History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Art of the Andes: From Chavin to Inca (World of Art)

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Balanced and Astute
Excellent historical overview of native Andean art.

Art of the Andes: From Chavin to Inca (World of Art)
Rebecca Stone-Miller
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Paperback

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ASIN: 0500203636

Book Description

This wide-ranging survey has established itself as the best single-volume introduction to Andean art and architecture. Now fully revised, it describes the strikingly varied artistic achievements of the Chavín, Paracas, Moche, Chimú, and Inca cultures, among others. Their impressive cities, tall pyramids, shining goldwork, and intricate textiles constitute one of the greatest artistic traditions in history.

For the second edition, Rebecca Stone-Miller has added new material covering the earliest mummification in the world at Chinchorros, wonderful new Moche murals and architectural reconstructions, the latest finds from the Chachapoyas culture, and a greater emphasis on shamanism. Throughout, Stone-Miller demonstrates how the Andean peoples adapted and refined their aesthetic response to an extremely inhospitable environment. 185 illustrations, 35 in color.

Customer Reviews:

Balanced and Astute.......2004-07-08

This book stands out, among many others, for the quality of insight that Rebecca Stone-Miller brings to her study of Andean art. Not content with simple typology and iconography, her account is illuminated by the cultural constants - "duality, reciprocity, hierarchy, and embeddedness in nature" (p. 218) that she finds in the underlying Andean cultures. Art history, in these terms, becomes an exploration of meaning, both of the art that is produced and of the culture that produces it. It's rare to find so much insight in an introductory book; I highly recommend it.

Another strength of the book is the nicely-judged balance of attention that the author pays to the multitude of cultures (including the Chavin, Nasca, Moche, Wari, Tiwanaku, Chimu, and Inca, to name just some) that weave together into the Andean tapestry. The author also provides balanced coverage of all the arts -- metalwork, tapestry, featherwork, stone working, and architecture, in addition to the ever-popular ceramics (pottery).

With so much ground to cover, there are relatively few individual ceramic examples in the book; this unfortunately gives a too-restricted an idea of the range of form, beauty, and variety of Pre-Columbian pottery from South America. I recommend a book such as "Ceramics of Ancient Peru," by Christopher B. Donnan, as a supplement to Rebecca Stone-Miller's study.

A small number of errors have made it through the second edition. For example, the distance from Quito to Santiago is quoted as 3400 miles, rather than the correct 3400 kilometers. A bothersome number of specialized terms were left out of the index. A glossary would have been helpful, and one wishes that more of the photos had been printed in color rather than black and white.

In summary, "Art of the Andes" is a balanced and insightful survey that should appeal to a wide variety of readers. It's the kind of book that doesn't just sit on the shelf after one reading, but gets picked up again, thumbed through, and read more than once.

Excellent historical overview of native Andean art........2000-09-23

This is an excellent overview of native Andean artform the earliest perod through Chavin, Paracas, Nasca, Moche, Tiwanaku, Wari, to Incan. Covers architecture, textiles ,pottery and metallic arts. Looks at the main themes of religious and secular art in these various mediums. Text is accompanied by many black and white photographs, drawings and plans. Some photographs are in colour.

Customer Reviews:

Also good book!.......2006-12-07

I've become a big fan of the author Sidney Kirkpatrick I've read his other books, The Revenge of Thomas Eakins and Edgar Cayce, both of which I thoroughly enjoyed. Then I stumbled across this one and decided to give it a read, and I have to say I love it too! Very insightful and fascinating, I highly recommend it.

If you liked the Celestine Prophecy, you will love this!!.......1998-03-08

My wife and I have personally been to the Sipan Project at Huaca Rajada three times. We feel that this book should be brought back in print right away!! Except for actually going to Peru, there is very few sources of factual information about this amazing find. The richest 'dig' in our part of the world EVER!! (began 1987). A story that will bring tears to your eyes, hope to your heart and is an awesome adventure tale that will keep you up all night. Find it, read it ... help to share and preserve the Ancient Cultures of our mutual past.(my actual rating is 22).

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Catalogue of a 1995-96 exhibition with 7 papers and pictures of the artifacts
Reconstructing a culture entirely from religious art
A Must Have for any Olmec Enthusiast

The Olmec World: Ritual and Rulership
Michael Coe
Manufacturer: Princeton University Art Museum / Harry N. Abrams
ProductGroup: Book
Binding: Hardcover

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ASIN: 0810963116

Customer Reviews:

Catalogue of a 1995-96 exhibition with 7 papers and pictures of the artifacts.......2006-02-24

This quite beautiful book is the product of an exhibition by the Art Museum of Princeton University that ran from December 1995 through February 1996. It was called "The Olmec World: Ritual and Rulership". The first half of the book contains seven very interesting papers that made varying degrees of sense to me. Not because the papers were poor, but simply because I am not an authority in the field. Trying to weigh and interpret the scant threads of evidence (but the evidence is actually amazing) is tough for professionals. For amateurs like me, it is quite impossible to do much more than pay your money and take your chances. We follow along as best we can and watch developing trends in the scholarship.

The papers discuss various ideas of Olmec political / religious (not in our sense) organization, the extent of their cultural influence, the things we can tease out of the shamanistic symbols found, the artistic motifs we see again and again, and certain specific symbols such as the tree of life (by the greatly lamented Linda Schele). Enjoy the papers. They will enrich your idea of the culture we call the Olmec as it existed in multiple forms over a long period of time. However, another great benefit is to learn about how archaeologists and anthropologists of real quality work with evidence and construct their theories. This is especially so because we have no writing of the Olmec, if they ever had any.

The second half of the book is the actual catalogue of the show. It is full of glorious color photographs of amazing artifacts with very helpful annotations. It will dazzle you.

This is a very fine book about a wonderfully interesting civilization that great scholars continue to bring to more vivid life for us.

I also strongly recommend John E. Clark's "Olmec Art and Archaeology in Mesomerica" that may be available in a strong library near you.

Reconstructing a culture entirely from religious art.......2003-02-09

Mesoamerican archaeology is a little world by itself - I know, because I used to live in it. It has a very cosy relationship with museums and the "art" collectors who buy the objects that are looted from archaeological sites, which lie destroyed, torn into shreds under the forests all over Central America and Mexico. But it has almost no touch with reality any more. The things they say about the ancient Olmec are almost fantasy, because in truth we know so little about these people. Almost all the objects in this book were stolen from Mexico, ripped from the archaeological context that might tell us something about their real meaning. These are probably religious articles - we may never know. But imagine trying to reconstruct the rich life of rennaisance Italy by looking at reliquaries in Catholic churches! If you are still persuaded by the "mysterious Olmec" propaganda spouted by Coe and his looter buddies, go read Flannery & Marcus in the first 2000 issue of the Journal of Anthropological Archaeology, and think it over.

A Must Have for any Olmec Enthusiast.......2000-11-17

The Olmec World is an amazing resource for those who study or have an appreciation of early Mesoamerican Art. At its most basic level The Olmec World is the catalogue of the 1996 Olmec Exhibition at the Art Museum at Princeton University the first comprehensive show of Olmec art in America. Drawing upon nearly all of the major Olmec museum collections in North America from Dunbarton Oaks to Princeton's own expansive holdings, the exhibition also drew heavily from many private collections never before shown to the general public. For instance, John Stokes' amazing collection of ceramic babies and jade masks are showcased in this catalogue. However, almost as impressive as the pictures are the essays in this collection. Michael Coe has done a marvelous job of soliticing and editing a myriad of papers on the mysterious Olmec.

Great Basin Rock Art: Archaeological Perspectives

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Scholarly, in-depth scrutiny and hypothesis

Great Basin Rock Art: Archaeological Perspectives

Manufacturer: University of Nevada Press
ProductGroup: Book
Binding: Hardcover

Prehistoric & Primitive | Schools, Periods & Styles | Arts & Photography | Subjects | Books

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ASIN: 0874176964

Book Description

Rock art is one of humankind's most ancient forms of artistic expression, and one of its most enigmatic. For centuries, scholars and other observers have struggled to interpret the meaning of the mysterious figures incised or painted on natural rocks and to understand their role in the lives of their long-vanished creators. The Great Basin of the American West is especially rich in rock art, but until recently North American archaeologists have largely ignored these most visible monuments left by early Native Americans and have given little attention to the terrain surrounding them.

In Great Basin Rock Art, twelve respected rock art researchers examine a number of significant sites from the dual perspectives of settlement archaeology and contemporary Native American interpretations of the role of rock art in their cultural past. The authors demonstrate how modern archaeological methodology and interpretations are providing a rich physical and cultural context for these ancient and hitherto puzzling artifacts. They offer exciting new insights into the lives of North America's first inhabitants. This is essential reading for anyone interested in the petroglyphs of the American West and in the history of the Great Basin and its original peoples.

Customer Reviews:

Scholarly, in-depth scrutiny and hypothesis .......2007-04-12

Edited by Angus R. Quinlan, Ph.D. (deputy director of the Nevada Rock Art Foundation), Great Basin Rock Art: Archaeological Perspectives is an anthology of essays by learned authors concerning some of the most ancient cultural and artistic relics known to humankind. Topics include petroglyph dating, native and anthropological interpretations of cultural identity, a gender-inclusive view of the social context of rock art, and much more. A handful of black-and-white photographs and diagrams illustrate this scholarly, in-depth scrutiny and hypothesis of what rock art has to tell us of prehistoric culture.

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Impressive

Practicing Primitive
Steven Watts
Manufacturer: Gibbs Smith, Publisher
ProductGroup: Book
Binding: Paperback

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ASIN: 158685299X

Book Description

Practicing Primitive: A Handbook of Aboriginal Skills is a collection of information and images put together over a twenty-year period in a search for hands-on communication with our shared Stone Age past. The story of the Stone Age is our story, and primitive technology is a way for anyone who wants to understand that shared history. Watts makes the case that the learning and practice of aboriginal skills helps us connect with our remote past, encourages us to participate in the shared inheritance of primitive ('first') skills.

Customer Reviews:

Impressive.......2007-08-20

Thorough, well written and heavily researched. Watts does a great job relaying primitive skills to the reader. Not just how to do them, but how recreations of various tasks were done, including the time and effort involved. Well worth every penny!!

The Art of Mesoamerica: From Olmec to Aztec (World of Art)

Average customer rating:

Successfull challenge
This is very Interesting
Worthwhile but dense
The Art of Mesoamerica..LOVED IT

The Art of Mesoamerica: From Olmec to Aztec (World of Art)
Mary Ellen Miller
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Paperback

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ASIN: 0500203458

Book Description

This essential guide to the art and architecture of ancient Mesoamerica succinctly and evocatively summarizes the artistic achievements of the high pre-Columbian civilizations—Olmec, Maya, Teotihuacan, Tolec, Aztec—as well as those of their less well-known contemporaries. The pyramids and palaces, jades and brightly colored paintings emerge from these pages as vividly as when they first astonished Cortés's men in 1519. There was a surprising unity in Mesoamerican culture from Mexico to Honduras and from 1500 BC to the Spanish Conquest. Among many features shared were a 260-day ritual calendar and a preoccupation with gods representing natural forces. Current research also emphasizes the great importance of rites of kingship, including warfare and blood sacrifice. In this third edition, Mary Miller opens up new windows on the ancient past with fresh readings of works of art, all the while offering careful archaeological interpretations. Recent hieroglyphic decipherments provide insights into ancient art, spelling out long-distance connections between the Maya and their neighbors. Updated throughout, with special attention to evidence for dating, the new Art of Mesoamerica is the ideal companion for students and travelers. 193 illustrations, 44 in color.

Customer Reviews:

Successfull challenge.......2006-02-25

This book has deeply increased my motivation for learning more of the complex precolombian culture, and to visit again the Museo Nacional Antropologica, Mexico. I would recommend to read first David Carrasco " Religions of Mesoamerica ".

This is very Interesting.......2006-02-17

Excelent book, great author and great information.
Olmecs,Maya and Aztecs are studing by Mary Eller.

Worthwhile but dense.......2000-09-05

A solid, useful one-volume survey of Mesoamerican art. Miller is a noted expert in the field, and she does a commendable job of presenting a large amount of information in a short space without resorting to superficiality. The text is clear and the photographs are both copious and well-chosen, with numerous color plates adding to the enjoyment.

Almost of necessity, however, the writing style tends to be fairly dense. Those looking for a readable "History of Mesoamerica" should probably go elsewhere. Nonetheless, most readers will find this book rewarding -- after which they will want to turn to more specific and detailed volumes by Linda Schele and Michael Coe, among others.

The Art of Mesoamerica..LOVED IT.......2000-05-14

I purchased "The Art of Mesoamerica" by Mary Ellen Miller after delving into Gary Jenning's "Aztec", which had me reading both books simultaneously. It was quite a unique reading experience I thoroughly enjoyed and highly recommend! This book is wonderfully written and illustrated and is suitable for the serious student as well as the simply curious. It takes the reader through centuries of the evolvement of Precolumbian art (the Olmec, Aztec and Maya civilizations) in a condensed and absorbing manner. I was extremely intrigued by the art of the Maya civilization having been to Cancun several times and visiting Chichen Itza. Although I had read up on the Chichen Itza ruins and their excavation prior to my tour, I certainly would have enjoyed the experience even more if I had read this book on the flight! So much of the art (architecture, sculptures, statues, vessels, urns, etc.)becomes much more understandable after one has some knowledge of the various gods worshipped and the rituals performed. The explanations of the 260-and 365-day calendrical systems was fascinating. The book is filled with numerous photos and illustrations which add to the total enjoyment of reading it. I would highly recommend this book to anyone with any interest in this area, but especially to those with a casual interest who don't want to spend a fortune on a book that ends up sitting on a shelf. Be assured this book will be accompanying me on my next trip to Mexico! My congratulations to Mary Ellen Miller for the immense amount of information she has condensed into such an outstanding and thoroughly enjoyable book.

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Teotihuacan: An Experiment in Living
Esther Pasztory
Manufacturer: University of Oklahoma Press
ProductGroup: Book
Binding: Hardcover

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