Book Description
Potential for creating designs in textiles can be seen even in the physical properties of cloth. The simple fact that cloth tightly compressed into wrinkles or folds resists the penetration of dye is an opportunity-an opportunity to let the pliancy of textiles speak in making designs and
patterns.
People around the world have recognized this opportunity, producing resist designs in textiles by shaping and then securing cloth in various ways before dyeing. Yet in no other country has the creative potential of this basic principle been understood and applied as it has in Japan. Here, in fact,
it has been expanded into a whole family of traditional resist techniques, involving first shaping the cloth by plucking, pinching, twisting, stitching, folding, pleating, and wrapping it, and then securing the shapes thus made by binding, looping, knotting, clamping, and the like. This entire
family of techniques is called shibori.
Designs created with shibori processes all share a softness of outline and spontaneity of effect. Spontaneity is shibori's special magic, made possible by exploiting the beauty of the fortuitous things that happen when dye enters shaped cloth.
Usually it is in response to the fact that a craft is being lost that the need for preserving and documenting it arises. The motivation behind this book is no exception, but the authors have gone far beyond simple documentation. Extensive research and experimentation have led to the revival here of
shibori techniques that were once well known but have now been largely forgotten in Japan. In addition to more conventional techniques, the work of contemporary fiber artists in Japan and abroad in shibori textile art and wearable art is presented, to suggest the extent of the creative innovation
possible.
The 104 color and 298 black-and-white plates include a photographic Gallery of Shibori Examples, based on Japan's largest collection of traditional shibori fabrics. Included also are a detailed guide to basic natural dyes used in Japan, the making and care of an indigo vat, and a list of suppliers
in North America, as well as a glossary and bibliography. Now available in paperback, this full documentation of one of the world's most inventive and exciting dyeing techniques continues as a classic in the textile field.
Customer Reviews:
The Ultimate in shibori instruction and history.......2007-05-14
I knew this was "THE" book to have for shibori technique instructions. However, the very pleasant surprise was all the history of shibori! It would be fascinating even if I wasn't intending to learn the technique. The instructions are very clearly presented. I have already tried a couple of the techniques with very good results and I'm only a beginner!
A must have.......2007-05-13
This is an essential tool and starting point for any shibori artist. Exhaustive history and diagrams and examples. I used this book in my fierarts classes and recently purchased it for home studio use.
Great Overview of a Somewhat Obscure Textile Art.......2007-03-06
Shibori is a wonderful craft and this book gives an excellent history of it. Many wonderful historical and contemporary examples are shown. Techniques are given as well, and are for the most part usable. If you do shibori work, this book is essential for your library.
One of the best Shibori books written.......2006-08-08
Being a member of the Seattle Weavers' Guild, I've been lucky enough to have friends teach Shibori and other resist dyeing in our group. This book is terrific and details the 'how to' very well. I'm very pleased to have this book in my library and I have to say the price was excellent.
A "must have" resource book.......2006-07-10
This is an invaluable resource for any textile arts student. Or any shibori enthusiast. Detailed illustrations and exceptional photos help define and identify ancient techniques and MAY encourage elbow-deep participation among the adventurous. Gambatte!
Book Description
Shibori is infinitely more than the tie-dye that became well known in the late 1960s. Shaped-resist dyeing techniques have been done for centuries in every corner of the world. Yet more than half of the known techniques-in which cloth is in some way tied, clamped, folded, or held back during
dyeing, to keep some areas from taking color - originated in Japan.
Shibori can be used not only to create patterns on cloth but to turn fabric from a two-dimensional into a three-dimensional object. The word is used here to refer to any process that leaves a "memory on cloth" -a permanent record, whether of patterning or texture, of the particular forms of resist
done. In addition to traditional methods it encompasses high-tech processes like heat-set on polyester (made famous by Issey Miyake's revolutionary pleated clothing), melt-off on metallic fabric, the fulling and felting that make it possible to turn all-natural fabrics into three-dimensional shapes,
weaving resist (in which, for instance, a warp thread can be pulled to gather the cloth to resist dye), and devoree, in which just one part of a mixed fabric is dissolved with chemicals.
Author Yoshiko Iwamoto Wada has been teaching shibori around the world for nearly thirty years, and helped to establish the World Shibori Network and the International Shibori Symposium. She coauthored in 1983 the authoritative Shibori: The Inventive Art of Japanese Shaped-Resist Dyeing, which in
turn inspired many artists to add shibori processes to their repertoire.
The range of vibrant modern art covered in Memory on Cloth is remarkable, and includes work by artists from Africa, South America, Europe, India, Japan, China, Korea, the United States, and Australia in more than 325 stunning photos and illustrations. It encompasses fabric design, wearable art and
fashion, and textile art or various sculptural forms. The work of more than seventy innovative designers including Issey Miyake, Yohji Yamamoto, Jurgen Lehl, Jun'ichi Arai, Helene Soubeyran, Genevieve Dion, Asha Sarabhai, Junco Sato Pollack, Ana Lisa Hedstrom, Marian Clayden, and Carter Smith is
presented, and each artist shares details on the processes that they themselves have created, making this an invaluable reference for artists in every field. A number of innovative artists who combine shibori techniques with knitting, weaving, or quilting are also included, suggesting new ways to
combine innovation with more traditional forms. A final section on modern techniques gives extremely detailed information, including dye recipes, on various high-tech processes and the particular methods that individual artists use to achieve certain effects.
As informative as it is inspirational, Memory on Cloth will take its place alongside Wada's earlier work, Shibori, as a definitive text that will help keep shaped-resist dyeing processes a vibrant and important form of modern art.
Features
* More than 325 stunning photos and illustrations
* Encompasses fabric design, wearable art and fashion, and textile art or various sculptural forms
* Covers more than seventy innovative designers
* Includes works by artists from Africa, South America, Europe, India, Japan, China, Korea, the United States, and Australia
* Each artist shares details on the processes that they themselves have created
Praise for Shibori (co-authored by Yoshiko Wada):
"In this age of hyperbole there is great risk in declaring a singular event. Nonetheless one has occurred with the long anticipated publication of Shibori: The Inventive Art of Japanese Shaped Resist Dyeing. Word of this book has long circulated in the inner and outer sanctums of the textile world
with excitement and expectation building. This combination of bilingual, scholarly, creative and resourceful authors has brought us a classic volume . . . A masterful blend of historical material that puts Japanese textiles in context, clearly described and illustrated techniques along with
information and illustrations of contemporary work from Japan and the West make this book an essential acquisition for anyone who proclaims a serious interest in textile dyeing, design, or historic textiles." ?Glen Kaufman, in Surface Design Journal
"Well researched, well written, well organized and well illustrated." ?Crafts Magazine
Customer Reviews:
Beautiful pictures, not for instructions.......2007-01-05
I was hoping for more instructions on how to create shibori pieces...this is not the book for that.
Wow!!.......2006-03-13
This is some book. This goes beyond your normal techniques. It was mindblowing with the endless possibilities for manipulation of all sorts of fabrics.
The best book that's been done about contemporary shibori.......2002-11-15
Shibori is the Japanese word for resist-dyeing. There are three shibori techniques: tie-dye (those Sixties hallucinoform tee-shirts); clamp-resist (being pressed between two boards or tied tightly around a pole), and wax-resist (batik). It is an extremely old technique, perhaps the first to impose upon cloth a pattern that wasn't woven there.
Fragments of shibori-like textiles found in Africa date from as far back as 700 BCE. Purely Japanese textiles date from the Yayoi period (200 BCE-250 ACE). Yayoi people wove garments on portable looms. The making of cloth depended not so much on the mass of the wearer's body as on how the movement of the wearer's body will determine what the loom must do. In Yayoi times weavers used portable loom that could be easily set up by tying one set of warp ends around the waist and the other to a tree. The weaver's body width fixed the width of the fabric. That most Yayoi textiles were about twelve inches wide says much about the size of the Yayois.
Japan did not embrace clothing as an expression of social delineation until the Asuka period (552-645), an era when Chinese crafts, and customs were eagerly imported. Over the centuries, surface designs became steadily more complex as garment silhouettes became steadily more simple. These tendencies merged into the kimono and have stayed there ever since. With the xenophobic policies of the Tokugawa Shogunate, all things foreign were shunned. The Japanese turned inward to their own tastes and aesthetics.
By the Edo period (1600-1868), complex layerings of color, patterns, and resist dyes all contributed to a great culmination of textile design. Into the canons of design came surface complexity ranging from colors so saturated they dazzle the eye to so subtle they are almost indistinguishable. Japanese textile art embraced a dozen or more dyeing techniques, embroidery and appliqué, painted pictures, hammered gold and silver patterns, calligraphy. Out of these chirped an aviary of decor-plum blossoms, pine boughs, flowers on trellises, rice sheaves, snowflakes, paired shells, swallowtail butterflies, quince flowers, waves, interlocked squares, medallions of chrysanthemum and wisteria and gentian, cranes, lightning, hemp leaves, scrolls of peony, woven circles, basket work, fish scales, mountains, clouds, flowing water, waves, checkerboards, circles.
In the wrong hands such a tumultuous vocabulary would end in chaos. But from the great costumes of the Noh to the hundreds of treatises on kimono design to be found in Japanese bookstores and libraries today, there always existed in the Japanese garment imagination a more fundamental quality: drama. It is no surprise to find that the garment's greatest period of elaboration came after it was adopted as the principle costume by groups of itinerant entertainers who evolved into the most enduring of Japanese theatrical styles, the Noh.
The Memory on Cloth story begins after World War II. Before the War, textiles and garments were major engines of Japan's economy-the equivalent of transistor products and autos today. The quaint, consuming, painstaking art of shibori was nearly extinct by the 1960s. Modernity-craving Japanese put their old kimonos into the tansu and bought Missoni and Prada and The Gap. Shibori's spiritual home, in Arimatsu and Narumi on Honshu island, was ignored even by the railways, which built no sidings there. Too few fabric dyers were left to fill a boxcar with goods.
But valiant was the tenacity of the industry. Arimatsu-Narumi's response was to invent. When the market for kimonos dwindled, they made neckties. Even so, by 1972, one of Japan's oldest industries had dwindled to two elderly practitioners. Then along came people like Yoshiko Iwamoto Wada, one of so many artists who bootstrapped ancient crafts out of extinction by globalizing them in the same positive way that world fusion music has globalized innumerable melody forms. Shibori was turned around. Today it is an internationally recognized art form.
It also can be a vibrant modern art form. Memory on Cloth features work by artists from Africa, South America, Europe, India, Japan, China, Korea, the USA, and Australia. It encompasses fabric design, wearable art and fashion, and textile art or various sculptural forms. Described are works by more than seventy innovative designers, including Issey Miyake, Yohji Yamamoto, Jurgen Lehl, Jun'ichi Arai, Helene Soubeyran, Genevieve Dion, Asha Sarabhai, Junco Sato Pollack, Ana Lisa Hedstrom, Marian Clayden, and Carter Smith. Each artist shares details on the processes they have created, making this an invaluable source of inspiration for artists in fields outside of textile design.
Japan never made a distinction between craft and art. Indeed, even in the West that demarcation arose only over the last few hundred years as a manifestation of the post-Renaissance preoccupation with individuality. In Japan the unity of art and craft was not because Japanese textile makers shunned egocentrism, but because of their tendency to focus on process more than product. The Japanese Zen garden of raked stones is Exhibit A in contemplative surrender to process.
Like so many arts that globalization salvaged at the edge of extinction, shibori inspired a modern revival laden with legend and freighted with technique. The progress of Japanese textiles is stuttery, sitting in place one moment, leaping forward the next, the artists either appropriating or inventing as chance comes calling. The result is a continually evolving collaboration between past and future. Today's mingling of synthetic and natural fibers, organics and metals, hand and machine, are in keeping with the try-anything heritage of the country's garments.
Yoshiko Wada is an endearingly good writer: lucid, logical, tight, to the point. She teaches shibori aesthetics and techniques in her home city of Berkeley, California, and around the world. Thanks to her, shibori was transported to Africa and inspired a vibrant local industry in Mali and other Sahel countries. Of her it can truly be said that the word `shibori' is now an international currency.
Average customer rating:
- A beautiful book
- Textile Arts of India
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Textile Arts of India
Kokyo Hatanaka
Manufacturer: Chronicle Books
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ASIN: 0811810844 |
Book Description
Textile Arts of India, has to be the most lavish book ever published on the magnificent textiles of India. Presenting a fabulous collection of fabrics dating from the 17th century to the first half of the 20th century, this monumental book is as historically fascinating as it is lovely to look at. Included are hundreds of full-color photographs, taken especially for this volume, of rare and exquisite textiles that are painted, block-printed, woven, tie-dyed, and embroidered. An essay by Zahid Sarder of the San Francisco Examiner Magazine traces the history of textile manufacturing in India and explains the various techniques of this radiant and enduring art form. Textile Arts of India is a feast for the eyes and an indispensable reference for collectors, designers, or anyone interested in Indian culture and art.
Customer Reviews:
A beautiful book.......2005-10-26
A beautiful book with an amazing collection of textile samples from India.
It represents 30% of the amazing range of prints & weaves from India as the collection is predominantly from North India. The beautiful silk temple saris from South India specifically Kanchipuram and Madurai are not represented in this collection.
Textile Arts of India.......2005-01-15
I love this book and want to buy it.....where can i get this book??
Book Description
A dazzling collection of 14 Kake-jiku—traditional Japanese hand-painted scrolls often hung in entryways—is featured in this craft guide. Often created to celebrate the changing seasons and bestow good fortune on a household, these innovative Kake-jiku designs featured are made with contemporary fabrics. Each image is a picture-window into Japanese culture, and the accompanying text explains the symbolism of each design. All patterns can be constructed using a unique style of Japanese appliqué, and several are embellished with fabric-origami flowers. Several of the patterns included are enhanced by beautiful and intricate sashiko stitching, and a section on technique describes appliqué and stitching methods and provides instructions for making all-in-one wraparound borders. Glorious photography, step-by-step color drawings, and watercolor drawings enhance this art-inspired craft book, and a bound-in template pack—complete with full-size templates made from durable, reinforced paper—allows for multiple uses of individual template pieces.
Customer Reviews:
Some good ideas ..........2007-08-08
I liked the book, BUT it was one of Kumiko Sado's weaker attempts. I think she is running out of ideas, frankly. If you have any of her other books, I really would not waste money on purchasing this one, unless you can't live without her entire set in your library.
Kake-Jiku: Images of Japan .......2007-07-09
This is just what I was looking for. I am now in my Asian quilt phase of life and the patterns and images are great. Can't wait to get into my Asian fabrics and try these patterns!
Can't wait to get started!.......2007-05-12
This book is so wonderful, and full on creative ways to use fabric. I can't wait to get started on some of the projects. The problem is deciding what ones to do. I just had to run out, and get on line, and buy some Asian fabric. Now I just have to find the time to make all the projects I decide on. And I have to decide if I'm going to make them into a quilt, wall hanging, or give them away.
A unique and enthusiastically recommended addition .......2007-04-12
In "Kake-Jiju: Images Of Japan In Applique Fabric Origami And Sashiko", Japanese fiber artist and acclaimed needlecrafter Kumiko Sudo offers a superbly illustrated and thoroughly impressive collection of 15 decorative quilt wall-hangings inspired by the elegant hand-painted scrolls that have adorned entryways and alcoves in Japanese homes. Their purpose (in addition to being stunning works of art) is to greet each new season and bestow good luck upon the members of the household. Kumiko Sudo's selections reflect her intuitive sense of both color and design with each of the decorative wall-hangings being constructed using her unique brand of Japanese applique. The 'needlecrafter friendly' projects range from being embellished with fabric-origami flowers to those which are enhanced with lovely sashiko stitching. Sudo's own watercolor paintings divide the chapters, while the step-by-step directions are illustrated with photography, color drawings, and full-size reusable templates. "Kake-Jiku" is a unique and enthusiastically recommended addition to a dedicated needlecrafter's reference shelf.
Kake-Jiku: Images of Japan in Applique, Fabric Origami and Sashiko.......2007-03-23
For lovers of genuine, Japanese designs, the directions in this book for applique, fabric origami and sashiko are second to none.
Beautiful designs and easy to follow instructions.
Highly recommended.
Book Description
Modern Japanese quilting blends Eastern and Western techniques to create quilts of extraordinary style and beauty. Using designs borrowed from a rich decorative arts heritage, and often incorporating traditional kimono fabrics, Japanese quilters have developed a distinctive style based on
unusual motifs and striking color combinations. With Japanese Quilted Blocks to Mix and Match, any quilter can create exquisite and unique works of patchwork art in the Japanese tradition.
The book presents more than 125 different block patterns, each with complete instructions and a color photograph, representing a variety of pattern sources: kamon (family crests), Hakone yosegire (parquetry) and traditional textiles, such as kasuri weave. Each 9-inch block includes a full cutting
guide and fabric palette; suggestions for use, either mixing and matching or adapting to an all-over design; and icons indicating techniques and skill level. The blocks on each spread are related in design and technique.
In addition to the Block Directory, Japanese Quilted Blocks to Mix and Match features an Inspiration Gallery, showcasing examples of finished quilts from leading quilters. Using these examples, author Susan Briscoe explores such topics as color ideas from traditional Japanese textiles and quilts,
motifs, and recommendations for combining fabric patterns and block designs. An extensive section on technique, as well as several pages about the fabrics themselves and a listing of suppliers and organizations make this volume as practical and informative as it is beautiful.
Customer Reviews:
One of the Best Books.......2007-09-13
Susan Briscoe's Japanese Quilt Blocks book must be one of the top ten quilt design books ever. I had been searching for a long time for a way to make simple elegant 9-inch patches that are not the same old traditional American items.
Briscoe's book has so inspired me on to creating little 9-inch patches that I simply cannot wait to sit at my work table each day to play with further fabric combinations and designs. The extraordinary way she has combined her patches into quilts give me great pleasure and encourage me to do the same. The directions and color photos in the book are excellent. And the rating of each of the 122 designs by difficulty helps, too.
I treasure this book.
Also, it is the first quilting book I have felt inspired to buy in 20 years!
Awesome Book........2007-08-04
This book will get your imaginative juices running. A very detailed book and so easy to design from.Great colour images and templates to use.
A must for any quilter who wants to explore their own skills.
Great Book ! Well Organized & Beautifully Presented.......2007-07-10
I just received this book and I'm really impressed with it! The blocks are beautiful and well presented. Some of the piecing procedures can be done a little easier than is shown, but basically this book is a real find! I love Japanese motifs and have done a bit of sashiko so this book is a real inspriation for me!
Gorgeous book.......2007-05-25
Susan Briscoe has produced a gorgeous book, full of unique designs and patterns. Many of the patterns are simple; others, especially the appliques, a complex. The photos are beautiful and show how Japanese fabrics can be utilized in striking ways. In addition, Briscoe offers plenty of tips on color, block construction, design, piecing, sashiko stitching, etc. If you have any Japanese fabrics in your stash (or even if you don't), you'll enjoy this book.
Japanese blocks to make are..........2007-04-11
The book,Japanese Quilt Blocks to Mix and Match, is beautifull illustrated.The instructions are clear and instructive. The applique patterns are truely unique, ranging from easy to more advanced.There are also pieced patterns and Sashiko patterns.The book gives instruction in Sashiko.I rated this book 4 stars. It lost a point because all of the applique patterns have to be enlarged 200%. Since my preference leans toward applique ,I find it frustration to have to wait untill I can get to Staples to have the patterns enlarged. That aside,this hard covered,color- illustrated book is a must if you have or want to have a keen interest in quilting Japanese blocks.
Book Description
Bestselling author Kumiko Sudo creates 45 exquisite handmade gifts in fabric, each with a flair that is uniquely Japanese. Easy-to-follow patterns, beautiful photographs, and colorful step-by-step drawings help the projects come together quickly--many in less than an hour. Whether they are created in kimono silks or in contemporary cottons, these tiny boxes, purses, decorative toys, incense pouches, and good luck charms all make delightful gifts.
Customer Reviews:
Good book, fun crafts.......2007-05-14
Kumiko is a master of her craft and her book shows some of her cutest work. While the patterns are fairly simple. she leaves out important hints that make recreating her projects difficult if you aren't paying attention. Pay close attention to the weight and type of fabric that she uses but does not mention in her directions. If you use a heavier fabric than what she used, you may need to adjust the pattern to make it work. I wouldn't recommend this for a complete beginning sewer. Otherwise this is a great book full of fun projects.
Omiyage: Handmade Gifts from Fabric in the Japanese Tradition.......2007-05-14
I like Kumiko Sudo's criations and this book is not an exemption.
Great gift idias and easy to follow instractions.
Beautiful Book.......2007-03-20
I love looking at this book. The paper used, photos and layout are all very attractive.
I've only started working on one project but the instructions are clear and the illustrations helpful.
Beautiful Book, Beautiful Art, Shoddy Editing.......2007-03-03
Ms. Sudo makes Exceptional gifts and notions, and this book is a Delight to read! Her thoughts on Seasons and Gifts are educational and inspiring, especially to one, such as myself, who has not been steeped in Japanese culture. As an Art book, I would have given it five (5) stars.
Having said that, I've made several of the projects (five to date) and found substantial errors in pattern measurements, inadequate or missing directions, and misleading diagrams. It's such a shame that Ms. Sudo's inspired artwork was giving shoddy treatment! I do agree with "A Reader"'s opinion that the directions must not have been proofread. I muttered more than once "The Editor should be Flogged!"
Beautiful items/difficult to reproduce.......2007-03-02
This woman is an extremely talented artisan. She grew up in Japan. She started as a child making these beutiful trinkets. This book is for someone with PRE knowledge of Japanese artistry, its terms, and practice on small things throughout her entire life. Its much more complex than what I expected. I sure do wish I had just a fraction of her talent. It was very hard for me to give the book a number to measure its usefullness, or directions its just way out of my league. But for someone who posses this talent I think the book would be treasured.
Book Description
Kokoro no Te, translated into English as "handmade from the heart," is the philosophy behind this enchanting collection of small, high-fashion craft projects that have a distinctive Japanese flair. Featuring purses, pins, sewing accoutrements, and the author's amazing temari balls, the 30 original hand-sewn designs combine surprisingly simple techniques with exquisite colors and fabrics, allowing sewers to create lavish objets d'art easily and inexpensively. A delightful and original array of fashion pins, brooches, purses, and keepsake pouches creatively combine silks, cottons, and soft felts with delicate beading and embroidery. A pattern for a doll-sized kimono is included along with designs for pin cushions, thimbles, and a needle cache. The sensational color photographs and line drawings show multiple points of view for each project and show precisely how each artful, stylish, and charming piece comes together.
Customer Reviews:
Beautiful creations, but..........2007-05-14
Kumiko is a master of her craft and her book shows some of her cutest work. While the patterns are fairly simple. she leaves out important hints that make recreating her projects difficult if you aren't paying attention. Pay close attention to the weight and type of fabric that she uses but does not mention in her directions. If you use a heavier fabric than what she used, you may need to adjust the pattern to make it work. I wouldn't recommend this for a complete beginning sewer. Otherwise this is a great book full of fun projects.
Omiyage.......2007-01-23
Lots of lovely ideas in this book, had to alter some sizing, but no problems
Cute!.......2006-08-25
I love the book, and love making all the cute things in it. However, the first time I made the fish, her instructions referred to part C (or maybe D?)of the fish, and the template for the part was nowhere to be found. I was able to make my own template, but it was irritating.
Kokoro no Te.......2006-07-01
I purchsed this for my wife. She is an artist and loves artistic items from Japan - ever since visitng Japan last year. She loves this book andf keeps it on our coffee table in easy reach. The instructions are excellent and the presentation is of high quality.
Exquisite Small Gifts to Make.......2006-01-27
This is the second of Kumiko Sudo's books I have purchased and fallen in love with. There is sure to be a special project that will appeal to your senses and compel you to spend the hours creating just that perfect piece! The projects are small, and require patience and careful attention to detail. That said, the hand sewing can be done in front of the television or while riding in the car.
Items evoke a delight when given as gifts and are perfect for those who have everything. These patterns seem a bit more difficult than those in the Omiyage book and require a bit more imagination to fill in the steps not illustrated. If you enjoy challenging projects, you will love this book.
The Temari balls have become an bit of an issue at my house. I make them for my children and our Siamese cat grabs the balls and runs with them from the kids! So if you have cats or want to make a very special gift for a friend with cats, you could make a Temari ball with a bit of catnip inside!
Book Description
This book will introduce you to the basics of Japanese braiding. There are full step-by-step instructions for each move, followed by pictures of lovely examples to inspire you.
Customer Reviews:
Nice Braids, but No Endings..........2007-10-09
I had ordered this book with the hopes that it would teach me how to make jewelry. It does teach you how to make nice brades, the pictures and instructions are very clear. But it does not cover ending the braids, other than just in a tassel. I could have figured that bit out on my own, and I really wish it had covered how to end the braids in other ways. There were samples of hings you could do with the braids, but it did not discuss how to get those samples made.
Great book for beginners........2007-09-03
This is a great book for people with an interest in Kumihimo. Full of step by step pictures and lots of patterns to follow.
Beginner's Guide to Braiding.......2007-04-03
I found this book to be an excellent guide for the rank amateur....which I AM! It is very easy to understand with good photos and drawings. Perhaps the best part is that it tells you how to make your very own tools and spools (just in case you don't want to go buy everything before you even know if you have an affinity for it).
Excellant Diagrams .......2006-08-22
This is an excellant beginners guide to Kumihimo. Pictures and diagrams are easy to follow!
Clear, easy to use, and beautiful.......2004-06-18
This is Japanese braiding. As with so many other crafts, the Japanese start with the same materials used by workers anywhere else in the world. Then, they apply their own techniques to create something completely new.
This book gives clear, simple directions for making or improvising the tools needed. It takes a bit of effort to hold the incomplete work in place and feed in each strand as needed, so the tools really are necessary. You can't just grab a few strings and try the techniques. The tools are easy to put together from common household materials - film canisters, coins, and a few other things - so don't let that put you off.
The braids themselves are presented in beautiful photos, along with clear, complete directions for making each one. The photos also show how one braid can look very different according to the colors and kinds of strands woven together.
It's not something to pick up casually on a rainy day and try with your kid. It takes some preparation, and some practice to get an even result. That is well within reach of the home crafter, though, and well worth the effort.
Average customer rating:
- happy about the book
- Great coffeetable book!
- Wow, amazing!
- Supaa kawaii
- Fabulous Freaks
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Fresh Fruits
Shoichi Aoki
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Turtleback
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ASIN: 0714845108 |
Book Description
Presented in an identical format to Phaidon's previous Fruits, published in 2001, Fresh Fruits is a collection of Tokyo teenage street fashion portraits selected from Japan's premier street fanzine of the same title. Published every month by Shoichi Aoki, who is also the sole photographer for the magazine, Fruits was established in 1994 as a project to document the growing explosion in street fashion within the suburbs of Tokyo. Over the last decade the magazine has grown to cult status and is now avidly followed by thousands of Japanese teenagers who also use the magazine as an opportunity to check out the latest styles and trends. The average age of those kids featured in the magazine is between 12 and 18 years old. Most of the clothes that they wear are a combination of high fashion - Vivienne Westwood is a keen favourite - and homemade ensembles which when combined together create a novel if not hysterical combination. This latest publication of the best of Fruits will follow the original Phaidon publication by including translations of the various Japanese captions that were originally attached to the photographs that list the name, age and clothing of each person photographed.
Customer Reviews:
happy about the book.......2007-10-02
i saw that book when i was in Germany and wanted it ever since. Now i finally have it and i'm very happy about it. I like all the series of the Phaidon books and already have Fruits. The idea of this book is really great and i hope Phaidon will have some more books like this in the future!
Great coffeetable book!.......2007-06-07
Though it's pretty much the same as the previous Fruits book, I guess it's best if you keep it the way it is.
It's a great quality book, completely filled with photos which are not only unique and beautiful, but also makes you question yourself about what is fashion, and what is acceptable or not on everyday life clothing.
There should be more places around the world like Harajuku.
Wow, amazing!.......2007-03-27
Great book, made my girlfriend quite happy. She is very into Japanese street fashion and this book just captivated her, she looked through it about 20 times the day i gave it to her. I enjoyed it too, but it was mainly for her.
Supaa kawaii.......2007-01-19
Manga, anime, and Tokyo street fashion have a devoted following here in the States, and fans of the above should find this volume entertaining/fascinating. The ensembles displayed in Aoki's book range from super cute (supaa-kawaii) to imaginative to outrageous. Some of the teenagers look almost intimidating, but the funny thing is that if you get lost in Tokyo (easy enough to do), you can walk up to one of these apparitions and ask for directions. In almost every case, they will probably bow, smile, and respond in the most polite and respectful manner imaginable.
Fabulous Freaks.......2006-09-30
Another amazing collection of eye candy fashion. I love the full page color photos and the brief descriptions. It is interesting to see how a sub-culture of fashion in itself fractures off into seperate catagories. Like L.O.L.A., european punk, goth, hippie, couture, et cetera. All amazingly creative free spirits. This is a great buy if you like cultures and community, fashion design, or interesting coffee table conversation starters. I love the book "fruits" as well, they are like twins, something to be kept together. I would love to see what changes in style another ten years has brought to Japan. Hopefully I'll run accross that book next. The only irksome bit was the bubblegum text color. It was hard to read at times. And my eyes aren't too bad.
Customer Reviews:
Learn a wonderful art form.......2001-07-20
I first became aware of Temari when I saw some balls on display by a lady offering lessons on how to make them. The lessons were $65.00. I decided to check Amazon.com before I gave up learning it on my own. I ordered this book and was thrilled with the results. The instructions are very easy to follow with lots of drawings showing exactly what to do. I was successful on my first try and I am delighted with my new hobby. I have just ordered a second book by Diana Vandervoort and can't wait to get it. By the way, the balls that I had seen on display were all from this book.
A Great Beginners Book!.......2000-04-24
I first was introduced to temari while channel surfing, and stumbling onto the Carol Duval show on HG network when Diana Vandervoort was demonstrating her craft. I could not wait to get my hands on her book and try it for myself-mostly because I could not believe something so elegant and complex could be so easy to do! This turned out to be one of the easiest crafts I have ever tried, and I have tried my hand at A LOT of things. The photos are truly inspiring, and the instructions are some of the easiest to understand and follow. I can't wait to get my hands on the next book, and new patterns.
Temari- How to Make Japanese Thread Balls.......2000-02-29
This is an excellent guide to help you create beautiful, and fun-to-do, Temari balls. Simple and easy to follow intructions are given.
A great way to teach yourself this craft.......2000-02-03
As far as I can tell, I own every Japanese and English book on Temari currently being published. This is the book I recommend to beginners who want to learn this wonderful craft. It would also be good for someone who knows a moderate amount already, as it has some advanced skills.
Excellent Introduction to the Art of Temari.......1999-11-16
I have found this book a wonderful apprenticeship to the art of Temari. It was as easy to follow as listening to her explain and demonstrate the techniques right there, first hand! The pictures are perfect, the directions are clear and idiot proof, and the results...all but guaranteed! Anyone who receives one of the fruits of your laybor will be amazed at the apparent intricacy of the design, and assume you have done the impossible in its creation--but, you will know it was not anywhere as difficult as it looks! This book will make you, too, look like a pro! Excellent first book, as well as a springboard for the creation of your own improvisations.
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