The Picture of Dorian Gray (Barnes & Noble Classics Series) (Barnes & Noble Classics)

Amazon.com

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Book Description

Oscar Wilde brings his enormous gifts for astute social observation and sparkling prose to The Picture of Dorian Gray, his dreamlike story of a young man who sells his soul for eternal youth and beauty. This dandy, who remains forever unchanged—petulant, hedonistic, vain, and amoral—while a painting of him ages and grows increasingly hideous with the years, has been horrifying, enchanting, obsessing, even corrupting readers for more than a hundred years.

Taking the reader in and out of London drawing rooms, to the heights of aestheticism, and to the depths of decadence, The Picture of Dorian Gray is not only a melodrama about moral corruption. Laced with bon mots and vivid depictions of upper-class refinement, it is also a fascinating look at the milieu of Wilde’s fin-de-siècle world and a manifesto of the creed “Art for Art’s Sake.”

The ever-quotable Wilde, who once delighted London with his scintillating plays, scandalized readers with this, his only novel. Upon publication, Dorian was condemned as dangerous, poisonous, stupid, vulgar, and immoral, and Wilde as a “driveling pedant.” The novel, in fact, was used against Wilde at his much-publicized trials for “gross indecency,” which led to his imprisonment and exile on the European continent. Even so, The Picture of Dorian Gray firmly established Wilde as one of the great voices of the Aesthetic movement, and endures as a classic that is as timeless as its hero.

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Dorian Gray has just had his portrait painted. It is a perfect likeness of the quite extraordinary beautiful young man, and it prompts him to make a mad wish for eternal youth. In the years to come, he devotes his public life to and aestheticism-and his private one to decadence and debauchery.

Customer Reviews:

The American Psycho of a bygone era?.......2007-09-26

Having only recently read American Psycho, I couldn't help but think back to The Picture of Dorian Gray. Placed within the context of its time, I feel certain that this book would have been the American Psycho of its day. What a great pity that Oscar Wilde only wrote this one novel! This compelling story has haunted me since I first saw it on film as a young man (the book is better of course). I've given copies of the novel to many friends, and I can heartily recommend it as a great read to anyone.

Free SF Reader.......2007-09-03

I would imagine that there is not a very large chance you would find
this book in the waiting room of any plastic surgeon's office. An
example of a story that suggests be careful of what you wish for. A
young man makes a deal to keep himself young and youthful looking.
Unfortunately there is a secret associated with this that is hard to
hide.

A Classic Victorian Gothic.......2007-08-29

What can capture the soul of a man?
Is there a devil's deal to be made at the crossroad?
Dorian Gray shows that great physical beauty can be a lie. Oscar Wilde in
his introductory poetry says: Those who find beautiful meanings in beautiful things are cultivated."
One can't say that this novel is beautiful,
but there is an element of eternal truth that even in ugliness has great virtue.

Great Book!.......2007-08-23

This story is amazing, Dorian Gray keeps you in the book.
I read this book in high school and now I decided to buy it and read it again.

Not all that I expected..........2007-07-30

This novel is one which everyone has heard of and many are compelled to read it as part of school curriculum. I never did, but thought I would give it a try as I really enjoy dry British wit and intelligent prose. Beyond that, I wasn't sure what else I was expecting, but for my tastes, I didn't end up entirely satisfied.

The opening 10 or 20 pages insinuated themselves into my imagination and I felt that I would be entertained by the main characters throughout the rest of the novel. The detailed descriptions of the lovely country setting and extravagant flowers gives one an impression of decadence and a high society jadedness that I somehow expected from Oscar Wilde, having read none of his previous work. Unfortunately, the remainder of the novel didn't hold as much pleasure for me.

Dorian Grey is a relatively uninteresting central character who is but a blank canvas for Lord Henry to experiment upon; Dorian's own thoughts and musings are not so compelling in and of themselves and yet we are treated to quite a few pages of them throughout. Lord Henry himself is an interesting character whose mean-spiritedness, which approaches evil in some instances, is obscured by his verbose bantering on half-baked, jaundiced observations on Victorian life. These also consume considerable paper stock, and as witty as his musings start out (his thoughts on marriage were particularly humorous to me), they start to run together and become somewhat of a misshapen lump through which I felt I was slogging at times.

Anyway, the story is relatively well known to most at this point, regardless of whether you have read the book in question or not. It progresses more or less as one might assume, which is not entirely a bad thing (I would not classify this tale as a mystery or as a horror novel, a genre to which I see it is sometimes curiously attributed). Oscar Wilde is definitely saying something here, and there seem to be many elements of allegory contained within the story. I have read that he saw parts of himself within all three of the main characters, and they do seem to represent different facets of a single personality. Unfortunately these same characters are hamstrung by this very fact, as they each seem only part of a personality, part of a character, and not well rounded or believable in their motivations or actions.

This is the first Oscar Wilde I have attempted to read, and I won't say it is my last, but there are classics of English literature which are as well written, more engrossing, and, in the end, more memorable, at least to this reader ("Silas Marner" comes to mind as a fine book I only just recently read for the first time as well).

So, overall, about 3 stars from me. In my opinion it poses some interesting questions, sparkles in a few spots, and held my attention for a few hours, but it's not something I would return to or recommend for pleasurable reading.

As a side note, I am somewhat surprised by the criticisms of the homoerotic nature of the relationships portrayed within the novel. Wilde portrayed the passionate nature of what amounts to a love triangle in a very effective (if slightly florid) way, and, as has been noted before, the relationships between the men seem more genuine and believable than those involving the fairer sex. Maybe this type of undertone would be out of place in a Hemingway novel but good grief it's Oscar Wilde! Scratch beneath the surface and read about where this man was coming from and the times in which he lived and worked.

Average customer rating:

Best play I've ever read
the importance of being earnest
Essential Wilde
Great version of the Classic Play
Wilde's wittiest

The Importance of Being Earnest
Oscar Wilde
Manufacturer: Prestwick House Inc.
ProductGroup: Book
Binding: Paperback

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ASIN: 158049580X

Book Description

This Prestwick House Literary Touchstone Edition includes a glossary and reader,s notes to help the modern reader appreciate Wilde's wry wit and elaborate plot twists.

Oscar Wilde's madcap farce about mistaken identities, secret engagements, and lovers' entanglements still delights readers more than a century after its 1895 publication and premiere performance. The rapid-fire wit and eccentric characters of The Importance of Being Earnest have made it a mainstay of the high school curriculum for decades.

Cecily Cardew and Gwendolen Fairfax are both in love with the same mythical suitor. Jack Worthing has wooed Gewndolen as Ernest while Algernon has also posed as Ernest to win the heart of Jack's ward, Cecily. When all four arrive at Jack's country home on the same weekend—the "rivals" to fight for Ernest's undivided attention and the "Ernests" to claim their beloveds—pandemonium breaks loose.

Only a senile nursemaid and an old, discarded hand-bag can save the day!

Customer Reviews:

Best play I've ever read.......2007-05-27

The wit in which Wilde writes is incredible. It's a quick short play so you should definitely read it if you love plays. It's funny, and just quite great!

the importance of being earnest.......2007-01-09

this book came in great condition, as promised, and arrived on time. thank you very much!

Essential Wilde.......2006-12-15

Funnier and more entertaining than you ever thought reading a play could be, and absolutely more relevant now than ever, The Importance of Being Earnest is Oscar Wilde at his best. Thankfully short ( you can read it in an hour or so ) and filled with brilliant, biting humor.

Great version of the Classic Play.......2005-10-17

The Importance of Being Earnest is a fantastic play. It is an easy read, and is not only well thought out, but hilarious.

I liked this book of the play especially, because it includes helpful notes in the beginning, but more because it has a glossary of difficult terms in the back. Every time I came to a word that I did not know, it was sure to be defined in the back.

If you love theatre, this is a great play to read. I would highly suggest this book.

Wilde's wittiest.......2005-07-14

One thing happens when you read Oscar Wilde's "The Importance of Being Earnest"; you are amazed to remember that this play was authored over 100 years ago. For most plays of that era, the average reader tends to lose references and it tends to be stodgy and irrelevant. Not so Earnest, due to the brilliance and imagination of it's playwright.

The Importance of Being Earnest is a tour de force of comedy, misidentifications, and farce. Algernon and Jack are friends, and each has invented an imaginary person as an excuse of getting out of engagements. Jack's person is Ernest, a brother with a wild past. The two conspire to woo the ladies that they love, and through a series of happenstances, must gently deceive to get want they want. The end result is a play of uncomperable quality, chock full of witticisms that are highly quotable out of context. In fact, I dare suggest the entire play is quotable, such its brilliance.

Wilde pulled no punches when writing Earnest. Often, when a play is filled with memorable quotes, it takes away from the realism of the scenes because the characters then become merely conduits for the writer's intellect. Not so in Earnest. Wilde manages to make the characters say exactly what they would say in each situation, true to their persona. That alone is quite an accomplishment, one not often seen.

Misidentities, witty banter, love, all conspire to one of English's most brilliant comedies ever to have seen the stage. We should be so lucky the world had Oscar Wilde in it, and even more so, that he wrote at all.

Average customer rating:

TO KNOW WILDE, KNOW HIS MOTHER
scholarly yet stimulating
Utterly Moving
Likely to stand as the definitive biography of Wilde
A Must-Read For Wilde Fans

Oscar Wilde
Richard Ellmann
Manufacturer: Vintage
ProductGroup: Book
Binding: Paperback

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ASIN: 0394759842
Release Date: 1988-11-05

Amazon.com

Richard Ellmann capped an illustrious career in biography (his James Joyce is considered one of the masterpieces of the 20th century) with this life of Oscar Wilde, which won both the National Book Critics Circle Award and Pulitzer Prize on its original publication in 1988. Ellmann's account of Wilde's extravagantly operatic life as poet, playwright, aesthete, and martyr to sexual morality is notable not only for the full portrait it gives of Wilde, but also for Ellmann's assessment of his subject's literary greatness; both aims are served by a plethora of quotations from Wilde's own work and correspondence. Wilde straddled the line between the Victorian age and the modern world as he did everything in life ... with impeccable style.

Book Description

The biography sensitive to the tragic pattern of the story of a great subject: Oscar Wilde - psychologically and sexually complicated, enormously quotable, central to a alluring cultural world and someone whose life assumed an unbearably dramatic shape.

Customer Reviews:

TO KNOW WILDE, KNOW HIS MOTHER.......2006-08-12

Just as to know James Joyce, discover his daughter, the spark of his own genius.

Lady Wilde was a writer and Irish revolutionary who raised her son to infiltrate the highest ranks of the empire and expose their foibles, faults, cruelties and hidden shames, which he so fully did through his theatre work and other writings. He was investigating the widespread homosexuality of the British aristocracy when he was arested for his prying and blamed for that which he himself investigated and reported. He was silenced through breaking imprisonment (read his post-prison poetry, and the uneven yet revelatory De Profundis written from prison) which debilitated, discouraged and killed him a few short years after his release.

TO know Wilde, know his mother: Speranza, Lady Wilde, whose wonderful works of Irish history and legends are now available on amazon.com only in Spanish translation. Several good biographies are also available at unattainable price.

Know alos his son. Wilde was a loving family man who wrote wonderful bedtime stories for his own beloved children. What broke him in prison was losing them, as he writes in De Profundis.

Ellman's is a fine biography. Find out far more about Wilde than the popular and shallow slander urgently promoted by the Empire

scholarly yet stimulating.......2004-07-09

I remember reading this book when I was 16 and being blown away by the erudition. Even to this day it's probably the most erudite biography I've ever read. The scholarly weight and depth of this book is tremendous. It is amazingly comprehensive. This is the kind of book that takes 20 years to write and must be a labor of love for the writer--the writer must really love his subject, in this case, Wilde. And one has every indication from the book that Richard Ellman did. His portrait of Wilde is no less sympathetic as it is complete. This must be the definitive biography which all other Wilde bios should be measured against. A superlative achievement.

David Rehak
author of "A Young Girl's Crimes"

Utterly Moving.......2004-02-05

I had just finished this book ten minutes ago and I am completely in love with the man. His life was one of both tragedy and creativity. I felt so sad for him in the last part of his life. He was an amazing soul and this bio accented it. A must read!

Likely to stand as the definitive biography of Wilde.......2002-10-14

If Richard Ellmann had not already written the definitive literary biography (his astonishing JAMES JOYCE), this utterly first-rate biography would be a legitimate candidate for the title. One might initially think that Wilde would be an easy subject for a biography: his life was interesting, eventful, literarily significant, triumphant, and tragic. But the problem is that for many Wilde has become a symbol either of the late 19th century Victorian decadence or the oppressed homosexual. To treat anyone, and especially Wilde, primarily as a symbol or a representative of anything outside himself, is to distort and misrepresent. The genius of Ellmann's biography of Wilde is that Wilde never becomes either more or less than the writer and person Oscar Wilde.

The portrait that emerges of Wilde is absolutely fascinating. If Ellmann's JAMES JOYCE is the greater biography, Wilde emerges nonetheless as the more interesting of the two Irish authors, and perhaps the more brilliant, if not the more productive. Indeed, one of the things that emerges from Ellmann's book is a sense that Wilde might have become a greater writer than he did, and not just if he had not sued the Marquess of Queensbury and had not been sent to prison on sodomy charges. Wilde emerges as even more brilliant than the work he produced, as if he had produced much of his work with a minimum of reference.

Ellmann does a marvelous job of situation Wilde in his time and place, with the cultural and artistic concerns paramount at the time. He also does a fair and just job of depicting the major involvements in his life, beginning with Whistler and his wife Constance and continuing on with his various involvements, especially with Alfred Lord Douglas. With the latter, Ellmann certainly does not try to idealize the relationship, but recounts it warts and all. If there is a villain in the book, it is not, surprisingly, the Marquess of Queensbury, but his son Lord Douglas.

The saddest part of the book, by far, is the section recounting Wilde's life after leaving prison, which is one disappointment after another. He first intended to reunite and reconcile with his wife, but she unexpectedly died, thereby cutting himself off from both a family and his children. He then reunites uncomfortably with Lord Douglas, but the attempt is a disaster. He final year or two are recounted as being especially miserable, with an impoverished Wilde reduced to conversing entertainingly with strangers for the benefit of a drink. It is especially heartbreaking to read how almost all his former friends cut him off, refusing to help him in his time of greatest need. An encounter with a young man from Arkansas provides perhaps the most apt Wilde quote from his last days. Upon hearing about Arkansas, Wilde remarked, "I would like to flee like a wounded hart into Arkansas."

One learns a vast amount of fascinating biographical detail about Wilde's life from this book. For instance: Wilde was double-jointed, could speed read and knock off books in scarcely more than a half hour in some instances. He was acquainted with the Yeats family in Ireland, and spoke with a pronounced Irish accent until he went to Oxford. He bought Thomas Carlyle's writing desk. He was a Mason. Physically he had tiny feet and teeth that were darkened by mercury treatments. And there is much, much more.

On nearly every level, this is a truly great biography. Even if one is not a fan of Wilde's works, it is definitely worth reading.

A Must-Read For Wilde Fans.......2002-07-01

Oscar Wilde was a man of paradoxes, both a man completely of his time and ahead of his time. He is also one of the most interesting, and tragic, literary figures of all-time. In our age of "information quick" (though it was the same in his own age), Wilde is often misunderstood (both his life and his works.) It's easy to get a one-sided version of Wilde the writer, or Wilde the man. That is why this extremely well-written, Pulitzer Prize-winning, masterpiece of a biography is absolutely essential for the Wilde scholar or the Wilde fan. Ellman skillfully avoids what he could've so easily done, and what so many other have done: write a sensational, tabloidistic account of Wilde's remarkable and scandalous life. Instead, he carefully, skillyfully - and, not least important, lovingly - assembles a neat balance between the sensational elements of Wilde's remarkable life and his literary legacy. Wilde, whose works are often dismissed (despite being probably the most widely quoted source in the world outside of The Bible and Shakespeare, and despite having his works widely and frequently plagarized) because of his lifestyle, and Ellman thankfully gives him his due here. Thanks to people like Ellman, Wilde's literary works rest now, finally, where they are due: at the top of the pantheon. He also goes a long way towards explaining the underlying motives behind Wilde's seemingly self-conscious descent into oblivion. Wilde, to the casual observer, seems almost to have been on a deliberate mission of artistic and personal suicide, and Ellman goes a long way here towards explaining his motives. As Wilde himself said, his life itself was his greatest work of art - it's very moving and incredibly tragic to watch his spectacular meteoric rise and even more spectacular fall, leading into his amazing decline, disgrace, and exile. One of the most famous men of his time in the 1890's, it's incredible to see how totally Wilde was shunned after his imprisonment. However, with the passage of more than a century - in which tolerance has made great bounds, both for gays and for the expulsion of literary censorship - Wilde's star can hardly be said to have ever shined brighter. Every year brings a new movie adaptation of one his plays (a movie of this book was even made a few years ago), his plays are still being staged, and his books are still widely read and discussed - not to mention that he is one of the most widely quoted invididuals in the English language. One may still well question Wilde's wanton ways and his decision to face the music, even when it was obvious and inevitable that he was going to lose both his reputation and possibly his life - but remember only what one W.B. Yeats has said of Wilde: "I never for a moment thought that he made the wrong decision" - Wilde, who lavished and delighted in pointing out the hypocrisy of his age and society won the right, by submitting to it, to critize it more. Now, a hundred years on, Wilde - poet, playwright, wit, and martyr to sexual mores - stands as tall as ever, a huge, larger-than-life, towering figure, his wit remaining, as Ellman says, "an agent of renewal."

Average customer rating:

Collectable
Magnificent!
no dates
"I Hate It When Everyone Agrees With Me, For Then I Must Consider That I Might Be Wrong"
the cover (thin film)

The Complete Works of Oscar Wilde
Oscar Wilde
Manufacturer: Harper Perennial
ProductGroup: Book
Binding: Paperback

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ASIN: 006096393X

Book Description

A unique one-volume anthology which includes all of Wilde's stories, plays, and poems. It also features a large portion of his essays and letters and an introduction by Wilde's son, Vyvyan Holland.

Customer Reviews:

Collectable.......2007-05-12

Not practical book to carry and to read it while outside, but it is just the way how ALL-IN-ONE book is...However, good to have all his works together...

Magnificent!.......2006-10-13

I wish there was some way to make this large tome more compact, because (if it were possible) I would probably carry it around with me wherever I went! I originally became familiar with his work because Carl Barat and Pete Doherty (band members of The Libertines, a fantastic British band) had mentioned him amongst their favourite authors. I decided to read "The Picture of Dorian Gray". I liked so much that I decided to buy the whole collection of Wilde's plays, poems, and stories.

Perhaps I am biased because I particularly enjoy literature from the 1800s (Edgar Allan Poe, Emily Dickinson, Mark Twain, Lewis Carroll, Edwin A. Abbott), though I must admit that I haven't come across anything similar to Oscar Wilde's work before. Wilde's profound ability of creating rich, imaginative dialogue is especially evident in his plays and his one novel, "The Picture of Dorian Gray". Many of his plays, especially The Importance of Being Earnest, are too fantastic, too purely Victorian in nature to be imaginable as happening in real life. However, I think that it is the underlying fanciful, almost surrealistic quality of much of his stories and poems that make them most interesting. The sheer amount of quotable phrases found in his work is something to really be marvelled at. Not only the dialogue, but the quality of the plot is brilliant as well. "The Picture of Dorian Gray", a tale of a handsome youth's descent into madness and debauchery, is particularly striking. It makes me wonder what other stories Wilde could have produced if his life had not been so tragically short (1854-1900).

Though he might be more well-known for his plays and novel, his first published material was poetry. His poetry, as does his other work, embodies his ideals of aesthetics: "art for art's sake". The articulate, minute description of details which might go unnoticed or seen as obsolete matter a great deal in the aesthetic philosophy, as does the beautification of objects and art in everyday life. Wilde even had a tour of lectures on the aesthetic movement in the United States and Canada in 1882, though his philosophy wasn't well-received by the majority of critics.

Wilde had said that "The House of Pomegranates", one of his collections of fairy-tales, was "intended neither for the British child nor the British public". This is believable to an extent, because the majority of Wilde's material seems to be encompassed in a world of his own. He was incredibly proficient at putting down onto paper the very heart and soul of what he was trying to convey, which eventually contributed to getting him into trouble later on. The "The Picture of Dorian Gray" became notorious amongst critics as being a "corrupt" and "unclean" work, chiefly due to the apparently "sinful" nature of Dorian Gray and his misadventures.

This collection is 1000+ pages in length, though it didn't take me a considerably long time to read because I found the bulk of it incredibly interesting and well-written. Even for those who have read some of his work before (any poems, stories, essays, and/or letters), and especially for those who haven't...get this book! You will not regret for a moment the decision to delve further into the literature of one of the greatest authors that I know of.

no dates.......2006-03-26

This is a very well priced volume. It lacks any notation as to the source or dates of all the texts. In fact, the copyright doesn't even tell you when this volume was published. No named editor. Nevertheless, it's got so much: De Profundis, decay of lying, artist as critic, and then the plays, Dorian, etc. No letters and nothing from trials, but a great volume for the price.

"I Hate It When Everyone Agrees With Me, For Then I Must Consider That I Might Be Wrong".......2005-12-21

The title says it all. This is THEE complete works of Ireland's gift to Victorian London. Wilde's plays, essays, poems, his sole novel, The Picture of Dorian Grey, and his last bitter work, De Profundus, (From The Depths) a letter to his lover and betrayer, Lord Alfred Douglas, is re-printed as well. For the price, it's the best way to add this celebrated, tragic wit to your library.

the cover (thin film).......2005-09-06

was peeled off and stuck on to the shipping bag.

The Picture of Dorian Gray and Other Writings (Enriched Classics)

Average customer rating:

great book, minor flaws
The Picture of Dorian Gray: An Essential Classic
A favorite
Wonderful collection of brilliant writing
An interesting story

The Picture of Dorian Gray and Other Writings (Enriched Classics)
Oscar Wilde
Manufacturer: Pocket
ProductGroup: Book
Binding: Mass Market Paperback

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ASIN: 1416500278

Book Description

ENDURING LITERATURE ILLUMINATED

BY PRACTICAL SCHOLARSHIP

The classic Gothic tale of horror that explores the pleasures and dangers of a life of decadence.

EACH ENRICHED CLASSIC EDITION INCLUDES:

• A concise introduction that gives readers important background information

• A chronology of the author's life and work

• A timeline of significant events that provides the book's historical context

• An outline of key themes and plot points to help readers form their own interpretations

• Detailed explanatory notes

• Critical analysis, including contemporary and modern perspectives on the work

• Discussion questions to promote lively classroom and book group interaction

• A list of recommended related books and films to broaden the reader's experience

Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON

Customer Reviews:

great book, minor flaws.......2006-11-07

First off, for the audience looking to read this book after viewing the character from the movie LXG, know that the characteristics of Dorian are no as they were in the movie. Dorian does not die when he looks at his portrait; in fact his observation of the changes in his picture is one of the main elements of the story. Basil, an artist that is obsessed with the beauty of one man, Dorian, paints a portrait so beautiful that the subject is pained by the fact that the portrait's beauty will outlast that of his mortal body, and he wishes that this formula could be reversed, with the portrait aging in his place. He gets his wish, but at what price? Dorian, now free from the bounds of mortality, is no longer afraid to sin, since there he thinks that nothing can happen to him. But his behavior was not all due to his immortality; it was also due to the fact that the negative influence from Lord Henry corrupted his pure soul. The fact that he was able to keep his beauty but not able to keep his soul shows that judgment based on appearance is not only wrong, but inaccurate. This book is recommended, but not to the highest extent. The story picks up quickly, as it must with such a limited amount of pages. One of the only flaws in this book is chapter 11, the long, unwanted pause. A classic nonetheless, one that should no be overlooked.

The Picture of Dorian Gray: An Essential Classic.......2006-11-05

The Picture of Dorian Gray is one of the greatest books of our time. It is over one hundred years old, but has aged gracefully and is still easily understood and as relevant to matters of life now as it was when it was first published. Though there have been many imitations of it and many film depictions of it, none of them do justice to the real thing. This timeless classic follows the development of a teenager, Dorian Gray, into manhood as the people that he calls his friends corrupt his soul. This is symbolized in a portrait that Gray hides, which was painted by the man who was perhaps his only good-hearted friend, Basil, who later met his untimely demise. Along with the exceptional plot and surprising twist at the end comes the message that Oscar Wilde cunningly imparts to the reader: One must be master of oneself because outside influences often disfigure one down to the deepest part of their soul. On top of all this, the book is also simply well written and entertaining. It is enjoyable because Wilde uses his mastery of everything from satire to suspense to convey his message and an extraordinarily compelling plot to the reader. You should read this book if you are looking for new knowledge, literature with a deep message, or simply a good time. This edition is especially helpful because it has a glossary for the meanings of some older words and supplementary reading written by Oscar Wilde.

A favorite.......2006-05-26

This book is one of my favorites. I love The Picture of Dorian Gray, and also was amazed by "The Ballad of Reading Gaul"

Wonderful collection of brilliant writing.......2006-05-16

This is the version I read while first discovering the many talents of Oscar Wilde. Dorian Gray is captivating, though the actual storyline is not intricate. The descriptions are extraordinary and left me wondering why he hadn't written more novels? Very short, very effective. It is inconcievable to think that Wilde was denounced for this book being immoral as it is really quite moral, considering the consequences of Dorian's behaviour. (He once commented that there never was an immoral or moral book, simply badly written or well-written) For insight into Oscar Wilde's very colourful life, pick up a copy of Richard Elmann's biography; it is not a happy read but very readable nonetheless.

An interesting story.......2005-11-15

The beginning and end of this book were fairly interesting, we get to see Dorian Gray first as a young man (a child essentially) and how he was poked and prodded into becoming the man we see at the end of the book. The middle is somewhat lacking, and I completely lost interest for almost a month before picking the book back up and finishing the story.

The story is essentially that of a man who sells his soul for something petty, namely, beauty and about the downfall of not only the main character but also those whom he encounters in his life. It is an interesting story, but I feel that the story could have been written better and become somewhat of a mystery novel. Instead of revealing Dorian's secret at the moment he discovers it, it would have been fun to leave the reader guessing as to why Dorain was so afraid to let others see the great picture of himself, and perhaps delve into the inner turmoil of Dorian a bit more before the conclusion.

I have only read the story once, but in future readings I'm sure this story will become more intriguing.

The Artist as Critic: Critical Writings of Oscar Wilde

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WITH WILDE IMPRISONED OUR CULTURE WILTED AND DIED TOO YOUNG

The Artist as Critic: Critical Writings of Oscar Wilde
Oscar Wilde
Manufacturer: University Of Chicago Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0226897648

Book Description

Although known primarily as the irreverent but dazzlingly witty playwright who penned The Importance of Being Earnest, Oscar Wilde was also an able and farsighted critic. He was an early advocate of criticism as an independent branch of literature and stressed its vital role in the creative process. Scholars continue to debate many of Wilde's critical positions.

Included in Richard Ellmann's impressive collection of Wilde's criticism, The Artist as Critic, is a wide selection of Wilde's book reviews as well as such famous longer works as "The Portrait of Mr. W.H.," "The Soul Man under Socialism," and the four essays which make up Intentions. The Artist as Critic will satisfy any Wilde fan's yearning for an essential reading of his critical work.

"Wilde . . . emerges now as not only brilliant but also revolutionary, one of the great thinkers of dangerous thoughts."—Walter Allen, New York Times Book Review

"The best of Wilde's nonfictional prose can be found in The Artist as Critic."—Michael Dirda, Washington Post Book World

Customer Reviews:

WITH WILDE IMPRISONED OUR CULTURE WILTED AND DIED TOO YOUNG.......2006-08-04

This extensive (nearly five hundred page) collection of Mr. Wilde's critical writings provides much food for thought regarding the nature of literacy, and valuably more than makes up for the slight expense of its price. The penultimate piece of sayings and philosophies for the young alone happily repays abundantly any investment of time and money.

Wilde, like Poe, is lesser known for his criticism and aesthetic philosophies, yet both in their prime wrote extensively, reviewing other writers and their art form.

The preface to Dorian Gray, here included reads in places like classical haiku about writing. Wilde cleverly and clearly presents his thoughts concerning the nature of reality, of art, and his mirroring reality through art in order to aid us to see and to believe and to understand and to learn and to live in this reality in which we discover ourselves. He shows us how to discover ourselves, and to live with knowledge, wisdom and intelligence.

This is why the Empire imprisoned silenced and ultimately broke him. He saw and reported too truly through his wonderful plays and writings and epigrams the corrupt nature of the Empire and dared speak truth to power.

Who Was That Man?: A Present for Mr. Oscar Wilde (The Masks Series)

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The Wilde Side

Who Was That Man?: A Present for Mr. Oscar Wilde (The Masks Series)
Neil Bartlett
Manufacturer: Serpent's Tail
ProductGroup: Book
Binding: Paperback

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ASIN: 1852421231

Amazon.com

Since the 1960s, when his work gained a new recognition in the literary canon, biographies of Oscar Wilde and critical analysis of his work have become commonplace. While this writing acknowledged the "fact" of Wilde's homosexuality, it did not, for the most part, explore the complexity of the impact it had upon his life and work. This is remedied in Neil Bartlett's Who Was That Man?, which squarely places Wilde in a gay historical context and literary tradition.

Neil Bartlett--an openly gay British novelist, critic and leading innovator on the British stage--has produced the one of the most remarkable books ever written on Wilde. Who Was That Man? is a personal meditation on Wilde's work and the relevance of the artist and playwright in the contemporary world. Bartlett uses his own experience as a gay man to understand Wilde's life and manages--through extensive historical research and evocative language--to make observations and connections and illuminate our understanding of the writer and his place in his own world and ours.

Customer Reviews:

The Wilde Side.......2000-02-04

A gay Londoner of the 80s goes searching for his roots and finds Oscar Wilde, a complex figure early on in the history of the cultural and social construction of twentieth-century homosexuality. If you're interested in Wilde, this is a very good book to read along with Richard Ellman's more standard biography.

The Importance of Being Earnest (Dover Thrift Editions)

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Honestly...
Brilliant and Witty
Audio CD is abridged on one CD
Timeless Wit
amazing play

The Importance of Being Earnest (Dover Thrift Editions)
Oscar Wilde
Manufacturer: Dover Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0486264785

Book Description

Witty and buoyant comedy of manners is brilliantly plotted from its effervescent first act to its hilarious denouement, and filled with some of literature's most famous epigrams. Widely considered Wilde's most perfect work, the play is reprinted here from an authoritative early British edition. Note to the Dover Edition.

Customer Reviews:

Honestly..........2007-03-24

I still smile when I think about this play. It was my first sampling of Oscar Wilde, and I found it pretty enjoyable. It's also been my only sampling of Oscar Wilde. I've been meaning to get into some more of his work, I really have. It's a tale of mistaken identity, of love, of three volume novels, of "Bunburyists" and of fashion. Everyone claims to be Earnest, but they're all rather trivial about it. It's pretty funny too, with a lot of wit and the like through it.

This particular edition is particularly cheap, and it seems like its worth a look.

Brilliant and Witty.......2006-05-06

I love this play. I love Oscar Wilde. The wit and humor of this play is astounding, and yet at the same time, it is so intelligent. I love it.

Audio CD is abridged on one CD.......2006-04-23

I have not listened to this audio CD version. I purchased it and returned it without listening to it. I opened the case and realized that this is an abridged radio play version on one CD. The play itself is delightful. I don't care for abridged versions of most material, certainly not a play that takes less than 90 minutes in its entirety. I urge Amazon to update the catalog entry to indicate that this is abridged. An unabridged version is available from other vendors. Thank-you.

Timeless Wit.......2006-01-14

This is an undeniable classic that I've enjoyed seeing over the years in both theatrical and film productions. Upon reading the work, I find that it doesn't suffer in the reading as well. Wilde is likely the most witty person to have ever lived. He claimed he was at least. His works, of course, reflect that genius. In particular, "The Importance of Being Ernest" does. If you're going to experience only one of Wilde's plays, this is the one. The plot is delightfully silly and turns on itself several times. And the word-play is hilarious, and still fresh after more than a century. I'm pretty sure that this play will never grow old.

amazing play.......2005-08-05

Oscar Wilde never fails to intrest me. This is his most acclaimed and recognized work. The plot was everyday and trite, but with meticulous details Wilde was able to overplay the happily ever after concept-of-a-plot. I'd definitely read this again. If I could only pick one play to read by Wilde, this one would be it.

Wilde's Devoted Friend: A Life of Robert Ross, 1869-1918

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Wilde's Devoted Friend: A Life of Robert Ross, 1869-1918
Maureen Borland
Manufacturer: Queen Anne Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 1852910852

The Picture of Dorian Gray (Norton Critical Edition)

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I would not order again--missing five pages.
"Beauty is a form of Genius."

The Picture of Dorian Gray (Norton Critical Edition)
Oscar Wilde
Manufacturer: W. W. Norton
ProductGroup: Book
Binding: Paperback

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ASIN: 0393927547

Book Description

About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Customer Reviews:

I would not order again--missing five pages........2007-10-03

On the strength of the first edition, I ordered the second edition for a course. The second edition is missing five pages from Chapter III of the 1890 version of the novel.

I have tried contacting Norton. Their feedback page did not work.

"Beauty is a form of Genius.".......2006-10-06

Oscar Wilde was one of the foremost representatives of Aestheticism, a movement based on the notion that art exists for no other purpose than its existence itself ("l'art pour l'art"), not for the purpose of social and moral enlightenment. Born in Dublin and a graduate of Oxford's Magdalen College, he initially worked primarily as a journalist, editor and lecturer, but gradually turned to writing and produced his most acclaimed works in the six-year span from 1890 to 1895, roughly coinciding with the period of his romantic involvement with Lord Alfred "Bosie" Douglas, sixteen years his junior. Douglas's strained relationship with his father, John Sholto Douglas, Marquees of Queensberry, eventually resulted in a series of confrontations between Wilde and the Marquees, which first led to a libel suit brought by Wilde against his lover's father (who had openly accused Wilde of "posing as a sodomite" and threatened to disown his son if he didn't give up his acquaintance with the writer) and subsequently to two criminal trials against Wilde for "gross indecencies," based on a law generally interpreted to prohibit homosexual relationships. Sentenced to a two-year term of "hard labor" in Reading Gaol, Wilde emerged from prison in 1897 a spiritually, physically and financially broken man and, unable to continue living in England or Ireland, after three years' wanderings throughout Europe died in 1900 of cerebral meningitis, barely 46 years old.

"The Picture of Dorian Gray," Wilde's only novel besides seven plays as well as several works of short fiction, poetry, nonfiction and two fairy tale collections originally written for his two sons, is critical to an understanding of Wilde's body of work and his personality primarily for two reasons: First, because it constitutes one of his earliest fully accomplished formulations of Aestheticism, and secondly because of its undeniable undercurrent of homoeroticism; an inclination which, after a six-year marriage widely thought to initially have been a true love match, Wilde had begun to explore more openly around the time of the novel's creation (1890). The story's title character is an exceptionally handsome young man who, both in the eyes of the artist tasked to paint his portrait, Basil Hallward, and in those of their somewhat older friend Lord Henry Wotton, epitomizes perfect beauty and is coveted by both men for that very reason. Seduced by hedonistic Lord Henry into believing that beauty can literally justify anything, including any act of immorality, Dorian sells his soul for maintaining his beautiful appearance, letting his portrait age in his stead. (In that, his character resembles Goethe's and Marlowe's Faust.) He then quickly turns from an innocent youth into a cruel and calculating man whom society, in its shallow adherence to appearances, nonetheless never associates with any of the results of his cruelty, never looking beyond the surface of his handsome exterior and assuming that a man so beautiful must necessarily also be good. Ultimately it is Dorian himself who brings about his own downfall when he is no longer able to face the manifestation of his evilness in Basil Hallward's picture.

Upon its initial publication in Lippincott's Monthly Magazine in 1890, "The Picture of Dorian Gray" was widely scorned as immoral by a public neither familiar with nor particularly open to the concepts of Aestheticism and its mockery of middle class morality, and repulsed by the thinly veiled homoerotic relationship of the novel's protagonists. Wilde republished the work the following year, adding a preface designed to explain his views on art. Yet, it was that preface which, along with several of his other publications and his written exchanges with Lord Alfred Douglas, ultimately would play a devastating role in his trials, where Queensberry's attorney would come to use an excerpt from that very preface - "There is no such thing as a moral or an immoral book. Books are well written, or badly written" - to extract from Wilde statements to the effect that any book inspiring a sense of beauty (including, as implied in the attorney's question, an "immoral" book, if "The Picture of Dorian Gray" could be qualified as such) was well-written and therefore commendable; that only Philistines, brutes and illiterates - whose views on art he considered invariably stupid and for which he therefore didn't "care twopence" - could consider this novel "perverted," and that the majority of the reading public would probably not be able to draw a proper distinction between a good and a bad book. It was testimony such as this, as well as the impending confrontation with a number of male witnesses ready to testify as to the nature of their relationship with Wilde, that not only caused the author's attorney to convince his client to drop the libel suit against Queensberry but also opened the door for Wilde's own subsequent prosecution.

If "The Picture of Dorian Gray" has a central theme besides the supremacy of beauty and the depiction of a society primarily interested in appearances, it is a call for individuality: Dorian's cruelty is brought out only after he allows himself to be influenced by Lord Henry's equally seductive and cynical hedonism; and similarly, Basil Hallward's blind idolizing of Dorian eventually proves fatal for the painter. - Wilde's only novel is one of the first and most poignant expressions of his own individualism; but unlike his protagonist, who ultimately pays a ghastly prize for selling his soul and giving up his individuality, Wilde paid as high a price for maintaining his. Like Dorian, he knew that "[e]ach of us has Heaven and Hell in him," and although this novel's preface ends with the provocative statement that "[a]ll art is quite useless," it was the very fact that Wilde put his entire being into his art that ultimately destroyed him. But like beauty, which is finally restored to perfection in Dorian Gray's portrait, Wilde's works have stood the test of time; and not merely for their countless, pricelessly witty epigrams. They're as well worth a read as ever.

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