyer's impressive achievement supersedes in scope and authority all previous treatments of the Inklings and will perhaps become the new standard by which rhetoricians and literary critics should judge the cogency of subsequent research into the phenomenon of writing in community."
Bruce L. Edwards, professor of English, Bowling Green State University
In 1978, Humphrey Carpenter published _Inklings: C. S. Lewis, J. R. R. Tolkien, Charles Williams and Their Friends_. Although Carpenter's book is perhaps more a biography of C. S. Lewis than anything else, it remains an important and seminal work. However, if Carpenter erred in anything in his book, it was his persistent conviction that the Inklings did not influence one another. For instance, he states matter-of-factly, "It must be remembered that the word `influence', so beloved of literary investigators, makes little sense when talking about their [the Inklings'] association with each other. Tolkien and Williams owed almost nothing to the other Inklings, and would have written everything they wrote had they never heard of the group" (160).
Wholeheartedly disagreeing with Carpenter, Diana Glyer sets out in _The Company They Keep_ to show how and why the Inklings did, in fact, influence one another. Her work is a conglomerate of biography, composition theory, and literary criticism. She not only illuminates your understanding of this remarkable writing group but also expands your concept of the word influence. She persuasively argues that through encouragement, opposition, editing, and collaboration, the Inklings influenced each other's writing in a rich and profound way.
Had this been the book's only strength, I would say that Glyer's book had achieved more than any work written on the Inklings in the last three decades. However, the book's remarkable appeal does not stop there. Another great feat of this book is the amount of time and effort the author poured into her research. To say that the author was exhaustive in her research is perhaps an understatement. There are very few primary and secondary sources she leaves unexplored. In addition, there is a significant amount of previously unpublished material. To put this project in perspective, her Works Cited is 20 pages.
Again, this would be enough to encourage most readers to purchase this book. However, I would add one final note. The beauty of this book lies in the clarity and eloquence of the author's prose. It is one of those extraordinary academic works that is actually easy and enjoyable to read.
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Average customer rating:
- Don't waste your money
- Honestly, it just didn't do it for me.
- Impressed
- Very good.
- Wonderful story
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Demon in My View (Laurel-Leaf Books)
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ASIN: 0440228840
Release Date: 2001-09-11 |
Amazon.com
The teen queen of horror fiction Amelia Atwater-Rhodes is on the prowl again! Continuing in much the same vampire vein that established her reputation, the young writer's sophomore novel also includes a touch of autobiography. Jessica Allodola is a high school senior who pens vampire tales under the pseudonym Ash Night. (Hmmm, sound familiar?) Because of her funereal clothing and cynical demeanor, Jessica is shunned by her sunnier classmates. No matter, she prefers the company of the undead she creates on her laptop, anyway. But Jessica is shaken when a creature from her novel, the suave vampire Aubrey (who fans will remember from In the Forests of the Night) shows up as a new student at her school. Not knowing whether he plans to seduce or harm her, Jessica plays a dangerous game of cat and mouse with Aubrey as she tries to discover the secret of his existence. As she delves deeper into the midnight world of her own novels, she encounters other supernatural beings, like Fala, an evil Egyptian vampire, and Caryn Smoke, a teenaged good witch. When she finally unearths the shocking truth that explains the tangibility of her imaginary world, Jessica must decide if she loves that dark world enough to leave the light forever.
Atwater-Rhode's writing, while still showing strong traces of Anne Rice and Stephen King, is maturing nicely as she cleverly constructs this story within a story. Her vampires, while thousands of years old, have adolescent mood swings and tempers, which will sit well with the under-16 crowd. Demon in My View will undoubtedly find its way into many backpacks and Trapper Keepers. (Ages 12 to 15) --Jennifer Hubert
Book Description
Jessica isn't your average teenager. Though nobody at her high school knows it, her vampire novel has just come out under a pen name. Jessica often wishes that she felt as comfortable with her classmates as she does among the vampires and witches of her fiction. She has always been treated as an outsider at Ramsa High.
But two new students have just arrived in Ramsa, and both want Jessica's attention. She has no patience for overly friendly Caryn, but she's instantly drawn to Alex, a handsome boy who seems surprisingly familiar. If she didn't know better, she'd think that Aubrey, the alluring villain from her novel, had just sprung to life. That's impossible, of course; Aubrey is a figment of her imagination. Or is he?
Customer Reviews:
Don't waste your money.......2007-10-11
Don't let the summary fool you. It sounds interesting, but it's horrible. The plot is pointless, the characterizations are unrealistic, and the main character is definitely not likeable. The entire time I was reading the book, I kept waiting for the good part to start, and then I read the last page and realized it never came. I wouldn't recommend this book to anyone.
Honestly, it just didn't do it for me........2007-09-30
I had been wanting to read this book for a long time. Word reached my ears that it was amazing.
Well, I was sourly disapointed.
In the book a "flawless" girl named Jessica has a talent for writing vampire storys and thinks thats all that they are- storys.
Then the relization kicks in on how her storys are actually real and vampires want to kill her, one falls in love with her, typico!
I found myself hating this Jessica. Too perfect was she, the author should have created some flaws to make her less dry and boring.
The book was so pridictable that at one point I put it down and didn't come back to it for a week, already knowing what was going to happen.
To me, it was dry and tastless. yet, for a fifteen year old I think if she stives towards making her charatures more interesting, she could come out with a good one.
It honestly didn't do it for me, and if your still debating on wether or not to read it I say go for it. Just, be prepared for disapointment.
Impressed.......2007-08-15
I am once again impressed by Amelia's writing. While it does lack a certain depth, it captures your attention from page one and is filled with action throughout. Both this book and her first, In The Forests Of The Night are worth reading.
Very good........2006-12-18
This is ,yet again, a very interesting book by Amelie Atwater Rhodes. It has an exetremely good veiw on vampires and the charactors have some very thrilling and surprising qualitys. It had a little bit of everything and you should read it!
Demon in My Veiw is about a girl named Jessica who doesn't fit in at school at all. She is looking for something to do , some excitment and when Aubry shows up as a new student at school there is deffinetly some excitement. He is a complete mystery and Jessica decides she will go all the way until she knows more about him. Throughout the book Jessica begins to relize Aubry is very dangerous ,but the great thing about it is she doesn't care! It is a great book , for sure.
Wonderful story.......2006-10-31
she comes up with such creative story lines and creative unique titles that make you want to pick it up and give it more thought, since this book i have read all of her other books! and i love them all!!!
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