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Hard Rock Lovers
Paul Kyriazi Manufacturer: Ronin Audio Books ProductGroup: Book Binding: Audio CD ASIN: 0971618321 |
Product Description
Computer programmer Alan Bartlet takes his new girlfriend to Las Vegas. There he meets Medusa, a backup singer for the now dead rock star Shane. She hints that Shane might be alive. In flashback, we see the rise and fall of Shane. Alan pursues Medusa and descends into a world of mystery, lust and murder to find out: Is Shane Alive?Customer Reviews:
Didn't Live Up.......2007-07-03
I never wanted it to end!! Fabulous!.......2007-01-16
An all-star cast of my generation! I swooned over Rod Taylor and Robert Culp!.......2006-05-22
WONDERFUL cast, beautifully performed, an EXCITING thrilling journey you won't forget!.......2006-03-15
"Hard Rock Lovers".....Beautifully done!!.......2006-03-14
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Dark Side of Time
Vladimir Chernozemsky Manufacturer: Triumvirate Publications ProductGroup: Book Binding: Hardcover Similar Items:
ASIN: 1932656022 |
Book Description
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El Libro Negro De Las Marcas/ the Black Book of Marks: El Lado Oscuro De Las Empresas Globales / the Dark Side of Global Business (Actualidad / Present Time)
Klaus Werner , and Hans Weiss ProductGroup: Book Binding: Paperback ASIN: 8497937430 |
Customer Reviews:
Keep an eye on corporations.......2006-06-16
The dark side of brands.......2006-04-28
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10 Titles By Michaels - Master of Blacktower - Dark on the Other Side - Witch - House of Many Shadows - Wizard's Daughter - Black Rainbow - Grey Beginning - Search the Shadows - Stitches in Time
Elizabeth Peters writing as Barbara Michaels Manufacturer: various ProductGroup: Book Binding: Mass Market Paperback ASIN: B000MUXHE4 |
Product Description
10 massmarket paperback Titles By Michaels - Master of Blacktower - Dark on the Other Side - Witch - House of Many Shadows - Wizard's Daughter - Black Rainbow - Grey Beginning - Search the Shadows - Stitches in Time
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The Dark Side of Risk Management: How People Frame Decisions in Financial Markets ("Financial Times")
Luca Celati Manufacturer: Financial Times/Prentice Hall ProductGroup: Book Binding: Hardcover ASIN: 0273663461 |
Customer Reviews:
Intelligently written.......2005-11-26
right book to bring you into risk management reality.......2005-01-27
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The Dark Side of Shakespeare: An Iron-Fisted Romantic in England's Most Perilous Times:Volume I of III
W. Ron Hess Manufacturer: Writers Club Press ProductGroup: Book Binding: Paperback Similar Items:
ASIN: 0595247776 |
Book Description
"Plunging into the complexities of Elizabethan history, Hess raises a host of provocative questions about Shakespeare's identity and the controversial character of the 17th earl of Oxford, the leading candidate for authorship honors. Wide reading informs his answers, and he doesn't shy from proposing linkages, motivations and ingenius theories to make sense of the historical records and answer the many questions about Oxford's life. His work on Don Juan of Austria may well prove to have opened a new perspective on that military leader's connection to Shakespeare." -- Richard F. Whalen, author, "Shakespeare: Who Was He?" 'The Dark Side of Shakespeare' is an original and stimulating book that takes the authorship debate in unexpected new directions. Even those who reject its conclusions will find plenty to think about." -- Joseph Sobran, author, "Alias Shakespeare"Customer Reviews:
Desper Review of Hess' "Dark Side of Shakespeare".......2003-02-04
When delving into the life of the putative poet/playwright "William Shakespeare", it may well be said (irony intended) that there is less to the man than meets the eye. Neither the background, qualifications, nor the historical record seem to support the historical William Shakspere as the Bard, and historical research leave us with a number of "lost years" unaccounted for in his life. Ron Hess has undertaken a somewhat parallel task - he has examined the facts about the 17th Earl of Oxford, most likely the actual identity of the author "William Shakespeare", and shows that there is much more to the man than meets the eye. Indeed, it would seem, if we believe Mr. Hess, that there is much more to the "Shakespeare enterprise" than we had ever imagined.
The "Shakespeare enterprise" is a key concept in Hess's book. In his own words, `... The real question of importance should first be, "WHAT was Shake-spear?"` In the First Folio, Ben Jonson calls Shakespeare "Soule of the Age! ... Thou art a moniment (sic) without a tomb!" suggesting Shakespeare's purpose, that of defining the character and tone of an age. The written works are only part of a larger project, with Oxford playing an international role embodying a mythical hero, the "Palladin of England", which Hess identifies (through Greek etymology) with Pallas Athena as the "Spear-Shaker". Hess identifies that project with a long-term alliance involving the earls of Sussex, Oxford, and Pembroke, along with Lord Hunsdon and Lord Effingham, all with key roles at Court and in the London stage. According to Hess, beginning in the 1570's, `The alliance controlled the public and semi-public stages, but I argue that the private homes of those in the alliance were where the "Shakespeare" plays each were "originated".' The alliance used stage plays as a public relations part of its efforts for promoting its desired goals, both in the earlier period when the author was anonymous and later on when the pseudonym "Shakespeare" was introduced.
Mr. Hess's book abounds with notes, appendices, references, and a bibliography which attest to the extensive research involved in its preparation, a level of research which would seem to be unmatched by orthodox Shakespeare scholars. He speaks with logic and clarity, as when he debunks the orthodox "voice of authority" in such matters as the dating of the plays. He deftly skewers their inconsistent logic, for instance, as to what standards are to be accepted or disdained as it suits their purposes in one instance vs. another. His writing style exudes candor, freshness, and openness - he works by presenting the evidence, offering alternate interpretations (including his own, of course), and inviting the readers to draw their own conclusions. And for those who have found his speaking style entertaining, this has translated into his written work as well, resulting in a colorful presentation, which abounds in Hess's rich personal literary images.
Hess dwells extensively on Oxford's possible role in international intrigue, juxtaposed in the 1570's against Don Juan of Austria, natural half- brother to the King of Spain and the great military leader of the day, a role perhaps not as far-fetched as it might seem at first glance. It has long been noted that the "Shakespeare" plays abound with topical references dated to that decade, including allusions to Don Juan. To what extent Oxford was an active player abroad in these intrigues remains to be clarified, but it is clear that he was an active player where it counted a great deal - in molding opinion first at Court, then in the world at large. For perception, image, whatever one might call it, counted a great deal in those days, even as it does today.
Richard Desper Review of Hess' "Dark Side of Shakespeare".......2003-02-04
When delving into the life of the putative poet/playwright "William Shakespeare", it may well be said (irony intended) that there is less to the man than meets the eye. Neither the background, qualifications, nor the historical record seem to support the historical William Shakspere as the Bard, and historical research leave us with a number of "lost years" unaccounted for in his life. Ron Hess has undertaken a somewhat parallel task - he has examined the facts about the 17th Earl of Oxford, most likely the actual identity of the author "William Shakespeare", and shows that there is much more to the man than meets the eye. Indeed, it would seem, if we believe Mr. Hess, that there is much more to the "Shakespeare enterprise" than we had ever imagined.
The "Shakespeare enterprise" is a key concept in Hess's book. In his own words, `... The real question of importance should first be, "WHAT was Shake-spear?"` In the First Folio, Ben Jonson calls Shakespeare "Soule of the Age! ... Thou art a moniment (sic) without a tomb!" suggesting Shakespeare's purpose, that of defining the character and tone of an age. The written works are only part of a larger project, with Oxford playing an international role embodying a mythical hero, the "Palladin of England", which Hess identifies (through Greek etymology) with Pallas Athena as the "Spear-Shaker". Hess identifies that project with a long-term alliance involving the earls of Sussex, Oxford, and Pembroke, along with Lord Hunsdon and Lord Effingham, all with key roles at Court and in the London stage. According to Hess, beginning in the 1570's, `The alliance controlled the public and semi-public stages, but I argue that the private homes of those in the alliance were where the "Shakespeare" plays each were "originated".' The alliance used stage plays as a public relations part of its efforts for promoting its desired goals, both in the earlier period when the author was anonymous and later on when the pseudonym "Shakespeare" was introduced.
Mr. Hess's book abounds with notes, appendices, references, and a bibliography which attest to the extensive research involved in its preparation, a level of research which would seem to be unmatched by orthodox Shakespeare scholars. He speaks with logic and clarity, as when he debunks the orthodox "voice of authority" in such matters as the dating of the plays. He deftly skewers their inconsistent logic, for instance, as to what standards are to be accepted or disdained as it suits their purposes in one instance vs. another. His writing style exudes candor, freshness, and openness - he works by presenting the evidence, offering alternate interpretations (including his own, of course), and inviting the readers to draw their own conclusions. And for those who have found his speaking style entertaining, this has translated into his written work as well, resulting in a colorful presentation, which abounds in Hess's rich personal literary images.
Hess dwells extensively on Oxford's possible role in international intrigue, juxtaposed in the 1570's against Don Juan of Austria, natural half- brother to the King of Spain and the great military leader of the day, a role perhaps not as far-fetched as it might seem at first glance. It has long been noted that the "Shakespeare" plays abound with topical references dated to that decade, including allusions to Don Juan. To what extent Oxford was an active player abroad in these intrigues remains to be clarified, but it is clear that he was an active player where it counted a great deal - in molding opinion first at Court, then in the world at large. For perception, image, whatever one might call it, counted a great deal in those days, even as it does today.
Review of Hess' "Dark Side" by Dick Desper.......2003-02-01
When delving into the life of the putative poet/playwright "William Shakespeare", it may well be said (irony intended) that there is less to the man than meets the eye. Neither the background, qualifications, nor the historical record seem to support the historical William Shakspere as the Bard, and historical research leave us with a number of "lost years" unaccounted for in his life. Ron Hess has undertaken a somewhat parallel task - he has examined the facts about the 17th Earl of Oxford, most likely the actual identity of the author "William Shakespeare", and shows that there is much more to the man than meets the eye. Indeed, it would seem, if we believe Mr. Hess, that there is much more to the "Shakespeare enterprise" than we had ever imagined.
The "Shakespeare enterprise" is a key concept in Hess's book. In his own words, `... The real question of importance should first be, "WHAT was Shake-spear?"` In the First Folio, Ben Jonson calls Shakespeare "Soule of the Age! ... Thou art a moniment (sic) without a tomb!" suggesting Shakespeare's purpose, that of defining the character and tone of an age. The written works are only part of a larger project, with Oxford playing an international role embodying a mythical hero, the "Palladin of England", which Hess identifies (through Greek etymology) with Pallas Athena as the "Spear-Shaker". Hess identifies that project with a long-term alliance involving the earls of Sussex, Oxford, and Pembroke, along with Lord Hunsdon and Lord Effingham, all with key roles at Court and in the London stage. According to Hess, beginning in the 1570's, `The alliance controlled the public and semi-public stages, but I argue that the private homes of those in the alliance were where the "Shakespeare" plays each were "originated".' The alliance used stage plays as a public relations part of its efforts for promoting its desired goals, both in the earlier period when the author was anonymous and later on when the pseudonym "Shakespeare" was introduced.
Mr. Hess's book abounds with notes, appendices, references, and a bibliography which attest to the extensive research involved in its preparation, a level of research which would seem to be unmatched by orthodox Shakespeare scholars. He speaks with logic and clarity, as when he debunks the orthodox "voice of authority" in such matters as the dating of the plays. He deftly skewers their inconsistent logic, for instance, as to what standards are to be accepted or disdained as it suits their purposes in one instance vs. another. His writing style exudes candor, freshness, and openness - he works by presenting the evidence, offering alternate interpretations (including his own, of course), and inviting the readers to draw their own conclusions. And for those who have found his speaking style entertaining, this has translated into his written work as well, resulting in a colorful presentation, which abounds in Hess's rich personal literary images.
Hess dwells extensively on Oxford's possible role in international intrigue, juxtaposed in the 1570's against Don Juan of Austria, natural half- brother to the King of Spain and the great military leader of the day, a role perhaps not as far-fetched as it might seem at first glance. It has long been noted that the "Shakespeare" plays abound with topical references dated to that decade, including allusions to Don Juan. To what extent Oxford was an active player abroad in these intrigues remains to be clarified, but it is clear that he was an active player where it counted a great deal - in molding opinion first at Court, then in the world at large. For perception, image, whatever one might call it, counted a great deal in those days, even as it does today.
Review of The Dark Side of Shakespeare.......2003-01-07
The most intriguing of Hess' theories, however, is the role played by Don Juan of Austria (natural half-brother of Philip II of Spain) in Oxford-Shakespeare's horizon. The author shows the Earl to have been a veritable "Scarlet Pimpernel" -- at Court a fop with Italianate tastes, an effete but gifted poet and writer of Euphuistic comedies, skilled in the aristocratic sports (fencing, jousting, falconry, tennis), respected for his erudition, and loved by women as well as by a grateful coterie of actors, poets, and writers, whom he subsidized (or commissioned for darker tasks!).
Oxford's "dark side," however, can be seen in a secret life of spying, intriguing, plotting, smuggling, gun-running (to Protestants abroad), and possibly even assassinating! The butt of all these activities, Hess believes, was the Earl's "alter ego," the Don Juan of Austria mentioned above (for whose 1578 death Hess holds Oxford responsible).
Only time and further research will tell if Hess' conjectures upon the evidence prove out. If even half of them do, we are in for a radical "paradigm shift," equal to Looney's in 1920. Certainly, Hess buttresses his argument with good scholarship and wide reading. He cites a truly staggering roster of resources: historical, political, and literary -- both Stratfordian and Oxfordian (the latter including not only the usual Looney, Ward, and the Ogburns, but such almost forgotten ones as E.T. Clark and H.H. Holland, and newer ones like Stritmatter, Brazil, Moore, Davis, and many more.
Not all Oxfordians (including myself) will agree with some of Hess' conclusions, particularly his views on the Sonnets. Hess produces no tangible evidence for adoption and use of David Honneyman's theory that early versions of these poems were translations from the French Huguenot poet D'Aubigny. But he does contrast various alternative theories, including those of Leslie Hotson, Joe Sobran, and most recently the intriguing theory by Sidney Lubow that the key to the Sonnets lies in Lover's Complaint and the ancient myth of "Narcissus." In the end, Hess is less interested in the Sonnets' meaning than in how they may offer up clues for dating Shakespeare's works to the 1570s and 80s, as more ammunition for knocking-out Mr. Shakspere's insufficient candidacy.
It's a pity the advanced copy Hess shared with me was poorly edited. Still, he assures me the published final available from..., ..., and www.Amazon.com will have been purged of the typos, graphical, grammatical, and even factual errors that I observed.
But, even if we can't agree with him totally, Hess is not to be easily dismissed. Better yet, The Dark Side of Shakespeare is simply an exciting read. Stratfordians will hate it of course, but Hess proves that their opinions simply don't count anymore!
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Night-time and Sleep in Asia and the West: Exploring the Dark Side of Life (Anthropology of Asia Series)
Manufacturer: RoutledgeCurzon ProductGroup: Book Binding: Hardcover ASIN: 0415318505 |
Book Description
The phenomena of sleep and the concept of night-time are experiences that most people take for granted as a natural part of their daily lives. However, both ideas and practices concerning sleeping and night-time are constantly changing and widely differ between cultures and societies. Night-time and Sleep in Asia and the West traces the many different associations attached to the night as well as highlighting the diverse sleep patterns and attitudes towards sleep between cultures.
Drawing on case studies from China, Japan, India and Europe the contributors address:
* Notions of sleep and sleeping time in pre-Buddhist Chinese texts
* The concept of the 'mid-day nap'
* Historical developments of sleep patterns determined by socio-economic changes
* The role of sleep in the life of the homeless and the military
* The relationship between fear and sleep
* Night-time behavior of the young in the nineteenth and twentieth centuries
This book suggests that far from being natural phenomena, sleep and night-time are sites of political struggle between groups as distinct as religious leaders, school boards and political parties. The essays here provide an important resource for students of Asian and Cultural Studies and will also appeal to hte general reader interested in such a rarely studied everyday event.
Customer Reviews:
Is it nature or is it culture?.......2006-08-13
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SPACE STORIES - Volume 2, number 2 - June 1953: The Dark Side of the Moon; The Cyanided Man; Affair of State; The Enemy Time; Red Alert
Noel Loomis , Sam Merwin , Charles A. Stearns , Roger Dee , and Charles Foster Manufacturer: Standard Magazines ProductGroup: Book Binding: Paperback ASIN: B000IA852W |
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The Spectacular Spider-Man #216 : Time Is On No Side (The Predator and the Prey - Marvel Comics)
Tom DeFalco Manufacturer: Marvel Comics ProductGroup: Book Binding: Paperback ASIN: B000TL1FSQ |
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An aerospace job shop turned to the 'dark side' to beat parts distortion: a California high-tech machine shop saves time and money by using "Black Magic".(PART ... An article from: Modern Applications News
Gale Reference Team Manufacturer: Thomson Gale ProductGroup: Book Binding: Digital ASIN: B000NA6LW8 Release Date: 2007-02-06 |
Book Description
This digital document is an article from Modern Applications News, published by Thomson Gale on January 1, 2007. The length of the article is 845 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.Books:
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