Book Description
An indispensable guide for collectors and dealers who want to compare and evaluate early American antiques. When Albert Sack's
Fine Points of Furniture: Early American--Good, Better, Best was published in 1950, it established a new standard for evaluating American antiques. In his new book, Sack applies this standard to furniture pieces that have appeared on the market in more recent years.
Full color and black-and-white photographs.
Customer Reviews:
Dean of Early American Furniture.......2005-04-09
If you have any interest at all in Early American Furniture, buy this book! Mr. Sack is one of the most knowledgable experts on this subject. This book shows you the subtle differences in what makes a piece good and what makes a piece great. Having his experise on this subject is invaluable if you have any interest in searching for early American antique furniture. He learned from his father, who had an amazing eye, and Mr. Sack shows you what he has learned. He is reknowned as an expert in the field of Early American Furniture. It is a shame that this book is out of print and that one must spend a great deal for a used copy, but this book is worth every penny. Maybe we will get lucky and he will revise it again, but I would not hold my breath.
Best of the best.......2003-07-14
Not a lot can be said here. If you want to see the best and have comparasions to look at as well. Or if you just want drool over real furniture this is the book. A must have for anyone who aspires to knowing what is truly art in furniture design.
One of the Best on Antique Furniture.......2002-12-31
If you want to truly study and develope an "eye" for the finer points of antique furniture this is a must have book.
The next step up from basic identification books.......1999-06-01
A great book for any furniture collector. If you want to see why similar pieces of furniture vary so much in value, this is the book for you. Education for the eyes. I'm beginning to feel like an expert!
Book Description
On a farmlike compound near New Hope, Pennsylvania, George Nakashima, his family, and fellow wood-workers create exquisite furniture from richly grained, rare timber. Tables, desks, chairs, and cabinets from this simple workshop grace the homes and mansions and executive boardrooms of people
who prize such excellence. In this lavishly illustrated volume, George Nakashima allows us in intimate look at his artistry, his philosophy, his life. It is the portrait of an artisan who strives to find the ideal use for each plank in order to "create an object of utility to man and, if nature
smiles, an object of lasting beauty."
The author's search for the meaning of life took him as a young man to Paris, Tokyo, and Pondicherry, India. In India, he found the inner peace for which he had been searching and began to find ways to work with timber. He writes movingly about the grandeur of ancient trees and stunning figured
woods and explains how he selects and prepares his materials. Above all, he impresses us with his devotion to discovering the inherent beauty of wood so that noble trees might have a second life as furniture. The Soul of a Tree looks at the world through the eyes of an artist and evokes the joy of
living in harmony with nature.
Customer Reviews:
He is a rarity.......2007-01-26
Able to tug at you in so many ways. A privilege to be able to buy his product.
great book - a woodworkers essential.......2006-09-11
Alot of philosphy, mostly biographical, has a few quotes that stick:
"Man has the audacity to try to improve the tree...."
This is a MUST read for a woodworker.
Gorgeous and inspiring book.......2005-11-27
Like the books of James Krenov, "The Soul of a Tree" is as much a book about philosophy as it is about wood. And it's a good philosophy: slow down, take your time, play with the wood, and enjoy it. The book is really about the soul of Nakashima. He outlines some of his own personal history and how he developed his ideas about craft. There's not really much on technique here - you can certainly find better books for that - but you won't find many more inspiring.
On a personal note I had a lady call me years ago to fix up `some old furniture' she and her husband had bought years ago (in the `50's I believe.) Seems when they were young college professors they found this young oriental guy down the road who made furniture in his garage. When I looked at the furniture I told her that her young oriental friend had become quite famous and showed her this book. She was flabbergasted. What she wanted me to do was to nail up some chairs that had worked loose over time. I refused, of course, and explained to her that these were valuable pieces that should be cared for properly. I also encouraged her to contact Nakashima's Conoid Studio (if it still existed) to let them catalogue the pieces. Even after years of use by a family with kids living in the sticks the pieces were obviously crafted with meticulous care and held up surprisingly well. It was a real joy to bring them back to daily use.
Pure Style........2001-08-27
The author omit needless wood and carve great pieces of furniture. It is like zen on wood. You will not regret the money you spent on this title.
This man never wasted a single second of his life.......1999-10-30
George Nakashima was not only a master craftsman in his field, he was a genius. He could pick up any piece of wood and at a glance know what the end product would be to its full potential...and more.He would let the wood tell him. Even his simplest of projects 'sing' beauty and finesse. I bought the book for insperation to my own woodworking skills, and learnt much more than i expected. Included in the book is a short biography telling us of his early life, his travelings and how he ended up the man he became, his family, lifestyle, work and good natured beliefs. It certainly gave me insperation towards beautiful woodwork and i like to think I learnt a few lessons in life as well. If i was to me this man and only shake his hand I would feel honoured.......
Average customer rating:
- Way below my expectations
|
Bending Wood (Fine Woodworking On)
Manufacturer: Taunton
ProductGroup: Book
Binding: Paperback
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The Complete Manual of Wood Bending: Milled, Laminated, and Steambent Work
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Bent Ply
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Circular Work in Carpentry and Joinery
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Wood and How to Dry It (Fine Woodworking)
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The Complete Illustrated Guide to Shaping Wood (Complete Illustrated Guide)
ASIN: 0918804299
Release Date: 1989-09-01 |
Customer Reviews:
Way below my expectations.......2005-07-30
I got really disapointed when I received and read this book. It provides advanced techniques that a regular woodworker would never use. The parts that woodworkers use the most are vague. I'm not intereset in making violins or boats. I need techniques to bend wood, to use joints for curved surfaces, to build equipment and fixtures to bend wood and so on. This book lacks of the practical guidelines to do so.
Book Description
Chinese classical furniture is esteemed throughout the world for its beauty, functionalism, and influence on contemporary design aesthetics. Sarah Handler's stunningly illustrated volume traces Chinese hardwood furniture from its earliest origins in the Shang dynasty (c. 1500 to c. 1050 B.C.) to the present. She offers a fascinating and poetic view of Chinese furniture as functional sculpture, a fine art alongside the other Chinese arts of calligraphy, architecture, painting, and literature.
Handler, a widely respected scholar of Chinese furniture, uses her knowledge of Chinese social, political, and economic history to provide a backdrop for understanding the many nuances of this art form. Drawing on literary and visual evidence from excavated materials, written texts, paintings, prints, and engravings, she discusses how people lived, their notions of hierarchy, and their perceptions of space. Her descriptions of historical developments, such as the shift from mats to chairs, evoke the psychological and sociological ramifications.
The invention of a distinctive way to support and contain people and things within the household is one of China's singular contributions, says Handler. With more than three hundred exquisite illustrations, many in color, Handler's comprehensive study reveals "the magical totality of Chinese classical furniture, from its rich surfaces and shrewd proportions down to the austere soul of art that resides in the hardwood interiors." Austere Luminosity recognizes Chinese classical furniture as one of China's premier arts, unique in the furniture traditions of the world.
Average customer rating:
- Useful resource for Herter furniture research
|
Herter Brothers: Furniture and Interiors for a Gilded Age
N. Y.) Metropolitan Museum of Art (New York
Manufacturer: Harry N Abrams
ProductGroup: Book
Binding: Hardcover
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ASIN: 0810934264 |
Customer Reviews:
Useful resource for Herter furniture research.......1998-07-31
This book is a compendium of information related to late 19th century furniture makers. Photographs and references are essential to research of the topic. Particularly helpful is the chronology at end of book. Well-researched and photographed.
Book Description
The sixth in a series of essential resources for today's woodcrafters, this latest volume includes over 20 chapters covering every aspect of furniture making, from designing new projects to building each piece to last more than a lifetime, along with specific options for tables, cabinets, and chairs.
Customer Reviews:
Practical Design Solutions and Strategies:.......2007-03-31
Practical Design Solutions and Strategies: Key Advice for Sound Construction from Fine Woodworking (Essentials of Woodworking) The book is fine, clear, concise and plenty of photos and great information.
Finding the Golden Path.......2004-09-23
Taunton Press has two collections of articles on woodworking design in publication. As the title indicated, this collection focuses in the practical issues of furniture design, primarily to do with construction decisions. Speaking as someone who has occasionally 'created' himself into a corner, this is important material. After all, it never hurts to have a good grasp of what it really is going to take to make an interesting idea into a good piece of furniture.
Well illustrated and lucidly presented the six sections are Conceiving Your Projects, Organizing Your Projects, Engineering Furniture to Last, Construction Options for Tables, Construction Options for Cabinets, and Construction Options for Chairs. Each section contains articles of considerable interest. The detailing on table construction and the two articles on chair making are particularly interesting. Both focus on the 'holistic' factors of the project rather than simply covering joinery.
By fitting into the niche that sees design and construction as a process, the reader will come to see how each decision effects the final outcome. This means that what you see in your imagination is more likely to appear in front of you as finished work. While this is not a volume for beginners, taking the time to go through this book and understand the principals will keep you out of trouble and increase your satisfaction with the final product.
Furniture that's built to win.......2003-05-15
The furniture in this book isn't just built to last. It's built to win. As in, if you hit it with a car, the furniture will win. Or if you drop it out of a window onto the sidewalk, the furniture will win.
You don't have to build everything the way they do. I'm about to make some end tables with drawers, and I'm not going to use dovetails and haunched tenons. I'm going to use dowels. But the important thing is that I now know the right way to do it, and I know my way will at least work, and I know why some other designs won't work. I won't blindly follow plans or make design compromises out of ignorance. And one day soon, I'll make something the right way.
I knocked a star off of the rating because the book is an anthology of previously-published material and kind of a broad-ranging hodgepodge. But it is an excellent hodgepodge nonetheless.
I think books like this should be read not just by people who aim to build furniture but by anyone who uses furniture.
Beef Up Your Design Knowledge.......2002-01-10
I would not recommend this book to a complete beginner. There are more important books that should be read first (like Tage Frid's books and Taunton Press' "Basics of Craftmanship"). However, assuming that you have a bit of background and experience in woodworking this book is a great way to build your skills in designing great furniture or cabinetry as well as confronting the occasional design decision that creeps into "cook-book" projects.
Since this book is compiled from articles from Fine Woodworking Magazine there is a great breadth of topics and each topic that is covered is explored in depth. However, there are still a great deal of design related topics that are not touched upon. Make no mistake, this is not a textbook of furniture/cabinetry design. It is a collection of design focused magazine articles. Infact, some of the articles aren't even that focused on design. If you want to focus on design and design alone, this isn't the book for you.
Some of the articles are better written than others, although all are well written and applicable to pretty much any woodworker. The way the articles are grouped together is sometimes baffling, but if you just treat this as a thick magazine with no advertising and no fluff, you'll be impressed.
This is a great read and an important book to have in your woodworking library. As a woodworker that builds "stuff", you won't be able to avoid design decisions, and this book is a great way of getting your feet wet and stepping away from the complete construction plans you see in every woodworking magazine.
An Excellent Source of Design solutions!.......2001-05-09
This book contains a myriad of solutions to common furntiure design and construction problems. It presents design examples rather than full plans for projects but that's good because the examples show a variety of ways to approach various elements of the design of doors, cabinets, tables and chairs. I like this approach because it will help me build a vocabulary of options when I design my own projects or want to replicate furniture I only have pictures of and can't inspect.
My only complaint is that this is a collection of articles from back issues of Fine Woodworking magazine that wasn't well edited before being published in the book. It contains several editorial errors such as referring to figures by position on a page when they don't have that position in the book format, deleting a list of suppliers that's referenced in an article and at least one case where I suspect that the captions have been reversed under two pictures. The editors should have been more careful!
I originally read a copy borrowed from the library but I will be buying a copy soon to keep around for reference.
Book Description
James Krenov’s views on craftsmanship have enlightened and inspired woodworkers around the world.”—American Woodworker
Sharing his legendary techniques for coopered doors, doweling, dovetail joints, frame-and-panel work, and other cabinetry details, master craftsman Krenov shows how to shape wood the way it was meant to be shaped. He elevates cabinetry to a true art. Beginning with the most essential part of cabinetry—selecting and preparing wood—he shares his beliefs about respecting the integrity of the material, and how grain and color will enhance the design. Krenov then demonstrates the first-rate execution and flawless finished surfaces that are the hallmark of his craft, and can be for any woodworker. Photos throughout show his workshop, and provide a close-up look at the details of cabinetmaking.
Customer Reviews:
Learning From A Perfectionist.......2006-05-26
James Krenov is one of woodworking's treasures - an acknowledged master craftsman who is open about both his aesthetics and his techniques. For many of us he is a role model who started out on a shoe string in Sweden and has gone on to create a whole style all his own. He is as devoted to teaching as he is to his work and has a gift for inspiration and straightforward exposition.
Unlike A Cabinet Maker's Notebook, The Fine Art of Cabinet Making spends most of its time talking about technique. The first 50 pages is a vast, rambling essay on wood and how to relate to it. His point, an important on, is that the process of selecting and using wood is every bit as important and any other creative process. If you pay attention you will get a deep dive into the way Krenov's designs come to be - a whole new level beyond buying some dimensioned lumber and whipping up a cabinet.
Then he introduces you to his workshop and tools. Krenov actually does use power tools, but sparingly. Many of us have been taught to value the clean, sharp edged work that a modern power woodshop can produce. Krenov is just the opposite, to him the marks of craftsmanship are part of the harmony of the work. Krenov makes his own planes, and spends a great deal of time explaining how to do the same yourself. I have to admit I'm quite happy with my Lie-Nielson's, but one has to admire the intensity of a man who wants everything 'just so.'
The remainder of the book covers details of Krenov's cabinetmaking, and it is here that you discover the extent of his quality. Whether it be dovetails, delicately curved doors, or cabinet backs, Krenov never settles for less than the best he can do. I admit to a few moments of extreme jealousy when he explains that he never clamps dovetail joints, but, as his discussion demonstrates, his attention to detail is such that he shouldn't have to use clamps. I just wonder how many years of practive it will take to accomplish the same thing.
For all that this is a technically focused book, it is also an inspiring one. A book that will have you eyeing potential lumber completely differently, and making yourself take the time to get things right.
Must have for every woodworker.......2005-11-27
I love all of Krenov's books. It's easy to find better books on tools or techniques but nowhere will you find books that breathe a love for wood and craft more than Krenov's (Nakashima's "The Soul of a Tree" comes closest.) I've read through each of his books several times and always pick up on something new. "The Fine Art of Cabinet Making" is a bit more advanced than his earlier works in that he covers coopered doors and frame-and-panel work but his philosophy is always evident. Krevnov's love for wood is infectious. After reading his books you find yourself `playing' more with wood. Wondering how things will work if you move this one way and that another. Instead of churning out furniture I instead start to think about the piece I want to make: what wood would look nice? What kind of pulls will fit? How will it sound when the door closes? Somehow all of this combines to make the journey (the making) as nice as the end product. Frankly I think most furniture makers will go broke trying to work like this unless you have a whole lot of cash behind you or can charge very expensively for your work. I really think, though, that these books should be on every woodworker's shelf.
A good book, but not a great one........2002-10-15
This book gave me a few problems. Let me start off that I find the work of Mr Krenov to be some of the finest in the world of cabinetmaking. The trick is that this book spent a lot of time going over material that has been done other places better. The sections on shop tools, sharpening and how to do dovetails did not add much to the book and has been covered better in many other books. The section that talked about handmade planes was an interesting read, and in my opinion could have been expanded to give much more. The high points of the book are the "Details of Cabinetmaking" section and an earlier section that goes over the aesthetics of wood grain in the context of design. This gets you into the head of Mr Krenov a bit. The problem is that it is all too short. I think this book could have cut out a lot of stuff and expanded its section of the design and construction much more. Even though I kind of sound negative, I like the book for what it is and find it helpful when I design and put together a cabinet.
A splinter in the hand is better than a hand in the splint........2002-06-11
One of America's premier furniture masters who has influenced and created a craftsmans foundation for more than one generation. What else is there to say, you want to work wood then here's the place to start. Fine Furniture starts in the spirit and mind, moves thru the hands and body to be executed by the hands thru machinery and tools, contrary to popular belief not vice versa. As someone once stated to me "we don't want teach the worship of wood" to which I reply "then use plastic". If you worship wood, and would like to gain a more intimate knowledge of same, then buy this book.
Other recommended Master Craftsmen in the same vein are:
Sam Maloof
Franz Klaus
George Nakashima
Tage Frid
Uma vida viveu no medo, e`uma metade da vida viveu.
Classic stands thre test of time.......2001-09-18
Krenov's famous cabinetmaking techniques layed bare, July 8, 1998
Reviewer: A reader from Toronto
This, Krenov's second book (1976), is the book that they still want you to have when you show up at the College of the Redwoods for Krenov's course. The book is devided into three parts: wood, tools and the shop, and cabinetmaking techniques. It sets out his techniques for mortice and tenon joints, dovetails, HANDPLANE CONSTRUCTION, and much more. The handplane section was so influential that several courses are taught on this subject alone, accross the country.
This book is indispensible for the serious woodworker. That said it is just a little dated since obviously a lot has changed in twenty plus years. Krenov labours close to the soul of cabinetaking, however, and a lot less has changed there than elsewhere. An obvious change is that Krenov's essential few power tools are now much cheaper to buy than they then were. But modern workers will probably assume that he now sharpens his tools with waterstones. Not so! As he recently revealed in a national magazine, and his reasoning is as sound as ever.
At a deeper level perhaps, the craft has become dominated by projects and production on the one hand, and arty self-congratulatory stuff on the other. In the old days there was another path, that of extrodinary quality and technical virtuosity. Few follow this path today due to cost, a skills shortage, and some lessened desire to have furniture which belongs in the boudoir of the Sun King. Krenov is one of the few who has written about another way: A sensitivity to wood, tools, and one's own heart.
This book is the most how-to of his essential trilogy. If that turns you on, try the Impractical Cabinetaker next, lots more "project" tips. If you like his philosophy of craft try The Cabinetaker's Notebook.
Mentioned above is the idea that the instruction on dovetailing has been covered better elsewhere. It is true that there are some funky tactics that were necesary 20 years ago, that aren't with the explosion of great hand tools today. On the other hand while there are tons of instructions on how to hack out some dovetails, there aren't many from the perspective of folks who join hardwoods like Pear and Ebony, and then sell the results for 20K. These metal hard woods demand a different approach than for pine boxes, and you won't find that information in many other texts.
Customer Reviews:
Ideas.......2007-05-13
As a woodworker it is always good to see what some of the leading edge furniture designers and builders make. Some are conservative, to see how the profession has reached it's height throughout furniture building history, others are way out there trying out the new possibilities, all awesome work! It truly is fascinating what these books inspire in furniture designer/builders and interior designers. The photography, in most cases is truly spectacular and very detailed there where it is supposed to be detailed. The only, slightly negative, comment I have is that information is cheap at best. Don't expect any information of why a piece was designed / built the way it was, or some of the woodworking difficulties that were overcome in building a particular piece. I am sure that there would be some very interesting captions and explanations to be written about the furniture and other items displayed in this, otherwise, wonderful coffee table book.
Pretty Is As Pretty Does.......2004-07-31
There is a considerable difference between the following plans part of woodworking and the artistic design part. Like anyone else who enjoys the thrumming sounds of a happy workshop, following plans is a soothing process with a satisfying result. But getting an idea into my head (and then trying to make it real) is more frustrating - my life lacks the spare 'dream time' needed. As a substitute, I like to look at the work of others. And Taunton Press's series of design books is a fine place to start.
Each book is like a juried shop with some 10,000 original entries. There are sections on cabinets, chairs and benches, tables, boxes & chests, desks, beds & furnishings, sculpture & carvings, turnings, and accessories & musical instruments. Some 266 individual pieces are presented. While the pieces will appeal differently to different individuals, they all remarkable in some fashion and invited serious thought on possibilities and techniques.
The range of style and approach presented is wide. There is everything from the ultra-modern to the ultra-traditional, from traditional furniture to sculpture and toy. One of my favorites is the clean lines of Jay Bonaventura's dining chair, that seem echo Arts & Crafts without ever becoming that style. Another is a deceptively simple sideboard by Michael Hoffer. And then there is the jaunty enthusiasm of a Randy Morris clock. I hope one day that a piece of my work merits appearance in a publication like this. Not likely, but with such good sources of inspiration, you never know.
AMAZING.......2002-03-29
Another fantastic collection of woodworking masterpieces. Anyone can appreciate the beauty and craftsmanship of these pieces. To have this many excellent works in one book is awesome. One of the best woodworking books I have ever seen.
Inspiring.......1999-08-14
This book contains a compilation of photos of great masterpieces. This book really shows the diversity of design with an wide variety of beautiful hardwoods. This is one of the books I use for inspiration when designing a piece of my own. I recommend it to anyone with an eye for the arts and the confidence to push his/her own limits.
Great photo quality, not very practical for an amature.......1999-07-30
Great photo quality of all the designs categorized by type. Almost 100 more photos than Design Book 6. Each design listed with creator, dimensions and wood type used. I was trying to get some ideas from the book, but only less than 30% the designs fall in my interests. Most of them are way difficult to make for someone like me who has only a little shop at home or require fancy tools (extreme skills). And some of the designs are just unpractical, they are not even good taste, only for showing off the skills in making them, I guess. I was able to get an idea on how different wood were used in the design to have certain artistic effect or looks to enhance the piece. But you have to guess what kind of finish was used on it.
Book Description
This collection brings together the best articles from Fine Woodworking and Home Furniture magazines on building furniture according to 18th-century design principles. Divided into three parts Style and Design, Projects and Techniques, and Inspiration the book offers background on the style, detailed instructions, and inspiring photos of finished pieces. 250 color photographs and illustrations are included.
Customer Reviews:
Excellent guide to classical style, for the furnituremakers.......2004-01-27
If you are some experienced in furniture making and know the basics of joinery, carving and usage of woodworking tools, this book will give you lots of good ideas for your projects. It contains some plans also, but there are only the most demanding phases experienced, those things, which are typical and special for the furniture of that period.
The book contains lot's of history and information about 18th century styles and methods. The most remarkable details of the book are instructions for carving chippendale ball and claw foot, very good information about hardware and lumber, how to make ogee bracket feet and very detailed veneering art (inlays and marquetry). The great book with great photos for experienced woodworkers, who appreciate the antique and old 18th century style.
Book Description
Now under one cover, two classic, indispensable volumes by the foremost authority on Greene & Greene. Both volumes, Architecture and Furniture have been continuously in print for more than twenty years. All serious students of architecture must have this foundation research in their personal libraries. Charles and Henry Greene have become legends in the Arts & Crafts genre. Their "ultimate bungalows" are the standard against which all other U.S. Arts & Crafts architecture is measured. Volume I, Architecture, is a monument to the brothers Greene and their art, combining biography with descriptive analysis. Volume II, Furniture, delves into the nature of their integrated designs, with emphasis on furniture, light fixtures, art glass, and other decorative elements. Randell L. Makinson, Hon. AIA, has led the scholarship on the Greenes for 25 years. He is director emeritus of the Gamble House, serving as consulting curator of the Greene & Greene Library and Exhibition housed at the Hunting Library-all programs of the University of Southern California. He is the author of Greene & Greene: The Passion and the Legacy, as well as The Blacker House, coauthored with Thomas A. Heinz and Brad Pitt. Makinson lives in Pasadena.
Customer Reviews:
still waiting to receive it - after 6 months.......2006-07-24
Bought this book from Half Price Computer Books
on 4 March 2006 and I'm still waiting to receive it!
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