Book Description
The mesmerizing true story of Vincent van Gogh and PaulGauguin in the most celebrated cohabitation in art history.From October to December of 1888, Paul Gauguin shared a yellow house in thesouth of France with Vincent Van Gogh. Never before or since have two suchtowering artists occupied so small a space. They were the Odd Couple of arthistory--one calm, the other volatile--and the denouement of their livingarrangement was explosive. Two months after Gauguin arrived in Provence,Van Gogh suffered a psychological crisis that culminated in his cutting offpart of an ear. He was institutionalized for most of the rest of his shortlife and never saw Gauguin again. During the brief, exhilarating period they worked together in Arles, thesenot-yet-famous artists created a stream of masterpieces within the sharedstudio--including Van Gogh's Sunflowers, which decorated Gauguin's bedroomwall. Making use of Van Gogh's voluminous correspondence and new evidence,Martin Gayford describes not only how these two hallowed artists paintedand exchanged ideas, but also the texture of their everyday lives. He tellsus what they cooked and how they budgeted their meager finances andentertained themselves, and he movingly relays their inner fears anddreams. Gayford also makes a persuasive analysis of Van Gogh's mentalillness--the probable bipolar affliction that led him to commit suicide atthe age of 37. THE YELLOW HOUSE is a singular biographical work as dramaticand vibrant as the artists' pictures.
Customer Reviews:
Two Giants Make House Together.......2007-03-15
One of the most famous episodes of disastrous behavior by an artist is the tormented Vincent van Gogh's cutting off his ear. People who don't know anything else about the artist, or anything about art, know about the spectacular self-mutilation. There is more to the story, of course, and the excision of the ear is certainly not the most important part of van Gogh's life, but it did provide a climax to an important episode in that life, the collaboration between van Gogh and Paul Gauguin. In _The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles_ (Little, Brown), art critic Martin Gayford has recreated almost a day-by-day account of the time the two painters lived together, painted together, stimulated one another, and got on each other's nerves. It is a period that art historians have probed ever since van Gogh's postmortem fame, and while there have been recent discoveries made about details of the collaboration, Gayford's book in its chronological account gets close inside the minds of the two giants as they muddled their way through their period as housemates. Though Gayford tells in abbreviated form about what went on in their lives before and after their sharing of the Yellow House, the concentration on this particular period is wonderfully illuminating.
Van Gogh arrived in Arles in February 1888, and on his walks spied the Yellow House, which he leased for five months. He was well known as a loner, but he had long dreamed of making a colony for artists who would collaborate together; it wasn't that they would work jointly on their canvases, but they would "live and paint together - different in individual style but sharing a common aim, exchanging ideas, commenting on each other's work." Vincent's brother Theo, an art dealer in Paris who lent support in multiple ways to his brother, hoped that it would be good for Vincent to have a companion, and offered Gauguin, whose paintings Theo brokered, a stipend to move in. Shortly after Gauguin's arrival, they proceeded out to paint the autumn foliage of Arles. They would carry out their gear, set up a few yards from each other, and work simultaneously on parallel subjects. There are thus fascinating pairs of paintings to show what the two artists made of the same subject. They talked about their work, they criticized and praised, and for the first weeks all was well. Gradually, however, van Gogh began to behave in ways that Gauguin could not accept or change. The exact reason for van Gogh's peculiar behavior has been retrospectively diagnosed with a dozen maladies, but Gayford makes the case (already made by others) that van Gogh had bipolar disorder (also known as manic-depression). In the particular case of the Yellow House there were other strains. "The claustrophobic pattern of life," writes Gayford, "would have put a strain on the most phlegmatic pair of friends."
Toward the end of the collaboration, van Gogh was strained by the chromatic complexities of his portrait _La Berceuse_. He was drinking, and alcohol always made him more erratic, and he was worried about Gauguin's departure; Gauguin had written to Theo, "Vincent and I are absolutely unable to live side by side without trouble caused by incompatibility of temperament and he like I needs tranquility for his work. He is a man of remarkable intelligence whom I esteem greatly, and I leave with regret, but it is necessary." Van Gogh had taken to wandering at night and winding up near Gauguin's bed, disconcerting his companion. At one point, after consuming an absinthe, van Gogh hurled the glass at Gauguin. On 23 December, van Gogh rushed menacingly in the dark upon Gauguin, and (if the report of the latter is to be believed) did so with a straight razor. Gauguin escaped to a hotel, van Gogh returned home, took the razor, and sliced off his ear. Gayford analyzes possible sources for the self-mutilation, from the Gethsemane story to a newspaper report about Jack the Ripper cutting off the ears of one of his victims. The police were called to the Yellow House to pack van Gogh off the to hospital, where in his delirium he called repeatedly for Gauguin. Gauguin, however, claimed that a visit would make things worse, and left for Paris; they never saw each other again. Gauguin indeed was off to the tropics, and van Gogh was off for a year and a half of hospitalizations and remissions and astonishing productivity, ending in his suicide. Gayford's account measures each day and week in the collaboration with fitting detail, and always concentrates on the paintings that the two men produced during the time. It is the paintings, of course, that matter, not the incivility, neuroses, or madness of the painters. Van Gogh himself declared, "Old Gauguin and I understand each other basically, and if we are a bit mad, what of it?"
Vincent and Paul.......2007-03-04
A greatly enjoyable book. While focussed on just nine weeks in Arles, the narriative darts back and forth over the past lives of Van Gogh and Gauguin in the attempt to explain their specific actions that took place in and around the famous Yellow House.
Martin Gayford does not claim to have written an academic history, but one attempting to shed clarifying light on the actual motivations, thoughts and techniques that resulted in some of the Western world's greatest art. I think the author succeeded in his objective.
Good info, poorly organized; grammatical problems.......2007-02-08
Yes, I have loved Van Gogh forever, and I've read many of his bios. This book has loads of fascinating details, but is poorly organized despite its chronological sequence. Gaylord confusingly moves, from 1888, back and forth, creating disjointed scenes of Van Gogh's past, pieces of art (stupidly printed in black and white, when the author talks over and over about the importance of color), or a place, that he loses the content and context constantly.
His editors don't know how to use commas; and his editors don't seem to know when to reorganize his writing in a way that emphasizes Van Gogh.
Tangents on Paul G. are weirdly excessive, yet shed no light on their relationship. Missing is any reasonable discussion of their alleged duel, and yet, the author takes great liberty in suggesting a confrontation amidst the two with Van Gogh carrying an alleged razor (But where is the source of this conclusion)?
Then the info stops. And starts, and is told in a way as manic and unmanageable as Vincent's disease.
This book is worthy for the author's interesting research and revelations. But the book is a poorly organized hodge podge of this research.
Also: he suggests Van Gogh's funeral in Auvers with no further insight. I've been to Vincent's grave in Arles.
The author would have been smart to clarify why Arles as the final resting place of not only Vincent, but his brother, Theo, right next to him as well.
Lots of great data poorly organized; lots of incomplete data, but well worth the price of the book for the facts you can find here and there.
No sound footnotes, vague explanations of translations, and a poor bibliography make me wonder how well the subject was researched.
Lorraine Keenan
insight into the mind and soul of the great painter.......2007-01-10
This book gives us insight into the mind and vision of Van Gogh. A very good read.
Well-Researched Art Biography.......2006-12-12
Most people have heard of Vincent Van Gogh, the famous--or infamous--nineteenth-century artist. He's the one who painted Starry Night and various Sowers and Sunflowers, among a very few. But he is also notorious as the deranged artist who cut off his ear in 1888.
What lead to this act of self-mutilation, this event known as "the Crisis"? In the weeks leading up to the Crisis, Van Gogh shared a cramped studio with another renowned artist, Paul Gauguin. Located in the southern French town of Arles, the Yellow House became the setting for one of art history's oddest pairings.
In hopes of changing the future of art, Van Gogh and Gauguin agreed to a period of collaboration. Great things indeed happened. But with such disparate personalities, the idyll of the artists' dream didn't last.
Martin Gayford presents an intimate look into a critical period in art history. Dogged research not only into letters written by Van Gogh and Gauguin, but through public records and more, has allowed Gayford to surmise what daily life must have been like for the two artists that autumn.
Art enthusiasts interested in either artist's story will find THE YELLOW HOUSE a fascinating study. Casual purveyors, however, might find their attention wanders when Gayford gets into minute details that mean more to an artist than the average person, such as the weather on a given day. Overall, this accounting of "nine turbulent weeks in Arles" is well done. It is less dry than many biographies, and there is a real sense of the rise and fall of the Yellow House studio, and the enormous emotional impact on all those involved.
This is a definite recommendation for readers interested in Vincent Van Gogh, Paul Gauguin, and/or art from that period. Readers who are only interested in the Crisis may be surprised to learn a lot more than they expect, as well.
Reviewed by Christina Wantz Fixemer
12/11/2006
4.5-Books on WUAT = S-Stars on Amazon
Book Description
LUST FOR LIFE is a fictionalized biography of the Dutch painter, Vincent Van Gogh and is based primarily on Van Gogh's three volumes of letters to his brother, Theo. Van Gogh was a violent, clumsy and passionate man who was driven to the extremity of exhaustion by his fervor to get life -- the essence of it -- into paint. Irving Stone treats the artist with great compassion and gives us a portrait that is sympathetic but fair.
Customer Reviews:
A Wonderful Introduction to Art.......2007-10-06
I loved this book. For someone like me, with just a passing knowledge of art and art history, it was pretty amazing to learn about Van Gogh's development as an artist and the Impressionist art movement. In addition, I think that its two major themes of expression and immortality are going to have a lasting effect on me.
By expression, I mean that Van Gogh put all his time and energy into expressing himself in a way that he felt was making the best use of his skills. For him, his calling was a new form of art, and he stuck with it despite receiving no recognition or profit for his work during his lifetime. By immortality, I mean that although Van Gogh was not successful in his lifetime, his work lives on and is hung in the most important museums in the world.
Highly recommended.
A Man Amongst Men.......2007-06-29
This is a beautiful novel about a beautiful human being. If you love Van Gogh's paintings (he is my personal favorite of all painters) then by all means, you need to read this wonderful book. In his prose, Stone is able to paint a vivid, vibrant, illuminating portrait of an amazing artist. I was truly blown away and completely consumed from the first chapter on. I actually read this fine story after visiting the Musee d'Orsay (Museum Orsay) in Paris and seeing first hand the magnificent works of this illustrious Impressionist. Of all the great many paintings presented at the Louvre and d'Orsay, it was the Van Gogh's that captivated me more than all the others (which is saying a lot, because the whole place is captivating!). I couldn't believe some of his self-portraits. What really fascinated me the most was the despondency in those steel blue eyes of his. This is what led me to read this story. I wanted to know where all that pain and suffering came from. Irving Stone answered all of my questions and then some. He is a brilliant and insightful writer and I will be looking forward to reading his novel "The Agony and the Ecstasy" which is based on the life of another favorite artist of mine - Michelangelo.
Anyone who is struggling to become an artist needs to read this! Talk about sacrifice and desire and heart and passion... this man Van Gogh was a true original. A man like no other before or since.
"...for by sadness the countenance of the heart is made better."
I can't recommend this one enough.
Living for Lust.......2006-11-07
I should have read this biography sooner. I used to be in love with his paintings, and even fantasized that IF I were to travel back in time, I would've married him -- all this BEFORE I read this book. After I read it I found out that there was one such infatuated woman (Margot), and also a tragic unrequited love story that led him to religion and then to painting. Anyone who is creative will sympathize with the extent to which pain can be transformed into the strength to create. The creative path is not always materially rewarding, and even if it is all an artist has, it will continuously change others' lives. I absorbed every word of this book and was hooked until the very end. Poverty and disinterest is ephemeral... belief in oneself is revolutionary.
An excellent book.......2006-02-26
An excellent book, amazing story, and very well-written. This book will take you through Van Gogh's life, inform you about this amazing but troubled artist, and leave you with your mouth open. Recommended for all ages and types of people. The only tough thing about the book is that it is sort of a slow journey... you might find yourself wandering a bit in the early chapters, but it is immensely satisfying if you can forge through them and take an amazing ride through this guy's life (don't skip any chapters).
Excellent.......2006-01-17
I just loved it !!! It makes knowing about Van Gogh's life even more interesting, after reading it one can appreciate his art even more- if that's possible !!
Customer Reviews:
Nice insight.......2007-02-07
It is not as easy a read as Stone's van Gog biography Lust For Life, but for fans, it's a deep book.
Vincent tells of how he went into the fields to paint, and then a rain storm came. He sought meager shelter behind a big tree while it lasted, and then resumed. And because he had started with a low vantage point, he now had to stand on his knees in the mud! He seems to merely mention this to point out why he considers common workman's clothes to be the artist's best friend...
He also tells how he went out to paint the sea, in a storm so strong he could barely stay on his feet. One painting got so full of sand from the beach that he went to a nearby inn and retouched it... and then went back out into the storm to finish it with fresh impressions!
Today, most of us: "Go out with the camera today? Nah, it's a bit nippy, and I just got the Sopranos on DVD..."
Irving Stone edited Dear Theo, and while he may have done a good job generally, I think it was a disservice to the material to not indicate where he cut it. It is just one long text, no dates and no indication where each quote starts or ends.
Let the reader beware - this is more novel than letters.......2005-04-22
I, like the many reviewers of this book, was enthralled and inspired by this collection of letters when I first read it 25 years ago. I have recommended it to many friends. At the time I would have given it five stars or even more if they were available. Irving Stone writes in his preface "My aim has been to edit the 1670 pages of material down to a swiftly flowing, continuous normal-sized book..." He succeeded but even 25 years ago I was a little disturbed by the complete absence of indications where exactly Mr. Stone had done his cutting, or his editing. Today, in the age of internet we can now do some easy checking. The unabridged letters are on the net and reveal that basically what this Dear Theo is, is another novel written by Irving Stone. There is almost no resemblance to the original letters. The novelist has used his talents and the raw material to create a beautiful saga. Worth reading, but let the reader beware.
A fire starter.......2002-11-03
These letters speak the truth of van Gogh. This book opens a window of knowledge on a man so misunderstood to the world. At 14, I absolutely am in love with this book. "Dear Theo" has ignited a fire in my soul, a burning desire to study art and the men behind the works.
Interesting and revealing.......2001-01-15
Vincent Van Gogh was a great painter, but not a writer. So these letters are of interest in terms of history and painting. The life of Van Gogh is better exposed here than it would have been in a "real" autobiography, because Theo, his younger brother, was the only real friend Vincent ever had. He was his supporter, admirer and listener, and in fact Vincent had an emotional dependence on his brother. People interested in the process of artistic creation and creativity will find this book of enormous value and interest, since Van Gogh speaks a lot about that process in himself, one of the greatest painters of all time. But it is true, as one reviewer said, that these letters include, each and every one, eternal whining and begging from Vincent to his brother. He was, of course, always out of money and, as a genius really disconnected from the common world, unable to make a living by conventional activities. So he depended almost entirely on Theo. I would like to insist in that, although by no means a literary accomplishment, these letters are worth reading, since they expose naked the soul of a great artist and an extremely sensitive man, certainly a tortured and twisted soul.
here's your unadulterated chance to see just how screwed..........2000-12-13
here's your unadulterated chance to see just how screwed up van gogh was. letter after letter after letter sitting on the pity pot writing to his younger brother whining for money, crying for assistance, guilting his brother into supporting his art...his art habit...his art addiction. ya know, after reading this book my perspective on van gogh changed. he struck me as an ultra-martyr (in the icky sense of the word), so big into self-pity. now, having since read a little more of his history - screwy parents, etc. - i have some more compassion for the guy and for why he was so screwed up, but these letters are honestly nothing short of tedious. one after the other, whining for money, then waxing eloquent about his art, which actually struck me often as quite manipulative - like he was justifying his existence and his productivity to theo.
anyway, i still think van gogh is a wonderful artist, but what a messed up life - can't miss that from these letters. but god, i wish they'd been even more edited. and one other thing - irving stone (the editor) thinks van gogh is one of the world's greatest writers and philosophers of all times, in addition to being the honcho primo artist. well, as for philosopher, sorry irving, no. the guy was miserable and depressed and lonely, and seemed to philosophize in his letters to just keep contact with the world, but his philosophy gets under my skin.
Book Description
"Brad" explores the ups and downs of van Gogh's life and art in this colorful report, featuring Brad's funny cartoons alongside reproductions of classic paintings like Starry Night.
Customer Reviews:
Gogh for it!.......2005-06-21
I wanted something to spark my 6YO son's interest in art. This book sure did. He asked me to read it to him a 2nd time right on the spot. He also spotted a Van Gogh print that I brought home. This is a fine series. I also got the Degas which wasn't quite as interesting but he still liked it. I just ordered Picasso and a few others. Get the Van Gogh and if your child loves it, try some of the others. (I also liked that this mentioned Van Gogh was very depressed once at loving a woman who didn't love him back.)
Starry Light....I mean Starry Night.......2004-10-29
This is what my daughter called the famous painting when I first bought her this book. She is almost 4 and has owned this book for about 9 months and it is regularly a favorite that she likes to read...well, more often she likes to look at the pictures and name the paintings. This is a great intro to art book for young children. I highly recommend as a first book for your little art-lover, or art-lover-to-be.
Great, funny book with good facts and paintings.......2004-08-02
My daughter read this book for a class report, and we liked the fact that this book coincidentally was written as though it was a child's report about Van Gogh. She was intrigued to find out that Van Gogh sold only one painting in his lifetime, and was not a rich artist. The humor in the writing and illustrations make this book accessible, fun, and informative, and help kids relate the artist's life. The evolution of Van Gogh's painting style beginning with Potato Eaters and the influences on his art are discussed in understandable terms. It was fun to learn that throughout his life, Vincent's best buddy was his brother Theo, even though they fought as siblings often do. The book contains many photos of Van Gogh's actual paintings. Great book. We both recommend it.
Average customer rating:
- Good information, but beware of noose!
- great idea for a series
- For the price, it is a good book for beginners and children
- Van Gogh (Getting to Know The World's Greatest Artists)
- Excellent art appreciation but questionable cartoons
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Van Gogh (Getting to Know the World's Greatest Artists)
Mike Venezia
Manufacturer: Children's Press (CT)
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ASIN: 051642274X |
Customer Reviews:
Good information, but beware of noose!.......2006-04-30
I loved the fact that there is a children's book out there that contained all of my favorite works by Van Gogh, with text to support it, which can be read by my 7 year old. I don't know, perhaps I'm overprotective, but I didn't think one of the cartoons, showing a stick figure of "Mr. Van Gogh" in a NOOSE was appropriate for my son! (The context was that his students drew it....still, inappropriate! If a student would draw that on any chalkboard in any school district, they would probably be expelled!) I am planning on saving this book, for when he is older, and am looking for a replacement van gogh book for now, with only prints of his masterpieces!
great idea for a series.......2006-03-11
these are a wonderful set of books for children to read to themselves, they are well researched and written. as an art teacher for pre-schoolers I found some of the information too negative, too personal and I really dislike the cartoons, it is too easy for children to focus on those and it detract from the artwork. Still I am glad I bought this one and will buy more, just maybe not to show my students, but to get ideas for teaching to kids.
For the price, it is a good book for beginners and children.......2005-10-07
My 6 year old liked the paintings in the book and while the book did a decent job of covering the basics, I knew enough to fill in the blanks with what I know about the artist. We also went online and researched some of his life and art. It was simple and to the point and since my child is 6 years old, I woudl say this book would be good for her age group and up.
Van Gogh (Getting to Know The World's Greatest Artists).......2003-02-18
This book offered a great resource for my classroom. There is a lot to read about his life and history so I would definitely not use it as a read-aloud. I do however, use this book to point out significant events in his life. The illustrations are light and add humor to an otherwise depressing life. They bring the artist to life and that makes it easier for my students to relate to and it keeps up their interest. Informative and enjoyable, this book is a must have for teachers.
Excellent art appreciation but questionable cartoons.......2002-04-27
Well, we should not have been surprised that Vincent Van Gogh presents a challenge to Mike Venezia, because the tragic life of this particular artist does not especially lend itself to the cartoons that Venezia includes in his Getting to Know the World's Greatest Artists series. On the one hand we are talking about one of the most famous artists of all time, whose paintings now sell for millions and millions of dollars. But on the other hand we have a man who suffered severe emotional problems, cut off his ear, and ended up committing suicide. To be fair, Van Gogh was the epitome of the starving artist, and while none of the cartoons in the book goes too far, the one on the back of Venezia's self-portrait with a paper-cut is over the line given that this is a book for children.
The strength of the book is that Venezia does one of his best jobs of explaining the unique style of the artist with his look at Van Gogh. It is ironic that in a book where the subject presents such problems, Venezia provides ten cartoons in the book, which might be the most I have seen in any of his volumes to date (there are 22 paintings and drawings by Van Gogh). Certainly the cartoons do not reflect the tone of the text, which deals with Van Gogh's problems in a straight-forward manner. But given the fate of the artist, it is hard to find them totally appropriate. Again, to be fair, this is Venezia's format and we could not expect him to abandon it and perhaps he was trying to provide a counterbalance to Van Gogh's self-destructive impulses. Certainly parents should check this one out and make a judgment for their own children, and teachers should do the same thing for their students. A good alternative text, although written for a slightly older audience, is "What Makes a Van Gogh a Van Gogh" put out by The Metropolitan Museum of Art.
Amazon.com
This thorough collection of van Gogh's letters has been assembled with an artful eye and sensitivity to the artist's thinking. The result is an atypical take on Vincent van Gogh that avoids putting too much stress on his troubled mental state and too much straining by the editor to shape a narrative out of van Gogh's epistolary clues. Instead, we see the thoughtful and contemplative side of this creative genius, as well as his concern for the impact his art and life had on those people closest to him.
Customer Reviews:
intimate look into the artistic process.......2006-12-19
this collection of van gogh's letters to his brother Theo both captivated me and broke my heart. Such an intimate look into the vulnerability of the artistic soul. Those who appreciate the artistic process will love this collection of letters. You don't need to be an admirer of Van Gogh's to appreciate this; but you will walk away admiring the man behind the sunflowers.
The greatest letters ever written by an artist.......2005-11-01
Van Gogh is a tremendously powerful letter- writer. In these letters mostly written to his brother we see a great , suffering , soul, a devoted artist tormented and striving. This may all sound like 'cliche' but Van Gogh is perhaps the most conspicuous example of the cliche of the suffering , rejected in- his- life artist who knows great recognition only after death.
Van Gogh is a person of great intelligence, and of a very strong conscience. There are no greater letters I think ever written by an artist.And while they may be filled with a troubled and agonized spirit they too have a great richness of feeling and appreciation of life.
"the best way to love God is to love many things".......2003-02-21
A very fine collection of the letters, with multiple sides of VVG revealed. To read a collection of letters by an artist whose work you know very well is to invite yourself to take a look at him as a person. As a person, I found that I liked him best in these letters when he was struggling with his religion, his art, and his purpose. I'm glad that Roskill didn't make a selection that focused solely on the more famous and theatrical depressions.
I don't agree that this work reveals Van Gogh as a writer. For me, they definitely confirmed his status as a painter. At his best in these letters, he's painting with words.
Which doesn't make it a less interesting read. I found this a good adjunct to taking a look at the work again, it added an extra dimension to experiencing him as a painter.
Well worth the time it takes.
An Intimate Look.......2000-11-03
I bought this book several years ago in a college bookstore. How fortunate these students were to have been able to read and discuss this with others! I have had a long interest in Van Gogh and found this book to be fascinating, an almost voyeuristic look into his short life. I am glad to see that it is available * * and would hope that people now seeing the traveling Van Gogh portraiture exhibit might read it.
De Leeuw has compiled letters covering over 25 years of Van Gogh's life, letters that offer the reader an intimate look into the artist's thoughts and emotions. He writes about his friendships, his family, his attempts at love affairs, his religious beliefs and questions, and most importantly, about his art. These letters reveal him as anything but the anti-social person often portrayed in the past, with the ones about his relationship with his brother Theo being particularly touching.
Van Gogh was a prolific correspondent and an absolutely wonderful writer. His prose is remarkable--he could have been a writer as well as an artist. These letters shed light on the inner thoughts and the inspiration for his art and show him as a person of great passion and compassion.
THIS BOOK SIMPLY INSPIRED ME IN MY ART PATH.......2000-05-25
This is probably the most terrific book I have ever read in my whole life. Before I bought this book I couldn't believe how Van Gogh 's life was so joined to his brother Theo and , after reading this book ,I realized how important could be in your life the presence of such an important person as a brother that support your life's choise as an artist or any other thing which needs strong support and stubborness to be archived. This told,the book offer Van Gogh's mail to Theo disclosing the whole process of Van Gogh artistic development from the early years when he was spending his lonely life ,to his relationship with Sien ,to the days of the great hope (Antwerp,Paris), to the total ruin in Arles and Sain Remi' in south of France. All those letter ends with a greeting from Van Gogh which I consider unique and that I want to borrow for my own: With a hand-shake your faithful Luca.
Average customer rating:
- What a gem this book is
- A Rare Glimpse into Vincent's Mind
- I love this book!
- A first rate biography
- Thoughtful and fascinating
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Van Gogh: His Life and His Art
David Sweetman
Manufacturer: Touchstone
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Book Description
Published on the centenary of his death, this is the first comprehensive biography of Vincent Van Gogh in over 25 years. It glows with new information. The author wanted his book to shed new light on his subject, and it does.
We learn much of Van Gogh's early years: his conflict about becoming an artist, his strong spiritual beliefs and the failed love affairs that deepened his depression and despair.
"A lucid, balanced biography. Sweetman's understated study makes the artist's story and hard-won genius particularly moving." (Kirkus Reviews)
Customer Reviews:
What a gem this book is.......2005-09-06
Out of curiosity I started reading Van Gogh's abridged letters (Dear Theo) and got confused who the main characters were in his life. So I bought this biog on a whim . . . and couldn't put it down. I even cried at the end. Sweetman is a terrific writer. He helped me figure out not only the difference between "K" and "Cent" and "Sein" and the artists he hung with and the Doctors who attended him off and on throughout his tortured life, but Sweetman helped me make sense of impressionism and post impressionism, the "solon" system which made the independent galleries so radical (and necessary) and much more. Despite the inclusion of great photos of many of Van Gogh's drawings and paintings, like the letters, this book is best read if one has a picture collection close by so one knows what painting is being discussed. Interestingly, VVG chronicled his life in such detail that biographers like Sweetman can easily track his whereabouts for nearly all of his 37 years. Sweetman distills the 600+ letters in which VVG ruminated to his brother Theo about art, women, religion, poverty, color, what the grass looked like after a rain, etc etc etc. Great job, Sweetman! Thank you.
A Rare Glimpse into Vincent's Mind.......2001-09-08
I read this book several years ago and it taught me so much about art, life, love and passion that Sweetman's biography resonates in me still. Vincent is the most famous artist on the planet today and so much has been written about him. But David Sweetman really took the time to update so much information - just as he did in Gauguin's biography - that you learn so much more by reading this book. I recommend it to everyone who wants to understand about mental illness and all the stigma that goes with it. Vincent was very brave to rise above his pain and blessed the world with so much beauty and colour. This text refers to the hardcover book.
I love this book!.......1999-09-21
If you want to know Vincent... this is the best book out there. Sweetman is thorough and empathetic and like the Don McLean song, lovingly writes through Vincent's eyes.
A first rate biography.......1999-07-10
The review above is absolutely right. This is one of the best biographies of Van Gogh out there. Sweetman's approach is thoughtful and well researched. This biography has proven to be an invaluable reference for my own Van Gogh research. I hope that the publisher of this book will consider reprinting it. It's a real shame that Sweetman's excellent book isn't easily available to anyone interested in Vincent van Gogh's life and art.
Thoughtful and fascinating.......1998-03-14
I read just about every biography of Vincent van Gogh I can get my hands on, and this is by far one of if not the best I've ever come across. David Sweetman writes with a thoughful consideration to the life of Vincent beyond the popular label of a "mad genius" and delves into the soul of this brilliant man. Vincent was a generous, loving human being with such capacity for giving that he bewildered those around him, that he was mistaken as insane, and cast aside. Mr. Sweetman does not dwell uneccesarily on the events which biographers today are so captivated by-the ear thing, the Gauguin thing, etc. This was a man who tried to find his place in the world as a not just a painter, but hopefully a husband and father, as well. This book brings to light the devotion of Theo, and, after Vincent's and her husband's deaths, the devotion of Jo. The surprising friendship of Signac, and the not so surprising mental instability of the Dr. Gachet. It is a shame that this book is out print, because it is a fascinating read for not only lovers of Vincent, for readers of biographies in general. It is well worth the search.
Average customer rating:
- A Gigglefest of Freudian Fallacies
- Once past the first chapter, really great book!
- The Only Van Gogh Biography I Can Recommend
- Outstanding!
- Elegant, honorable, beautiful
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Stranger on the Earth: A Psychological Biography of Vincent Van Gogh
Albert J. Lubin
Manufacturer: Da Capo
ProductGroup: Book
Binding: Paperback
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ASIN: 0306807262 |
Book Description
The personality of Vincent van Gogh (1853-1890)-a 19th-century combination of dropout, rebel, and genius-and the source of his enormous achievement continue to fascinate people as deeply as his vivid, wildly painted canvasses of sunflowers, peasants, and starry nights. In this first and only in-depth study of the relationship between van Gogh's psychological development and his art, Albert J. Lubin, Clinical Professor of Psychiatry (Emeritus) at Stanford University and a practicing psychoanalyst, draws on the tremendous wealth of information available about van Gogh, to explore his personal conflicts in the context of the forces that molded him: familial, historical, cultural, religious, artistic, and literary. Dr. Lubin approaches van Gogh not as a mysterious mix of sick eccentric and martyred artist, but as a complete man who transformed his suffering into a phenomenal body of work. Lubin's daring psychological insights and art criticism allow us to better understand, and more fully appreciate, van Gogh's artistic triumph over his inner torment.
Customer Reviews:
A Gigglefest of Freudian Fallacies.......2004-06-11
Pure, unintentional, Freudian-style hilarity! This book is what happens when modern psychology ignores modern neuropathy. I was laughing until tears streamed down my face when I read the passage that states that Vincent's early work, (i.e. the Potato Eaters) was his superego rebelling against his mother's "Dutch cleanliness" and her refusal to allow the infant Vincent to smear feces on the walls of his nursery which then affected his pallete choice as an adult. Brown, yep. OK, I'm about to start laughing again . . . (whew!)
Vincent van Gogh was extraordinarily adept at introspection, and through reading his body of correspondence a student of psychology may glean an idea of van Gogh's state of agitation and alienation, and I recommend that a van Gogh scholar, or anyone with a genuine desire to better understand and empathize with van Gogh, read his correspondence instead of this book.
This book fails to lend any original - or even modern - insights, it is entirely too subjective, mired in neo-Freudian and occasionally, Jungian, conjecture, it lacks Gestalt, and works to distort and narrow the reader's perception of Vincent's gift as it related to his sustained neuropsychiatric state.
But, if you want to laugh (and laugh and laugh and laugh) at one scholar's attempt at deconstructing art and epileptiform neurological affect via Freud's ridiculous personality-based suppositions, read this book.
Once past the first chapter, really great book!.......2002-05-10
I really liked the perspective of looking at Van Gogh from a psychological view point. However, the first chapter is very dense with names of paintings and their deeper meaning. The author does much better in the subsequent chapters trying to discover Vincent the man.
A must read for anyone trying to understand Van Gogh!
The Only Van Gogh Biography I Can Recommend.......2001-12-11
Many biographies and abbreviated collections of Vincent's volumnous and passionate letters to his brother Theo have been published in recent years. The only one that I can recommend though is "Stranger on the Earth : A Psychological Biography of Vincent Van Gogh" by Albert J. Lubin, which provides a fascinating insight into Vincent's life and work. The author examines Vincent's fragile personality with a sensible balance of clinical observation and human compassion. The title "stranger on earth" is an apt description of how Vincent apparently felt about his life. I read this book cover to cover in a few days (a page-turner) and came away with an appreciative sense of Van Gogh as a complex personality driven alternately by great passion and great depression. A tragic yet very human story.
Outstanding!.......2001-06-18
Unlike most any biography out there, this book yeilds new insights to the man and his art.
Elegant, honorable, beautiful.......1999-09-28
The elegance with which he, Stone, makes manifest the life of this magnificent artist is breathtaking at times. This is not just the work to which all biographical material on Van Gogh is measured, but one of the biographical novels by which all other biographies and biographical novels should be. It is imposiible to not get sucked into the narrative and feel what it was like to be in the company of men who are poised, with their gifts, to change the way we look at the world and ourselves. Nor is it possible to not come away sympathisizing, or even feeling a kinship with the deeply troubled genius whose art bares witness to the human soul. I suggest you read this book if you are interested in anything regarding creativity. Period.
Book Description
The personal and professional history of van Gogh and Gauguin—their rivalrous friendship and brief period of collaboration in Arles in 1888—constitutes one of the most dramatically revealing sagas in the history of modern art. In many ways, it is the quintessential story about the beginnings of modern avant-garde practice as it developed in the wake of the last Impressionist exhibition, held in 1886. Gauguin and van Gogh were, by circumstances of personality and history, "isolés": at once inherently self-involved and faced, in the absence of a single dominant "school," with a dizzying array of contemporary art-making. Brought together by circumstance, each artist played a vital role in the other's search for a personal style that would relate to current developments yet be unique. Over the course of this century, van Gogh and Gauguin have received a prodigious amount of scholarly attention. Recent contributions to this literature—including new biographies, studies of particular aspects of their art, and publication of their letters—have expanded our knowledge significantly. But while references to their problematic interaction abound, sustained analysis of their mutual influence has yet to be the subject of a major study. This book, published on the occasion of a landmark exhibition organized by the Art Institute of Chicago and the Van Gogh Museum, Amsterdam, systematically explores the relationship in the context of the larger cultural and political background implied in their ideas for a "Studio of the South." It charts the connections between the two men through their stay together in Provence and beyond to Vincent's death in 1890. A final section considers the remainder of Gauguin's career, both in Tahiti and the Marquesas (where he died in 1903), as an attempt to realize the ideals of the "Studio of the South" developed with van Gogh and shaped by his posthumous reputation. 575 illustrations, 400 in color.
Customer Reviews:
Eldorado.......2002-01-14
"Van Gogh and Gauguin: The Studio of the South" is a great and rare achievement, since it captures the atmosphere of artists lives as no other book or film has done in the past, being magnificently precise in details and facts, yet sensitive to the personal aesthetic visions of Van Gogh and Gauguin. Armed with wonderful maps, charts, photographs and documents the authors explore the "geography" of artistic process and communication between two men. I kept going to the exhibition at the Art Institute of Chicago, and back to consult the book: they acted as an artwork in time and space, yet an object on the table - all at once. This book has finally answered lots of questions, and most importantly - it has made two artists and their visions closer to us as never before.
An insightful exploration of the Arles period.......2002-01-06
Collaborative conservators and Art Institute of Chicago curators Douglas Druick and Peter Zegers have drawn upon the rich, scholarly literature, letters and writings, and new technical investigations focused on the artists Vincent Van Gogh and Paul Gauguin, to present the most thorough, comprehensive, and insightful exploration of the Arles period to date. Landscapes and portraits painted in tandem by these two outstanding artists, their responses to each other, work together to envision vigorous dialogue occasioned by their strong personalities. Here presented for art students are fresh perspectives on Van Gogh and Gauguin's best-known works, as well as some of the more obscure aspects of their lives and their world. The informative, 424 page text is enhanced with 475 illustrations (300 of which are in full color). No personal, academic, or community library collection on the history of western art can be considered complete without the inclusion of Van Gogh And Gauguin: The Studio Of The South. This superb art history and analysis is also available in a hardcover format (Thames & Hudson, 0500510547, ...).
Amazon.com
Few images in modern art have so captured the attention of the public as Van Gogh's Starry Night, a painting that reveals all the light and glory hidden in an ordinary evening sky. In this very readable study of Van Gogh, essentially a spiritual biography, Kathleen Erickson explores the intense spirituality of the painter, from his early religious training and evangelical missionary work to the crisis that occurred when the church rejected his more radical way of following Christ. Erickson argues (against many Van Gogh scholars) that the artist's mature work reflects not a rejection of Christ so much as a rejection of a dogmatic church, seeing instead in the famous images of his art a profound connection to Christian symbols. Throughout, she helps us to discover the source of the power in Van Gogh's stars and sunflowers. --Doug Thorpe
Customer Reviews:
At Eternity's Gate.......1999-12-03
I have always viewed Van Gogh's art with a feeling of sadness thinking he was a man driven insane and living a meager existence without much choice. I now enjoy his paintings so much more having read a new perspective about his life. I see his work as full of life and hope and believe he lived a life according to his convictions. He was a man who took his stand against a tide he didn't agree with. I am refreshed.
a rich understanding of suffering, faith, and creativity.......1999-10-02
Erickson does van Gogh a considerable service by returning to the voluminous letters he wrote, in order to help the reader see the roots and meaning of his devotion. She views van Gogh as essentially a mystic inspired by the Gospels and by the writings of John Bunyan and Thomas a Kempis. Their words and images were internalized and remained with the artist in spite of his break with organized Christianity. . . . Erickson provides yet another corrective by carefully reconstructing the etiology of van Gogh's mental disturbances that resulted in an extended hospitalization after the celebrated event in which he severed a part of his own ear and presented it to a local prostitute. By returning to van Gogh's letters and utilizing a finely tuned clinical understanding, Erickson plausibly concludes that the artist suffered from epileptiform illness with attendant depression. She thus provides an alternative view to the varied and sometimes poorly researched conclusions that have led previous scholars and clinicians to arrive at a wide variety of diagnostic hypotheses. . . . Erickson offers a portrait of van Gogh as a visionary struggling to find the means to express his felt spiritual experience. In so doing, she provides us with an enlarged and richly nuanced understanding of the interdependence of suffering, faith, and the act of creation.
We can now see van Gogh's art as he intended.......1999-10-02
The conventional view of Vincent van Gogh is that he was a great painter who lost his faith and, finally, lost his sanity as well. . . . But now, thanks to Kathleen Powers Erickson, such interpretations are no longer tenable. Erickson has performed an invaluable service to the disciplines of art history and spiritual Vincent van Gogh corrects numerous misconceptions about this complex man and clarifies the nature of his artistic calling. . . . By illuminating van Gogh's life, Erickson has allowed it, in turn, to illuminate his canvases. Paintings which were formerly "works of art" now seem more like icons; Erickson has enabled us to see beyond their painterly surfaces and glimpse the spiritual forces that inspired them. The paintings become, in a sense, windows that are transparent to the divine reality behind them. More than just a series of magnificent paintings, the works of Vincent van Gogh, after Erickson, now appear as the artist had intended - a visual record of the human soul trying to understand its Creator, while struggling with its afflictions along the earthly road of trials, and making its way, at last, through eternity's gate and into the Celestial City. It is a magnificent trip, and Erickson is a worthy guide along its path
Magnificent.......1999-07-09
This book was magnificent!I thought the first chapter was hard to go through but after that, Erickson repayed her debt.I've never read such an outstanding book.The reason why I liked this book is because I liked how she talked about every detail.This book should get an award!
Great book!!!!!.......1999-07-01
It is very hard to do biographies at all. Many other authors who write about Vincent Van Gogh are usually vauge, and you can't follow through. This book is the exact opposite.
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