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Furniture 2000: Modern Classics and New Designs in Production (Schiffer Design Book)
Leslie A. Pina
Manufacturer: Schiffer Publishing
ProductGroup: Book
Binding: Hardcover
 Furniture Design
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Furniture
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Furniture & Carpentry
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Decorating
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ASIN: 0764304968 |
Book Description
Many of the great modern classic furniture designs of the twentieth century are still in production and available to the public in America and abroad. There are also many recent designs destined to become classics, because they share many of the same qualities of modern furniture already in museum collections and sought after by collectors. This volume, with 600 color photographs and detailed captions of a representative sample of the best modern furniture available, is the first source book to focus only on designs that are currently in production, and to present them in full color. It is both a history of modern design and an international shopping catalog. The indexes of 250 designers and companies and the list of sources will enable the reader to locate each item for purchase or for additional information. This book will serve as an indispensable and handy reference for decorators, interior designers, architects, and collectors, plus acquaint the general public with extraordinary designs that are generally only known to the trade.
Book Description
In the middle of the twentieth century, Denmark, Sweden, Norway, and Finland, four countries with a total population no larger than New York City, impacted the world of design to a degree never before seen and unlikely to be repeated. Scandinavian Modern design already had a solid domestic audience, and the Post-World War II American consumer was ready for the distinctive style and the fine quality it offered. With a focus on more than 60 designers, this extensively researched book presents the furniture and household objects especially those of wood and metal. of the Scandinavian Modern style, beginning in the 1930s and culminating in the 1970s. Hundreds of photographs and a comprehensive introduction, historical timeline, and appendices of furniture makers and designers, distributors, and sources are included. Detailed captions with current prices, a large bibliography, and an index make this book a valuable reference and a must for all collectors, dealers, and researchers of Scandinavian design.
Book Description
The epitome of Modernist style and luxurious comfort, Charles and Ray Eames's leather-upholstered rosewood-veneered chair and matching ottoman, launched in 1956, is a design classic of the twentieth century. This major publication, celebrating the Lounge Chair's fiftieth anniversary, explores the design in detail and places it in its cultural, historical and social contexts, offering fresh insights into this revered icon and its equally revered creators
Customer Reviews:
Lounging about.......2006-07-12
At last a book about THAT chair. Thomas Hine, one of the contributors to this interesting book, writes a chapter about the way the chair kept popping up in all the right media and this probably helped it along to its iconic status. I was aware of the chair many years ago and kept seeing it in interior design photos, adverts, and anywhere that visually needed to project an upmarket ambience. Strangely I never saw anyone sitting in these chairs and I was surprised to find, when I bought one, that the back does not support one's head. A 1956 photo used in a Herman Miller ad shows a stockbroker friend of Charles Eames clearly with his head on the back, he was either a short guy or had moved well forward in the chair.
The book is a celebration of the fiftieth anniversary of the chair by five contributors with over two hundred illustrations. I thought Pat Kirkham's chapter on the chair's development the most interesting. There is a 1946 photo of a chair that is clearly a prototype for the final 1956 version. Another photo, from 1950 shows Billy Wilder sitting in this '46 version. Although Charles Eames designed the chair there was a huge technical input from Don Albinson who worked in the Eames Office.
The book is a handsome production, well thought out editorially and nicely designed and printed though there is a bit of unnecessary design whimsy with the chapter titled 'The Lounge Chair: idea to icon'. It has seventy-seven pages of photos and graphics with no page numbers, the captions are on three following pages where the illustrations are repeated as thumbnails with the relevant text, in fact the seventy-seven pages had enough space for these captions. Also I would have liked to have seen a technical drawing of the chair and ottoman with dimensions.
Despite a rather high list price I thought this book was a super reminder of a brilliant example of product design. The chair's status is surely growing because by 2004 over one hundred thousand had been sold and that most likely includes mine.
***FOR AN LOOK INSIDE click 'customer images' under the cover.
Book Description
A comprehensive guide to the most influential furniture and lighting designs of the twentieth and twenty-first centuries, updated and expanded.
Over 2,000 important pieces arranged by type of furniture or fixture make this book the go-to guide for students and historians of modern furniture, as well as an essential tool for interior designers. Each entry gives the details of the design: date, model name or number, manufacturer, materials, and dimensions. 1892 photographs.
Customer Reviews:
Excellent Reference of Modern Furniture.......2007-02-06
This is the best compendium of pictures and details about the Modern Furniture movement!
one of the most authoritative guides to furniture and lighting designs of the 20th and 21st centuries in print.......2006-04-27
The third edition of Jerryll Habegger and Joseph H. Osman's SOURCEBOOK OF MODERN FURNITURE should be on the reference shelves of ANY serious interior design collection. Appearing in its third revised edition, SOURCEBOOK provides one of the most authoritative guides to furniture and lighting designs of the 20th and 21st centuries in print, pairing color photos with features of works by hundreds of notable designers. Photos arranged by type of furniture or fixture make it simple for quick look-ups, while lists of suppliers and indexes of designers and manufacturers provide invaluable cross-referencing.
new edition.......2004-07-21
did not someone write that they are coming out with a new edition in fall 2004? this is the only problem with this edition. it is not updated. soon to be resolved it seems.
When the best gets better!!!.......2003-08-13
As predicted, the 3rd edition is OFF THE HOOK!!! The 3rd edition, published in 2005, has close to 700 new entries. Nearly half of the photos are in color and the authors have included web site information for manufacturers. This latest edition is in the collection of prominent museums and academic institutions across the globe, especially universities which have significant design and architecture programs. This is certainly a must have edition for the intellectually astute connoisseur of furniture and design.
BTW, many of the listed reviews are referring to the 2nd edition which is now 10 years old!!! Check to be sure which edition other reviewers are referring to before making a purchase decision...you wouldn't want to miss out!!
Odd Criteria for "Modern".......2003-07-10
I was disappointed with the book and returned it. Nothing by Robsjohn Gibbings. Nothing by Harvey Probber. Only a single piece by Wormley. Only two by Finn Juhl. Instead, the selection seems weighted heavily toward austere Italian designs of metal and glass, esp. those produced in the 1960s and later. I did not expect the editors to show such a lack of interest in wood. And given the book's definitive-sounding title, I did not expect them to adopt such an rigid and uninteresting definition of "modern."
Customer Reviews:
Great general textbook on cabinetmaking.......2002-08-28
I have nearly always gone to school, but for the past several years I've rather lost my sense of direction with respect to educational goals. Recently, though, I was browsing through a catalogue for a local community college and discovered a cabinetmaking degree. I've gotten rather burned out on nursing--not enough to give it up entirely, but certainly to have doubts about working many shifts at the bedside once I'm past 62! But I'm also a bit of a workaholic; that is, I definitely need to feel like I'm doing something constructive. A career in cabinetmaking seemed to fit the bill, so I've registered for two night courses (out of 17 required) so that by the time I'm ready to retire, I'll have Plan B in place!
For both courses the recommended text is Umstattd and Davis's Modern Cabinetmaking. It's a beautiful, well written, and thorough book on the cabinetmaker's craft, and covers everything from design, drafting, forestry and milling principles, wood types, non-wood products (glass, plastic, ceramic), hardware, processing wood for products, discussions of tools and techniques, finishes, and furniture design, to the employment opportunities available in cabinetmaking. It's such an exciting and informative volume, that I got almost 1/3 of the way through the 854 pages of the book within a couple of days before my classes even began.
Tonight it's Basic Woodworking Fundamentals, tomorrow it's POWER TOOLS!!! (Boy, if anyone had told me when I was a little girl I'd be this excited about a trip to the hardware store, I'd have thought they were crazy.)
Book Description
Gustav Stickley (1858-1942) founded his own design company, Craftsman Workshops, with his brother in upstate New York in 1898. The company was highly successful through the 1920s and eventually became a national enterprise with retail stores in New York, Boston, and Washington, DC. Although influenced by the British Arts and Crafts movement and Continental Art Nouveau, Stickley advocated the creation of a distinctive American style that would integrate furnishings, architecture, handicrafts, and principles of harmonious living; he believed that well-designed furnishings could help "make life better and truer by its perfect simplicity." This book is a critical study of Stickley's life and enterprise. It focuses on his furniture making, drawing from primary research, interviews, and correspondence to describe both how Stickley approached his craft throughout the arc of his career, and what makes the individual pieces distinguished and valuable. Separate chapters are included on Stickley's most important collaborator, Harvey Ellis; on his business venture in New York City; and on his utopian family homestead in rural New Jersey, Craftsman Farm. Rare archival photographs, advertisements and pages from early catalogues and "The Craftsman" magazine, family snapshots, and extensive archival and new photographs of Stickley furniture, metalwork, and decorative objects provide a rich visual context. At the pinnacle of his career, Stickley was a nationally known maker of furniture, metalwork, and textiles; he was also a successful retailer, the publisher of an influential monthly journal called "The Craftsman", and an advocate for affordable, bungalow-style "Craftsman" houses who sold house plans through his magazine and store. Many of his furniture designs became icons of American decorative arts; among the classic pieces illustrated with specially commissioned colour photographs in this book are his Morris chair, fall-front desks, various settles, leaded-glass lanterns, 510 bookcase, and 967 sideboard. Such pieces are now coveted by collectors, and Stickley's successor firm, the Stickley Furniture Company, is producing reissues of his designs. As revealed in this book, Stickley was not a solitary purveyor of the American Arts and Crafts aesthetic but more broadly a representative figure in American business history, an early proponent of what we now call branding and lifestyle. "The Craftsman" magazine (published from 1903 to 1918) and the numerous furniture catalogues he issued on a regular basis functioned as effective advertising, helping not only to establish the company's name but also to shape public opinion about the value of design. Stickley's business ventures dovetailed well with the revival of traditional handicrafts that was gaining momentum in the United States and Britain around the turn of the century. One of the central aims of this book is to identify the creative individuals - artists, craftsmen, architects, writers, editors, and illustrators - who worked with Stickley and to give them the recognition they deserve; biographies of 17 collaborators are collected in an appendix. The book also includes a chronology of Stickley's life and career, a visual chronology of the evolution of the fall-front desk, and a complete bibliography.
Customer Reviews:
A must have for any Gustav Stickley collector.......2004-04-13
I am usually the kind of buyer that likes a lot of illustrations in a book to keep my interest. While the author includes many quality photos in this book his detailed knowledge of Gustav Stickley was more than enough to keep me interested. David Cathers has done his research well and gives a very detailed history of this great American craftsman. Even readers not familiar with this Gustav Stickley or the Arts & Crafts movement will find this book easy to read and understand. Overall a must have companion to David Cathers earlier "Stickley Style" which happens to be loaded with beautiful illustrations.
Book Description
An annual publication forging a link between social history, American studies, and the decorative arts.
Book Description
The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. This exact reprint of the 1939 product catalog from the Herman Miller Archives is an historic document showing hundreds of Art Deco and other classic modern furniture designs, all by Rohde. His use of exotic veneers, tubular steel, bentwood, and plastics was innovative and important in the evolution of modernism. With an added price guide, this catalog will be an invaluable tool for the researcher, collector, dealer, and museum curator.
Customer Reviews:
A fine book........2000-04-12
Alistair Duncan presents us 85 of Paris's Art Deco furniture designers from the period 1910 - 1935, including Eileen Gray, Dufréne, Leleu and Ruhlmann. This fine book contains a 7 pages informative introduction with e.g. the history and material of Art Deco furniture. But also 160 pages of biographies of designers, including 244 black and white illustrations & 68 in colour of interiors and furniture, each with a description. Each designer is presented in a concise half a page review. It makes this book an indispensable guide and frame of reference to french Art Deco furniture and a nice book to have on the bookshelf.
Book Description
Elegantly fashioned and uniquely perceptive, this guidebook, now in its third edition, authoritatively surveys four centuries of American domestic furniture styles. Identifying American Furniture offers answers to the questions most people ask about furniture: "What style is that?" "How can you tell?" and "When was it popular?" Curators, collectors, appraisers, connoisseurs of furniture, and students of history, architecture, and the arts-as well as those just learning the fascination of stylistic trends in American furniture-will find this succinct handbook essential. Styles are arranged chronologically from 1607 to the present and represent all thirty-five major furniture styles from Arts and Crafts to Windsor. Milo M. Naeve's vivid commentary draws attention to the book's 196 photographs, pinpointing distinctions among the styles. Naeve also offers an excellent guide for further reading.
Customer Reviews:
A solid quick reference.......2005-09-26
This pictorial and descriptive reference is a great size to tuck in my purse. Because I was expecting a more elaborate book, I gave the paper back 3 stars.
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