Book Description
Offers down-to-earth advice on painting gorgeous outdoors scenes through 10 step-by-step demos Teaches painters how to master the art of observation Shows readers how to translate field notes and sketches into fully realized studio paintings The overwhelming beauty of the outdoors is one of the most inspiring - and elusive - subjects for painters. With Landscape Painting Inside and Out, Kevin Macphearson first shows readers how to see like an artist, then teaches them how to recreate their vision into stunningly realistic outdoors scenes. His insightful process encourages readers to focus on the small details to achieve big results.
Customer Reviews:
Excellent examples.......2007-09-19
This book gives practical, specific advice on improving your landscape painting technique. I especially like the illustrations. The paintings are beautiful and "fresh." Not your average landscapes. They inspired me.
shadows.......2007-09-10
Great book Good information but Kevin seems to lose his separation of the lights and shadows in some of his demos in the back of the book He talks about it but then shadows start getting to light in value and too much detail. This could be from the reproductions of his painting
Not as much "color and light" in this one........2007-08-11
Having read this author's previous book on putting color and light in your paintings, I was a little disappointed with this one---I expected more. The book was well organized, (had, once again, pages of stuff about selecting your brushes, etc.); the author set forth his view of a limited palette, and said that you needed to be excited about your painting---but I don't believe that he was excited when he wrote this. If he was, he didn't convey it well. Had a number of exercises, some reasonable, others only for the wealthy (use an entire tube of cadmium red light on your painting (That is, really thick!)
Anyway, having read through the book, I would not buy this book again --- that's the bottom line.
Wonderful instruction for the Plein-Air artist........2007-06-27
Kevin Macpherson gives thorough instructions in his book from colors used to composition. A beautiful book with many demonstrations. I would highly recommend to the beginning or advanced Plein-Air painter in oil.
A "Must Have" Resource.......2007-05-23
If you are an oil painter or even if you are a want-to-be painter, Kevin MacPherson's book is a terrific reference. Personally, I'm a Plein Air painter and Kevin is a master at painting on location. He covers what supplies you'll need and techniques in painting. I've had this book for some time and still refer to it often.
Book Description
This is simply the best and most complete course in botanical illustration ever produced, with each chapter a perfectly constructed and self-contained class. Created in conjunction with the internationally renowned Eden Project—home of the only jungle in captivity—it’s put together by two leading figures in the Project’s famed art school, and uses many beautiful works from its students. Artists and plant lovers will find a wealth of practical information, with easy-to-follow exercises and case studies. The priceless advice encompasses everything from honing observational skills and plant dissection procedures to color mixing and applying watercolor. Adding highlights, producing a pleasing composition, and developing a personal style—all the building blocks for achieving excellence are here.
Average customer rating:
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Landscape Painting: A History
Nils Buttner
Manufacturer: Abbeville Press
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Frederic Church, Winslow Homer, and Thomas Moran: Tourism and the American Landscape
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Constable: The Great Landscapes
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Hieronymus Bosch
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Thomas Moran
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Winslow Homer: An American Vision
ASIN: 0789209020 |
Book Description
Since Antiquity, painters have sought to portray the glories of nature, and many of their pictures have become the best-known masterpieces in the history of art. In this sweeping treasury of Western art, distinguished art historian Nils Büttner has chosen paintings that not only portray natural vistas but also dramatic scenes with people and architecture. His broad selection of paintings in this genre consists mainly of well-known works, but some seldom-reproduced pictures are also included. The paintings are presented chronologically, beginning with the heritage from the ancient world and the precursors of landscape artists in the Middle Ages and Renaissance, such as Leonardo da Vinci, Giovanni Bellini, and Raphael. The sixteenth century heralded a new perception of the world, reflected in the works of such masters as Albrecht Dürer and Bruegel, as shown. Next, artists of the flowering age of landscapes in the seventeenth and eighteenth centuries are featured, including Claude Lorrain, Nicolas Poussin, Rubens, Rembrandt, Fragaonard, David, and Gainsborough. In the early nineteenth century, which was dominated by the spirit of Romanticism, artists began to display a new manner of treating nature. These revolutionary conceptions of nature are vividly presented with examples from Constable, Turner, Whistler, Frederic Church, Bierstadt, Thomas Eakins, and Winslow Homer. These artists are followed by plein-air painters, Impressionists, and Post-Impressionists, among them Manet, Monet, Sisley, Renoir, Cézanne, Seurat, van Gogh, and Rousseau. Artists represented from the twentieth century include Matisse, Picasso, Klee, Magritte, Georgia O'Keeffe, Andrew Wyeth, and David Hockney. Many of the extraordinary works are reproduced in full along with a detail and an informative caption.
In the authoritative text, the author traces the history of landscape painting up to the present day but also focuses on individual paintings and the circumstances under which they were created. Along with a description of a painting, the lucid text examines the work's cultural, historical, and aesthetic context.
The art of landscape artists, which has long been an under-published area of art history, is finally and stunningly revealed in this richly illustrated tribute to their work. This fresh vision of landscape artists is certain to be welcomed by art historians and museum-goers, as well anyone else interested in Western art.
Customer Reviews:
Painting Nature in Watercolor.......2007-08-23
This book provided step by step progessions and explanations that were easy to follow. Great for beginner or intermediate painter.
Watercolor painting.......2007-06-28
Great book for learing to paint. Good examples and explanations for techniques. I recommend it.
Watercolor Painting for the Beginning Artist.......2005-04-25
By profession I am a scientist, but I have always had an interest in the visual arts. Only in the last few years have I had much time to devote to such endeavors and even then it has been rather catch as catch can. My main interest in art is in the capture of natural images (I took scientific illustration in college), but I appreciate the fact that art and stark realism may express somewhat different truths about the subject. As a rank amateur in watercolor art I also appreciate deeply such roadmap-like guide books as Ferdinand Petrie's "The Big Book of Painting Nature in Watercolor." At first the title turned me off, but in perusing a copy (and later acquiring it) I found it to be an excellent guide to capturing the essence of a natural scene in one of the most difficult of all media- watercolor (only pen and ink may be more demanding from my experience!)
The coupling of Petrie's step by step paintings and the exquisite photographs of John Shaw has produced a book that is both visually beautiful and informative. Using the techniques described and with one's own reference photos in hand (or under an open sky direct from nature) a novice painter can slowly gain the knowledge and skill necessary to succeed in producing credible paintings.
A while back a scientist colleague of mine asked me why make a painting or drawing when you can photograph any subject with clarity. As a person who takes my own reference photos and enjoys doing so I can say he has a point, but reality does not necessarily come only from an exact replication of a scene. In the process of painting from nature (or from a reference photograph) you often notice more complex details, even in apparently simple subjects, then you would ordinarily notice in a photograph by itself. Petrie has emphasized the observation of these complex details and their interpretation in watercolor. If nothing else the instructions that point the artist toward this close observation of complexity in nature are worth the price of the book.
Good variety and information for various angles.......2005-01-23
This book is one to read through to learn -- not just do the practice paintings. Being a newbie to watercolor, this book has really helped me to view nature through a different set of eyes. He helps you see the "what do I want this picture to focus on" instead of microdetailing every possible detail in view. I am now finding myself looking at nature figuring out the details and what would I want to paint as the focus. I think this book goes very well with Everything You Ever Wanted to Know About Watercolor by Marian Appellof -- good pair with minimal redundancy.
Numerous step-by-step watercolor techniques.......2004-03-04
As a beginning artist, I tend to accumulate technique books. "The Big Book of Painting Nature in Watercolor" has been one of my most useful watercolor books. It is, in fact, the book that my watercolor instructor uses for reference material for her students.
The book covers a wide variety of techniques, each in the context of a short, complete, step-by-step project which results in a good-looking painting (I occasionally frame one). Techniques covered include seeing colors, mixing, washes, underpaintings, tilting paper, dry brush, use of wet vs. damp vs. dry paper, various uses and methods for lifting, reflections, lighting, contrast, and many, many more techniques, settings, and approaches to challenging scenes. I learn something different from each project.
One implicitly learns the art of simplification and watercolor expression by comparing each projects' nature scene photograph with its respective final painting. That mindset, plus the book's setting-specific techniques, carries over to painting similar scenes outside of the book. It is important to supplement the cookbook nature of the book by applying the same techniques to one's own photo references, and to painting live in nature.
Book Description
This inspiring guide provides artists with the knowledge they need to paint watercolor landscapes. It features easy-to-follow exercises illustrated in an accessible format that invites readers to jump in and begin painting right away. Artists of all skill levels will learn from:
-30 step-by-step demonstrations
-Chapters that focus on basic landscape elements, such as land, water and sky
-Special mini demos for capturing important details, including trees, mountains, waves, clouds, sunsets and more.
Most importantly, this guide's instruction teaches artists the foundations of strong composition and encourages them to pursue their own individual style to create landscapes that are compelling and unique.
Customer Reviews:
Nice book to buy but .......2007-08-23
Its a nice book but if you already have the other book from Gordon Mackenzie, I wouldn't recommend it. Basically half the book almost has the same things.
If you don't have any book from him.... its a nice buy. you will enjoy reading it.
Fine book to learn from, if you will practice........2007-08-09
I bought the "Watercolorist's Essential Notebook"(WEN) and this "WEN - Landscapes," fearing they would be the same with a few different illustrations. (I was specifically looking for ideas on mountains). I was surprised that the first 20 pages contained the same material, but presented with landscapes theme. The rest of the book had many ideas and suggestions, not just rehashed WEN. There was enough new material to warrant this purchase. I should keep trying the presented techniques, but there was enough to satisfy my desire. For less than the cost of a lesson (I consider shipping/handling the same as using my vehicle to drive to the lesson) I have hours of experimenting ahead of me. The illustrations of the effects of each technique are very good, and the "step by step" illustrations aren't cookie cutter recipes, but suggestions for your own experiments. As a "new watercolorist" (meaning I haven't sold anything yet, but I am at the point of feeling I now could), I was surprised at how well I took to, and how much I learned from, both WEN books. I would say suitable from the start for beginners, and advanced students to working.
Beginner or advanced, if you paint you NEED this book!.......2007-07-13
I was so pleased with this book that I bought the author's previous one, "The Watercolorist's Essential Notebook" and was just as happy with it! I learned so much from this book, and still continue to learn from it. I consider myself a beginner as I have only been studying watercolor for less than a year, but I took it to class and showed it to my instructor. She was so impressed by it that she bought it to use in her classes. Even with an MFA, she found information that was new to her. The author has a wonderful, playful style that makes learning exciting and fun. Whatever your skill level, you owe it to yourself to own this book!
Excellent for beginners and all.......2007-07-12
Mr. MacKenzie shows techniques which all can utilize. I have been doing watercolor paintings for about two and half years with some success. I find his suggestions a great help. He is precise and forthright in his endeavor to share his artistic techniques with each reader. It's a great book.
The Watercolorist's Essential Notebook: Landscapes.......2007-05-09
Excellent review of ways to do landscapes. Good techniques and interresting form.
Average customer rating:
- A beautifully presented anthology of the art and the artists who pioneered the first native style of American landscape painting
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Different Views in Hudson River School Painting
Judith O'Toole , and
Arnold Skolnick
Manufacturer: Columbia University Press
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Frederic Church
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Hudson River School Visions: The Landscapes of Sanford R. Gifford
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Hudson River School: Masterworks from the Wadsworth Atheneum Museum of Art
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Frederic Church, Winslow Homer, and Thomas Moran: Tourism and the American Landscape
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All That Is Glorious Around Us: Paintings from the Hudson River School
ASIN: 0231138202 |
Book Description
Hudson River School artists shared an awe of the magnificence of nature as well as a belief that the untamed American scenery reflected the national character.
In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and quiet majesty of the works and discusses their shared iconography, the ways in which artists responded to one another's paintings, and how the paintings reflected nineteenth-century American cultural, intellectual, and social milieus.
Different Views is also the first major study to examine closely the Hudson River School artists' practice of creating thematically related pairs and series of paintings. O'Toole considers painters' use of this method to express different moods and philosophical concepts. She observes artists' representations of landscape and their nuanced depictions of weather, light, and season. By comparing and contrasting Hudson River School paintings, O'Toole reveals differences in meaning, emotion, and cultural connotation.
Different Views in Hudson River School Painting contains reproductions of works from a range of prominent and lesser-known artists, including Jasper Francis Cropsey, Sanford Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert Bierstadt, John Frederic Kensett, and John William Casilear. The works come from a leading private collection and were recently exhibited at the Westmoreland Museum of American Art.
Customer Reviews:
A beautifully presented anthology of the art and the artists who pioneered the first native style of American landscape painting.......2006-05-07
Different Views In Hudson River School Painting by Judith Hansen O'Toole (Director and CEO of the Westmoreland Museum of American Art, Greensburg, Pennsylvania) is an expansive and beautifully presented anthology of the art and the artists who pioneered the first native style of American landscape painting. Providing readers with an illustrative compendium of examples supported by an informative and "reader friendly" text, Different Views In Hudson River School Painting delves deep into the study of many various artists in terms of their diverse styles and productivity. A perfect edition to personal, academic, and community library Art History collections, Different Views In Hudson River School Painting is very highly recommended and informative reading.
Book Description
“International interest in this distinctive art form was renewed by Sherwood, whose personal collection is considered the world’s most comprehensive. Captivating and commanding, this opulent compilation superbly show-cases vivid new interpretations of familiar subjects.” —Booklist. “Equally important for both botanical and art collections.”—Library Journal.
Customer Reviews:
Reference .......2007-01-11
This book is very helpful, especially as a reference for anyone learning botanical illustration or anyone wanting to learn about specific botanical artists.
It's beautiful art work also makes it very nice as a "coffee table" book for others to admire.
Great Contemporary Botanical Art.......2005-05-07
As a rank beginner in watercolor and pen and ink I much appreciate the effort it takes to produce great illustrations of natural objects. Shirley Sherwood has brought together her remarkable collection of modern botanical paintings (and some ink renderings) in "A Passion for Plants: Contemporary Botanical Masterworks" and made them accessible to the public. It is certainly an impressive effort.
Unlike many styles of illustration, botanical art usually involved a finely detailed painting on a white background, occasionally with additional smaller drawings or paintings. Occasionally a background is also provided, but most have no background. The renditions of just about every artist featured are extremely well done and it is hard to pick a favorite. Kate Nessler's watercolor of Rose Hips & Oak Leaves, Mariko Imai's exquisite watercolors of carnivorous plants, Elizabeth Dowle's paintings of fruit, Francesca Anderson's detailed ink renditions of sunflowers and cacti, and John Wilkinson's ultra realistic (complete with insect damage and hover flies!) watercolor of Ligularia, are just a few of the treats in this magnificent book. It sure makes for a tough standard, but a worthy one, for us beginners!
A great book for artists, botanists and anyone interested in plant illustration!
A superb, international collection of botanical art........2002-05-30
This is an excellent collection of botanical illustrations reproduced in very detailed, rich color on quality paper. Artists from all over the world are represented with brief biographies of each one. I think this book is one of the best books to have if you love botanical illustration and would like to see examples done by highly skilled, scientifically accurate illustrators. Just as good or better than the first Shirley Sherwood collection book.
Book Description
New York City's American Museum of Natural History is a national treasure, attracting four million visitors annually. Its dioramas-a dazzling mixture of nature, science, and art-have inspired young and old alike, and are world-renowned examples of the unique diorama craft: art in the service of science. Now, in the only book of its kind, readers get an insider's view of these "windows on nature," witnessing their creation step by meticulous step.
More than forty of the museum's finest dioramas are featured here, depicting the fauna and flora of myriad ecological environments. Stephen Quinn, a diorama artist at the museum, introduces the explorers, naturalists, painters, sculptors, taxidermists, and conservationists behind these three-dimensional marvels, and explains how their collaborations make the displays so lifelike. This enchanting book is the perfect gift for nature lovers, art enthusiasts, and museum goers everywhere.
Book Description
Enter the extraordinary world of painter Christophe Drochon, who, for the first time, opens up his studio and allows us a privileged glimpse into his art. Frequently focusing on animals, his strikingly realistic yet dreamlike images reveal nature’s beauty and fragility, as well as Drochon’s profound concern over its destruction. As he creates, we watch the progression from initial sketches done outdoors ‘from life’ to painstaking studio work. Examples in a range of media showcase the different ways he captures a big cat’s baleful gaze, a macaw’s luminous plumage, and the ominous peace of a slumbering polar bear. Françoise Coffrant supplies illuminating, authoritative commentary.
Customer Reviews:
Beautiful work, best for oil or acrylic artists.......2007-07-10
If you aim to paint ultra-real, exciting wildlife art, Christophe Drochon's work can't help but inspire you. His rendering of lambent cat eyes, fur glowing in the sun and dramatic scenes are some of the best.
This book is aimed to the oil and acrylic artist or anyone working in opaque mediums as opposed to the more expressive and loose styles of watercolor and pastel. You can get ideas for colored pencil and sharpened pastel as well as gouache but this is really primarily for oil painters.
There are sufficient demos to give good instruction for the more advanced artist, but you need some grounding in your medium before you attempt work such as this. In other words, not for beginners except as inspiration and simply to admire an exceptional artist's work.
Realistic paintings.......2007-06-13
Beautiful detailed realistic paintings. Shows illustrated stages from sketch to painting. He works in Acrylic, Gouache, oils and oil pastels.
````````````Wildlife Art
Painting Animals.......2007-01-10
An outstanding book. It arrived in mint condition and is a wonderful addition to my art collection.
Book Description
This giant treasury of watercolor florals brings together a popular medium with a popular subject matter. With North Light's Big Book of Painting Watercolor Flowers, readers can:
* Paint all their favorite flowers in watercolor--everything from wild daffodils and gladiola to hollyhock and mums
* Brush up on the basics, including composition, wet-into-wet washes, mixing color and stretching watercolor paper
* Create finished pieces in no time with easy step-by-step demonstrations
Page after page of gorgeous artwork and clear instruction make this the perfect choice for artists of all levels. Painting flowers has never been easier!
Customer Reviews:
North Light's Big Book of Painting watercolor flowers.......2005-08-23
Very nice book,looked like a new book
nice book.......2005-04-15
Very instructive. Many different styles of painting demonstrated in a way easy to follow. Very well worth the money.
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