John Adams

Amazon.com's Best of 2001

Left to his own devices, John Adams might have lived out his days as a Massachusetts country lawyer, devoted to his family and friends. As it was, events swiftly overtook him, and Adams--who, David McCullough writes, was "not a man of the world" and not fond of politics--came to greatness as the second president of the United States, and one of the most distinguished of a generation of revolutionary leaders. He found reason to dislike sectarian wrangling even more in the aftermath of war, when Federalist and anti-Federalist factions vied bitterly for power, introducing scandal into an administration beset by other difficulties--including pirates on the high seas, conflict with France and England, and all the public controversy attendant in building a nation.

Overshadowed by the lustrous presidents Washington and Jefferson, who bracketed his tenure in office, Adams emerges from McCullough's brilliant biography as a truly heroic figure--not only for his significant role in the American Revolution but also for maintaining his personal integrity in its strife-filled aftermath. McCullough spends much of his narrative examining the troubled friendship between Adams and Jefferson, who had in common a love for books and ideas but differed on almost every other imaginable point. Reading his pages, it is easy to imagine the two as alter egos. (Strangely, both died on the same day, the 50th anniversary of the Declaration of Independence.) But McCullough also considers Adams in his own light, and the portrait that emerges is altogether fascinating. --Gregory McNamee

Book Description

In this powerful, epic biography, David McCullough unfolds the adventurous life-journey of John Adams, the brilliant, fiercely independent, often irascible, always honest Yankee patriot -- "the colossus of independence," as Thomas Jefferson called him -- who spared nothing in his zeal for the American Revolution; who rose to become the second President of the United States and saved the country from blundering into an unnecessary war; who was learned beyond all but a few and regarded by some as "out of his senses"; and whose marriage to the wise and valiant Abigail Adams is one of the moving love stories in American history.

Like his masterly, Pulitzer Prize-winning biography Truman, David McCullough's John Adams has the sweep and vitality of a great novel. It is both a riveting portrait of an abundantly human man and a vivid evocation of his time, much of it drawn from an outstanding collection of Adams family letters and diaries. In particular, the more than one thousand surviving letters between John and Abigail Adams, nearly half of which have never been published, provide extraordinary access to their private lives and make it possible to know John Adams as no other major American of his founding era.

As he has with stunning effect in his previous books, McCullough tells the story from within -- from the point of view of the amazing eighteenth century and of those who, caught up in events, had no sure way of knowing how things would turn out. George Washington, Benjamin Franklin, John Jay, the British spy Edward Bancroft, Madame Lafayette and Jefferson's Paris "interest" Maria Cosway, Alexander Hamilton, James Madison, the scandalmonger James Callender, Sally Hemings, John Marshall, Talleyrand, and Aaron Burr all figure in this panoramic chronicle, as does, importantly, John Quincy Adams, the adored son whom Adams would live to see become President.

Crucial to the story, as it was to history, is the relationship between Adams and Jefferson, born opposites -- one a Massachusetts farmer's son, the other a Virginia aristocrat and slaveholder, one short and stout, the other tall and spare. Adams embraced conflict; Jefferson avoided it. Adams had great humor; Jefferson, very little. But they were alike in their devotion to their country.

At first they were ardent co-revolutionaries, then fellow diplomats and close friends. With the advent of the two political parties, they became archrivals, even enemies, in the intense struggle for the presidency in 1800, perhaps the most vicious election in history. Then, amazingly, they became friends again, and ultimately, incredibly, they died on the same day -- their day of days -- July 4, in the year 1826.

Much about John Adams's life will come as a surprise to many readers. His courageous voyage on the frigate Boston in the winter of 1778 and his later trek over the Pyrenees are exploits that few would have dared and that few readers will ever forget.

It is a life encompassing a huge arc -- Adams lived longer than any president. The story ranges from the Boston Massacre to Philadelphia in 1776 to the Versailles of Louis XVI, from Spain to Amsterdam, from the Court of St. James's, where Adams was the first American to stand before King George III as a representative of the new nation, to the raw, half-finished Capital by the Potomac, where Adams was the first President to occupy the White House.

This is history on a grand scale -- a book about politics and war and social issues, but also about human nature, love, religious faith, virtue, ambition, friendship and betrayal, and the far-reaching consequences of noble ideas. Above all, John Adams is an enthralling, often surprising story of one of the most important and fascinating Americans who ever lived.

Customer Reviews:

Grand. Historic. Inspiring........2007-10-04

JOHN ADAMS is a fascinating portrayal of one of America's most influential founding fathers.

With this book and his other best-selling historical novels, John McCullough has clearly emerged as the nation's storyteller, reminding Americans of their founding principals, the formative issues and defining struggles of the day as well as the courage and sacrifices of the men and women whom history called, blood and bone.

The story of John Adams begins in the colony of Massachusetts. Son of a preacher, Adams graduated from Harvard University, became a lawyer and married his lifelong friend and partner, Abigail. Despite his devotion to his wife, hearth, and home, he was soon thrust into the political debate of the day and would spend most of his public service away from those he held most dear. With a handful of patriots, Adams would become the voice of democracy and its republican government. As Adams said, the "American Revolution" occurred long before the war in the hearts and minds of his countrymen.

Adams played a central role in defining, delivering and defending the government of the confederation and later, the United States of America. He wrote the Massachusetts Constitution (which would serve as a guide to the United States Constitution years later) and defended the Jeffersonian draft of the Declaration of Independence. His towering intellect, articulate speech, and unshakeable integrity made him a powerful, compelling, and key revolutionary character. If Jefferson was the pen, Adams was the voice of the revolution and the new republic.

Adams served as ambassador to France, Netherlands, and Britain providing leadership, guidance and treaties at critical junctures in history. In due course, Adams served as Vice President to George Washington and as the second President of the United States.

John Adams comes to life in the pages of this historical novel. We experience his victories and failures, exultation and depression, certainty and uncertainty. Adams emerges heroically, yet humanly, as a man for his time.

Our Mis-understood President.......2007-09-25

Many of us will accept any book by McCollough, but this is his best. Thankfully it does not go into avery detail of his life, it rather brings him to life. We see bith John and Abigail as warm human beings who made major sacrifices for their beloved country. As the story moves along we gain insight into other revolutionary leaders, e.g., Thomas Jefferson, George Washington et. al.

This is the perfect book for the person who lovesAmerican history and the one who thinks it might be fun to learn something about it. Scholar and casual reader will benefit from this work.

One of the Best Books I have read.......2007-09-16

While I agree this book is not a complete history of every aspect of John Adams life, I do acknowledge the fact that it is the very book that got me interested in History. After reading the book I have started to read and develop my own history Library. It is not fair to expect this book to be all things to all people but rather one tool in the toolbox of the History of this great American, John Adams. While I am glad there are History buffs/nerds out there to let us know every shortcoming of this book and which books to read to fill in the gaps, I am very Greatful for David McCullough and his contribution to our Great Country. His books are written as Novels and make it possible for us to imagine how life actually was in these times. Go ahead and buy the Hardback version as you will want this to be a permanent part of your library.

A "good book" but "distracting" in use of quotations as a storytelling "device".......2007-09-04

I found the excessive use of quotations so tedious and irritating that I had to put it down after reading the first hundred pages or so. It reminded me of a high school book report where all of the interspersed quotations are intended to show the teacher that the student really read the book and did the research to support their thesis.

McCullough obviously did do a lot of research in writing this book and my guess is that he intended to use the characters' own words as a way to bring them and the time that they lived to life for modern readers. Unfortunately, he overdid it and all but destroyed the narrative in the process.

Compelling writing, but biased.......2007-09-03

David McCullough's biography of John Adams is written beautifully and compellingly. The scenes it creates are compelling, and the quotations from Adams' letters and other writings are well-used. However, Adams' faults are glossed over, and when there was a difference of opinion between Adams and his contemporaries, Adams' viewpoint almost always prevails, often without referring to the contradictory evidence. McCullough says in his Acknowledgements that he relied on "The Age of Federalism" by Eric McKitrick and Stanley Elkins, but yet ignores statements in that book contrary to Adams' view. For instance, he says that Hamilton came uninvited in October 1798 to Trenton to argue Adams out of negotiating with France. Yet Elkins and McKitrick say that Hamilton came to Trenton to confer with one of the generals about the disposition of the army and didn't know until he arrived that Adams was there. McCullough also claims that Adams decided by August 4 1798 to send negotiators to France and told his secretary of state to delay nothing. Yet Elkins and McKitrick say that subsequently he informed Navy Secretary Stoddert that the envoys' departure could be suspended if news came making it advisable, and news did come in terms of a change in the membership of the French Directorate. In another part of the book, McCullough says that in the Jay treaty, the US gave up every point to the British. Elkins & McKitrick say that Jay got all the main points of contention: British evacuation of the western posts (which opened up the Northwest territories to expansion), compensation for the British seizures of American ships, and admission into the West Indies. There are other matters which McCullough failed to explain, (which Elkins & McKitrick do explain)such as the differences between Hamilton and some of his supporters in Adams' cabinet, their reasons for seeking Hamilton's advice and their concerns that Adams didn't consult with them, and ( a matter not included in Elkins & McKitrick, but covered in other works such as Stacy Shiff's book about the negotiations with the French) Franklin's side of the disputes with Adams in Paris. Suffice it to say, there are enough one-sided discussions in this biography thqat, despite its compelling nature, it is difficult to trust its thrust.

Effective Group Discussion: Theory and Practice

Average customer rating:

good communication book

Effective Group Discussion: Theory and Practice
Gloria J. Galanes , Katherine Adams , and John K. Brilhart
Manufacturer: McGraw-Hill Humanities/Social Sciences/Languages
ProductGroup: Book
Binding: Paperback

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ASIN: 0072843470

Book Description

Written for the small group communication course, Effective Group Discussion combines the most recent research findings relevant to understanding small groups with the practical tools students need to become productive group members. This text's implementation of research and theory in the systems approach framework provide students with a unique understanding of the scholarship in this field. This leading text is about secondary groups of all kinds: work groups, committees, task forces, self-directed work teams, and other small groups whose objectives include finding solutions to problems, producing goods, and creating policies. Gloria Galanes has become the lead author and brings a vast knowledge of computer-mediated group communication and culture that is reflected in this edition.

Customer Reviews:

good communication book.......2006-04-01

I bought this at Amazon.com from an Awesome Deal I found on DailyTool.com. This is a great book on communication theories. Also with the book you will have access to online learning center where you may find the chapter outlines and quizes over there.

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Timeless Classic
The Greatest Writing in the English Language
A timeless classic of English literature
A God Worthy of Respect, if not Praise
Good Book

Paradise Lost (Penguin Classics)
John Milton , and John Leonard
Manufacturer: Penguin Classics
ProductGroup: Book
Binding: Paperback

Classics | General | Literature & Fiction | Subjects | Books

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ASIN: 0140424393
Release Date: 2003-04-29

Book Description

Edited with an introduction and notes by John Leonard.

Customer Reviews:

Timeless Classic.......2007-08-09

John Milton's "Paradise Lost" is a timeless classic. It's imagery, based itself upon 1500 years of previous Christian-cultural imagery, has shaped how the Western world views Christianity, sin, the fall, life, death, heaven, and hell.

The open-minded non-Christian reader would do well to read "Paradise Lost" to become a literate student of Christian imagery. The Christian, willing to work through the descriptive poetry, will gain new insight into Creation, Fall, and Redemption. In many ways, Milton bridges eras (the Middle Ages and the Reformation), cultures (Southern Europe and Northern), and religious groups (Catholic and Protestant).

It's interesting how much "folk theology" owes itself to Milton's "Paradise Lost." Modern views of the Devil, in particular, are often unknowingly based upon the poetic images from Milton. Fortunately, Milton is at his best in describing Satan, first as the unfallen Lucifer with all his glorious, God-created brilliance, and then as the fallen False Seducer in all his distorted and tormenting deceit.

For example, Milton speaks of how revenge, dark requital, propelled Satan's monstrous motives:

To waste his whole Creation, or possess all as our own, and drive as we were driven, the puny habitants, or if not drive, seduce them to our Party, that their God may prove their foe, and with repenting hand abolish his own works. This would surpass common revenge, and interrupt his joy in our confusion and our joy upraise in his disturbance; when his darling Sons hurled headlong to partake with us, shall curse their frail Original, and faded bliss, faded so soon (Milton, Paradise Lost, p. 40).

Surpassing common revenge, Satan lives to spite the Author of life.

By Satan, and in part proposed: for whence, but from the Author of all ill could spring so deep a malice, to confound the race of mankind in one root, and Earth with Hell to mingle and involve, done all to spite the great Creator? (Milton, Paradise Lost, p. 41).

Milton's depiction of the temptation in the Garden displays psychological brilliance and biblical insight into the nature of the human personality as designed by God and depraved by sin. Perhaps only C. S. Lewis' "Screwtape Letters" matches Milton's understanding of Satanic seduction.

For instance, so whose fault their fall? Milton, imagining God's words to Christ, declares:

For man will hearken to his glozing lies, and easily transgress the sole Command, sole pledge of his obedience. So will fall he and his faithless Progeny. Whose fault? Whose but his own? Ingrate, he had of me all he could have; I made him just and right, sufficient to have stood, though free to fall (Milton, Paradise Lost, p. 63).

Well put. Sufficient to have stood, though free to fall. Made just and right and able to choose. Adam and Eve had all they could have from the generous hand of God, yet they transgressed the sole command, the sole pledge of loving, trustful obedience. Loving allegiance they chose to grant to non-god rather than to Father God.

Whatever could possess them to trade their birthright for one bite of the one forbidden fruit? When we last spied earth's Villain, he was tumbling toward hell. Having lost the battle for heaven, his hostility and hate triggers a new plan. Why a second siege on heaven's gates, when earth's shores suggest easier prey? As Milton envisioned it:

Nor will occasion want, nor shall we need with dangerous expedition to invade Heaven, whose high walls fear no assault or siege, or ambush from the Deep. What if we find some easier enterprise? There is a place (if ancient and prophetic fame in Heaven err not), another World, the happy seat of some new Race called Man, about this time to be created like to us, though less in power and excellence, but favored more of him who rules above. So was his will pronounced among the Gods, and by an oath, that shook Heaven's whole circumference, confirmed (Milton, Paradise Lost, pp. 39-40).

Readers also could benefit from his less known work, "Paradise Regained." Many have mentioned how difficult it is to write a riveting book about Heaven since the drama of evil is defeated and thus the tension is deflated. Yet Milton captures one possible vision of a future Paradise/Heaven as well as most. (Randy Alcorn's book "Heaven" is, in my opinion, the best modern book on the topic).

The Greatest Writing in the English Language.......2007-02-03

There's enough already said about why and how Milton wrote this book, so I don't have anything to say about that. It's a story most people will be familiar with, and any surprises will involve the beauty of the language or a random, surprising insight into a character's motivation. In the end, Milton deserves to be called the greatest writer in English because of the pure strength and beauty of each individual sentence.

This is undoubtedly a difficult book to read. I teach a small bit in a sophomore high school English class, and I tell them, "This will be the most complex text you will encounter this year." We have to practice unpacking sentences one at a time and stating them in our own words in order to get their meaning. It's a slow process, and one that most adults will also need to go through.

But it's all worth it! Reading Milton might or might not change your view of God and man, but absorbing him will change your love of language. The words are vivid and powerful and beg to be read aloud. If you like your poetry Great in the sense of sounding larger than life and tackling humanity's major questions, Milton is it. (And, in my opinion, he even takes out other wonderful poets that I also love, including Dante, Virgil, Homer, and Shakespeare).

A timeless classic of English literature.......2006-10-13

Justly placed at the head of the canon of Western literature behind Shakespeare and Dante by Harold Bloom, Milton stands as a towering creative genius in English literature and epic poetry.

Milton conceived of his vast epic as a way to justify the 'ways of God to man.' Strangely, the character of Satan is absolutely central to this epic more so even than Adam and the rest of humanity, and often one can't help comparing Satan and his journeys and battles against misfortune as akin to those of other great literary heroes, such as Prometheus, Odysseus or Aeneas. I feel in a way the message of Milton is more than just good Protestant Christian apologetics; if you read his passionate and brilliant defense of freedom of the press and of thought in works like Aeropagitica, I am sure Milton in a way showed the power of free choice and what heights it allows any being to soar to, even those who are damned. I always get a sense from reading Milton a great trust in the human spirit and an expectation to rise against tyranny.

While ultimately I feel Milton does not really justify the 'ways of God to man' in an intellectually satisfying way, and his vision lacks the brilliant unity of that of Dante, Milton is certainly a poet and genius of first order and probably the greatest writer in English after Shakespeare. His poetry contains great depth and beauty, not just the Paradise Epics but many other poems as well, and his learning and erudition are immense.

In Milton there is a great confidence in human reason and in the individual to prevail in the face of disaster and hardship. One can't help but admire Satan's stubborness and determination in the face of so much which goes against him, and his incredible efforts to achieve his goals. If you ever wanted an example of 'self-help' look no further than the devil in Milton; despite the most hopeless situations he never gives up. Perhaps conciously or unconciously Milton embodies in Satan and also in Samson our own present confidence in our creative abilities and our determination and intelligence to overcome any obstacles in our way, and perhaps in a world as turbulent as ours, that isn't such a bad hope to have after all.

A God Worthy of Respect, if not Praise.......2006-08-29

Sufficiency is fluid. There is nothing that in Paradise Lost that can be described as simple. But sufficiency in the eyes of God, Adam and the various obedient angels consists of doing God's will and using the gift of free will given to all his sentient creatures to extol his greatness. Before the falls, both of the rebel angels and of Adam and Eve, the relation between God and his creations is almost always one to one and direct. God makes his creatures sufficient to withstand any and all evil, but by investing all with free will gives them the choice of whether or not to embrace the evil. Suffiency lies within all sentient creatures to do God's will, but one can only be proved sufficient by doing God's will. In short, to be sufficient in God's eyes is to do his will--no matter what!

That suffiency is fluid is vaguely clear through out the poem. There is never one definition of perfectly righteous or good behavior. Satan and the rebel angels needed only to accept Messiah as God and King; Adam and Eve needed only not eat of the tree of knowledge; Michael, Gabriel, and company had to take part in that farce of fight for heaven; Enoch, Noah, Moses and Jesus showed their suffiency by standing up for God against humanly impossible odds. The lists of lesser examples in the poem are too numerous to recite and keep this essay readable, but it is more than reasonable to conclude that depending on the situation anything from indifferent obedience to militant martyrdom will be sufficient. But, constant obedience is always the rule.

The same rule of suffiency should be applied to Paradise in a slightly modified form. God is the greatest of planners because he knows all. Knowing all, he makes plans for every consequence of every action. Had Adam and Eve resisted Satan in the garden, then it would have proved sufficient for two beings who did not know good or evil. That would have proved enough of a mockery to the aims of Satan, but after the fall God ordains it necessary to show that everything Satan ever does to mankind is utterly futile and leads only to more punishment and increase of pain. The fact that he will make the supreme greatness of mankind come from evil means shows his power to be without end, and Satan's unwillingness to accept this is what will ultimately destroy him and his host of rebels at history's conclusion.

The entire question of suffiency of all virtues is the meditation of Milton from the poem's beginning to the close. What is constantly necessary to remember in this poem is the distinction between virtue, or power, and true virtue, power used to celebrate and defend good. Milton uses this distinction to turn epic virtues on their head by investing Satan with so many of them. Satan is fearless, uncompromisingly defiant, willing to fight by whatever means are provided to him and he is inspiring. We can see shades of Aeneas, Odysseus, Scaevola, the Earl of Kent from King Lear, and numerous other literary and historical figures that seethed with defiance and did everything in their power to defy and defy and defy. What all characters put forth have in common though is that they used their powers in defense of people, home, freedom, and friendship. Satan uses the power still invested in him, his "courage never to submit or yield" to try to destroy, not create. Comically, he even seems to realize that he can, at best, be a mild irritant to God this way:

...If then his Providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still find means of evil,
Which oft-times may succeed, so as perhaps
Shall grieve him, if I fail not, and disturb
His inmost counsels from their destined aim. (I, 162-68)

This is power so completely abused that it barely requires further explication. Suffice it to say though, this is the same valor that we find in Adam when we are introduced to him for the first time in book IV, and that he disdains using in book IX when he chooses to follow Eve's lead by eating the forbidden fruit. Where the true virtue of the obedient angels and the classical epic heroes lies in their motivation for undertaking feats of violence, Satan's hatefulness, which grows as he further resists God, lies in the fact that he uses all his powers and intellect in the service of conquest, destruction, and wickedness. As becomes clear by the poem's end, when Michael shows Adam the tyranny of Nimrod, valor when in the service of wickedness is not a true virtue. True virtue and greatness can only come through God's favor.

Here it seems appropriate to move from suffiency in beings and their actions to the suffiency of Paradise. As Raphael points out in book VII, creation of the world and mankind took place in order show Satan and the rebel angels their superflousness by filling what they could have defined as a void when they were banished from Heaven. God loves all his creatures for the obedience and love they show him. But part of the nature of being omnipotent is that nothing is inexpendible and no thing is outside of his purview. Existence itself is by God's sufferance and for any permanence of good to come of a beings existence this must be accepted as indisputable. Milton's Satan would not be Milton's Satan if he accepted this necessity. He even had a chance to accept it in book II had he advised the Stygian council to accept the advice of Mammon--one who hates God as much as Satan:

...Let us not then pursue
By force impossible, by leave obtained
Unacceptable, though in Heav'n, our state
Of splendid vassalage, but rather seek
Our own good from ourselves, and from our own
Live to ourselves, though in this vast recess,
Free, and to none accountable, preferring
Hard liberty before the easy yoke
Of servile pomp. Our greatness will appear
Then most conspicuous, when great things of small,
Useful of hurtful, prosperous of adverse,
We can create, and in what place soe'er
Thrive under evil, and work ease out of pain
Through labour and endurance. (II, 249-262)

God's wrath is infinite when provoked, and expulsion from Heaven is the punishment for attempting to conquer Heaven. There is no reason to believe that his ire would have been raised had the rebel angels simply accepted their punishment, because the punishment and the concomitant agony that the disobedient angels suffer would have been sufficient. The further disobedience of Satan is what makes more punishment necessary, hence the periodic metamorphosis into serpents the rebels undergo after Satan's return from Earth. Again, suffiency of actions by God becomes defined solely by decisions made by his creations. By seducing Adam and Eve, Satan showed God that banishment was not sufficient to quell his pride. Also, Adam and Eve showed themselves insufficiently obedient to deserve Paradise. It became necessary for God to alter all of their conditions in order to punish Satan accordingly, further dash his pride. For Adam and Eve the punishment was death and the misery of history. They proved insufficient of Paradise, nothing in Paradise itself was imperfect, insufficient, let alone deficient, accept for them after the fall.

God is the creator of infinite possibility in all his sentient creatures. He should not be viewed as the writer of a book with a singular vision who preordains events to make a specific conclusion. That would be fate or destiny and God did not impose these upon human existence. God has total foreknowledge of all events, but he explains to Messiah that this is irrelevant because free will gives all his creations choice. They would be worthless otherwise because,

Not free, what proof could they have giv'n sincere
Of true allegiance, constant faith or love,
Where only what they needs must do, appeared,
Not what they would? What praise could they receive?
What pleasures I from such obedience paid,
When will and reason (reason also is choice)
Useless and vain, of freedom both despoiled,
Made passive both, had served necessity,
Not me. (III, 103-111)

There needs to be the constant possibility of evil arising for good to mean anything. Good is totally impotent without the contrast of evil, in fact it arguably can not exist without it. Automaton praise would not be real praise of God.

When discussion of the suffiency of Paradise comes up in any definition of suffiency we enter into very dangerous territory. Adam and Eve voice no complaints about Paradise; they do not imagine the possibility of being happier than they are prior to their fall. Disobedience to God remains a constant possibility because of the absolute existence of free will. The universe that Milton has created is one where the actions of individuals is never foreordained and one in which absolute obedience to God is the only path through which any good can ever u come to the individual. There is also never an instance where what God asks is even in modest proportion compared to what he gives. At the same time though, Milton makes absolutely clear that obedience to God does not protect either his dutiful from horrors. One need only remember the nightmare of Eve at the beginning of Book V, or the awful description by Raphael of the hollowing that he hears coming from Hell when he is dispatched there during creation. But God never exposes his creations to truly painful tests of their loyalty, not by any standard that fallen humankind. Paradise is perfectly sufficient for Adam and Eve in the state they are in just prior to their fall. Neither one truly aspires towards bettering themselves in a way that would increase their happiness and still maintain their total obedience to God. They proved insufficient to remain in Paradise, but Paradise may have proved insufficient for the beings they were to become had they not fallen.

Raphael conjectures when he meets Adam and Eve in Book V, that mankind may one day transubstantiate into a more spiritual being that will be able to cross the boundary between Paradise and Heaven.(493-503) He is not given any information by God save the fact that Satan is hanging around Paradise, so it is purely conjecture to assume that this is possibility. The same is also true of the conjectures that Michael makes about the once possible future of unfallen mankind in Book XI; the progeny of mankind would spread out of Paradise and into the world at large. Eden would have proved not large enough to hold all of mankind. I do not believe though that this is a reflection upon quality of Eden, but one upon its physical size. There is also no reason to believe that the progeny of Adam and Eve would have been just like them. They may very well have been designed to exist in a state closer to our own. Milton's God is the definition of infinite variety and it is impossible to quantify what he would have done if...

Ultimately in Paradise Lost questions of suffiency are nearly moot. Milton's initial purpose in the poem "to justify the ways of God to man," shows this better than anything else. God asks so little, but the stakes are so high for the fate of mankind that it becomes horrible to see just what happens. Since God is infinitely complicated just as he is infinitely powerful. It seems to me that Milton came to the conclusion that God could not be justified, let alone by human standards. God gives all and asks nearly nothing. When he is disobeyed, no one of his creations has the right to question the actions he takes. Through his ability to show just how simple the arrangement with God initially was, he shows how futile it is to try to justify anything he does prior to the fall.

Good Book.......2006-07-13

I ordered it. It said it would come in 1-2 weeks, but came in 2 days. Amazing.

Sierra Nevada: The John Muir Trail Deluxe Edition

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Sierra Nevada: The John Muir Trail Deluxe Edition
Ansel Adams
Manufacturer: Little Brown
ProductGroup: Book
Binding: Hardcover

General | Photography | Arts & Photography | Subjects | Books
ASIN: 0821257269

Product Description

Modern version of Adams ' 1938 masterpiece. The original was recognized as the highest quality fine art book at the time. The 2006 version is similar, with exception design, paper, printing, and binding. The images are printed on a light, silk finish paper using a stochastic printing process, which means there is no printing grain or dot structure, giving each print a continuous tone. They are then tipped' in, glued along the top edge to the page. * Limited quantities available Edition of 500 numbered copies plus 26 lettered copies. * 224 pages; 50 photographs; 8+ lbs * This 13 x 17 book is cloth bound and comes in a linen slipcase * The paper is mouldmade cotton fiber paper, a high quality heavier stock with a slightly toothy feel, letterpress printed with hand set type * Published by Little, Brown & Company

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Gave it as a gift
Nice Reproductions
A fantastic Collection
An exquisite collection!
Great Images Reproduced in Tiny Sizes Spoil The Effects

Ansel Adams: Classic Images
Ansel Adams , James Alinder , and John Szarkowski
Manufacturer: Bulfinch
ProductGroup: Book
Binding: Hardcover

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ASIN: 0821216295

Book Description

Introduction by John Szarkowski Essay by James AlinderIn the last years of his life Ansel Adams selected the seventy-five images that he believed represented the finest examples ofthe quality and breadth of his artistic legacy. Those images he designated for exhibition throughout the country as "The Museum Set" and published in this essential volume:Classic Images.Classic Imagesincludes many of Adams' most famous and best-loved photographs and encompasses the full scope of his work: elegant details of nature, architectural studies, portraits, and the breathtaking landscapes for which he is revered. The latter range from his beloved Yosemite to the Pacific Coast, the Southwest, Alaska, Hawaii, and the Northwest.The portfolio is preceded by an eloquent introduction by John Szarkowski, former Director of the Department of Photography at New York's Museum of Modern Art. An authoritative biographical essay- and a detailed chronology - by James Alinder further establish Classic Imagesas required reading for a full understanding of Adams' development as apre-eminent American artist.

Customer Reviews:

Gave it as a gift.......2005-08-17

I gave it as a gift to a friend of mine who loves nature photography. He loved it.

Nice Reproductions.......2004-06-17

Ansel Adams: Classic Images

This book provides high quality representations of Ansel Adams' photography in examples of 75 of his best images. The text, written by James Alinder along with a preface by John Szarkowski, portrays the story of Adams' life and his philosophy regarding art and existence. The text starts the reader off at his birth and takes you through Adams' childhood and the decisions he makes as he searches for an outlet for his creativity and a strong career path. Having also been a professional pianist, Adams' later discovers his passion for photography and nature, and spends the rest of his life a successful artist and activist.
This book takes you through major events in his life and references prints in the book to give visual examples of his ever-evolving photographic style. I would definitely recommend this book, if not as a successful biography, but as a stage for some beautiful, high quality reproductions of Adams' work.

A fantastic Collection.......2002-03-16

This collection can be seen at the Center for Creative Photography in Tucson, Arizona, through July 7, 2002. This book is the catalogue of the exibition! If you like the book you should see the originals! They will blow you away.

An exquisite collection!.......2001-03-18

This is a wonderful book filled with breathtaking photographs taken by the late and well-respected Ansel Adams. Each of the photographs contained is a unique masterpiece with a life of its own. Looking at these splendid photographs, one feels drawn right in to the specific location and year. Some of my favorites include, "The Golden Gate Before the Bridge" (1932), "Barn, Cape Cod, Massachusetts" (ca. 1937), "Clearing Storm, Sonoma County Hills, California" (1951) and "Canyon de Chelly National Monument, Arizona" (1942). This book will definitely hold your attention and keep you captivated if not mesmerized. With so many minute and beautiful details in these photographs, it's easy to see why Ansel Adams was one of the most respected and popular photographers of our time. He didn't just take a picture; he ceased moments in time and captured the beauty of the subjects being photographed. This is an excellent book that will make a fine addition to any library. This book would make a great gift for photographers and art connoisseurs alike!

Great Images Reproduced in Tiny Sizes Spoil The Effects.......2000-11-13

Ansel Adams was very concerned that his work always be reproduced in a high quality way. I fear that he gave too much attention to fidelity of reproduction, and not enough to size of image in the reproduction. This otherwise valuable book is seriously marred by the designer having chosen page and print sizes much too small for Adams' work. I suggest you avoid this book.

I would like to compliment James Alinder on an outstanding biographical essay concerning Adams' life and photographic techniques. This essay will add useful knowledge to anyone who wants to better understand Adams' work and life, and their effects on us all. I would also like to compliment the selection of the images. These are clearly among Adams' best work.

Adams' technique used the very stark light of dawn and dusk to create vivid detail that echoed across the image from figure to figure. The result was to help the eye capture the connectedness of nature, the oneness of creation. So when the details become too small, it is like rubbing out whole chapters in a book. I was very disappointed in the publishing decision for this book's page size. In fact, only one of my favorite images still held most of its power for me in these large postcard sizes, Moon with Half Dome, Yosemite, 1960.

Without Mr. Alinder's essay, I would have graded this book as a two star effort.

Some of the lesser works which have less fine detail still show well. Here were my favorites of this small-sized collection:

Self-Portrait, Monument Valley, Utah, 1958

Monlith, The Face of Half Dome, Yosemite, 1927

Winnowing Grain, Taos Pueblo, New Mexico, 1928

Rock and Grass, Moraine Lake, Sequoia National Park, 1982

Georgia O'Keefe and Orville Cox, Canyon de Chelly National Monument, 1937

Mormon Temple, Manti, Utah, 1948

Moonrise, Hernandez, New Mexico 1941

White House Ruin, Canyon de Chelly National Monument, 1942

Monument Valley, 1958

Cypress and Fog, Pebble Beach, California, 1967

Sand Dunes, Oceano, California, 1950

If you are like me and love Ansel Adams' work, I suggest you look into Ansel Adams, The American Wilderness, which does feature large enough reproductions.

Sometimes we learn more from mistakes than from successes. Where are your efforts being undertaken on too small a scale to be fully effective? What can you do to change that?

Enjoy the beauty of nature in its full scale brilliance (outdoors and in larger-sized photographic books)!

Average customer rating:

Big fan of Adams, but this book ...

glorious

Short Quck Laughs

Not what I was expecting.

Hilarious fun for an Anglophile

The Deeper Meaning of Liff: A Dictionary of Things There Aren't Any Words for Yet--But There Ought to Be
Douglas Adams , and John Lloyd
Manufacturer: Three Rivers Press
ProductGroup: Book
Binding: Paperback

Essays | Humor | Entertainment | Subjects | Books
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The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

ASIN: 0307236013
Release Date: 2005-04-19

Book Description

Does the sensation of Tingrith(1) make you yelp? Do you bend sympathetically when you see someone Ahenny(2)? Can you deal with a Naugatuck(3) without causing a Toronto(4)? Will you suffer from Kettering(5) this summer?

Probably. You are almost certainly familiar with all these experiences but just didn’t know that there are words for them. Well, in fact, there aren’t—or rather there weren’t, until Douglas Adams and John Lloyd decided to plug these egregious linguistic lacunae(6). They quickly realized that just as there are an awful lot of experiences that no one has a name for, so there are an awful lot of names for places you will never need to go to. What a waste. As responsible citizens of a small and crowded world, we must all learn the virtues of recycling(7) and put old, worn-out but still serviceable names to exciting, vibrant, new uses. This is the book that does that for you: The Deeper Meaning of Liff—a whole new solution to the problem of Great Wakering(8)

1—The feeling of aluminum foil against your fillings.

2—The way people stand when examining other people’s bookshelves.

3—A plastic packet containing shampoo, mustard, etc., which is impossible to open except by biting off
the corners.

4—Generic term for anything that comes out in a gush, despite all your efforts to let it out carefully, e.g., flour into a white sauce, ketchup onto fish, a dog into the yard, and another naughty meaning that we can’t put on the cover.

5—The marks left on your bottom and thighs after you’ve been sitting sunbathing in a wicker chair.

6—God knows what this means

7—For instance, some of this book was first published in Britain twenty-six years ago.

8—Look it up yourself.

Customer Reviews:

Big fan of Adams, but this book ..........2007-07-08

I am a big fan of Dougles Adams books, at least in general.

But this book is, at best, only marginally funny. Others have explored this topic, and with better results.

The problem here is that Adams tries to make funny sounding words for things that don't have a name (like that little twist between link sausages), but constrains himself to using the names of small cities and towns from around the world. Occasionally, he hits a home run, but most of the words are strike outs.

Disapointed.

PS the 'name' for hte link between sausages is kerry. Why, I don't know, and I have no idea why some think this is humorous.

glorious.......2007-01-16

This book was superb, anyone who is a fan of Adams will appreciate it's wit, it's ingenuity, and it's intense sarcasm. Absolutely necessary to complete you Douglas Adams collection.

Short Quck Laughs.......2006-08-26

In a hurry stressed out... just read a couple quick definitions it will lighten your mood it does mine

Not what I was expecting........2005-08-24

This book is set up as a dictionary. If you enjoy reading dictionaries, then please purchase this book. The humor was lost on me because of the format.

Hilarious fun for an Anglophile.......2002-05-17

As said previously, this book (and the sibling) are hilarious fun for anglophiles and wordsmiths alike...

Paradise Lost (Norton Critical Editions)

Average customer rating:

The definitive Paradise Lost resource
an Invaluable text
Great edition, except. . .
Justifying Milton's Ways
Best I've seen

Paradise Lost (Norton Critical Editions)
John Milton
Manufacturer: W. W. Norton
ProductGroup: Book
Binding: Paperback

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ASIN: 0393924289

Book Description

This Norton Critical Edition is designed to make Paradise Lost accessible for student readers, providing invaluable contextual and biographical information and the tools students need to think critically about this landmark epic. Gordon Teskey's freshly edited text of Milton's masterpiece is accompanied by a new introduction and substantial explanatory annotations. Spelling and punctuation have been modernized, the latter, importantly, within the limits imposed by Milton's syntax.

"Sources and Backgrounds" collects relevant passages from the Bible and Milton's prose writings, including selections from The Reason of Church Government and the full text of Areopagitica.

"Criticism" brings together classic interpretations by Andrew Marvell, John Dryden, Victor Hugo, and T. S. Eliot, among others, and the most important recent criticism and scholarship surrounding the epic, including essays by Northrop Frye, Barbara Lewalski, Christopher Ricks, and Helen Vendler.

A Glossary and Selected Bibliography are also included.

About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Customer Reviews:

The definitive Paradise Lost resource.......2007-10-07

It is a laborious read, but John Milton's Paradise Lost is worth it. First published in 1667, Paradise Lost remains, many contend, the greatest poem ever published in English, and Milton is deemed second only to Shakespeare among the pantheon of English writers. When reading Milton, be prepared for hundreds of references to Greek and Roman mythology that few of us (myself included) are familiar with as well as works saturated in biblical references and allusions and much obscure vocabulary. Happily, this Norton Critical Edition includes hundreds of notes--footnotes, so there is no disruptive flipping back and forth! This edition also offers dozens of critical essays on Paradise Lost, some dating back to its publication, a couple of Milton's prose works and an extensive glossary. Whether reading for pleasure or for (school) credit, this NCE of Paradise Lost is a godsend.

an Invaluable text.......2007-03-27

I ordered this text to help write a paper, and it has ended up serving as my primary text for my research. The text is at least as good as any of the other editions I have looked at, the footnotes are top-notch, and the critical articles are some of the siminal works. My only gripe is that there are no visual markers in the text for the footnotes, they are simply at the bottom of the page, signified by line number. Because of this, I sometimes don't realize that there are footnotes on a particular line, but this is a minor problem.

Great edition, except. . . .......2007-03-20

I love Norton Critical Editions. Or I try to. Gordon Teskey's new edition of Paradise Lost is for the most part worthy of the praise it has received in other reviews on this site. However, it has one unpardonable flaw, which is the editor's tampering with Milton's poetic line. Teskey and the Norton editors have for some reason decided to make it "easy to read" by adding parentheses to complex syntactical passages that Milton wrote on purpose to be. . . I dunno. . . hard? This move to simplify the syntax alters not only the experience of the poem but, worse, its meaning. Take for example these famous lines of Satan's from Book I, the first words spoken in Hell:

If thou beest he but O how fall'n! how changed
From him who in the happy realms of light
Clothed with transcendent brightness didst outshine
Myriads, thought bright! if he whom mutual league,
United thoughts and counsels, equal hope. . .

The meaning of the lines is confusing because Satan himself is confused, and now speaking for the first time a fallen language. The "he" from line one gets dropped until line four, when Satan remembers what he's talking about after wandering through a few memories of his life before the fall. The reader is supposed to feel the confusion and torment of this run-on sentence. But Teskey uses parentheses to clean up the very mess Milton wanted Satan to make of the sentence:

If thou beest he (but O how fallen! how changed
From him who in the happy realms of light
Clothed with transcendent brightness didst outshine
Myriads, though bright) if he whom. . .

This effectively dumbs down the poem and drastically changes it. And there is way too much of it in this edition. It is common enough to modernize spelling and syntax in editions of early modern poetry, but this is a bit too much. Readers don't buy this book because they want an easy read; most readers, even students, don't mind if it is a little hard and confusing in parts. Mostly, I bet they want to see what Milton and not his editors wrote.

Justifying Milton's Ways.......2006-09-23

I am always glad for an occasion to tread "with wand'ring steps and slow" through the lines of "Paradise Lost" yet once more. When I found out that Gordon Teskey, to my mind the great poet's strongest reader in many years, had edited a new Norton Critical Edition, I knew it was time to travel the path again. As his predecessor Scott Elledge did for a previous generation, Professor Teskey has created an edition and charted a reading experience of enormous richness for contemporary students and general readers alike, and forged a tool of unique value for teachers at all levels. The text is well edited, as it must be, with helpful but judicious modernization of some spelling. The footnotes are measured, thorough but never gratuitously scholastic, to serve the process of active reading. This is not an easy poem and no editor can change that, but one travels through it faster, though steady at speed, with Professor Teskey at one's side. The critical apparatus is also strikingly well done, with modern essays usefully divided by topics, such as 'On Satan' and 'On Feminism', in a manner that will serve all audiences well. Along with retaining essays by past titans of Milton criticism, from Marvell to T.S. Eliot, as well as much of the canonical modern criticism present in earlier Norton editions, this volume includes some of the best critical voices of the last twenty years, among them William Flesch, Regina Schwartz, Archie Burnett, Julia Walker and Mary Ann Radzinowicz. But these new contributions have been chosen, it seems to me, with a very judicious focus on their own lasting canonical value, rather than merely on their more recent dates of publication. Whether out of deference or editorial privilege, Professor Teskey saves the last word for himself in a short selection from an essay that has since become a chapter in his new book, "Delirious Milton" (Harvard, 2006), in which he charts a history of philosophical modernity through an inspired analysis of Milton's view of creation, divine and human. Whether you are coming to "Paradise Lost" for the first or the twentieth time, make this edition your primary text and make Professor Teskey's new study the next book you read. If you do, you'll experience a very fortunate fall followed by a delirium of the happiest sort.

Best I've seen.......2006-03-15

Nice edition of this work. Has good footnotes, and contains much besides the poem itself, including information on Milton's life, and a section on sources that Milton used, and "classic" and modern criticism of the work.

X-Men: The Complete Age of Apocalypse Epic, Book 4

Average customer rating:

Great
Excellent novel

X-Men: The Complete Age of Apocalypse Epic, Book 4
Scott Lobdell , Warren Ellis , Jeph Loeb , John Francis Moore , Fabian Nicieza , Larry Hama , Terry Kavanagh , Mark Waid , Judd Winnick , Chris Bachalo , Ken Lashley , Steve Skroce , Steve Epting , Terry Dodson , Salvador Larroca , Andy Kubert , Adam Kubert , Carlos Pacheco , Roger Cruz , and Trevor McCarthy
Manufacturer: Marvel Comics
ProductGroup: Book
Binding: Paperback

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ASIN: 0785120521

Book Description

Learn who lives and who dies in either reality as the apocalyptic arc ends in treachery and tragedy! While certain heroic humans prove their mettle without armor or magic hammers, it's a race to see who the X-Men will destroy first: Apocalypse or themselves! But even with the crisis concluded, new allies and enemies emerge, guaranteeing that reality will still never be the same! Featuring the dawn of Gene Nation and a turning point for the Legacy Virus! Collects Generation Next #4, X-Calibre #4, X-Man #4 & #53-54, Factor X #4, Gambit And The X-Ternals #4, Amazing X-Men #4, Weapon X #4, X-Universe #2, X-Men: Omega, Blink #4 and X-Men: Prime

Customer Reviews:

Great.......2007-04-07

What can I say? I'm a big fan of alternative realities in the Marvel universe...

Excellent novel.......2007-02-24

This novel does an excellent job finishing up the story. It gives all of the finishing details needed to find out how it all ends.

X-Men: The Complete Age of Apocalypse Epic, Book 3

Average customer rating:

A Fitting End to the Age of Apocalypse
Age of Apocalypse

X-Men: The Complete Age of Apocalypse Epic, Book 3
Warren Ellis , Scott Lobdell , Jeph Loeb , John Francis Moore , Fabian Nicieza , Larry Hama , Terry Kavanagh , Roger Cruz , Renato Arlem , Joe Madureira , Chris Bachalo , Steve Skroce , Steve Epting , Terry Dodson , Andy Kubert , Ken Lashley , Adam Kubert , and Carlos Pacheco
Manufacturer: Marvel Comics
ProductGroup: Book
Binding: Paperback

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ASIN: 0785120513

Book Description

The mirror gets darker and the Amazing X-Men more Astonished by the minute as the Age of Apocalypse hits its third quarter! Magneto has dedicated his life to freeing humanity and mutantkind alike, but will Apocalypse now require him to destroy reality to save it! Sides are switched and secrets shown with repercussions ringing from the Savage Land to the Shi-ar Galaxy! Plus: a rare look at how Apocalypse altered the rest of Marvel's mightiest! Doctor Doom and Reed Richards, side-by-side? Matt Murdock and the Kingpin, allies? Gwen Stacy in mourning for Peter Parker? Avengers, Exiles, etc. in the original alternate X-saga! Collects X-Calibre #2-3, Astonishing X-Men Vol. 1 #2-4, Generation Next #2-3, X-Man #2-3, Factor X #3, Amazing X-Men #3, Gambit & The Externals #3, and X-Universe #1.

Customer Reviews:

A Fitting End to the Age of Apocalypse.......2007-05-13

Caps the end of a truly interesting time in Marvel's history. The reimagining of various X-Men characters, coupled with an updated history of many other Marvel icons, bring this memorable series to a close. This issue continues with much of the high drama from earlier issues and leads to many satisifying conclusions along with quite a number of tragic ones. A truly great read!

Age of Apocalypse .......2006-09-02

The complete Age of Apocalypse book 3 collects the real meat of the story. Magneto and his X-Men have all gone their separate ways and now we begin to see each of their individual stories, Nightcrawler's journey to the savage land, Gambit's to the Shi'ar galaxy, Rogue and the Astonishing X-Men head to stop the cullings, ect.

We start to get some of the background of some of the new characters in this volume, such as Sunfire's past. We also get to see where the rest of Marvel's heroes have been in X-Universe.

Age of Apocalypse was one of Marvel's most successful story arcs and in this volume we can see why. It includes some of marvel's top artist today, Adam Kubert (Ultimate X-Men), Chris Bachalo (X-Men), Joe Madureira (Ultimates 3), and Salvador Larroca (The New Universe) as well as some of the top writers Warren Ellis (Ultimate Galactus), Jeph Loeb (Ultimates 3,4), and Fabian Nicieza (Cable and Deadpool). If you've already checked out volume 2 your for sure going to want to have a look at this volume as well and no true marvel fan should go without them.

X-Men: The Complete Age of Apocalypse Epic, Book 2

Average customer rating:

Il più drammatico "What if...?" degli Uomini X
Great Job
A classic storyline marred by shoddy printing
Much better than the first volume
This should have been the first volume. Brilliant!

X-Men: The Complete Age of Apocalypse Epic, Book 2
Fabian Nicieza , John Francis Moore , Scott Lobdell , Jeph Loeb , Larry Hama , Chris Bachalo , Warren Ellis , Tony Daniel , Salvador Larroca , Steve Epting , Terry Dodson , Roger Cruz , Andy Kubert , Adam Kubert , Mark Buckingham , Ken Lashley , Renato Arlem , Ian Churchill , Val Semeiks , and Tom Lyle
Manufacturer: Marvel Comics
ProductGroup: Book
Binding: Paperback

X-Men | Characters | Comics & Graphic Novels | Subjects | Books

General | Comics & Graphic Novels | Subjects | Books

General | Graphic Novels | Comics & Graphic Novels | Subjects | Books

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Moore, Terry | Authors, A-Z | Comics & Graphic Novels | Subjects | Books

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ASIN: 0785118748

Book Description

See your favorite through a dark glass as the epic that literally rebuilt the X-Men in eight miniseries and more continues! Apocalypse has conquered half of humankind and is ready to destroy them all! Magneto and his Amazing X-Men fight to protect humans and mutants alike, only to learn from Bishop that his world might need to be unmade! Plus: excerpts from Apocalypse's own files on the alternate-universe X-Men, and their friends and foes... but which is which? Featuring Blink and Sabretooth of the Exiles! Collects X-Men: Alpha, Age of Apocalypse: The Chosen, Generation Next #1, Astonishing X-Men Volume 1 #1, X-Calibre #1, Gambit and the X-Ternals #1-2, Weapon X Volume 1 #1-2, Amazing X-Men #1-2, Factor X #1-2, and X-Man #1.

Customer Reviews:

Il più drammatico "What if...?" degli Uomini X.......2007-04-18

Premetto che considero una piaga, per il fumetto popolare americano, l'abuso di statagemmi (o meglio mezzucci) narrativi quali universi paralleli, viaggi nel tempo e stravaganze di tal fatta. Questi espedienti ammorbano la vita degli X Men sin dai tempi di Dyas of Future Past, dove però Claremont e Byrne l'avevano risolta con classe e discrezione.
Anche il prologo dell'Era di Apocalisse risulta quanto meno pacchiano: un viaggio indietro nel tempo di Legione, folle figlio di Xavier che nel tentativo di uccidere Magneto finisce per assassinare il genitore; il cristallo M'kraan che cristallizza tutta la realtà...
In un mondo dove Xavier, morto, non ha potuto addestrare giovani mutanti l'immortale En Sabah Nur, alias Apocalisse, ha avuto buon gioco nel sottomettere l'intero Nord America e nello sterminare gran parte della popolazione civile in campi di concentramento. Il suo credo, la "legge del più forte", è portata alle più estreme conseguenze, ma rimangono dei paladini alla causa dell'umanità: gli X Men addestrati e riuniti da un Magneto che, in questa realtà, lotta per il sogno di integrazione genetica propugnato da Xavier.
L'atmosfera è cupa come non mai, gli eventi spesso eccessivi ma assolutamente giustificati dal clima di terrore e disperazione che si respira sotto il guanto di ferro di Apocalisse.
Di gran livello il lavoro di scrittori quali Lobdell, Loeb, Nicieza (giusto per citarne alcuni) e di disegnatori in ottima forma, tra cui spiccano i Kubert e uno Ian Churchill in una forma a mio avviso smagliante.
Che si tratti di una delle saghe più importanti degli ultimi anche risulta chiaro anche dal "Ritorno all'Era di Apocalisse" (per la verità assai meno intenso e interessante del suo predecessore) proposto dalla Marvel per festeggiare i dieci anni dell'evento.
Qualche nota sul confezionamento: l'intera saga è raccolta in quattro corposi volumi di cui il primo consta di qualche racconto autoconclusivo, di una miniserie e di un prologo tutt'altro che imprescindibili per la comprensione degli avvenimenti. Il cuore del racconto si sviluppa negli imperdibili volumi 2, 3 e 4, ma se avete qualche soldino da parte e siete collezionisti con la C maiuscola dubito vi farete sfuggire anche il primo tomo.
Insomma, secondo la mia umile opinione si tratta di uno dei lavori più interessanti degli anni '90, che va assaporato per la drammatica parentesi che rappresenta più che per il suo apporto a una continuity mutante assai barcollante e priva di idee realmente innovative.

Great Job.......2006-07-19

Of all the stories in the Marvel universe the Age of Apocalypse is one of my favorites. I highly suggest that everyone who enjoys the x-men read it.

A classic storyline marred by shoddy printing.......2006-06-16

In the mid 1990s Marvel Comics took what was, at the time, considered a major risk: they shut down all the X-men and X-men related titles, and 'restarted' them all in an alternate universe where Professor Xavier had been killed and Apocalypse had risen to great power, essentially taking over the planet. The cross title event was a huge success, possibly the greatest success of any event of its magnitude in comic book history. Now, ten years later, Marvel is putting out the Age of Apocalypse Epic in four trade paper backs.

As others have noted, the first book is not necessary to understand the storyline. In fact, the beginning of the cross over, in terms of publication, is included in this volume (X-Men: Alpha) and is all you really need to know to understand what is going on, especially if you do a little poking around on the internet before you read. It is important to note that the Legion miniseries, where Legion goes back in time and inadvertently kills Xavier (he was aiming for Magneto) is not included in any of these trades, even though it actually kicks everything off.

In terms of the story itself, it is easy to see why it was a classic in its time. If you know the major characters of the X-men universe then you will find this an especially rewarding read, since well known villains become heroes in this alternate universe, heroes are villains, and new relationships abound, but at the same time at least hints of the characters we know and love peak through.

Any event like this will suffer some from having multiple differing artists and writers across the titles that were involved in the crossover, and this is no exception. For the most part the writing is good, although some writers certainly do better with their titles than others. The artwork is similar; all of it is servicable (except for perhaps one or two of the titles), but some artists on some titles are clearly much better than others.

The book also suffers from feeling disjointed in the narrative. There is some chronological flow between the titles collected in the book, but it is still jarring to go from issue #1 of one X-men title to another to another, etc, etc. It probably would not have been better to collect the titles together by title(e.g. having Generation Next #1-4 in immediate sequence, or Amazing X-men #1-4, or any of the others, all together) since there would be spoilers and probably new readers would get even more confused. However, as it is this collection jumps around a lot, and will only feel complete when Book 3 and 4 are out and all three can be read together.

At this point, I would give this book 4 stars for the writing, art, and overall storyline. However, there is a major problem with this title that forces me to drop at least one star. This is not a cheap book. Many other comics at this price (and length) are oversized, deluxe hardcovers with high quality paper. This book, however, is a paperback, and although the paper stock is fine, there are other significant problems. First, the edges on many of the titles included in this volume (including X-Men Alpha) have been cut off--perhaps by only a few millimeters from the original comics, but is still noticable in the artwork and actually cuts off words when word balloons happen to be on the side of the page. Second, the nature of a thick paperback like this means the artwork and words in the center of the collection, all the way through, are scrunched down into the crack between the pages, and more art and words are lost (or you have to crack the book wide open, hoping the glue on the spine will hold, to see them). Finally, there is actually at least one place where words in a balloon were completely and inexplicably missing, even though the balloon was located on the center of the page (the first two lines of dialogue were entirely gone in an important moment, making the rest of the dialogue from that character completely meaningless).

Some people will probably not even notice these printing errors (except for the last one), or they won't be bothered by them. For others, like me, who spent what amounts to a significant chunk of change on the book, those printing errors will be nerve gratingly annoying. Marvel's hardcover collections are almost unformly terrific, and to see them drop the ball on the printing with this collection is hugely disappointing. With a storyline of this size and importance to the comic-book cannon, Marvel should have put these books out in oversized hardcover format, for the same price as these shoddy paperbacks are now. As it is, they feel rushed and cheaply printed, as if Marvel set out solely to make some extra cash off the Age of Apocalypse storyline.

And that is unfortunate.

Much better than the first volume.......2006-01-19

With the tenth (that's right, tenth!) anniversary of Marvel's epic X-Men storyline, the Age of Apocalypse, Marvel has released three massive volumes of the various issues released in that time. Volume 1 featured various one-shots, mini-series, and the X-Men Chronicles issues, and wasn't worth your time unless you're an AoA completist. Volume two however finally gets some things right by featuring the first couple issues of the various series' as well as the jump off point X-Men: Alpha (Vol. 3 will contain the concluding issues and the ending X-Men: Omega) that introduces the readers to this dark, alternate world where Charles Xavier never lived long enough to form the X-Men, and the evil Apocalypse rose to power and conquered most of the world. X-Men: Alpha introduces us to Magneto's team of X-Men: his wife Rogue, son Quicksilver, as well as Sabretooth, Wild Child, Storm, Nightcrawler, Sunfire, Banshee, Morph, Iceman, and Blink. The team is split up in the issues of Astonishing X-Men and Amazing X-Men as they take on various forces of Apocalypse. Weapon X introduces us to the one handed Logan and his lover Jean Grey as they unite with the Human High Council to save the world. Factor X gives us a glance at Apocalypse's main mutants; Sinister, Cyclops, Beast, and Havok. Gambit & the X-Ternals introduces us to the heroic thief and his team of mutants (including Jubilee, Lila Chaney, and Strong Guy) as they begin their quest into space to retrieve a piece of the M'Krann Crystal. Generation Next finds Colossus and Shadowcat training a group of young mutants and leading them on a mission to save Colossus' lost sister. X-Man (written by Jeph Loeb) introduces us to Nate Grey (this universe's version of Cable); the genetic offspring of Cyclops and Jean Grey, and he's the most powerful mutant on the planet. X-Calibre finds Nightcrawler going solo to find the msyterious mutant Destiny. All the storylines are great, and Generation Next, Astonishing X-Men, and X-Man are the absolute best. The only downside is that if you've never read any of the AoA material before, you are going to be left hanging a lot, and you'll be salivating to see how it all ends. The art throughout is excellent, and the stories are surprisingly gripping; something that is shocking to say the least considering that this is 90's X-Men we're talking about. All in all, the AoA storyline was a masterwork, and while how this TPB is collected isn't perfect, it's certainly better than Volume 1.

This should have been the first volume. Brilliant!.......2005-11-15

First a plea to any new readers who might have been hoodwinked into purchasing the first volume of the AOA-Epic: PLEASE forget that cruel marketing trick and give this one a shot, this is the true (beginning of the) Age of Apocalypse, the crown jewel of the 1990s X-Men run that was so astounding that it took nearly a decade before another worth-while X-Men story would be written again.
In the Early '90s the X-Men reached their zenith of popularity, and although there were certainly low points in the early '90s run of the X-Universe (followed by an abysmally unreadable period of just under 10 years) it is unquestionably one of the time periods that justified the X-Men's place as the consistent top-seller, then and now. The Age of Apocalypse was the culmination, and the bristling climax, of one of the greatest eras in the X-Men's existence.

Synopsis: Forget volume one, everyone else but the marketing flunkies at Marvel did (or the poor saps who paid money for a collection of B-level story lines that leeched off of the glory of a truly well done comic book masterpiece). Here we are taken into a world that throws the importance of Xavier's dream right into our faces, a world where that dream was aborted and replaced with a blood-drenched nightmare. The Dark Lord Apocalypse threatens the globe, from his base from what was once America, with the aid of his Four Horsemen (Sinister, Holocaust, Abyss, and Mikhail Rasputin) and his mutant elite (including Cyclops, Havoc, and Beast). In Europe, humanity is meekly defended by a Human High Council (Brian Braddock, Emma Frost, Moria MacTaggart and Trask) that ratters a saber in the form of an army of Sentinels and nuclear missiles. The only true source of salvation lies with Magneto and the meager yet potent network of mutant resistance that he has thrown up against the genetic supremacist régime of Apocalypse that makes mass genocide and blasphemous dark science everyday occurrences. Despite their best efforts, Magneto, the X-Men and other heroes of this Dark Age are fighting a losing battle, and the hordes of the Dark Lord begin to crush even the most stalwart of spirits; and then one man, Bishop, delivers them the glimmer of hope needed to march on in their defiance of seemingly omnipotent armies of evil. In another world Xavier's dream was made real, and Apocalypse never rose to power.

This dark incarnation of the X-Men's' world is thoroughly explored in-depth, and the characterization is so well done that it even gives invaluable insight to the characters as they appear in the main-stream world of the X-Men. Some who were heroes break under the evil that has infected their world while others turn from their own paths of darkness when shown the extreme consequence of blind self-serving ambition. As death and horror flow in Apocalypse's wake and the leaders of humanity grow intent on mimicking his evil to feed their own thirst for revenge, Magneto and the X-Men will fight to the bitter end to save their world from this ultimate evil.

Yet if the gripping story is not enough to sell you, the art work is mouthwatering at best and breathtaking at worst.

Enjoy!

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