History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Life in the English Country House: A Social and Architectural History

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The Archaeology of the British
Very informative
This will become a fixture on your nightstand

Life in the English Country House: A Social and Architectural History
Mark Girouard
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0300058705

Customer Reviews:

The Archaeology of the British.......2006-01-14

This book is brilliant. It reminded me of a paleontology book where the author looks at the shells of ancient marine fossils and reconstructs their lives from the shape of the shells.

From the structure of the English Country House Girouard recreates the lives of those who lived in them. Not just the Lord and Lady but all those who lived and worked there. How many people were in this room during dinner? How did the food get to the dining area (usually a long trek. This minimized the chance the kitchen would burn the place down but mimimized the chance dinner hadn't congealed). How many people (ladies in waiting, servants, servants of servants) were sleeping in the room together in 1500, 1700 or 1890? The idea that one would actually have any privacy is a very recent concept.

A fascinating reconstruction of what life was like not just for the head of the household, but for all who lived on the estate.

Very informative.......2002-02-19

Don't be put off at first by the black and white photos. This book has some color photos, and I was at first hesitant to purchase this book because it seemed to be mostly black and white photography.
However, once I began to read this book, all thoughts about photos went out of my head! This book is informative, intelligent and thorough. The author has studied his subject very well, and writes in a clear and easy to follow manner. I really do find the floorplans to be an invaluable tool towards understanding the buildings the author is describing.
I am currently using this book as a research tool for my novel, but I did buy this book just for the love of the subject and I was not disappointed.
I would recommend this book again and again to anyone with a love of history and architecture.

This will become a fixture on your nightstand.......2001-05-13

Mark Girouard, an architectural historian, has traced the roles of form and function in England's Great Houses in this densely illustrated, sensitively written book. Floor-plans, innumerable photographs and drawings (many of homes now destroyed), and portraits pepper the text, which is readability itself.

The book follows a chronological path from the Mediaval Household to the present day. The text isn't dry at all. Delicious details abound: Bess of Hardwick pacing her Great Chamber of Hardwick Hall, waiting for the royal visit that never came in the instantly-dated house she'd built for this very purpose, ... The origin of the phrase "backstairs intrigues" (both political and sexual).... the slow but persistant birth of the aristocratic ideal of "privacy"--and how it affected dining halls....the rise of the great dilettante libraries (and the rooms to house them).....and the advent of the freakish innovation of indoor plumbing (and a picture of the Duke of Wellington's elaborate WC) are just a few tidbits.

Mr. Girouard doesn't neglect the "downstairs" portion of a Great House, because he's interested in the whole institution as a functioning unit. Some of the most intriguing photos are of beloved servants' portraits, and the almost Shaker-like beauty of a working kitchen or laundry. Included, also, is a printed "Summary of Livery Men's Duties, Etc., Etc.", of Hatfield House, and darned if it doesn't sound like instructions for empoyees at an indifferent New York hotel!

Book Description

Published in memory of the architectural historian John Cornforth, these great house inventories, document the taste and lifestyle of leading aristocratic patrons and the households that supported them.

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Make her Dame Claire Bloom Please!
A book I was ashamed to read
Even Swans Suffer
Frank, Poignant
For Roth junkies only; a guilty pleasure

Leaving a Doll's House: A Memoir
Claire Bloom
Manufacturer: Back Bay Books
ProductGroup: Book
Binding: Paperback

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ASIN: 0316093831

Amazon.com

The dismal account of actress Claire Bloom's life with author Philip Roth. Bloom, once described by Gore Vidal as, " ... the most beautiful of postwar screen presences and the finest interpreter of Ibsen in this generation," writes that she was entranced by Roth during their first meeting in 1966. A decade later they moved in together, and she was his muse during the late 70s and early 80s. But Roth's abusive temper and bouts with depression made life nearly intolerable. Even so, they married in 1990, only to divorce a short time later. Though Bloom recounts Roth's violence and betrayal in frightening detail, she never explains why she couldn't muster the strength to simply leave him.

Book Description

Writing with grace, wit, and remarkable candor, actress Claire Bloom looks back at her crowded life: her accomplishments on stage and screen; her romantic liaisons with some of the great leading men of our era; and at "the most important relationship" of her life--her marriage to author Philip Roth. of photos.

Customer Reviews:

Make her Dame Claire Bloom Please!.......2007-06-15

I think the British honor of Dame Commander of the Order of the British Empire has missed wonderful Claire Bloom. In this book, she reveals all to her audience including her difficult and turbulent relationship with equally brilliant and disturbed Philip Roth. Their union should have been a happy one but it wasn't after so many years together. Sadly, their relationship ended in divorce. I remember watching this glorious actress on As The World Turns as Lily's mother-in-law, Orlena. As Claire gets older, she gets better on stage, film or television. I would love to see her become a Dame because she is in every sense of the world. While she writes about her life, she writes about her relationships especially with Philip Roth and understands him better than literary critic could because she was so close to him. As somebody who has read many of his works, Roth is both a literary genius and equally troubled as a person. He wrote that he didn't need to be surrounded by people but Claire needs constant human contact. Somehow, these two brilliant artists didn't make it. It's not a happy divorce but then what is. I think Claire for the first time needed to be independent and free from a relationship with a man like Philip Roth. Prior to Roth, she was married to Rod Steiger and Hillard Elkins. I think Claire like Nora in Henrik Ibsen's Doll's House needs to leave for her own sanity and become independent and free of others. I hope Claire has happiness in her life. Still, I believe she deserves to be a British Dame.

A book I was ashamed to read .......2006-01-24

I started this book, and when I start a book I usually feel obliged to finish it. But quite early along I understood that this is a book I should be ashamed of reading. Here I will admit to my own not so wonderful curiosity. I wanted to know about the relationship between Bloom and Philip Roth.
What I got was not the story of some great love affair which tragically ended in a parting of ways. Instead I got a petty, vicious, mean- spirited attack on Roth who is also made to seem petty, vicious and mean- spirited. As is often the case with Divorce both sides come out looking awful.
I also in truth did not like the image of herself which Bloom presented throughout the work. I am sorry to say but she seemed quite petty and selfish throughout. This was a great disappointment in part because I had always found her to be so remarkably beautiful. Well as the old saying goes , the beauty outside does not necessarily correspond with what is within.
In any case I definitely would not recommend this book.

Even Swans Suffer.......2005-02-01

Claire Bloom put her heart into this book, writing the truth about her life with the same sensitivity and refinement she brought to so many of her stage and film roles. Of course, critics hated it -- especially female critics. And you know why? Because there's nothing ugly ducklings hate worse than the idea that even swans suffer. For nasty old yentas like Daphne Merkin, it's bad enough that Claire Bloom is the most perfect, lovely English rose who ever lived. They hate her for that no matter what she happens to be like as a human being. But the fact that she can feel, and think, and love, and write -- intolerable!

This book reveals all the horror of Philip Roth's failures as a writer and a human being. The fact that his self-loathing is so often disguised as megalomania and artistic temperament is no excuse for the unbelievable suffering he caused to those around him. Reading this book makes it much easier to understand the fundamental ugliness of his later works. Plainly, Roth needs to believe that the whole world hates him as much as he hates himself. Reading the story, one senses that if anything Claire Bloom has been too kind, making excuses for a man who obviously has no pride and no shame, no sense of resonsibility and not a shred of common decency. Not even Trick E. Dixon or Big John Baal or Gil Gamesh himself could have behaved this atrociously!

At the same time, Claire Bloom herself emerges from these pages as a very fragile soul who never really recovered from a painful childhood. It's impossible not to wish she had been a little stronger -- or that the men in her life had been more worthy of her. Gore Vidal, Yul Brynner, Richard Burton, all legendary figures in one way or another, yet none of them had the special decency or the courage to recognize the heavenly, radiant, ethereal beauty that was Claire Bloom.

There will never be another like her.

Frank, Poignant.......2004-11-08

Claire Bloom's "Leaving a Doll's House" is poignant in its honesty, but a bit underwritten. The first time I reached for my highlighter pen was on page 104, where Bloom describes a distraught Vivien Leigh.

Leigh, of course, was the incomparable beauty who portrayed Scarlett O'hara in "Gone with the Wind." Leigh's marriage was unsteady; she suffered from mental illness. Leigh kept her emotions in check, but one night Bloom entered Leigh's dressing room and found her in tears. "Vivien in tears was not like anyone I knew; no red nose, sniffles...she simply sat at her table, in her beautiful scarlet [how appropriate] costume; diamond tears rolled down her cheeks, her beauty undiminished, her make-up untouched." What an image.

Page 149 includes a similarly brief, and pointedly telling, anecdote. Bloom's husband, the author Philip Roth, insists that a skunk has anti-Semitic feelings toward him. This anecdote goes a long way towards explaining Roth's new book, "The Plot Against America."

For the most part, though, the book is frank, and underwritten. For example, Bloom's father was a feckless businessman and gambler who abandoned Bloom, her mother, and her brother. Years later, when she became a successful actress, Bloom's father reappeared, backstage in her dressing room, with a new, rich wife in tow. Bloom, by her own account, was pointedly cold and humiliating to him. Three days later, he died. "I believed," Bloom writes, "that it had been my callous behavior that had killed him" (79). Bloom does not pause after this remarkable confession; only one sentence is offered as denouement, "I picked up and went on with my life."

Bloom played an essential role in a superlative film, "The Haunting." This film is unsurpassed in its genre; its psychological and sociological undercurrents raise it far above most horror films. Though made in 1963, in black and white, and since remade, it regularly makes top ten lists for "the scariest movie ever made." Bloom never mentions it here.

Too, Bloom partnered some of the biggest names among twentieth century actors: Richard Burton, Yul Brynner, Rod Steiger, Anthony Quinn, Laurence Olivier. If the reader had never seen a Burton film, I'm not sure he would get an adequate impression of Burton from this book.

Bloom's Burton has intense green eyes; she quotes a critic who says, beautifully, that his voice is so powerful "he carries his own cathedral with him" (50). But this reader never understood why Bloom risked the pain she reports feeling being his lover while he lived with, and loved, his first wife, Sybil Burton.

Bloom's brief fling with Brynner is enlivened by a late night visit to a Paris nightclub where Brynner, who mythologized his ethnic and professional roots, was adored, and sang with, the Gypsies he said raised him. The night was capped in Russian fashion, Bloom reports; drinking glasses were thrown against the wall.

Pages 195-220 contain, without comment, Bloom's diary entries from a particularly rocky time in her marriage to Roth. This is the best, rawest, most detailed writing in the book.

As others report, Philip Roth is depicted here -- believably -- as a demented and sadistic man. He is also clearly depicted as an object of genuine pathos. It must be hard to be Roth's wife; it must also be hard to be Roth. Without ever using the term, Bloom creates a vivid portrayal of Roth as a kind of idiot savant with Borderline Personality Disorder.

Reading of Roth's self-induced wounds of greed -- he demanded that Bloom pay him huge sums of money as compensation for the time he spent with her -- paranoia, and sheer unhappiness is like reading of a patient tormented by self-induced skin rashes. It's simply hard to watch, and you can't help but say a prayer for his speedy recovery.

"Leaving a Doll's House" is an easy read, and poignant in its honesty. It offers insights into Claire Bloom that will cause me to view her performances, and other women I meet, in a more expansive, and more compassionate, light.

For Roth junkies only; a guilty pleasure.......2003-07-04

Ok, I admit and I am embarrassed--I ate this book up like a pint of Haagen-Daz. And afterwards, I felt about the same as I do when I look at the empty ice cream container: a little shamed, vaguely nauseous, highly satisfied. I am a huge Philip Roth fan, a collector of his signed first editions, etc., so you have to take this reveiw with a grain of salt. Ms. Bloom, or whoever ghosted it, is much better writer than I had anticipated and the pages flew by (just one more spoonful...). Charlie Chaplin, Laurence Olivier, Richard Burton, Gore Vidal, Rod Steiger--it was interesting to read what felt like highly redacted versions of who these men were in Ms. Bloom's life. She does seem to reserve a certainy clarity and honesty for her depiction of Roth, for better or worse, than she seems willing to give to these other men. I, frankly, believe most if not all of what she wrote about Roth, and it is tantalizing to watch the threads of her fact with him reverberate in his fiction. (Sylphid, the harp-playing harpy in "I Married A Communist" is very openly Bloom's daughter with Rod Steiger). So if you are a Roth fan and are interested in a painful dissection of his fiction, you should probably put this on your shelf...though don't expect HIM to appreciate it.

The Stuart Secret Army: The Hidden History of the English Jacobites

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The Stuart Secret Army: The Hidden History of the English Jacobites
Evelyn Lord
Manufacturer: Longman
ProductGroup: Book
Binding: Hardcover

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ASIN: 0582772567

Book Description

This the story of the Royal loyalists who in the end betrayed Bonnie Prince Charlie to the blood bath that was Culloden.

Spies, smugglers and poachers - sensationalism
Riots and rebellions, Jacobites in the streets, 1715 and 1745
English Jacobites hugely important feature of 18th Century History but unexplored topic
Bonnie Prince Charles romanticism continuously popular and reminiscent of Braveheart

English Jacobites came from all walks of life. Bishops, printers, peers, poachers, members of Parliament, smugglers, soldiers of fortune and country gentlemen were all represented. They operated through a network of spies, underground clubs, and ale houses with newspapers and pamphlets publicizing their views and promoting the restoration of the Stuarts. The white rose, the twisted stem drinking glass, and the fans wielded by ladies of fashion all contained Jacobite emblems that can be seen in museums and country houses today.To the Tory party, barred from office by George I, the Jacobites provided an alternative route to power. The English Jacobites fermented plots and riots, and were involved in two major rebellions in 1715 and 1745. The former resulted in the execution of the young and handsome Earl of Derwentwater whose short life and tragic career are the subject of a special case history, the latter in the Battle of Culloden, the extinction of the Stuart cause, and the Jacobites' entry into fiction and legend.

Evelyn Lord

Evelyn Lord is on the board of Continuing Education at the University of Cambridge. She is the author of the successful publications 'Investigating the Twentieth Century' (2002) and 'The Knights Templar' (2001)

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The Whyte Harte
P. C. Doherty
Manufacturer: St Martins Pr
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Binding: Hardcover

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ASIN: 0312023189

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A Country House Companion
Mark Girouard
Manufacturer: Yale Univ Pr
ProductGroup: Book
Binding: Hardcover

The Third Citizen: Shakespeare's Theater and the Early Modern House of Commons (Parallax: Re-visions of Culture and Society)

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The Third Citizen: Shakespeare's Theater and the Early Modern House of Commons (Parallax: Re-visions of Culture and Society)
Oliver Arnold
Manufacturer: The Johns Hopkins University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0801885043

Book Description

The new practices and theories of parliamentary representation that emerged during Elizabeth's and James' reigns shattered the unity of human agency, redefined the nature of power, transformed the image of the body politic, and unsettled constructs and concepts as fundamental as the relation between presence and absence.

In The Third Citizen, Oliver Arnold argues that recovering the formation of political representation as an effective ideology should radically change our understanding of early modern political culture, Shakespeare's political art, and the way Anglo-American critics, for whom representative democracy is second nature, construe both. In magisterial readings of Titus Andronicus, Julius Caesar, Coriolanus, and the First Tetralogy, Arnold discovers a new Shakespeare who was neither a conservative apologist for monarchy nor a prescient, liberal champion of the House of Commons but instead a radical thinker and artist who demystified the ideology of political representation in the moment of its first flowering. Shakespeare believed that political representation produced (and required for its reproduction) a new kind of subject and a new kind of subjectivity, and he fashioned a new kind of tragedy to represent the loss of power, the fall from dignity, the false consciousness, and the grief peculiar to the experiences of representing and of being represented. Representationalism and its subject mark the beginning of political modernity; Shakespeare's tragedies greet political representationalism with skepticism, bleakness, and despair.

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Old English Glass Houses
Francis, Buckley
Manufacturer: Society of Glass Technology
ProductGroup: Book
Binding: Paperback

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ASIN: 0900682469

Book Description

This is a collection of papers researched and written by Francis Buckley and originally published in the Journal of the Society of Glass Technology in the 1920s. Each chapter gives details of glass making factories around the UK from the late 17th century to the early 19th. John Houghton, an eminent member of the Royal Society, wrote a series of Letters to Parliament under the general title of "Husbandry and Trade Improvement". Letter Number 198, dated 15th May 1696 listed all the glass works in England and Wales which were working at that time, around 90 in total. Buckley probably used Houghton's listing for his research, it is an obvious starting point, most of the glassworks in Houghton's list are mentioned along with many more. The additional ones are glassworks that were built after 1696, in fact in some of his papers Buckley continues into the early part of the 19th Century. There are also glassworks listed for areas not covered by Houghton for example Cumberland and many parts of Yorkshire, and Scotland. One of the fascinations of Buckley's papers is that he not only lists his references, he actually states what they are, giving additional information to that in the main text.

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