Average customer rating:
- Adding drama and depth to images
- contemporary approach
- The Grammar of Seeing Applied to Practical Photoshop
- Dust collector big time..
- 3rd Party Req. not mentioned
|
Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop (VOICES)
Vincent Versace
Manufacturer: New Riders Press
ProductGroup: Book
Binding: Perfect Paperback
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ASIN: 0735714002 |
Book Description
Creating memorable photographs is a process that starts before you edit an image in Photoshop, before you capture the image, even before you pick up the camera. You must first approach the subject with the proper sense of perception, with the ability to visualize the finished print before you commit a scene to pixels, but still be flexible and spontaneous. Master Fine Art photographer Vincent Versace has spent his career learning and teaching the art of perception and how to translate it into stunning images. In Welcome to Oz, he delves into what it means to approach digital photography cinematically, to use your perception, your camera, and Photoshop to capture the movement of life in a still image.
- Adapt your workflow to the image so you always know how best to use your tools
- Turn a seemingly impossible photographic scenario into a successful image
- Practice “image harvesting” to combine the best parts of many captures to create an optimum final result
- Create black and white prints that have the look, feel and “richness” of traditional silver prints without ever leaving the RGB color space
Customer Reviews:
Adding drama and depth to images.......2007-10-11
Welcome to Oz by Vincent Versace
Subtitled "A Cinematic Approach to Digital Still Photography with Photoshop"
ISBN 0-7357-1400-2
New Riders
Reviewed by Hal Work of the Eureka Photoshop Users Group
Finally, someone wrote a book about the process of vision in Photography using Photoshop. Versace shows how to add drama and depth to an image through subtle, though involved, means. The efforts are worth it.
While Versace introduces a number of compositional philosophies, this is not just a touchy-feely book. There are a number of carefully thought out exercises that demonstrate his points. Each takes hours and are well work the time. A CD is included with example files. The book is using Photoshop CS2. That will have no effect on the lessons being taught.
He shows how to direct the viewers eyes through an image. By using image maps, variable opacity masking, and creative render lighting for the most part , he accomplishes this.
The back cover of the book truthfully states:
- Adapt your workflow to the image so you always know how best to use your tools
- Turn a seemingly impossible photographic scenario into a successful image
- Practice "image harvesting" to combine the best parts of many captures to create an optimum final result
- Create black and white prints that have the look, feel, and "richness" of traditional silver prints without ever leaving the RGB color space
I am taking his lessons to heart. I've begun incorporating some of these philosophies into my own work. It is making for a much more interesting ride.
contemporary approach.......2007-10-09
I like this non text book style, contemporary and philosophical in thought. The book is filled with beautiful photoshoped images. Unfortunately there are quite a few image typeset problems the before and after images reversed and the colour cast removed image looks worse than the before image, this can be annoying until you realise they are publishing problems. This is very surprising and unfortunate for this high quality book.
The Grammar of Seeing Applied to Practical Photoshop.......2007-10-08
Vincent Versace has clearly articulated the principles by which our eye moves across an image (the "grammar of seeing") and applied them to the enhancement of images through Photoshop in a very detailed step-by-step guide. He spends an entire chapter on each of six images of different types (portrait, nature up close, figure study, etc.) showing how the careful management of light in an image can turn a good photograph into a great one. Follow his lessons, with the enclosed CD-ROM, and you will emerge with a deep grasp of Photoshop tools that you can use on any kind of images. Highly recommended.
Dust collector big time.........2007-09-24
A postprocessing photoshop book. But a bad one of its kind. The first example he uses is a portrait of an female actor he tries to make better in photoshop. It ends up with very very yellow skintones. Im surprised he didnt see it himself before publishing. He uses a lot of time, too much, explaining about selective focus done with gaussian blur and layermasks. Why not get a fast lens and save all that paintwork- it didnt take me to OZ!!
3rd Party Req. not mentioned.......2007-09-12
After much anticipation and excitement....This book requires third party plug-ins, to complete the lessons as described..only good for 15 days. Sorry to say I am disapointed because nowhere in the Descriptions, Editorial reviews etc... does it mention this oversight!!!. I'm feeling kinda deceived right about now!!..... made it to page 17.
Average customer rating:
- Fangtastic Book!
- Be Still My Vampire Heart
- Hilarious!
- Be still My vampire heart
- Really Good
|
Be Still My Vampire Heart (Love at Stake, Book 3)
Kerrelyn Sparks
Manufacturer: Avon
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Binding: Mass Market Paperback
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Vamps and the City (Love at Stake, Book 2)
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Fanged & Fabulous (Immortality Bites, Book 2)
ASIN: 0061118443
Release Date: 2007-03-27 |
Book Description
Emma Watson has made it her mission to get revenge on the monsters who killed her parents. As a member of the CIA's Stake–Out team, Emma's got no time to distinguish betweeen good vamps and bad. They're all bloodthirsty murderers and she will not rest until they're defeated.
When Angus MacKay is assigned to find a vampire slayer, he never expected to meet anyone like Emma Watson. Now, deeply attracted to the young woman, Angus must convince her that not all vampires are evil––before she finds out who he is and adds him to her hit list. But Angus and Emma soon have bigger problems when someone from Angus's past resurfaces with an agenda of her own to fulfill...
Customer Reviews:
Fangtastic Book!.......2007-08-24
This book is as great as the previous two. I can't wait for #4 & more.
Be Still My Vampire Heart .......2007-07-24
Angus MacKay is a Scottish vampire who owns MacKay Securities. He provides protection for coven masters such as Roman Draganesti. Roman has sent Angus to investigate a vampire slayer who has been killing the vampires known as Malcontents. The Malcontents are ruled by Casimir, a very old and evil vampire. Katya Miniskaya is a Russian coven leader who needs to stop the slayer before Casimir kills her for not protecting her coven.
Emma Wallace is a vampire hunter. She works for the CIA as a member of the Stake-Out Team. When she meets Angus while hunting in Central Park one night, she can't help but be attracted to him. When she realizes he is a vampire, she tries to keep her distance from him.
Angus doesn't just want to keep Emma safe, he wants her for his own. Somehow he'll have to gain her trust. As they fight against Katya and Casimir, Emma is torn between her hatred of vampires and her feelings for Angus.
Kerrelyn Sparks has created her own unique vampire world with Be Still My Vampire Heart. She made up new rules and scenarios for these vamps that are different than most other vampire stories, creating this amusing and interesting tale. Angus' Scottish accent, combined with his brawn and power are very seductive, and Emma is strong, capable, and beautiful. They make one tough couple! Be Still My Vampire Heart is funny, sexy, exciting and a blast to read!
Nannette reviewed for Joyfully Reviewed
Hilarious!.......2007-07-18
This is the first book i've read from this author and it was sooo GOOD!! I have never laughed so much reading a book!! This book leaves a smile on your face. This was fast paced and soooo entertaining!! I will definitely be reading more from this author!
Be still My vampire heart.......2007-05-13
"Sub-genre fans will want to take a bite out of this Big Apple supernatural delight and seek other sparkling 'supernormal' thrillers by this entertaining author (see VAMPS IN THE CITY and HOW TO MARRY A MILLIONAIRE VAMPIRE)."
Really Good.......2007-05-13
This book was really funny, for being the 3rd in the series you usually get a good book but not as good as the first. It was just as good. There were some really funny moments. It was good to see the other characters, exspecially Roman and Shanna and they also have a good moment. The hero was really sexy and his Scottish accent makes my heart melt. The heroine, is also sexy but very determined not to have anything to do with the hero but of course you know that never works out. A very great read...
Average customer rating:
- great mother's day gift, or mother's bday present.
- Gorgeous coffee table book on orchids
- My brother loved it!
|
Orchidelirium
Harold Feinstein , and
Robert H. Hesse
Manufacturer: Bulfinch
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Binding: Hardcover
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One Hundred Flowers
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Foliage
ASIN: 082126205X |
Book Description
The Dutch had Tulip Mania in the 17th century. Victorian England had its own equivalent with "orchidelirium," an obsessive passion for orchids that has carried into thepresent day. Orchids remain among the most beautiful, hotly debated, and passionately collected of all flowers.ORCHIDELIRIUM presents Harold Feinstein's breathtaking pictures of orchids--dozens of different varieties and shades of them. In the tradition of the critically acclaimed gift book One Hundred Flowers (Bulfinch Press, 2000), this new volume offers images of staggering detail and subtlety. Nobody has been able to match Feinstein's mastery of flower photography, and nowhere is his remarkable talent as evident as it is in these pictures oforchids, nature's most delicate and variegated creations.
Customer Reviews:
great mother's day gift, or mother's bday present........2007-06-08
my mom loves it. beautiful images. great gift idea.
Gorgeous coffee table book on orchids.......2007-04-21
This book has stunning photographs of all kinds of orchids. If you like the front cover, you are sure to like this book. The book is large, not only coffee-table size, but also very thick (and heavy!). With the gorgeous pictures, it would make a wonderful gift for any orchid lover. Unfortunately I haven't seen the main competition, the book "Orchids" so I can't say how they compare, but I can't imagine going wrong with this book.
My brother loved it!.......2007-04-06
I bought this book for my brother for his birthday. He was floored by its beauty.
Kay Martin
Average customer rating:
- A "must have" for anyone working with the details of JPEG
- The definitive JPEG book for programmers
- excellent!
- The number one JPEG compression book
- JPEG : Still Image Data Compression Standard
|
JPEG: Still Image Data Compression Standard (Digital Multimedia Standards) (Digital Multimedia Standards)
William B. Pennebaker , and
Joan L. Mitchell
Manufacturer: Springer
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ASIN: 0442012721 |
Customer Reviews:
A "must have" for anyone working with the details of JPEG.......2006-08-27
Created by the Joint Photographic Experts Group, the JPEG standard defines a toolkit of processes for lossy and lossless encoding and decoding of continuous-tone still images. This guide, which includes the the complete text of the ISO JPEG standards DIS 10918-1 and draft DIS 10918-2, offers detailed information on the JPEG modes of operation, signaling conventions, and structure of compressed data. It also provides a general review of image-coding techniques, so it does not assume the reader has expert status in data compression and coding techniques.
This is by far the most complete exposition of JPEG in existence. It's written by two people who know what they are talking about: both served on the ISO JPEG standards committee. If you want to know how JPEG works or why it works that way, this is the book to have. There are a number of errors that were in the first printing of this book that were all repaired in the second printing. The official specification of JPEG is not currently available on-line, and is not likely ever to be available for free because of ISO and ITU copyright restrictions, which makes it valuable to have in this book.
If you study this book in depth, you should be able to write programs that completely control the reading and writing of JPEG image files. This is different from most other books that contain scattered information on the JPEG standard and on image compression, but contain insufficient information for programmers who actually need to work with the standard on a pixel-by-pixel level. Also, considering this book was published by an "academic publisher", I was surprised at its accessible tone and numerous helpful diagrams. Note that if you are interested in JPEG2000, that this book does not contain information on that standard. The following is the table of contents:
Introduction.
Image Concepts and Vocabulary.
Aspects of the Human Visual Systems.
The Discrete Cosine Transform (DCT).
Image Compression Systems.
JPEG Modes of Operation.
JPEG Syntax and Data Organization.
Entropy Coding Concepts.
JPEG Binary Arithmetic Coding.
JPEG Coding Models.
JPEG Huffman Entropy Coding.
Arithmetic Coding Statistical.
More on Arithmetic Coding.
Probability Estimation.
Compression Performance.
JPEG Enhancements.
JPEG Applications and Vendors.
Overview of CCITT, ISO, and IEC.
History of JPEG.
Other Image Compression Standards.
Possible Future JPEG Directions.
The definitive JPEG book for programmers.......2003-10-02
This book is a "must have" for anyone interested in understanding the JPEG standard. It has two distinct parts.
The second half is the JPEG standard itself. It contains all the technical details of how JPEG works, including pseudocode flow charts, and test data to verify JPEG compliance.
The first half is the author's (less formal) understanding of the JPEG standard, where he explains the details of the standard which might be unclear to the novice.
Everything from the aspects of the human visual system, to the mathematics of Discrete Cosine Transformation, to entropy coding, to JPEG file organization is explained.
I knew nothing about image processing before studying this book. After studying this book (for a long time) I was able to write a complete application and have total control over reading and writing JPG files.
excellent!.......2002-08-15
I laughed, I cried, it was better than GIF
The number one JPEG compression book.......2000-12-20
This is a very advanced book with many technical details. A must have for everyone working in the field of image compression. For the beginner there is some text in the first part of the book, but I think that this book is primary for people working with actual implementations.
JPEG : Still Image Data Compression Standard.......2000-07-06
The only way to go! This is a well written book that is structured like a text book, but stays true to the standard. Excellent overview of FDCT theory and Entropy Coding.
Average customer rating:
- North Light's Big Book of Painting watercolor flowers
- nice book
|
North Light's Big Book of Painting Watercolor Flowers
Manufacturer: North Light Books
ProductGroup: Book
Binding: Paperback
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The Watercolor Flower Painter's A to Z: An Illustrated Directory of Techniques for Painting 50 Popular Flowers
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Flowers: Wonders of Nature in Watercolor
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Basic Flower Painting Techniques in Watercolor: Techniques in Watercolor (Basic Techniques Series)
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Glorious Garden Flowers in Watercolor
ASIN: 1581806256 |
Book Description
This giant treasury of watercolor florals brings together a popular medium with a popular subject matter. With North Light's Big Book of Painting Watercolor Flowers, readers can:
* Paint all their favorite flowers in watercolor--everything from wild daffodils and gladiola to hollyhock and mums
* Brush up on the basics, including composition, wet-into-wet washes, mixing color and stretching watercolor paper
* Create finished pieces in no time with easy step-by-step demonstrations
Page after page of gorgeous artwork and clear instruction make this the perfect choice for artists of all levels. Painting flowers has never been easier!
Customer Reviews:
North Light's Big Book of Painting watercolor flowers.......2005-08-23
Very nice book,looked like a new book
nice book.......2005-04-15
Very instructive. Many different styles of painting demonstrated in a way easy to follow. Very well worth the money.
Average customer rating:
- Nice Introduction To ImageMagick
- Good guide to an excellent product with poor documentation
- Disappointing. Needs Color & more emphasis on Perl & APIs
- Better than nothing, but disappointing
|
The Definitive Guide to ImageMagick (Definitive Guide)
Michael Still
Manufacturer: Apress
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Binding: Hardcover
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Programming Ruby: The Pragmatic Programmers' Guide, Second Edition
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Ajax in Action
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Windows Vista: Beyond the Manual
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Outlook 2007: Beyond the Manual
ASIN: 1590595904 |
Book Description
Purchase this book and you'll get the full color, completely searchable eBook for free—a $25 value!
This book should be useful to any programmer interested in making the most of ImageMagick's capabilities, and that is not just because it is the only ImageMagick book on the market.
— Michael J. Ross, Slashdot contributor
The sheer weight of helpful content makes this an invaluable purchase for Linux users at all levels.
— Paul Hudson, Linux Format
An open source project backed by years of continual development, ImageMagick supports over 90 image formats and can perform impressive operations such as creating images from scratch; changing colors; stretching, rotating, and overlaying images; and overlaying text on images. Whether you use ImageMagick to manage the family photos or to embark on a job involving millions of images, this book will provide you with the knowledge to manage your images with ease.
The Definitive Guide to ImageMagick explains all of these capabilities and more in a practical, learn-by-example fashion. You'll get comfortable using ImageMagick for any image-processing task. Through the book's coverage of the ImageMagick interfaces for C, Perl, PHP, and Ruby, you'll learn how to incorporate ImageMagick features into a variety of applications.
Customer Reviews:
Nice Introduction To ImageMagick.......2006-06-08
'The Definitive Guide to ImageMagick' by Michael Still is a nice guide which covers an extremely powerful set of tools that is lacking in documentation. Note that I say the word 'nice' and not GREAT. I wanted this to be great, I truly did. I use ImageMagick on a nearly daily basis and while I thought I knew I knew the ins and outs of this application pretty well, I was hoping that I could get some more out of this book, the only one of its kind on the market that I knew of.
Problem #1 NO COLOR IMAGES!!!!
How can you have a guide that covers manipulating and using images and provide no color examples when there are tons of other books the get away from the 3 colors of white, black and grey?? I realize that this was a decision made by the higher ups at Apress and it's a bad, bad, bad decision
Problem #2 At just over 300 pages and with some images (again, black and white) and cover nearly and entire page in size, this guide is certainly not DEFINITIVE. If you want to make a definitive guide, you need to have more content, more content, more content. More like 'An Introduction to ImageMagick' would be the more appropriate title.
If you are new to ImageMagick and want to see what can be done, this is a handy guide but any power users won't get a lot out of this book. The examples are handy, but the decision to have no color photos really hurts this text even as an introduction to the technology. Apress, you want some advice for version 2??? Get out the Crayola box!!
**** RECOMMENDED
Good guide to an excellent product with poor documentation.......2006-04-20
Like many other open source software products ImageMagick has always suffered from poor documentation. That problem is helped considerably with the publication of The Definitive Guide to ImageMagick. For those who are used to working with fancy graphical interfaces ImageMagick will be quite a shock. It uses a command line interface which makes it easy to use put into your own programs and simply call or build the appropriate command line to produce the desired results. This book is designed for those readers who want to get right to work with the command-line tools or writing code to take advantage of the programming interface. Because of the ability of the software to make complex adjustments to images through the command line this book clearly demonstrates how to make quick changes without opening large complex programs. Some of the areas covered include resizing, changing compressions, blurring, charcoal effects, adding noise, and dithering. The last few chapters concentrate on programming with ImageMagick and Perl, C, Ruby, and PHP. A command line graphics program is not for everyone and especially so with all the powerful graphics programs available on the market today. However, if you want to write your own graphic transformation program or include that ability in your own interface then this is one of the easiest ways to implement it and The Definitive Guide to ImageMagick is the best documentation available for this product. That does not mean it could not be better. It could be much better and there are a lot of abilities that are not covered in much detail, but it is still the best documentation I have seen.
Disappointing. Needs Color & more emphasis on Perl & APIs.......2006-01-18
This was disappointing. The emphasis of the book is on the ImageMagick commandline tools rather than the APIs. There are a lot of photographs but they're all black and white. The before and after samples are worse than useless - they just take up space. It's probably not the Author's fault.
Apress (the publishers) should really have done this book properly and included glossy color pages where needed. As it stands, it's impossible to tell from looking at the before-and-after photos in the book, what most of the image operations are supposed to do. This is just cheap on the part of the publishers.
Stick to the online imagemagick tutorials and give this book a miss.
Better than nothing, but disappointing.......2006-01-06
ImageMagick is an extremely powerful, free, command-line image editor that has been around a while and is the preferred tool of many for dynamically creating images for the web. However, like many open-source projects, ImageMagick's weakness has always been poor documentation.
So I was excited when I saw there was finally a guide to ImageMagick, and ordered the book hot off the presses.
I have to say, though, I'm disappointed.
I was hoping for a book with a good command reference, tips and tricks, sample uses, and that sort of thing. Instead, it is a very basic introduction to ImageMagick.
The book is very graphical in nature, with about 75% of virtually every page filled by an image, and only a little text. The images, while a little useful, are probably larger than they need to be, and almost seem to be filler making up for the lack of text. They are also all black and white images, which makes them in some cases useless (i.e. "Figure 6-29. Alcatraz with varying levels of hue" depicts 4 essentially identical images - without color, you can't tell that one has less hue than another). For a book of this price, I would expect color photos.
As a result, the book feels very sparse, with little information on each page.
The last few chapters, which show code examples of how to use ImageMagick in several popular programming languages, are more in line with the sort of practical examples I was expecting, although this section feels short.
So overall, a decent *introduction* to ImageMagick, but I think calling it "Definitive" is a bit undeserved. It is the only game in town though, since for some reason no one else has written a book on ImageMagick. If you have already used ImageMagick, this book is only marginally useful.
I'll have to keep hoping O'Reilly does one, and does it right.
Average customer rating:
- Breaking the photographical routine
- I deeply regret buying this book... RATED NO STARS AT ALL
- An excellent resource
- Don't buy this book - PLEASE!
- Stimulating Creativity
|
Photography and the Art of Seeing - A Sierra Club Book
Freeman Patterson
Manufacturer: Random House, Inc.
ProductGroup: Book
Binding: Paperback
General
| Photography
| Arts & Photography
| Subjects
| Books
General
| How-to
| Photography
| Arts & Photography
| Subjects
| Books
Similar Items:
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Photographing the World Around You: A Visual Design Workshop for Film and Digital Photography
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Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera (Updated Edition)
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Learning to See Creatively: Design, Color & Composition in Photography (Updated Edition)
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Photography of Natural Things: A Nature and Environment Workshop for Film and Digital Photography
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Fine Art Flower Photography: Creative Techniques And The Art Of Observation
ASIN: 0871566982
Release Date: 1990-03-10 |
Book Description
In this third edition of Photography and the Art of Seeing, Freeman Patterson reviews principles of composition and visual design and provides techniques and exercises for breaking away from traditional concepts. Aspiring photographers are made aware of the barriers to seeing and learn how to observe, imagine and express in a personal and creative way.
Customer Reviews:
Breaking the photographical routine.......2007-03-24
Freeman tries to get photographers to break out of their ways, to look at the world with different eyes, to question old habits. This is a good thing, in my opinion. But does he succeed?
I can only answer this from my own perspective: Yes, the book gives me impulses to try out different perspectives than the ones I'm used to.
The writing is fluent and to the point. The images underline the points in the text. I like many of them, even though they seem unspectacular at first. The printing quality could be better, though. I ordered the book together with two volumes by John Shaw ("Focus on Nature" and "The Field Book to Nature Photography", both Amphoto Books), and those are printed much better, with more contrast and color saturation.
Still, a recommended book for anyone who likes taking photos and would like to explore new grounds.
I deeply regret buying this book... RATED NO STARS AT ALL.......2007-02-16
I wrote a review as follows: 'Anyone can take a picture of a hot dog. If this photographer took a picture of a hot dog you would smell the french fries, hear the ocean, and taste the salt water taffy. The author offers the reader a chance to see the world through his eyes.
Then I looked through the book more closely. On page 137 I saw a picture that disgusted me. When I read what he wrote about the subject, I became angry. He wrote, "This photograph captures a moment in the life of a child, and suggests innocence. The little girl had withdrawn from her playmates on the beach; she wanted to be alone. She was crying a little. When I came along, she hid her face to preserve her privacy. I quickly made this picture and left. Note that the expanse of rocks and the girl's small space in the composition strengthen the sense of her privacy."
The picture is of a naked little child who was hiding her face crying and trying to turn away from the man taking her picture with his camera. It is only my opinion, but I think this man is greatly lacking in respect of human dignity.
I am sorry I put money in his pocket. I hope no one else will.
An excellent resource.......2006-12-15
If you have moved up from the technical aspects of photography, and are into "photography as an art", this is the book to buy to take you to that next level.
If there is just one book in the whole world that you can buy, this is it! I own all of patterson's instruction books - and they are all great! a worthy investment and proudly displayed in my bookshelf.
Don't buy this book - PLEASE!.......2006-11-30
Please don't buy this book. It will change your photography. I bought it, and now I have an advantage, and I want to keep it!
Seriously, this is probably the most disturbing photography book I have found. It will challenge everything you do in photography, and that is unsettling.
If you follow the exercises properly, you will develop a whole new way of seeing and taking photos.
Sure, if you want to, you can read it from cover to cover and go "Ho, hum, very nice." and take it no further. But if you want to improve your photography, take your time, and do the exercises carefully. You will be surprised at the results.
I especially like the one where you lock yourself in a small room (bathroom) and have to take 20 images. "If you don't feel desperation before you finish this exercise, then you have to take another 20 photos."
Don't buy this book! Run away and hide. Keep taking boring photos.
Stimulating Creativity.......2006-11-11
I found this book excellent for stimulating the creative process where photography is concerned.
Average customer rating:
|
The Book of Plants: The Complete Plates (Taschen 25th Anniversary Series)
Basilius Besler
Manufacturer: Taschen
ProductGroup: Book
Binding: Hardcover
General
| History & Criticism
| Arts & Photography
| Subjects
| Books
Science Illustration
| Commercial
| Graphic Design
| Design & Decorative Arts
| Arts & Photography
| Subjects
| Books
General
| Design & Decorative Arts
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Still Life
| Painting
| Arts & Photography
| Subjects
| Books
General
| Plants
| Biological Sciences
| Science
| Subjects
| Books
General
| Botany
| Biological Sciences
| Science
| Subjects
| Books
General
| Germany
| Europe
| History
| Subjects
| Books
Similar Items:
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Cabinet of Natural Curiosities: The Complete Plates in Colour, 1734-1765
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Art Forms From The Ocean: The Radiolarian Atlas Of 1862
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Art Forms in Nature (Dover Pictorial Archives)
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The Finest Atlas of the Heavens / Der Prachtigste Himmelsatlas / L'atlas Celeste Le Plus Admirable: Harmonia Macrocosmica (Harmonia Macrocosmica of 1660)
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Patterns: New Surface Design
ASIN: 3822838098 |
Book Description
The most famous botanical record ever committed to paper: Basilius Besler's complete Book of Plants of 1613
A magnificent pictorial document of the flowers grown in the greatest German garden of its time, the Book of Plants is in a class of its own when it comes to the variety and range of flowers engraved.
Working under Basilius Besler, a team of at least ten engravers worked on this massive project, translating in situ and specimen drawings faithfully to copper plates. Nearly four hundred years old, the book has survived though the gardens did not; they were destroyed by invading Swedish troops in 1634. However, in 1998 a reconstruction of the original garden opened to the public in Eichstätt.
This facsimile's reproductions - structured by seasons - are taken from a hand-painted edition, one of only a few still extant. In auction, the asking price for a first edition copy is half a million dollars. You can now enjoy its unique qualities for somewhat less.
Average customer rating:
- Wonderful
- Reminder to smell the roses
- Blackie, The Horse Who Stood Still
- Blackie is for real!
- A wonderful true story
|
Blackie, The Horse Who Stood Still
Christopher Cerf , and
Paige Peterson
Manufacturer: Welcome Books
ProductGroup: Book
Binding: Hardcover
Fiction
| Horses
| Animals
| Children's Books
| Subjects
| Books
General
| Ages 9-12
| Children's Books
| Subjects
| Books
General
| Literature
| Children's Books
| Subjects
| Books
Similar Items:
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The Wild Little Horse
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A Dog for Life
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Girls and Their Horses (American Girl Library)
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My Pony
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Touch the Art: Feed Matisse's Fish (Touch the Art)
ASIN: 1599620170
Release Date: 2006-09-19 |
Book Description
In a pasture in Kansas one early spring morn
A horse quite unlike other horses was born.
His coat was coal black so they named the horse “Blackie,”
And before very long folks found out he was wacky!
Meet Blackie, the stubbornly motionless equine hero of Christopher Cerf and Paige Peterson’s delightful and touching biography-in-verse, Blackie, The Horse Who Stood Still.
See, most colts are frisky but Blackie was not.
Blackie liked standing still! Yes, he liked it a lot!
“What’s the hurry?” thought Blackie. “There’s so much to see
Standing here in the shade of a juniper tree…..
This (mostly) true tale tells the heart-warming story of a horse who made standing stock-still a lifelong endeavor—while becoming a champion rodeo horse, a tourist favorite at Yosemite Park, a legendary environmental crusader, and the beloved mascot of one of America’s most beautiful towns, Tiburon, California, on the shores of San Francisco Bay.
The word quickly spread ‘bout the new horse in town
And from all ‘round the county young kids headed down
To the pasture where Blackie could always be found
Standing still, like a rock, on the same patch of ground.
Magically illustrated by Peterson’s lyrical paintings, Blackie is destined to become a children’s classic in the tradition of Munro Leaf’s Ferdinand the Bull and Dr. Seuss’s The Lorax, The playful, clever, rhyming text will charm adults and children alike as it delivers an important message about appreciating and preserving the natural beauty around us.
“What a beautiful place!” Blackie thought when they got there,
“I simply can’t wait just to stand in one spot there
And watch a gull soar, or a tree gently sway,
Or the fog rolling in from the hills ‘cross the bay…
Customer Reviews:
Wonderful.......2007-01-24
This book is wonderful. It would make a fantastic animated t.v. special. The illustrations are terrific and the writing is truly pleasing. I may order more copies to give as gifts to others besides my grandchildren. It is charming. I loved it.
Reminder to smell the roses.......2007-01-09
This book has a delightful message based on local history woven beautifully into a rhyming story that is a great reminder to slow down. My family and friends have enjoyed it tremendously. A real treasure.
Blackie, The Horse Who Stood Still.......2007-01-09
I have lived in Tiburon, the Town where Blackie lived, for sixty years; and well remember Blackie the horse. My children grew up visiting Blackie and feeding him carrots and sugar cubes. I now live just a block away from Blackie's grave and statue. It is nice that this book was written so that the children today have a better understanding for why the statue stands in Blackie's Pasture.
Blackie is for real!.......2007-01-05
We live in Tiburon and my childern remember Blackie when they were tots. This is a true story and it is wonderful even if you never saw this old black horse. Blackie was a part of our community and now he can be a part of children's storys all over the world. There is no scary or violent words in the entire story and it all rymes too! A must read for kids of all ages
A wonderful true story.......2007-01-04
This nicely illustrated book is special because the story is true and because it is written completely in verse. Blackie did various different things over his long working career and, after many years of service, was put out to pasture. Of course, there is more to the story. The reduction from a five-star rating is because the poetry -- the rhyme but especially the meter -- was okay, but could have been better.
Average customer rating:
- Who's an Expert?
- A long read - because it is that good
- MyMac.com Book Review
- SMILE: YOU'RE ON DIGITAL!!
- Make Your Digital Photos Stand Out From The Rest
|
Digital Photography Expert Techniques (O'Reilly Digital Studio)
Ken Milburn
Manufacturer: O'Reilly Media, Inc.
ProductGroup: Book
Binding: Paperback
General
| Photography
| Arts & Photography
| Subjects
| Books
Reference
| Photography
| Arts & Photography
| Subjects
| Books
Digital Photography
| Photography
| Arts & Photography
| Subjects
| Books
Equipment
| Photography
| Arts & Photography
| Subjects
| Books
Web Graphics
| Web Design
| Web Development
| Computers & Internet
| Subjects
| Books
Digital Photography
| Digital Photography & Video
| Computers & Internet
| Subjects
| Books
General
| Graphic Design
| Computers & Internet
| Subjects
| Books
General
| Computers & Internet
| Subjects
| Books
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Digital Photography Hacks: 100 Industrial-Strength Tips & Tools
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Digital Photography Pocket Guide, 2nd Edition (O'Reilly Digital Studio)
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Digital Photography Pocket Guide, Third Edition (Pocket Reference (O'Reilly))
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Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop (VOICES)
ASIN: 0596005474 |
Book Description
This absorbing book, by professional photographer and author Ken Milburn, offers a ton of expert advice to those who are ready to move to the next level with digital photography. Rather than a general discussion of photography principles, Digital Photography: Expert Techniques focuses on workflow: time-tested, step-by-step procedures based on hard-nosed experience by and for genuine practitioners of the art. The book's conversational tone presents detailed information about what to look for in today's affordable high-end digicams, how to use simple techniques and equipment to shoot breathtaking shots, instructions on shooting great panoramas, dos-and-don'ts for creating better Photoshop masks, and professional digital darkroom techniques for everything from knockouts to restoration to transforming your photos into watercolors. It even shows you how to get your most prized photographs printed and ready for exhibition. Contents include:
- Understanding your digital camera from the inside out.
- Creating effects with the camera: making panoramas, high-resolution matrixes, infrared photos, and more.
- General composition and managing your workflow.
- Using the digital darkroom and Photoshop CS to make your images professional caliber.
- Understanding the power of Photoshop CS selections and masks.
- Using special effects to save what's good, and get rid of the bad and the ugly.
- Creating fictitious photos: bend and wrap images to fit an object, insert a more interesting skyscrape, and more.
- Professional color and tonal management
- Creating portfolios and presenting your images on the Web.
Digital Photography: Expert Techniques is in four-color front to back, allowing you to see each step in the Digital Photographer's workflow, including the steps in-between. Serious photographers, including professionals, who want to take advantage of the unique creative powers available through digital photography and digital image processing will find this problem-solving book invaluable.
Customer Reviews:
Who's an Expert?.......2007-02-16
This is a well written book that it's hard to put into a cubby. That's because one man's expert technique is another man's beginner's technique.
Milburn's style is to follow a workflow approach, starting even before capture and moving through the use of Bridge, Adobe Camera Raw and the main Photoshop program. Milburn emphasizes the importance of non-destructive adjustments and in the main program proceeds first with both overall and targeted adjustments which are made by adding layers which do not change the underlying photo. He recommends that only when these are completed should adjustments that effect the underlying image be made, and then only on image layers that have been created especially for this purpose. (Strangely, in creating this special layer, he recommends converting the background layer to Layer 0, selecting all the layers and then using Cmd/Ctrl-Opt/Alt-E. Most experts do not recommend changing the background layer, but rather just selecting the top layer in the layer stack and using Cmd/Ctrl-Opt/Alt-Shift-E.)
By the way if this last discussion of creating a new layer was incomprehensible to you, you are probably not one of the experts that Milburn is aiming at.
And of course there's the rub. In some chapters the instruction is quite suitable for beginning Photoshop users and in other chapters one would have to quite familiar with Photoshop to get something out of the discussion. Moreover sometimes this happens in the same chapter. For example, in the chapter on Camera Raw he gives elementary instructions on using the sliders on the adjust tab which would be quite suitable for a beginner, but not necessary for anyone with a familiarity with Camera Raw. Later in the same chapter, he discusses creating high-key and low-key images which I would consider closer to expert needs. Moreover, he sometimes leaves out what I felt was essential information. For example in the Camera Raw chapter he discusses the fact that there is a sharpening facility in Camera Raw, but doesn't mention that fact that it can be set to apply only to the preview without actually being applied to the image later opened in the main Photoshop program.
Some chapters are clearly aimed at more advanced Photoshop users and quite good. For example, the chapter on repairing the details was full of information that an expert user may never have encountered before or never appreciated the importance of.
Occasionally, I found that the author made reference to a particular chapter or a website that was inaccurate, but not fatal since the material was covered somewhere in the book.
Where does all of this leave one? Certainly, to get the most from this book, you will need to be experienced with Photoshop and Camera Raw. Many experts would then prefer to look for advanced information in more targeted books. But others who don't mind having their memory refreshed about things they already know will probably pick up several useful techniques from this book. I certainly did.
A long read - because it is that good.......2007-01-12
I was anxiously awaiting this title to arrive in the mail, particularly because of its emphasis on "expert" techniques. Though I didn't find every page riveting, the book on the whole fulfilled my expectations.
If you have jumped into the world of serious amateur or semi-pro photography, you no doubt own an SLR camera. It is a must. After continuing to shoot JPG for awhile, you venture into the world of RAW files. This is a whole new world with incredible possibilities. What you quickly find is your hard drive quickly fills up with RAW files and you have a hard time knowing how work with those files in any sort of time-conscious workflow. You let them pile up into a perpetual of backlog.
Ken Milburn knows his stuff, and has developed a highly effective workflow for processing, organizing, presenting and publishing his photos. His experience shows through in each chapter as he opens up his entire process for everyone who reads this title to learn from. Though I found some of my own workflow techniques already matched his suggestions, I found numerous suggestions I hadn't previously known or considered that have helped improve my effectiveness. Efficient and effective workflow is the overriding theme of this title.
Though much of the books training focuses on post production, namely in Adobe Bridge and Photoshop, a couple of chapters at the beginning get you optimizing and improving your in camera approach as well. Past the workflow theme, there is plenty of time spent on giving your photos the "wow factor" you have always wanted. What I enjoyed most was the improved techniques taught in the "non-destructive" phase of digitally developing your photos.
I recommend this book to anyone who is shooting a high volume of photos, particularly those that may be working their way into portrait photography for hire. Adding the habits and knowledge gained from this title will make you a much better professional as well as the ability to output top notch photos.
MyMac.com Book Review.......2006-12-19
With a plethora of digital cameras appearing in the marketplace, purchases of these cameras has exceeded even the most ambitious sales predictions. Everyone and his grandmother now has a digital camera. A lot of these models are of the point and shoot variety. They're small, lightweight, actually take great pictures, and have many features for the cost. There are lots of publications out there: magazines, how-to books, manuals, videos, and websites which help newbie photographers along the path to good quality photographs. If you're looking for something like that, may I pass along a suggestion from the Ken Milburn, the author of this title under review? Before reading this book try Deke McClelland's Adobe Photoshop CS2: One on One (O'Reilly). You will then be "up to speed" and more able to handle the various terms and maneuvers in Digital Photography: Expert Techniques.
Along with all the less expensive point and shoot cameras, digital SLRs (single lens reflex) have also grown up. Most of these cameras will be purchased by serious amateurs, or "enthusiasts," and professionals. DSLRs have interchangeable lenses, more megapixels, and larger, more noise-free sensors. In other words they're more suited to professional and "prosumer" photography.
DSLRs also are capable of producing high quality RAW files which are, in large part, what this book is all about. It's also about workflow rather than procedures. If you're interested in what it takes to make true professional quality images in the most efficient and cost-effective way this book is for you.
The first thing I loved about Digital Photography: Expert Techniques is its organization, and the chapter outlines at the beginning. Here the author tells us what's in store for each chapter from start to finish. I also appreciate the way Ken Milburn writes. It's almost conversational, like having a good buddy who happens to know almost everything there is to know about what goes into a professional digital photograph, and being a professional photographer.
He starts us off with an overview around which the rest of the book is structured. There is a quick guide in the form of suggestions (some are common sense, others are anecdotal) like getting your camera ready, computer equipment and its configuration, image downloading, backing up originals, presentation for client approval, winnowing, preliminary editing, and the final output. He includes logical common sense tips about equipment, settings, and more. He even provides a comprehensive list of what's available -- suggesting hard drives, backups, monitors, and DVD writers. Efficiency is always the byword in workflow, and Ken Milburn leads the way.
Milburn teaches us how to connect to DNG (digital negative), a nonproprietary RAW format which anyone can use. He suggests that it may become a universal format which means that even if the RAW file format in your software becomes obsolete you will still retain your RAW files through DNG. Safety. Efficiency. Smart.
Since the author has been a professional photographer for decades he has learned through experience and study about being prepared in the field for both seen and unforeseen circumstances. He passes along sage advise and counseling in his chapter BE PREPARED.
One of the great features which has separated Adobe Photoshop CS2 from the rest of the pack is Adobe Bridge. It is a browser, but so much more. Ken Milburn gives the reader an excellent primer on how this feature works and its many advantages. He shows how simple it is, and at the same time it is scriptable, customizable, has variable thumbnail sizing, and has multiple browser windows which can be opened at the same time.
Want to create and use panel layouts to sort as you wish? How about creating a meta data template including all your camera info like settings, history, status, and even IPTC (International Press Telecommunications Council) info? He shows you how to do all this, and more.
Once we get into Camera Raw, Ken Milburn shows us how to streamline the process. Once it's set up you're ready to rip. For you Photoshop Elements 4 users he shows the differences between Camera Raw in Elements 4 and CS2. He also tells us the why and how of it all so we understand why all this is a good thing. Take for instance the aforementioned DNG files. The author implores the reader to strongly consider filing using DNG and lots of backup. It's possible that either through technical improvements, marketing considerations, mergers, or even dissolution of a manufacturer that a proprietary RAW format could become obsolete. It is certainly something to consider.
There are some clients out there who need their photos quickly. Wedding and sports photographers can attest to this. The author shows us that Camera RAW defaults to "smart" Auto adjustments for Exposure, Shadows, Brightness, and Contrast. So there's a good chance of getting a publishable image right out of the camera. Sweet! Milburn demonstrates how to open and adjust multiple RAW files quickly when the files have the same exposure, brightness, range, contrast, and color balance. He introduces us to HDR (High Dynamic Range), and High Key images.
Layers have been around for quite some time, and here we are shown a system for non destructive editing. There's a great chart listing in three columns Layer Name, Purpose, and Advice. It's like a quick check on WWKD (What Would Ken Do) for using Adjustment Layers. Even for those of us who might be new to Layers he gives us a quick rundown of Layers and Features in Adobe Photoshop CS2.
Ken Milburn's friend, Doug Sahlin, came up with an interesting idea which the author includes in Digital Photography: Expert Techniques. It's called the Magic Workflow Layers Action. It allows us to include the layers in the workflow for almost every image automatically, ensuring the photographer will follow a properly layered workflow for most basic steps. You can either get this in the book or download it from the sites provided. This alone could shorten the learning curve in learning layers workflow.
All of the general repair tools are reviewed but the author goes way beyond the characteristics of the tools and into the world of commercial photography and how these tools can work for the professional photographer. This includes Glamor Tips, Architectural Tips, Still Life, lighting from behind, and more.
Are you into montages or collages? Ken Milburn can help, and does he ever. We've all tried to string together various shots in an effort to create a panorama of a scene too vast for one shot, but with varying degrees of success. The author talks about exposure, tripods, and framing. There are several example photos showing what a professional panorama looks like. I've made all the mistakes he mentions, and then some. Thanks, Ken, for straightening me out.
In his chapter "Creating the Wow Factor" we get into the details of the various tools and how, using layers, the photographer can enhance just about any aspect of lighting, colors (or black & white), and even using what he terms a "fictitious imaging tool," liquefaction, which can remove unwanted pounds from a model, or add bulk to anyone or anything. He has many suggestions and techniques using Lighting Effects which are especially dramatic when used inside of layers. We learn how to make homemade backgrounds as well as Knockouts. If you like the look of hand coloring or tinting Ken shows us how to do it effectively and easily.
Milburn's experience as a pro for many years becomes a windfall for us readers as, in the last chapter, "Presenting Your Work to the World," he talks about some of the many ways to become recognized, and even paid, as a photographer. He starts by showing us how to get the prints we need by calibrating the printers and even LCD monitors. There are tips to show your images on the web, making portfolios, binders, contact sheets, and much more. And let's not forget the all-important Copyright protection using watermarks.
While our author is certainly a huge fan and user of Adobe Photoshop CS2, he is by no means married exclusively to that software. He lists alternatives and even talks about the differences and some advantages of software like Capture One Pro, Raw Shooter, Aperture (which can be used with Photoshop CS2), iView Media Pro, and Adobe Lightroom. All of these programs have their high points and are not to be dismissed as second only to Adobe Photoshop CS2.
If you've ever wondered what it takes to be a pro in the photo biz, Digital Photography: Expert Techniques will give you a good idea of the dedication, knowledge, and work it takes to do it right. One has only to look at Ken Milburns pictures to see why this book makes so much sense. His photos are pristine. He seems to be able to connect with the very vibrations of the colors, shadows, and details which are all part of an image, but are often times skirted over by photographers, if only for the lack of knowledge it takes to recognize these things and bring them "up" in the image. His techniques, to be sure, are always pointed toward one thing, and one thing only. Making the best image possible with the least amount of effort and expense. And here it all is, in this wonderful and smartly instructive book.
MyMac.com Rating: 5 out of 5
SMILE: YOU'RE ON DIGITAL!!.......2006-12-06
Are you a photographer who is serious about producing the highest quality photographs in the most efficient and cost-effective way possible? If you are, then this book is for you. Author Ken Milburn, has done an outstanding job of writing a 2nd edition of a book that focuses on digital SLR cameras that have higher megapixels of noninterpolated resolution, interchangeable lenses, and larger, more noise-free sensors.
Milburn, begins by putting the organization of the entire book in perspective. Then, the author covers how to set your camera to be prepared for shots. Next, he discusses the Bridge in relation to Photoshop and to the myriad ways that it helps to keep your workflow organized. He also gets into more depth about streamlining your processing while in Camera Raw. The author then continues by describing in detail, how layers can be used to isolate destructive operations, so that they can be carried out without affecting anything else you've done to the image. Then, he shows you how to use adjustment layers, which are completely nondestructive, to make overall image adjustments. Next, the author discusses making and using selections, masks, and other means of making adjustments that pertain only to portions of the image. He also covers all types of image repair, including retouching. The author continues by discussing the making of one image from multiple images using techniques of both collage and montage. Then, he presents the next stage of progressively more destructive editing: special effects. Next, the author covers specialized image processing. Finally, the author shows you how to prepare your image for output and then how to use that output to show off your talents in an efficient and cost-effective way.
This most excellent book is more about workflow than it is about procedures in a specific program. Perhaps more importantly, this book contains most of the information you'll ever need as a professional digital photographer.
Make Your Digital Photos Stand Out From The Rest.......2006-12-06
Reading many of the other review already posted, I couldn't help but chuckle at some of the 'complaints' regarding this book:
- there is too much emphasis on DIGITAL and not PHOTOGRAPHY
- there is too much emphasis on using Photoshop
- pictures chosen aren't of the best quality
Folks, the title of this book headlines the words DIGITAL and TECHNIQUES. This isn't a book that is meant to teach you how to become a better photographer or headlines a collection of great photographs, rather it is a book that is meant to teach you how to take digital images and turn them into BETTER pieces of work for whatever purpose you see fit.
Printed on very heavy stock paper, this is a guide that is full of color and has plenty of screenshots to help any user find their way through digital enhancement with Photoshop (or any other image editing software that utilizes the same words for the techniques that are presented here).
Packed with nearly 400 pages of material, this book presents topics in a clean, concise manner, spread over the following 12 chapters:
01. Basics
02. Advanced tricks
03. Using Bridge
04. Streamlining Camera Raw
05. Nondestructive Layering
06. Nondestructive Overall Adjustments
07. Making Targeted Adjustments
08. Repairs
09. Collage and Montage
10. Adding 'Wow' to your images
11. Special Purpose Processing
12. Saving for the web
I find Ken Milburn's book to be an excellent resource for all digital photography afficiandos that want to get the most out of their images and learn how Photoshop can fix or repair nearly any problem that can be found and viewed on a computer.
If you are a graphic designer or work with digital images on a daily basis, you owe it to yourself to pick up this great book that will most certainly add to your skillset... no question!!
***** RECOMMENDED
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