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Barack Obama's first book, Dreams from My Father, was a compelling and moving memoir focusing on personal issues of race, identity, and community. With his second book The Audacity of Hope, Obama engages themes raised in his keynote speech at the 2004 Democratic National Convention, shares personal views on faith and values and offers a vision of the future that involves repairing a "political process that is broken" and restoring a government that has fallen out of touch with the people. We had the opportunity to ask Senator Obama a few questions about writing, reading, and politics--see his responses below. --Daphne Durham
20 Second Interview: A Few Words with Barack Obama
Q: How did writing a book that you knew would be read so closely by so many compare to writing your first book, when few people knew who you were?
A: In many ways, Dreams from My Father was harder to write. At that point, I wasn't even sure that I could write a book. And writing the first book really was a process of self-discovery, since it touched on my family and my childhood in a much more intimate way. On the other hand, writing The Audacity of Hope paralleled the work that I do every day--trying to give shape to all the issues that we face as a country, and providing my own personal stamp on them.
Q: What is your writing process like? You have such a busy schedule, how did you find time to write?
A: I'm a night owl, so I usually wrote at night after my Senate day was over, and after my family was asleep--from 9:30 p.m. or so until 1 a.m. I would work off an outline--certain themes or stories that I wanted to tell--and get them down in longhand on a yellow pad. Then I'd edit while typing in what I'd written.
Q: If readers are to come away from The Audacity of Hope with one action item (a New Year's Resolution for 2007, perhaps?), what should it be?
A: Get involved in an issue that you're passionate about. It almost doesn't matter what it is--improving the school system, developing strategies to wean ourselves off foreign oil, expanding health care for kids. We give too much of our power away, to the professional politicians, to the lobbyists, to cynicism. And our democracy suffers as a result.
Q: You're known for being able to work with people across ideological lines. Is that possible in today's polarized Washington?
A: It is possible. There are a lot of well-meaning people in both political parties. Unfortunately, the political culture tends to emphasize conflict, the media emphasizes conflict, and the structure of our campaigns rewards the negative. I write about these obstacles in chapter 4 of my book, "Politics." When you focus on solving problems instead of scoring political points, and emphasize common sense over ideology, you'd be surprised what can be accomplished. It also helps if you're willing to give other people credit--something politicians have a hard time doing sometimes.
Q: How do you make people passionate about moderate and complex ideas?
A: I think the country recognizes that the challenges we face aren't amenable to sound-bite solutions. People are looking for serious solutions to complex problems. I don't think we need more moderation per se--I think we should be bolder in promoting universal health care, or dealing with global warming. We just need to understand that actually solving these problems won't be easy, and that whatever solutions we come up with will require consensus among groups with divergent interests. That means everybody has to listen, and everybody has to give a little. That's not easy to do.
Q: What has surprised you most about the way Washington works?
A: How little serious debate and deliberation takes place on the floor of the House or the Senate.
Q: You talk about how we have a personal responsibility to educate our children. What small thing can the average parent (or person) do to help improve the educational system in America? What small thing can make a big impact?
A: Nothing has a bigger impact than reading to children early in life. Obviously we all have a personal obligation to turn off the TV and read to our own children; but beyond that, participating in a literacy program, working with parents who themselves may have difficulty reading, helping their children with their literacy skills, can make a huge difference in a child's life.
Q: Do you ever find time to read? What kinds of books do you try to make time for? What is on your nightstand now?
A: Unfortunately, I had very little time to read while I was writing. I'm trying to make up for lost time now. My tastes are pretty eclectic. I just finished Marilynne Robinson's Gilead, a wonderful book. The language just shimmers. I've started Team of Rivals by Doris Kearns Goodwin, which is a great study of Lincoln as a political strategist. I read just about anything by Toni Morrison, E.L. Doctorow, or Philip Roth. And I've got a soft spot for John le Carre.
Q: What inspires you? How do you stay motivated?
A: I'm inspired by the people I meet in my travels--hearing their stories, seeing the hardships they overcome, their fundamental optimism and decency. I'm inspired by the love people have for their children. And I'm inspired by my own children, how full they make my heart. They make me want to work to make the world a little bit better. And they make me want to be a better man.
Book Description
In July 2004, Barack Obama electrified the Democratic National Convention with an address that spoke to Americans across the political spectrum. One phrase in particular anchored itself in listeners’ minds, a reminder that for all the discord and struggle to be found in our history as a nation, we have always been guided by a dogged optimism in the future, or what Senator Obama called “the audacity of hope.” Now, in
The Audacity of Hope, Senator Obama calls for a different brand of politics–a politics for those weary of bitter partisanship and alienated by the “endless clash of armies” we see in congress and on the campaign trail; a politics rooted in the faith, inclusiveness, and nobility of spirit at the heart of “our improbable experiment in democracy.” He explores those forces–from the fear of losing to the perpetual need to raise money to the power of the media–that can stifle even the best-intentioned politician. He also writes, with surprising intimacy and self-deprecating humor, about settling in as a senator, seeking to balance the demands of public service and family life, and his own deepening religious commitment.At the heart of this book is Senator Obama’s vision of how we can move beyond our divisions to tackle concrete problems. He examines the growing economic insecurity of American families, the racial and religious tensions within the body politic, and the transnational threats–from terrorism to pandemic–that gather beyond our shores. And he grapples with the role that faith plays in a democracy–where it is vital and where it must never intrude. Underlying his stories about family, friends, members of the Senate, even the president, is a vigorous search for connection: the foundation for a radically hopeful political consensus. A senator and a lawyer, a professor and a father, a Christian and a skeptic, and above all a student of history and human nature, Senator Obama has written a book of transforming power. Only by returning to the principles that gave birth to our Constitution, he says, can Americans repair a political process that is broken, and restore to working order a government that has fallen dangerously out of touch with millions of ordinary Americans. Those Americans are out there, he writes–“waiting for Republicans and Democrats to catch up with them.”
Customer Reviews:
A must read!.......2007-10-10
I thoroughly enjoyed reading this book. I read this book a while back, and I re-read it just last week now that Obama is a major Presidential contender. This book is very well written in terms of style and syntax, plus it takes us on a journey of man grappling serioulsy with issues of hope, worth, justice, patriotism and social obligation. It seems that whatever the outcome of the election, Obama believes in decency and hope and has pledged to do his part to make this a better society. It reads well, makes you think and makes you actually glimpse an American living closer to its ideal. This is a must read!
awesome.......2007-10-10
This was am amazing book by an amazing man. Really unique viewpoint and an interesting perspective with which to view American politics. Obama is obviously brilliant and is an American political historian...love that aspect, especially. His passion for this country and making the lives of the American people better shines through on every page. His humility, honesty and humanity are refreshing. He's idealistic, but no doormat. The man has drive and ambition...wonderful qualities for someone looking to make the lives of others better. He's smart, genuine and sees the big picture...what's best for America as a whole. He gives the reader not just his opinions or snippets of American history, but also a candid look at his own personal journey. He's obviously a Democrat, but shows appreciation and admiration for some individual Repbulicans, too. Wonderfully refreshing change from the usual hatemongering between parties that has become the ugly norm in America in recent years.
Obama Stakes Out Centrist Ground.......2007-10-09
I routinely give history books five stars, but I am compelled to limit this one to four. The political manifesto is limited as a genre, and I was not quite ready after Obama's last book to be brought back down to earth. The stories in this book, while by turns sad and funny, are no longer told for their own sakes like the ones in "Dreams from my Father," but to illustrate a point. Still, Obama manages to be polemical without being strident. When they deserve it in his view, he bestows credit and even praise on individual Republicans, and quotes the sage advice that President Bush once gave him -- that he was rising so spectacularly that people on his own side might come to see him as a threat. He also has a lot of praise for his staff members, listing the more senior ones by name and telling stories of things he and they discovered at the same time.
The leading characteristic of this book is that Obama strives to be Informed about every issue he comments on. Accordingly, he attacks those on the extreme poles of the debate on all these issues for encouraging their constituents not to be informed. He will frequently say, in so many words, that while Republicans need to acknowledge X, Democrats equally need to acknowledge Y. The eighth chapter, "The World Beyond Our Borders," indicates even if his more recent rhetoric did not that if you are looking for a candidate who will get our troops out of Iraq quickly, Barack Obama is probably not your man. He reminds me of no one, in fact, so much as Bill Clinton in his knowledgeable approach to the issues, bolstered frequently by statistics.
My favorite chapters were the third chapter -- in which Obama sets forth his view of the Constitution, and talks of his respectful meeting with onetime Klansman Sen. Robert Byrd -- and the sixth chapter, where he talks about religion and his race against Alan Keyes (having discussed most of his other political opponents in the previous four chapters). While he beat Keyes handily, Keyes made him more uncomfortable than the others for his implicit charge that Obama's faith is insincere or "adulterated," the word Obama uses. From this chapter, however, I gleaned that Obama's faith is hard-won. He had higher expectations of religion perhaps than most, a higher threshhold that he insisted it meet before he would embrace it; but he is sincere. Keyes has now entered the Presidential race (his third try for his party's nomination); I suspect that more than anything he wants another crack at Obama. In the last chapter before the epilogue, we see Obama as a family man, a side of him which didn't make it into his first book.
Obama writes far more readable and entertaining books than the Clintons do -- which doesn't necessarily mean he would make a better President than either of them. But I am glad he exists. He is one of those singular people who seek to prove we as a nation are who we say we are. If I was teaching American history in an inner-city school, and was not compelled to use the same books as everyone else in the state, Obama would be one of five or so authors I would assign. (Did I mention his insights on the need to completely restructure public education, shared in the fifth chapter, "Opportunity"? He's a bit short on details of his solution here, however.) As mentioned above, I give this book four stars.
Hope and Compromise.......2007-10-04
I am particularly struck by the contrast of Obama and George W. Bush. Obama stays in touch with the masses by talking in air terminals and wherever he finds them in public. Jim Wallis (author of "God's Politics: Why the Right Gets It Wrong and the Left Doesn't Get It") comments from his meeting the President:
"And he (George W. Bush) really did listen, more than presidents often do. He also asked questions. One sounded lofty, yet it resonated with those of us seated around the room: 'How do I speak to the soul of America?' My answer to that was simple: Focus on the children. Their plight is our shame, I told him, and their promise is our future. Reach them and you reach our soul. Bush nodded in agreement. The conversation was rich and deep for more than an hour and a half.
When the discussion officially ended, Bush moved around the room, talking with us individually or in small groups for another hour. I could see that his staff was anxious to whisk him away (cabinet appointments were being made that week and there were key departments yet to fill). Yet he lingered and continued to ask questions. At one point, he turned to me and said, with what I could only read as complete sincerity, 'Jim, I don't understand poor people. I've never lived with poor people or been around poor people much. I don't understand what they think and feel about a lot of things. I'm just a white Republican guy who doesn't get it. How do I get it?'"
Here, in Obama's book, Obama is an ordinary American who has entered a lofty position in Washington, but he has not forgotten the people, not only the people of America, but of Indonesia and Kenya as well.
Obama's style is assertive, with a stunning line or two for each chapter.
Still, I believe Obama isn't spot on. When he speaks of hope, for example, the word opportunity would be more exacting and prospective. While Obama speaks of compromise, it would be appropriate to examine areas of agreement, but work towards independent solutions rather than compromise.
A New Kind of Politics.......2007-09-30
"They are out there, I think to myself, those ordinary citizens who have grown up in the midst of all the political and cultural battles.....They are out there, waiting for Republicans and Democrats to catch up with them".
That statement sets the tone for Senator Obama's refreshingly honest look at policy and politics. In this book, you'll find Obama as open to pointing out flaws in conventional liberal thinking as he is to criticizing his opponents on the right. Likewise, he praises certain aspects of Reagan's policy as openly as he criticizes other parts of it, or as openly as he applauds Bill Clinton's policies. Obama's ability to empathize with a differing point of view, yet maintaining a firm belief in his own position is very endearing.
The most interesting aspect of the book, perhaps, is its ability to see today's issues in a historical context. When examining U.S. foreign policy, Obama first walks the reader through the positions taken by Washington, Jefferson, Woodrow Wilson, Nixon, Reagan and others in trying to preserve America's national interests through interventions abroad. Likewise, when looking at the role of faith in American politics, Obama starts by giving the readers a glimpse of the how America's founding fathers thought about these issues, and how the cultural and social changes in the sixties eventually led the religious right to start playing a more active role in politics.
Obama also talks openly about his family, and his experiences while growing up, that have shaped him as a person. While talking about racial issues, he is comfortable talking about personal experiences that offer him hope. He's equally comfortable talking about his initiation into faith, having been brought up by a mother who wasn't religious.
If you're looking to understand the details of policy that Obama would champion if elected President, this book doesn't offer you a lot. However, what it gives you is the framework of beliefs which shape how Obama thinks about politics and policy. It lives true to its title, and offers hope for a new kind of politics, one that would help us all get closer to the American Dream. All in all, a very enjoyable read, and highly recommended.
Book Description
In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more as a myth than as a man—has been killed in a car accident. This sudden death inspires an emotional odyssey—first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father’s life, and at last reconciles his divided inheritance.
From the Trade Paperback edition.
Customer Reviews:
warning.......2007-10-09
great read, but once you're done there's no way you could look at this man the same way again.
"PT 109" for the 21st Century.......2007-10-08
As my readers will know, I am a tough critic, but I can find precious little about "Dreams from my Father" to criticize. Of course, the book will not appeal to those who don't care about race in America, or who have extremely fixed ideas about the subject. I like to think though that the majority of the reading public at least (if not the general public) are both engaged with and to some extent open-minded about our nation's central bugaboo/crisis/character flaw.
An editorial review mentioned that Obama's mother is almost absent from the book. To some extent he may have taken her somewhat for granted -- unlike his father or himself, he always had a good idea who she was and what she was about. In the preface to this edition, Obama mentions that she has died of cancer between the original publication and his nomination for U. S. Senate from Illinois, and that if he had known she would not be around to see that, he might have written a different book, spending more time hailing her for having stood by him. In the introduction to the first edition (written in 1995), he admits that he can't speak for everyone in the world. This is the most ironic part of the book, since it was only a year after that that he first ran for the Illinois state legislature. Thereafter, he has increasingly been compelled to try to do just that.
Although finding oneself has become a cliche, especially in the literary world, it was Barack Obama's mission for the first thirty years of his life. Defined as a black man, he sought to make his race more than a social construct, but something central and ineffable, and at the same time not cut off his ties to the rest of humanity, particularly his white mother and grandparents. He doesn't take his mother completely for granted -- he spends thirty to fifty pages talking about her background and that of her parents, who moved from Kansas to Hawaii, seeing it as the last frontier, when she was about to start college. Another one hundred pages or so explore his life with them in Hawaii (with a short stint in Indonesia, where his mother married a man who had studied in America and gave birth to Obama's half-sister Maya).
Readers of any race will be overwhelmed by the sheer power of Obama's writing. I choked up reading this several times. That is ultimately the best reason to read it, not the fact that Barack Obama has become a serious candidate for the presidency. This book also helps you figure out how he did that. The only thing he feels more keenly than his own hopes and fears are the hopes and fears of everyone around him. At the end of the book, having learned the whole story of his father's and grandfather's lives, he stands over their graves and weeps, feeling what they must have felt at each turning point of their lives. Although Obama is quintessentially American, I somehow would not be surprised, given the epiphany he had there, if he chose upon his death to be buried in Kenya alongside them. But perhaps my sympathy is making me romanticize the man.
This book leaves me with two regrets and one big hope. First, it is probably unfilmable. Second, there is one man running with even more vision and courage than Barack Obama, so I won't be able to vote for him in the primary election (although I will in the general if he is the candidate). My big hope is that Obama will write a third book in 2017, having waited eleven years between books as he did between his first and second, that will combine the autobiography he did with this book and the political manifesto he did with "The Audacity of Hope" (a phrase which you have to read "Dreams from my Father" to know Obama doesn't take credit for). Although I haven't finished the latter book, there is basically no way it could top this one. I give it my highest recommendation.
Moving, eloquent and inspirational..........2007-09-26
Dreams from My Father: A Story of Race and Inheritance by Barack Obama is a moving, eloquent and honest book that was originally published in 1995. This is an amazing story, and not just because he is a presidential candidate. Although autobiographical in scope, it is not intended to be a complete history of the author's life. Instead, it is "a boy's search for his father."
Barack Obama had a most unusual childhood. His mother was a white American living in Hawaii. His father, Barack Obama Sr., was a brilliant black Kenyan who received a college scholarship to the University of Hawaii. When Obama was two, his father graduated college and received a scholarship to obtain his PhD at Harvard. Unfortunately, the scholarship did not include living expenses for his family, and this proved the end of the marriage. After that, Obama only saw his father one more time before being killed in an auto accident when Obama was 21. Obama's mother subsequently married a man from Indoesia, where Obama lived for several years. But that marriage also ended and Obama returned to Hawaii to live with his grandparents. Dreams from My Father also includes Obama's college experiences, as well as the work he did as an organizer in Chicago.
The most moving part of Dreams from My Father involves his trip to Kenya for the first time several years after his father died. As a youth, he describes the reaction of others when they discover his background "Privately, they guess at my troubled heart, I supposed--the mixed blood, the divided soul, the ghostly image of a tragic mulatto trapped between two worlds." In Kenya, he meets his African family including grandparents, half-brothers and sisters, step-mothers, aunts, uncles and cousins. At the Kenyan airport, an airport employee recognizes his name and knew his father. "For the first time in my life, I felt the comfort, the firmness of identity that a name might provide, how it could carry an entire history in other people's memories...My name belonged and so I belonged." I was also moved by Obama's discovery of faith.
Even if Obama was not a presidential candidate for the 2008 election, Dreams is still an eloquent and inspirational story about his search for his father and his efforts to reconcile the histories of this white and black families.
A worthy memoir of Obama's complicated early life.......2007-09-06
Due to its multi-section arrangement, falling into three precise stages, this book feels like a well-paced coming-of-age novel, an impression buoyed by the fact that, to a degree that is unusual for politicians, Obama can actually write well. If you are looking for information on what policies Obama would support as a presidential candidate, you should look elsewhere. However, the book does give the impression that the writer is unusually forthright, both about himself and his beliefs.
Watching Obama's attitudes on race evolve is one of the key points of interest in the book, and the reader comes away with a picture of a man who is both reflective and self-critical. It is somewhat apparent that the author was not running for office at the time the book was written, and yes, it (very briefly) mentions his now infamous flirtation with cocaine use. However, if you want to read a portrait of the man, if not his political platform, and interested in the struggles of someone growing up in between two different cultures, this book is well worth reading.
just great.......2007-08-17
Obama wrote his memoirs of his growing up some years ago (and with his political career I expect he'll be writing them again in twenty or so years). It is an honest book about a remarkable man who had a remarkable life. Nothing political about it.
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Picturing the New Negro: Harlem Renaissance Print Culture And Modern Black Identity (Cultureamerica)
Caroline Goeser
Manufacturer: University Press of Kansas
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"Or Does It Explode?": Black Harlem in the Great Depression
ASIN: 0700614664 |
Book Description
During the 1920s and 1930s, black artists and writers achieved something totally unprecedented: they created a new image of African Americans that truly reflected their times as well as their history. In so doing, they set the artistic agenda of the Harlem Renaissance and gave form to some of its most compelling visions.
This innovative study examines the efforts of Harlem Renaissance artists and writers to create a hybrid expression of black identity that drew on their ancient past while participating in contemporary American culture. Caroline Goeser investigates a critical component of Harlem Renaissance print culture that until now has been largely overlooked, arguing that illustrations became the most timely and often most radical visual products of the movement.
This vibrant partnership between literary and visual talents--a trail blazed by artist Aaron Douglas and poet Langston Hughes--resulted in the image of the New Negro, one that remade the African American past in order to foster greater participation in modern American culture and commerce. Illustrations by Douglas, James Wells, Gwendolyn Bennett, and others appeared on covers of books about black American life and in journals such as Opportunity and The Crisis. Goeser considers the strategies that these artists developed to circumvent stereotypes and shows how their work was received within the movement and in mainstream America.
Connecting visual imagery with literary text and commercial enterprise, these illustrations participated in the modern economy in ways that painting and sculpture could not. Goeser reveals how Harlem Renaissance illustrators depicted the wide-ranging and sometimes conflicting ideas about black identity held within the community: African roots and Egyptian heritage, racial uplift and gay pride. She shows how some artists revisited the Judeo-Christian tradition by portraying a black Adam and Jesus, and examines the interdependent relationships between race and sexuality in the work of artists Richard Bruce Nugent and Charles Cullen, the former black, the latter white.
Goeser clearly shows that, contrary to common belief, the visual image of the New Negro was created by African Americans, for African Americans. Her work assigns a central role to black artists as cultural innovators and is a new touchstone in understanding both the emergence of black identity and American culture between the world wars.
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Bookrolls and Scribes in Oxyrhynchus (Studies in Book and Print Culture)
William A. Johnson
Manufacturer: University of Toronto Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0802037348 |
Book Description
Lying now under the sand 300 kilometres south of the coastal metropolis of Alexandria, the town of Oxyrhynchus rose to prominence under Egypt's Hellenistic and Roman rulers. The 1895 British-led excavation revealed little in the way of buildings and other cultural artefacts, but instead yielded a huge random mass of everyday papyri, piled thirty feet deep, including private letters and shopping lists, government circulars, and copies of ancient literature.
The surviving bookrolls Â- the papyrus rolls with literary texts Â- have provided a great deal of information on ancient books, ancient readers, and ancient reading. Examining only those texts that survive in full form in medieval manuscripts, William Johnson has analysed over 400 bookrolls to understand the production, use, and aesthetics of the ancient book. His close analysis of formal and conventional features of the bookrolls not only provides detailed information on the bookroll industry Â- manufacture, design, and format Â- but also, in turn, suggests some intriguing questions and provisional answers about the ways in which the use and function of the bookroll among ancient readers may differ from modern or medieval practice. Meticulously erudite, this work will be of great importance to all papyrologists, classicists, and literary scholars.
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Spring Will Come
William N. Zulu
Manufacturer: University of Kwazulu Natal Press
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Binding: Hardcover
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ASIN: 1869140702 |
Customer Reviews:
Not worth reading.......2006-02-10
This guy did very little hunting. His books are fully of fantasies. He has no idea about firearms and ballistics. It is one of the worst examples of african hunting literature i have come across.
Not a new book, just a new edtion.......2005-08-18
I first read this book as a young boy in the late 1960's or early 1970's. It was actually first printed circa 1953, but for some reason this information isn't available on the Amazon website (at least I couldn't find it). IF you are looking for a modern book, this isn't one.
Having said that, the book itself is quite entertaining, and gives a realistic look at big game hunting in the first half of the 20th century.
Politically correct readers will be upset at the descriptions of the native Africans, but how many of them (PCs) are likely to read a book about African hunting adventures? Lake is probably typical of his era, and shouldn't be judged by today's standards. Having said THAT though, some of the characters Lake takes on safari are surely racist boors who deserved a few lashes from a sjambok.
Less literary than Hemingway, and aimed a more of a general (non-hunting) audience than Ruark, this is a pleasant read about a man who loved Africa.
A fine little book.......2001-12-16
This is a fine little book on African hunting. It is a bit outdated. As such some of the names of places and animals which have changed in the past 40 years will leave some readers wondering. All in all though it is fine reading. Covers many species, such as the smaller antelopes, which are commonly overlooked in safari books. This book is suitable for younger readers interested in African hunting, or hunting in general. It's small size and easy reading style make it particularly apealing to the teen and pre-teen reader, but do not take this to mean it is a kid's book. It's not!
TE
Killers in Africa : The Truth About Animals Lying in Wait an.......1999-12-28
I've read a number of African hunting and adventure classics including titles by F.C. Selous, Carl Akley and others. Alexander Lake was a comparative late-comer to Africa (early 20th century) but his respect and love for the people and wildlife he writes about are evident. His writing style is authentic, without varnish or too much introspection. The sense you get from this book is that Lake was a man of action who started out as a pragmatist wanting to make some money out of his adventure, but ended up being fundamentally and unexpectedly changed by Africa. The book is filled with fascinating anecdotes of a wild African world which no longer exists. Those of you who enjoyed Isak Dinesen's Out of Africa will find this book equally authentic and personal but less sophisticated in tone. This is a great read that will leave you with a vivd sense of place and time, and a feeling for what Alexander Lake and the Africa of his day were like. If you are an African hunting/adventure buff, you will enjoy this read a great deal.
Book Description
Beginning with his first published print in 1963, Jacob Lawrence produced a body of prints that is both highly dramatic and intensely personal. This new edition of Jacob Lawrence: Thirty Years of Prints (1963-1993) includes 19 new prints produced by Lawrence since 1993, including 7 from the Toussaint L'Ouverture series. The book includes an essay by Patricial Hills.
In his graphic work, as in his paintings, Lawrence turned to the lessons of history and to his own experience. From depictions of civil rights confrontations to scenes of daily life, these images present a vision of a common struggle toward unity and equality, a universal struggle seated in the depths of the human consciousness.
Customer Reviews:
Picking Corporate Cotton.......2006-03-01
Jill Nelson is the modern day Harriet Tubman, leading the mentally enslaved from the chains of industrial oppression to the freedom of self-determined realization. If you read this missive and don't ask yourself if you've ever compromised your integrity to further someone else's capitalist agenda, you've missed the point of this brilliant body of work. Angst, inner turmoil, and introspection abound on the pages and tell the tale of a woman trapped in the web of office politics and backstabbing that eat at your joy, that erode your sense of self-worth. What is the price of voluntarily whitewashing your identity to please people with an agenda that does not validate or acknowledge the talents you bring to the table as a person of color? It's so much more than the reflections of a sista who got a position with the Washington Post who got a case of buyer's remorse and didn't like her job. This is the impetus to assess what it is that is important in life and to run towards freedom.
You would have to walk in her shoes to understand.......2003-02-04
It is ironic yet predictable that most of the people who don't "get" this book, tend to be individuals who are either not female, African American or both. Jill Nelson wrote an honest critique of the experience that many African American women go through when trying to attain the proverbial golden rings in corporate America. I am sorry some folks could not relate or understand Ms. Nelson's book because the points she brings up are true and still reflective of the socialogical culture most African Americans live in today--approximately twenty years later. The patriarchal blindness that many in this culture experience that prevents them from understanding or relating to another individual or cultures experiences is sad yet expected The best that Ms. Nelson and other writers like her can do is just tell the story and let those who get "it" get it.
Were some of her experiences hard to hear? Most definitely. Were the experiences unique to her? Absolutely not. Ms. Nelson says on in chapter 2, that she has been doing the standard Negro balancing act which is "blurring the edges of [her] being so that they [white people] don't feel intimidated." There are few African Americans, I would venture to guess, who haven't experienced this feeling at one time or another, yet it is virtually impossible to communicate this experience in a way that is understandable to someone who hasn't had to always be "aware" of how they are perceived and how those perceptions can affect other African Americans as well. Ms. Nelson does an excellent job explaining these details and if some people are still clueless, well, it's through no fault of her skill as a writer.
Keep on shedding a spotlight on these issues Ms. Nelson. There are a few out there who are truly looking for the light.
Nearly 10 years later and Nelson's words still ring true...........2002-07-31
Volunteer Slavery is STILL the book! Family, friends and coworkers are probably sick and tired of hearing me raving about the revealing, blistering and gossipy tell-all memoir! It's been nearly 10 years since the book was published, but I still regularly reread certain passages when I need inspiration, a good laugh, or a clearer understanding of the journalistic imbroglio with which I frequently have to deal with--after more than 15 years in the business!! Celebrate the anniversary of the BEST book EVER written about what it's REALLY like being a black journalist on the plantation...the newsroom at a daily newspaper!!
An insightful book........2000-03-27
As an African-American journalist, I found Jill Nelson's book to be very real. Those who criticize the book because Nelson strikes them as naive are missing the point, on at least two levels.
In the first place, though she naturally gets into certain generalities, the book is primarily about HER experience. It's not intended to be a handbook for reporters who are climbing the corporate ladder. Given her past, and her particular personality, this is the story of how she happened to react to a specific set of circumstances. How one judges her actions should be different from the way someone judges the book itself.
And secondly, to the extent that the book does have a larger intent, it calls for the dismantling of an outrageously unfair system. Should we all just accept the status quo, and find clever ways to navigate our way past pettiness and stupidity, or strive for a sane alternative?
The fact is that Nelson has done just fine since she left the Post. Viewed in that context, the book is a testament to her courage, and her insistence on personal dignity.
A rare combination of self-pity that still makes you laugh.......1999-12-16
The only other author I ever read who so effectively combined self-pity and wry humor was Erica Jong. Jill Nelson turns a wicked phrase and makes her characters and her situations jump to life. I laughed aloud at her description of her teenage daughter telling her "Mom, get a life!" in response to her lecturing about black conciousness. All through the book I kept wondering where Ms. Nelson's gripes came from. Because her dad left her mom for a white woman, as recounted in the book? She grew up in plush surroundings, with summers on Martha's Vineyard. As the number of unread pages shrank, I kept wondering if Ku Kluxers in white sheets were going to suddenly show up in the book to explain her bitter feelings about white males. Ms. Nelson said that white men are priveleged, but believe me, we too can be put through the grinder. I'm also a former newspaper reporter, born the same year as Ms. Nelson. When she complained about her reporting duries at the Washington Post, saying "I was too old to chase fire engines," I had to laugh. That's exactly what I was doing at another paper at the time she said that. I don't buy what Jill Nelson says, but I did enjoy the way she tells it.
Book Description
During World War I, the publishers of America's crusading black newspapers faced a difficult dilemma. Would it be better to advance the interests of African Americans by affirming their patriotism and offering support of President Wilson's war for democracy in Europe, or should they demand that the government take concrete steps to stop the lynching, segregation, and disfranchisement of blacks at home as a condition of their participation in the war?
This study of their efforts to resolve that dilemma offers important insights into the nature of black protest, race relations, and the role of the press in a republican system. William Jordan shows that before, during, and after the war, the black press engaged in a delicate and dangerous dance with the federal government and white America--at times making demands or holding firm, sometimes pledging loyalty, occasionally giving in.
But although others have argued that the black press compromised too much, Jordan demonstrates that, given the circumstances, its strategic combination of protest and accommodation was remarkably effective. While resisting persistent threats of censorship, the black press consistently worked at educating America about the need for racial justice.
Customer Reviews:
smart and important.......2001-06-05
Dr. Jordan examines an important source of American cultural history with his study of Black newspapers during WWI. Its well researched, well written and well worth reading.
Amazon.com
The subtitle to The African American Writers Handbook: How to Get in Print and Stay in Print is misleading. Yes, there are chapters on writing queries and synopses, finding agents, dealing with editors, and promoting one's work. But plenty of books cover the same ground with greater depth and clarity. It is when author Robert Fleming turns his attention to the experience of the African American in the "almost lily-white" world of publishing that his book comes into its own. Should an African American author choose an agent based on racial solidarity? How does having a white (or black) editor affect the quality of the author's work? What kinds of inroads are black writers making in genre writing?
There is a kitchen-sink feeling to The African American Writers Handbook, which is published by Ballantine's multicultural One World imprint. A chapter on self-publishing is followed by one on tax tips; a list of authors and their day jobs comes directly after a section on award-winning black-authored books. Fleming's accounts of African American publishing history and his profiles of African American writers somehow lack the drama of their compelling subjects. Still, despite its lack of coherence and its workmanlike prose, this handbook is full of information that African American (and, for that matter, non-African American) writers will want to know. There are profiles of authors, lists of classic works, interviews with small-press African American publishers, discussions about African American distributors and bookstores, and a generous smattering of anecdotes about black authors. Despite the inherent difficulties, "there has never been a better time for African American writers in the history of American publishing," says Fleming. Maybe so. But it is tough indeed to ignore the words of novelist John Oliver Killens (Youngblood), quoted here: "Writing was the damnedest, hardest, and loneliest buck a man could make, especially if that man was black." --Jane Steinberg
Book Description
With African Americans writing and buying books in record numbers, the time is ripe for a comprehensive publishing guide tailored expressly to the needs of this vibrant, creative community. The African American Writers Handbook meets this challenge perfectly. Written by veteran journalist and published author Robert Fleming, this book gives writers the heart, the determination, and above all the crucial information to publish successfully in this highly competitive field. Knowing the inner workings of the publishing industry provides any writer, novice or veteran, with a much needed advantage in the quest to get into print. Inside you'll find
- A complete, step-by-step guide to every aspect of the publishing process, from the germination of a winning idea to the nuts and bolts of book production
- Tips on submitting proposals, query letters, and preparing manuscripts for submission
- Advice on negotiating contracts that extend careers
- How to use on-line resources for research and profit
- Interviews with top editors, agents, publishing executives, and bookstore owners
- Updated information on copyrights, subsidiary rights, sales and marketing
- The trials and triumphs of self-publishing
- The art of promoting your work and yourself to a wider audience
- An insider's look at the economic realities of the book business
- And much more!
Here, too, are scores of inspiring interviews and capsule biographies of leading African American writers both past and present. How did Richard Wright become America's first bestselling black writer? How did Zora Neale Hurston break through the artistic boundaries of the Harlem Renaissance long after her death? What was Toni Cade Bambara doing before she sold her first book? Why should Ann Petry, William Gardner Smith, Nella Larson, and William Melvin Kelley be revered wherever African American literature is read? Blending practical information and fascinating anecdotes with a mini literary history of African American writing, this upbeat, savvy, essential guide is a publishing primer with soul.
Customer Reviews:
Every author should have this book!.......2002-12-07
Mr. Fleming captures everything an author (especially self-published authors) needs to know to promote his/her book. He list bookstore throughout the US, hints for getting "picked up" by traditional publishers, and useful marketing information.
This book should be in the personal reference library of every author.
An Excellent Introduction.......2002-01-20
Robert Fleming has written an excellent beginners guide to publishing for novice writers. If I were teaching a creative writing or Afro American literature class this would most certainly be one of my text books. If you are a more experienced writer this purely introductory book won't be much concrete help toy your career but it is a worthy addition to any writers reference collection.
Powerhouse of Information!.......2001-05-19
For any African-American writer, published or unpublished, self-published or mainstream published, this book is priceless. It is a powerhouse of information that any writer can benefit from. From tips on writing and submitting book proposals, query letters, and manuscripts to advice on locating and obtaining an agent to interviews with some of the top people in the business, you can walk away with a ton of knowledge that will help you push your writing career forward.
The AA Writers Handbook can save you dozens of hours of research because everything you need to know is comprised in this one gem of a book. While there are a ton of writing handbooks, it is a breath of fresh air to see one completely dedicated to the plight of AA authors. This book should definitely be included on the reference shelf of any writer serious about their craft.
Essential Writing Tool.......2001-01-24
The African American Writers Handbook : How to Get in Print and Stay in Print by Robert Fleming is the most comprehensive book on writing and being African American in the publishing industry. This book gets beyond the promoting part of being a writer. This book delves into the real issues and explores serious questions such as agents and if and when race should be an issue. This book will soon be the standard for all writing courses worldwide.
...
A MUST-HAVE for any aspiring AFRICAN AMERICAN writer!.......2001-01-20
This book is a definite must for any aspiring African American writer! For the reader, it's as if you're a fly on the wall taking part of some top-secret information. The handbook is chock full of information regarding:
1. Tips on submitting proposals, query letters, and preparing manuscripts for submission; 2. Advice on finding an agent and negotiating contracts that launch careers; 3. Interviews with top editors, agents, publishing executives, and bookstore owners; 4. Updated information on copyrights, subsidiary rights, and sales and marketing; 5. The trials and tribulations of self-publishing; and 6. The art of promoting your work and yourself to a wider audience
Not only does this book provide a comprehensive guide to the OTHER side of writing (the okay, now I got a book, what do I need to know now?), but it provides inspiration as well to the number of aspiring writers out there who might feel they will never understand anything beyond the writing-a-book stage... now you have a great beginning lesson to read on the entire publishing process.
If you're a true writer, and want to know about all the facets of the publishing world, this is a book you NEED to have on your shelf.
Shonell Bacon, author
Books:
- The Backyard Astronomer's Guide
- The Book of Saladin: A Novel
- The Cartoon History of the Universe III: From the Rise of Arabia to the Renaissance
- The Complete Greek Tragedies: Sophocles II: Ajax, The Women of Trachis, Electra & Philoctetes
- The Complete Guide to Creative Landscapes : Designing, Building, and Decorating Your Outdoor Home (Black & Decker Home Improvement Library)
- The Complete Photo Guide to Home Repair: With 350 Projects and 2300 Photos (Black & Decker)
- The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950-1492 (Lockert Library of Poetry in Translation) (Lockert Library of Poetry in ... (Lockert Library of Poetry in Translation)
- The English Room
- The Fashion Book
- The Mermaid Chair
Books Index
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