Holy Image, Hallowed Ground (Getty Trust Publications: J. Paul Getty Museum)

Holy Image, Hallowed Ground (Getty Trust Publications: J. Paul Getty Museum)
Average customer rating:

A Beautifully Produced Volume

Just like being there.

Rare Icons

Great Book if you can't be there!

Holy Image, Hallowed Ground (Getty Trust Publications: J. Paul Getty Museum)
Thomas F. Mathews , David Jacoby , and Justin Sinaites
Manufacturer: Getty Trust Publications: J. Paul Getty Museum
ProductGroup: Book
Binding: Paperback

Byzantine | Schools, Periods & Styles | Arts & Photography | Subjects | Books
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ASIN: 089236856X

Book Description

Isolated in the remote Egyptian desert, at the base of Mount Sinai, sits the oldest continuously inhabited monastery in the Christian world. The Holy Monastery of Saint Catherine at Sinai holds the most important collection of Byzantine icons remaining today. This catalogue, published in
conjuction with the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on view at the J. Paul Getty Museum from November 14, 2006, to March 4, 2007, features forty-three of the monastery's extremely rare--and rarely exhibited--icons and six manuscripts still little-known to the world at
large.
The exhibition and catalogue bring to life the central role of the icon in Byzantine religious practices. Themes include the icon's status as holy object, the ways in which the icon sanctified the place of worship, and the monks' quest for the holy. The Greek Orthodox monastery at Mount Sinai not
only functioned as a major pilgrimage site for centuries but was also a cultural crossroads at the center of the shifting sands of ecclesiastical and secular politics. The accompanying essays explore how the monastery's contact with the outside world, through pilgrimage, resulted in aesthetic
exchanges between the monastery and Coptic, Crusader, and Islamic art; and between the Greek Orthodox and Roman Catholic communities in Europe.

Customer Reviews:

A Beautifully Produced Volume.......2007-03-10

The reproductions in this book are beautiful, the discussion intelligent and thorough. I bought and read it prior to visiting the exhibit, and thought that it provided 95% of the experience of actually being there.

The Getty, which has had an uneven history in its prior exhibits, really did a superb job on this one. The Getty website retains an excellent interactive description of the exhibition.

Just like being there........2007-03-09

Great book full of pictures and explanatory text. The purchase was prompted by a visit to the Getty Museum to view the exhibit. I was familiar with the monastary beforehand from a VHS tape and the exhibit provided a sense of being there and walking its holy and hallowed grounds. A time capsule of religious art and activity. The detail was very intricate and I marveled at the detail in the icons for those using crude and self-made art supplies. These icons are indeed a labor of love. They go back some 1400 years and have a span of 600.

The book serves to recollect my feelings at the exhibit, the next best thing to being at the monastary itself.

Rare Icons.......2007-03-09

This volume is the companion to the recent Getty exhibition of original icons from the St. Catherine Monastery in the Sinai Desert, the presumed site of the Old Testament burning bush. The book provides the scholarly background on the ancient images, some going back to the 6th century and showing stylistic features common to Roman portraiture. The color illustrations are especially well done and true to the tones of the originals that I saw in Los Angeles. The book can be enjoyed simply for the aesthetics for the mesmerizing pictures, or for religious meditation, but also for insight into the historical development of early Christian practices. Given the lavish color printing in a large format, the price is quite reasonable.

Great Book if you can't be there!.......2007-02-17

Wonderful book on good heavy paper. . . .photo quality excellent. . .very very informative. . .

Average customer rating:

Steinberg
Inspiring, inventive.
A Splendid Volume for Connoisseurs of Saul Steinberg
Great overview of Steinberg's career, minus the New Yorker stuff

Saul Steinberg: Illuminations
Joel Smith
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300115865

Book Description

Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914–1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg’s extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers.
An introduction by poet Charles Simic tracks the origins of Steinberg’s darkly comic sensibility in the “Balkan bazaar” of his native Romania. Joel Smith shows how architectural training and an early rise to fame as a cartoonist in Fascist-era Milan honed the artist’s gift for subtle graphic invention, and explores why one of the most visible, prolific, potent, and cosmopolitan careers in postwar American art has so thoroughly evaded serious study. Tracing the evolving motives that underlie Steinberg’s multi-layered activity, this handsome volume also raises fundamental questions about the historiography of modernism and the vexed status of “the middlebrow avant-garde” in an age of museum-bound art.
Previously unseen sketches, documents, and printed matter from the artist’s papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

Customer Reviews:

Steinberg.......2007-03-11

This book sums up most of the best work of Saul Steinberg, and for those who like his graphics, an absolute "must have"

Inspiring, inventive........2007-02-22

The marvelous Saul Steinberg exhibition at the Morgan Library in NYC is almost too much to take in even if one devotes an entire afternoon. Unlike some art exhibitions, Saul Steinberg's work is full of references and verbal ques that make ones brain fire on all cylinders simlutaneously. That can be exhilarating, but also exhausting. Saul Steinberg, the book, allows one to take in the artists's work in smaller bites: indeed, you can dip into the book at any page and be well fed. Don't miss the exhibition. But then, make sure you get the book.

A Splendid Volume for Connoisseurs of Saul Steinberg.......2007-02-06

First, I must confess that I am predisposed to enjoying this book. I love everything about the man and his work. Over the past several years I've acquired fourteen volumes of Steinberg's art as well as other printed pieces. Before the internet this would have been almost impossible and very costly. My earliest recollection of art I had strong feelings about goes back to the late 1940's when I saw a series of drawings by Saul Steinberg in The New Yorker.

That being said, this catalog is one of the finest volumes of his work to date. It is a generously sized book at 10 x 12 inches, hardcover and 288 pages. It is printed on a matte coated paper which means the reproductions are excellent. The book is very well thought out. It begins with two illustrated essays. They are followed by the catalogue of the exhibition. This is followed by notes, chronologies and other information which illuminates Mr. Steinberg's career.

It is a very well designed book. The type choices and page formats make it quite easy to actually read. This is not always the case since the advent of computer composition. The catalogue section gives each work of art a two-page spread. The title, pictorial information and a brief commentary are on the left facing page and a reproduction is on the right facing page. The illustrations are large and accurate to the originals. For some art works there are extra illustrations below the commentary on the left facing page.

If you are intrigued about this artist, Saul Steinberg ILLUMINATIONS, is a must for your library. To round out your collection, consider purchasing STEINBERG AT THE NEW YORKER which was recently published and should still be available. If you are interested in seeing the actual exhibition, you should be able to find information online at the Saul Steinberg Foundation website.

Great overview of Steinberg's career, minus the New Yorker stuff.......2007-01-20

"A writer who draws," that's how Steinberg described himself, and that's what Joel Smith's explores in his great essay on Steinberg's life and art which accompanies the pieces from the ILLUMINATIONS show. If you're looking for Steinberg's New Yorker work, you won't find it here. (Buy the must-have Complete New Yorker on DVD and you'll have everything he ever published there!) But if you're looking for a good place to start on Steinberg, this is the book.

Sultan Ibrahim Mirza's Haft Awrang: A Princely Manuscript from Sixteenth-Century Iran

Average customer rating:

of turk art

Sultan Ibrahim Mirza's Haft Awrang: A Princely Manuscript from Sixteenth-Century Iran
Marianna Shreve Simpson
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

Decorative Arts | Design & Decorative Arts | Arts & Photography | Subjects | Books

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ASIN: 0300068026

Customer Reviews:

of turk art.......1999-02-10

I'm student and I have very intrese for the ottoman art for islamic. the miniature of this kultur ýs very nice.

The Urizen Books (The Illuminated Books of William Blake, Volume 6)

Average customer rating:

Beautiful images, great helps for the general reader
A must have!
A must have!

The Urizen Books (The Illuminated Books of William Blake, Volume 6)
William Blake
Manufacturer: Princeton University Press
ProductGroup: Book
Binding: Paperback

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Milton, A Poem (The Illuminated Books of William Blake, Volume 5)
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Songs of Innocence and of Experience
Jerusalem (The Illuminated Books of William Blake, Volume 1)

ASIN: 0691001464

Book Description

The last volumes in the series of William Blake's Illuminated Books reveal the writer and artist as a prophet driven by a sense of apocalyptic urgency. Blake conceived and executed The Continental Prophecies and The Urizen Books in the early 1790s, capturing the intellectual and spiritual turmoil of the American and French revolutions. Here, for the first time, the general reader will encounter Blake's most intense vision in reproductions that do justice to the originals, accompanied by texts, comprehensive notes and commentaries, and detailed interpretations of the designs.

The Urizen Books, made up of "Urizen," "The Book of Los," and "Ahania," describes the dissemination of the autocratic mythology of Urizen, Blake's inflexibly rationalist and myopic law-giver. These books stand as the author's sensible and considered response to the events of his time. The illuminated text of "Urizen" and the ten full-page illustrations from copy D in the British Museum, never before reproduced, represent a tour de force in Blake's specialist process of color printing.

These volumes complete the six-part series of William Blake's Illuminated Books, including Jerusalem, Songs of Innocence and of Experience, The Early Illuminated Books, and Milton, A Poem, all published by Princeton University Press.

Customer Reviews:

Beautiful images, great helps for the general reader.......2004-02-02

These three works in some ways develop the characters Blake used in the three Continental Prophecies. But don't expect any kind of coherent development or to be able to fathom out any kind of understandable timeline. This is Blake after all. Most of this book is helpful introduction, commentary, notes, and supplementary materials.

"The First Book of Urizen" is the longest of the three and the most illustrated. It has images that are absolutely unforgettable. They have a power and emotional impact that holds the viewer. I have met people who find them repulsive. I think the emotional impact makes them uncomfortable so they want to get away from the images and so push them away.

"The Book of Ahania" and "The Book of Los" are much shorter and the illustrations are limited to the title page and the last plate ("The Book of Los" also has an illustration on the opening page of text.). The other pages are done in particularly fine Blake script.

As with the rest of the volumes in this series the quality of reproduction is very high and these images are delightful to study. The scholarship is quite good and the writing is focused on opening these works up to the general reader - at least a general reader who enjoys studying Blake and is willing to put in the time it takes to fathom these rather wonderfully strange works. A treasure for the shelf of any Blake lover.

A must have!.......2000-09-27

I recommend that any fan of William Blake buy this volume and the other 5 in the series. The books are beautiful, large, and handsomely bound. Each book is reproduced in full color, using a six-color printing process rather than the standard four. The pages are heavy, opaque and have a gorgous lustre indicating very high quality paper. The text of each book accompanies the color reproductions in standard typeface with very competent commentary to boot.

A must have!.......2000-09-27

The Book of Kells: An Illustrated Introduction to the Manuscript in Trinity College Dublin

Average customer rating:

The Book of Kells: informing and illuminating
The Book of Kells: An Illustrated Introduction
Darkness into Light
awesome pictures, horrible writing
"The most precious object in the western world"

The Book of Kells: An Illustrated Introduction to the Manuscript in Trinity College Dublin
Bernard Meehan
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Paperback

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The Book of Kells: Selected Plates in Full Color
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The Book of Kells

ASIN: 0500277907

Customer Reviews:

The Book of Kells: informing and illuminating.......2007-09-30

The Book of Kells is one of the most beautiful manuscripts in existence. This booklet enables those of us who are unlikely to ever see the real manuscript to feast our eyes on many of the illustrations as well as to learn a little of its history and preparation. Most of the illustrations are in colour and their vibrancy is still apparent across 12 centuries.

I consider that this booklet is worth acquiring for the illustrations alone. It also contains a lot of useful information for those interested in the physical preparation of such manuscripts as well as the underlying historical significance of this particular manuscript.

Highly recommended.

Jennifer Cameron-Smith

The Book of Kells: An Illustrated Introduction.......2007-01-13

The book was just what I was expecting. Shipping was quick.

Darkness into Light.......2005-08-25

I was glad I had this book along with me when I went to see the real Book of Kells at the Trinity College Library in Dublin. The lines of tourists waiting to view this famous eighth century manuscript were about a quarter of a mile long, and the museum proctors were really hustling us through the area where a small sampling of pages were actually on view.

(If you take the tour, be sure to check out the main chamber of the Old Library with its first editions of Newton and Darwin, plus the harp that is (alas, falsely) attributed to Brian Boru, high king of Ireland).

The first facsimile of the Book of Kells was published in 1974, and although this book only advertises itself as 'an illustrated introduction to the manuscript...' it contains good color plates of many of the most famous pages, e.g. the symbols of the four evangelists and the beginning of the 'Breves causae' of Matthew, among others.

Author, Bernard Meehan, the current Keeper of Manuscripts at Trinity College states that "the sacred text itself was copied in the Book of Kells with a remarkable degree of inaccuracy." It consists of the Latin text of the Gospels, illuminated in the very ornate Hiberno-Saxon style ('Hiberno' refers to the Irish, or Hibernians).

Legend has it that the Book of Kells was produced by St. Colum Cille on the island of Iona off western Scotland. Although it was probably begun in the Irish monastery on Iona, it was taken to the monastery of Kells in County Meath, after a series of Viking raids. The monastery on Iona was pillaged in 795, and again in 802. According to the author, "In 806, sixty-eight of the community were killed in another raid. The following year, the survivors migrated to Ireland and began to erect conventual buildings at Kells..." where the illumination of the manuscript was probably completed.

If you are interested in the historical background of the Book of Kells, the author devotes a whole Appendix to it.

Alas, according to this book's second Appendix, "Losses, Additions and Marginalia," the Book of Kells has not remained intact down through the centuries. "At present there are 340 folios, but around thirty folios, including some major decorated pages have been lost." The monks also used blank spaces in the manuscript to record details of property transactions in the late eleventh and twelfth centuries.

Meehan's book is definitely worth viewing and reading. It also contains a wealth of the smaller decorative illustrations that do not always relate to the sacred text, e.g. hares, dogs, horses, and at least one moth. The color and minute details of these decorations are a source of endless fascination, and the scholarly text, although a trifle dry, is also very interesting.

awesome pictures, horrible writing.......2005-05-16

I like how the author gives various images of the book of kells, but gets really confusing and goes all over the place while writing about it. I think a lot could be learned from this book, but the author crams so many examples into the work that it starts to get annoying. Ever line seems to have parenthesis around something and folio this or that. For that alone i give the book two stars, multiple examples are good, just not when you plague every line with one. It hardly gives the reader a chance to understand the first few.

"The most precious object in the western world".......2002-12-01

Resting at Trinity College Dublin is one of the truly singular products of early European art. This is 'The Book of Kells,' an ornately illuminated rendition of the four gospels, rendered sometime in the Ninth Century. It has been both an influence and an inspiration since the time of its making, illustrating both the story it tells, and the subtle mind of symbolists who wove the story and the art together.

One of the key problems the student of illustrated art suffers in any attempt to study 'The Book of Kells' is the simple matter of access. I believe that the replica edition of the book cost nearly $20,000 when it was published, and most other resources limit themselves to only the most famous of the pages. Only a few detailed studies exist, and this one, written by Bernard Meehan (Keeper of Manuscripts at Trinity College), is one of the best, both in terms of quality and quantity of reproduction as well as a literate and thorough discussion.

Book Description

Inspired satire on religion and morality, including 70 aphorisms of "Proverbs of Hell." 27 full-color plates, full text.

Customer Reviews:

Marriage of Heaven and Hell.......2007-01-18

The transaction was great. Everything was as it was supposed to be.

"The path of excess leads to the palace of wisdom.".......2004-08-07

One of Blake's fantastic works, with all of the artwork right there with it. This is the first copy of a William Blake book I ever owned and I still love it to death, as small as it is, and read it again and again.

worth it.......1999-04-28

It's great to read Blake is his own typeset. And the book is essential Blake.

Scribes and Illuminators (Medieval Craftsmen)

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A nice introduction to manuscript production
Only Buying One Book on this Topic? Get This One!

Scribes and Illuminators (Medieval Craftsmen)
Christopher deHamel
Manufacturer: University of Toronto Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0802077072

Book Description

Illuminated manuscripts survive in great numbers from the Middle Ages. They are often beautifully preserved, enabling us to appreciate the skilled design and craftsmanship of the people who created them.

Christopher de Hamel describes each stage of production from the preparation of the vellum, pens, paints and inks to the writing of the scripts and the final decoration and illumination of the book. He then examines the role of the stationer or bookshop in co-ordinating book production and describes the supply of exemplars and the accuracy of texts. He follows the careers of a number of specific scribes and illuminators who emerge not as anonymous monks but as identifiable professional lay artisans. He also looks at those who bought the completed books, why they did so, and how much they paid.

His survey ranges from the eleventh century through the golden age of the thirteenth and fourteenth centuries to the luxurious manuscripts existing at the invention of printing.

Customer Reviews:

A nice introduction to manuscript production.......2004-02-16

Christopher De Hamel's, Scribes and Illuminators is a short book, replete with illustrations, that I read in a single session. It is strictly an introduction rather than a scholarly work. Some topics are covered in more detail than others - the technique of illumination has more coverage than the selection and creation of miniatures or marginalia. The illustrations, in the main, are from medieval manuscripts and depict both the scribe/illuminator at work and examples of finished, and unfinished, pages. The pictures of unfinished pages are particularly useful in illustrating how the scribes and illuminators worked. There are some photographs of the tools used in manuscript production, but a few more would have been nice - especially of the frame used to sew the quires together. Some interesting facts embedded in the text are: parchment tended to curl toward the hair-side of the page because it shrank more, there were a significant number of women scribes, scribes would write around holes made accidentally during the creation of the parchment. Despite the brevity De Hamel manages to cover nearly the whole of manuscript production. And in that light the book is worth reading. However, if you are interested in the minute details of binding, calligraphy, miniatures, marginalia, and/or the tools of the trade you would be better off reading a different book.

Only Buying One Book on this Topic? Get This One!.......2000-07-02

Like all this series, this book is a real gem. Clearly written, interesting, informative, with a fine selection of pictures (most in colour), it's truly amazing how much it covers in a small book. Particularly useful are the contemporary illustrations of scribes and painters at work, showing such details as a scribe's sloping desk with holes to hold his quills and inkhorn (cover illustration). The whole construction of a medieval book is explained, from makig the parchment to the final cover. Examples of unfinished manuscripts, not shown in facimile books, provide fascinating insight into the whole production process. The inclusion of charming pictures such as the self-portrait of a scribe and his apprentice, cursing a mouse running off with the the cheese from their lunch table, brings the lives of these workers into immediate and human detail.

Book Description

The twelfth-century manuscript of Gregory the Great's Moralia in Job, lavishly written and illuminated at the Cistercian monastery of Cîteaux in 1111, contains images of seemingly gratuitous violence and daily life that are famous but have a significance that has eluded most modern viewers. These images range anywhere from monstrous beasts that devour and hack at each other with swords to monks harvesting grain and felling trees. They have been called by some scholars the products of "unbridled, often irrational fantasy," entirely independent of the text and of any specific meaning. In this book, Conrad Rudolph argues that beyond the face value of these illuminations, there lies an undercurrent of thematic consistency. Like obscure events from Scripture, he maintains, the images may lead to another level of meaning yet to be discovered.

Rudolph focuses on the ways spirituality and politics operate in the artistic process that produced this particular manuscript. By exploring these interactions, we can understand how the form of spirituality embodied in this manuscript legitimized a very intimate attitude on the part of the artist toward the subject. The images are in fact the product of Gregory's demand that one "become" what one reads: some reflect the ideal monk crafting a holy place out of the wilderness, others the Cistercian notion of spiritual advancement as a violent struggle. In this way, the Cîteaux Moralia in Job conveys an exuberance and creativity rarely found in manuscript illumination before or since.

Masterpieces of Illumination: The World's Most Famous Manuscripts 400 To 1600

Average customer rating:

A joy to hold and behold
One of the coolest books I own!!
A great book on medieval illumination
A magnificent, unwieldly place to begin

Masterpieces of Illumination: The World's Most Famous Manuscripts 400 To 1600
Ingo F. Walther , and Norbert Wolf
Manufacturer: Taschen
ProductGroup: Book
Binding: Hardcover

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The Hours of Catherine of Cleves

ASIN: 382284750X

Book Description

OPULENT REPRODUCTIONS OF ILLUMINATED MANUSCRIPTS SPANNING 12 CENTURIES

This oversized and magnificently printed tour de force contains examples from 167 of the most dazzling and significant illuminated manuscripts in existence. Presented in chronological order, each reproduction illustrates a one-of-a-kind painting originally created for the church, for royalty or for the wealthiest private benefactors. Although the focus is on European manuscripts (French, Dutch, German, Italian, English and Spanish), nearly two dozen examples have also been included from Persia, Turkey and India - cultures with their own rich traditions of exquisite miniature painting.

The highly readable text is both factual and informational. Each entry provides the date and place of origin, format, content, name of miniaturist, number of illustrations, owner and provenance for the featured manuscript. Enriching the facts are essays describing the circumstances of the commission, description of the technique, history of the workshop from which it came, and much more.

CODICES ILLUSTRES is an unparalleled reference, but also an irresistible story book, revealing to the reader the significance of imagery used, and sharing fascinating facts about the painters who created these treasures and the patrons who were lucky enough to possess them.

A thirty-six page appendix contains biographies of the artists, an extensive bibliography, an index, and a glossary in which the technical terms used in the book can quickly be found. Flanking the page numbers are charming characters and symbols taken from the manuscripts, providing a witty decorative grace note to what is already an embarrassment of riches. Of special note; a fifth color - gold - was used in the printing of two hundred and twelve pages of CODICES ILLUSTRES. This complicated and costly process is the only way to genuinely reproduce the lavish gilding used in so many medieval manuscripts and the book wouldn't be the same without it.

CODICES ILLUSTRES is an essential addition to the library of anyone with an interest illuminated manuscripts, medieval art, and the history of books before the invention of printing.

**Hardcover with Vellum Dust Jacket

Customer Reviews:

A joy to hold and behold.......2006-12-14

Illumination has fascinated me since I was a boy. This is the best book I have seen of illuminations. The scope includes books in Greek, Latin, Old Church Slavonic, Persian, and Mayan. The printing is superb. Detailed descriptions tell who did the work, who patronized it, who owned the book, where it is now, and so forth. Great for browsing for enjoyment and as a source of inspiration. I expect this book to be a favorite for many years to come. Anybody who enjoys calligraphy and illumination would be delighted to own this book.

One of the coolest books I own!!.......2006-07-06

This book is worth every penny! It has fantastic HUGE pictures full of great detail. As an artist who specialises in ancient illuminated manuscripts, I value this book above all others in my personal library. So many great manuscripts are represented here. Truely high art!

A great book on medieval illumination.......2005-11-11

This book deserves a seven stars score, as it is magnificent in every sense: Paper, Colour palette reproduction, basic and reliable information accompanying every depicted facsimil, and specially because of the scope of the compendium, involving manuscript examples from arabic countries as well as a XIII century mexican manuscript (The Borgia Codex currently held at the Biblioteca Vaticana) This collection shows (as rarely done by supossedly comprehensive treatises) that Mesoamerican, Chinese and Arabic cultures do also possess a very rich medieval heritage, characterised by a colourful tradition in art production. I strongly recommend this book for anyone interested in Medieval illumination, as well as for those modern illuminators concerned with applying only authentic medieval colours (mostly inorganic compounds) in their manuscript reproductions and finally, this book serves also as a comprehensive guide for visiting great libraries and museums all around the world where some of these manuscripts are exhibited (Do not forget to visit the Condé Museum and The Marmottan-Monet Museum in France).

A magnificent, unwieldly place to begin.......2002-12-04

For those interested in the sheer beauty of medieval illumination, this book is a wonder. Color repro values among the best I've seen, and the range of both period and style is superb. The huge size and great weight are the only reasons this did not get 5 stars - it is so big that I clamp it in my portable easel when I'm using it as an exemplar.

For those, like me, who also do illumination as a hobby this book offers a good range of exemplars of very high caliber. Just remember that this represents the best of many times and places, and don't be intimidated by the quality of the work displayed here. Codices Illustres is big enough to be a coffee table book, but is serves much better as a reference in the scriptorium.

Book Description

Painstakingly reproduced from a rare facsimile edition, this volume contains full-page decorations, portraits, illustrations, plus a sampling of textual leaves with exquisite calligraphy and ornamentation. The 32 full-color illustrations include the first image of Virgin and Child in a Western manuscript and early representations of Apocalyptic visionary symbols of the Evangelists.

Customer Reviews:

Worth the money but it could have been so much more.......2000-06-02

This book of color plates seems amazing, and almost is. However, the quality of the plates falls short of the mark. The colors are dull and faded, and the image resolution far lower than it should be. The Chi Rho page, probably the most beautiful page in the Book of Kells, shows almost none of the amazingly minute detail that it should. Other books--like the Thames & Hudson--show far more detail with more vivid colors than this. On the other hand, this book has larger pages than others, which is nice.

transcends time & religion.......1999-11-26

32 full color plates from one of the world's greatest books. Although it is Christian art, the Kells reflects centuries of preChristian style & mystery in its bestiary of cats & dragons, its peacock feathers, poses & intertwining lines. There is something in this art that transcends time & religion. The price is a bargain.

Bob Rixon

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