History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Real Country: Music and Language in Working-Class Culture

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Real Country: Music and Language in Working-Class Culture
Aaron A. Fox , and Aaron A. Fox
Manufacturer: Duke University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0822333481

Book Description

In Lockhart, Texas, a rural working-class town just south of Austin, country music is a way of life. Conversation slips easily into song, and the songs are full of conversation. Anthropologist and musician Aaron A. Fox spent years in Lockhart making research notes, music, and friends. In Real Country, he provides an intimate, in-depth ethnography of the community and its music. Showing that country music is deeply embedded in the textures of working-class life, Fox argues that it is the cultural and intellectual property of working-class people and not only of the Nashville-based music industry or the stars whose lives figure so prominently in popular and scholarly writing about the genre.

Fox spent hundreds of hours observing, recording, and participating in talk and music-making in homes, beer joints, and garage jam sessions. He renders the everyday life of Lockhart’s working-class community in detail, right down to the ice cold beer, the battered guitars, and the technical skills of such local musical legends as Randy Meyer and Larry âHoppyâ Hopkins. Throughout, Fox focuses on the human voice. His analyses of conversations, interviews, songs, and vocal techniques show how feeling and experience are expressed, and how local understandings of place, memory, musical aesthetics, working-class social history, race, and gender are shared. In Real Country, working-class Texans re-imagine their past and give voice to the struggles and satisfactions of their lives in the present through music.

Customer Reviews:

Buy this book!.......2006-11-02

If you read one book about country music, this is the one you should read. Fox's brilliant analysis sidesteps the whole Nashville-Dollywood-Branson commericial thing to explore how working class people in rural Texas and Illinois use country music to express their senses of self and their aesthetic and cultural values. The way he writes about the singing voice and the way he incorporates the character of the people he studied with into his presentation is about the best I've seen. Why only four stars, you ask? Well.....It can get a little dense sometimes - he has a theoretical point to make about music and culture, and he is after all a scholar (teaches in the music department at Columbia University). But bear with that and you'll be very happy you did. If you love country music, read this book.

Love and Theft: Blackface Minstrelsy and the American Working Class (Race and American Culture)

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Interesting perspective
Zero stars
Well worth the money
Lott's Love and Theft--- Brilliant and Informative
A hard cover doctoral dissertation; dry, dull and academic.

Love and Theft: Blackface Minstrelsy and the American Working Class (Race and American Culture)
Eric Lott
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 019509641X

Book Description

For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.

Customer Reviews:

Interesting perspective.......2004-12-06

I chose to use this book in a paper that I wrote for my Race and Realism class. I was not able to grasp everything that the author had to say about blackface minstrelsy but what I did find was an interesting perspective. I don't necessarily agree with the whole phallic aspect and the need to "size up" to the African-American race, but I do want to agree with the fact that there was a fascination in the race and I think that is what Lott is trying to get across to the readers. There were many angles that could be taken with this book and it was incredibly useful to my paper. I enjoyed it and it was easy to apply to many of the novels written by Twain, Harper, Crane and Chesnutt.

Zero stars.......2002-11-15

I had to read part of this book for a graduate-level American Studies course, and if it hadn't been a required text, you couldn't have PAID me to read it. There are some very interesting things to say about blackface minstrelsy, but if Lott says them, they are lost to me in between the countless references to sex. Everything, in Eric Lott's analysis, is phalic and/or homoerotic. A tamborine is an anus. A nose is a penis. A throat is "vaginal." And a common theme in the book? White men envy the black man's penis. PUH-LEEZE. So when grown men can't say "wee-wee" and snicker in the fourth-grade bathroom any longer do they just write a book about it and call it academia? His obsession with sexual themes was offensive and downright silly. When I picked up the book, I was hoping to learn something useful about race or class or culture, but instead, Lott had me scrutinizing 19th century minstrelsy posters for anything that might remotely resemble a sexual organ. With so many wonderful books in the world to read, I don't know why anyone would voluntarily waste their time on this one.

Well worth the money.......1999-08-04

This book is well worth the 55 bucks I paid for it. If you're interested in American culture and especially the racial issues which are still at the heart of the our national struggle, you too will be happy to pay a mere 55 bucks for a book lays the whole thing out and lets us know where we've been and where we're going.

Lott's Love and Theft--- Brilliant and Informative.......1998-12-10

Eric Lott provide us with an incisive analysis of a long ignored and conflicted history of the American Minstrel Traditon. Readers will be impressed with Lott's deft handling of history and critical theory, crafting persuasive and cogent arguments that reveal the ambivalence of a tradition that cloaked racial antagonisms and sexual insecurities. Lott, an English professor at the University of Virginia, did his graduate work at Columbia University and this book is an extension of his dissertation. Non-academics may find Lott's prose somewhat dense but this should not hamper anyone from gleaning Lott's clear message: the American Minstrel Tradition represented a contradictory and problematic art form that granted Whites a forum through which to articulate their "admiration" of Blackness while appropriating it for political ends. A must read!!!!! A major contribution to critical race studies scholarship. 5 stars!!!!

Matthew Abraham (Dept. of English-- Purdue University)

A hard cover doctoral dissertation; dry, dull and academic........1998-11-05

I can think of no better way to convey the tone and style of"Love & Theft" than by providing a couple of excerpts from the book.

"In the pages that follow I return the minstrel show to a northeastern political context that was extremely volatile, one whose range can be seen in the antinomy of responses I have identified, themselves anticipatory of twentieth-century debates about the nature of the `popular' ".(page 17)

"Althusserian social theorists have suggested that every social formation resides not in a single mode of economic production but in a complex overlay of several modes at once, with residual modes now subordinated to the dominant one and emergent modes potentially disruptive of it".(page 220)

Book Description

â€œAmerica Rodriquez is a first-rate scholar whose work is critical to the understanding of Latino media in the United States. The book includes appropriate theoretical approaches, rigourous research methods, and incisive analysis of findings. Rodriquezâ€™s exploration of cultural and economic forces shaping the media provides crucial insight into the social power of the media over audiences on both sides of the border.â€ â€”Felix Gutierrez, Senior Vice President and Executive Director, The Freedom Forum Pacific Coast Center â€œThis book breaks fresh ground and helps define a new area of media studies. It is must reading for anyone interested in American Latino media.â€ â€”Charles D. Whitney, University of Texas This book examines Latino news making as part of a larger narrative the cultural productions and conceptions of Latinos. The author traces historical and commercial contexts of Latino orientated news production, beginning with late 19th century and early 20th century US Spanish language newspapers, examines the production of contemporary Latino news, and postulates future developments in the field.

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Tearing Down Prague's Jewish Town
Cathleen M. Giustino
Manufacturer: East European Monographs
ProductGroup: Book
Binding: Hardcover

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The Politics of Ethnic Survival: Germans in Prague, 1861-1914, Second Revised Edition (Central European Studies)

ASIN: 0880335165

Book Description

In 1887 the middle-class Czechs dominating Prague's City Hall announced that they had a plan for the large-scale destruction and reconstruction of the city's former Jewish ghetto. The plan, involving the razing of nearly all of the roughly 260 buildings inside the ghetto, was carried out in the name of sanitation. To fund this ambitious project, city officials borrowed a vast sum of money. They also expelled the area's impoverished residents from their homes without making any effort to secure new affordable housing for them.

This book examines the social and ethnic interest-group struggles that fueled this project, suggesting possible continuities between nineteenth-century politics and twentieth-century authoritarianism. Giustino shows how middle class officials who held nineteenth-century liberal values shrewdly used municipal power to pursue their group interests, sometimes at the expense of outsiders, and in the process, contributed to persistent anti-Semitism.

Class, Language, and American Film Comedy

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Class, Language, and American Film Comedy
Christopher Beach
Manufacturer: Cambridge University Press
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Binding: Paperback

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ASIN: 0521002095

Book Description

Examining the evolution of American film comedy since the beginning of the sound era (c. 1930), Christopher Beach focuses on how language, class, and social relationships in early sound comedies by the Marx Brothers, the screwball comedies of the 1930s by Capra, Sturges and others, and 1950s comedies of Frank Tashlin and Vincente Minnelli, and contemporary films by Woody Allen, Whit Stillman, and the Coen brothers. Beach argues that sound and narrative expanded the semiotic and ideological potential of a film, providing moments of genuine social critique and also mass entertainment. Christopher Beach teaches at the University of California, Irvine, and has taught at the University of Montana and Claremont Graduate University. He is the author of three books on American poetry, including Poetic Culture (Northwestern, 1999). This is his first book on film.

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This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis.

Common and Courtly Language: The Stylistics of Social Class in 18Th-Century English Literature

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Common and Courtly Language: The Stylistics of Social Class in 18Th-Century English Literature
Carey McIntosh
Manufacturer: Univ of Pennsylvania Pr
ProductGroup: Book
Binding: Hardcover

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ASIN: 0812279980

Work and Revolution in France: The Language of Labor from the Old Regime to 1848

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Early Benchmark in Post-Modern Historical Methods

Work and Revolution in France: The Language of Labor from the Old Regime to 1848
William H. Sewell Jr.
Manufacturer: Cambridge University Press
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Binding: Paperback

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ASIN: 0521299519

Book Description

Work and Revolution in France is particularly appropriate for students of French history interested in the crucial revolutions that took place in 1789, 1830, and 1848. Sewell has reconstructed the artisansâ€™ world from the corporate communities of the old regime, through the revolutions in 1789 and 1830, to the socialist experiments of 1848. Research has revealed that the most important class struggles took place in craft workshops, not in â€~dark satanic millsâ€™. In the 1830s and 1840s, workers combined the collectivism of the corporate guild tradition with the egalitarianism of the revolutionary tradition, producing a distinct artisan form of socialism and class consciousness that climaxed in the Parisian Revolution of 1848. The book follows artisans into their everyday experience of work, fellowship, and struggles and places their history in the context of wider political, economic, and social developments. Sewell analyzes the â€~language of laborâ€™ in the broadest sense, dealing not only with what the workers and others wrote and said about labour but with the whole range of institutional conventions, economic practices, social struggles, ritual gestures, customs, and actions that gave the workersâ€™ world a comprehensive shape.

Customer Reviews:

Early Benchmark in Post-Modern Historical Methods.......2005-01-13

William H. Sewell argues that the analysis of early nineteenth century French labor idiom reveals its roots were firmly established in Ancien Regime artisan corporations. Revealing what the author calls a "little- noticed paradox," Sewell discovered "the discourse of revolutionary workers of 1848 was laced with seemingly archaic terminology dating from the guild and corporate system of the old regime ... founded on a very old sense of craft community." Although intended to incorporate the elements of social history and langage, Sewell adds that a thorough understanding of the overall political perspective is essential to this well-rounded study. His argument is convincing and his methods, at the time of publication, must have shed new light on the historical profession. Sewell is up front about the limitations of his study and the methods he incorporates, however. Admitting he prefers to avoid existing historiographical debates, the author stresses he is "attempting to sketch out a new map that will indicate relations between already explored regions and suggest useful approaches to those not yet explored." Pointing out that historical evidence of labor, particularly in France, is primarily confined to the local or regional level; Sewell stresses the need to incorporate an overall political ideology into the mix. Paradoxically, however, Sewell warns that political ideology emanating from Paris may not necessarily reflect the thoughts of workers in rural regions of France. In addition, the authorl borrows methods from cultural anthropology to illustrate how such practices as religious festivals shaped peoples ideas and experiences, yet warns that not all sociological practices, such as ethnography, for instance, benefit the historian. For any historian attempting to reveal a "collective conscience" of the French labor before, during, and after the French Revolution, the task is nothing less than daunting. Regardless, his emphasis on historical methods gives strength too the notion of exploring new areas by fusing various fields of the Humanities. Sewell has synthesized his information well. His chronological approach, detailing the origins of corporate practices; particularly the Journeyman's Compagnonnage makes for interesting reading, however, his argument sometimes gets buried in the narrative. By the time the reader reaches the crux of the author's main focus-language (page 179)-one could perhaps become confused and forget the "map" the author so eloquently laid out in his opening chapters. In spite of the main argument sometimes becoming lost in the shuffle, the author's conclusions reveal a well-researched thesis and a significant postmodern contribution to the history of labor.

The Private Self: Theory and Practice of Women's Autobiographical Writings

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The Private Self: Theory and Practice of Women's Autobiographical Writings
Shari (ed.) Benstock
Manufacturer: The University of North Carolina Press
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ASIN: 0807842184

Book Description

This collection of twelve essays discusses the principles and practices of women's autobiographical writing in the United States, England, and France from the eighteenth to the twentieth centuries. Employing feminist and poststructuralist methodologies, the essays examine a wide range of private life writings—letters, journals, diaries, memoirs, pedagogical texts, and fictional and factual autobiographies. The concepts of theory and practice—as opposing and mutually exclusive methodologies, as focal points for conflicting interpretations, and finally as complementary approaches to the study of literature—are central to this collection.

The Private Self explores the links between the historical devaluation of women's writings and the cultural definitions of women that have constrained their writing practices and excluded them from the canon of traditional autobiographical texts. Collectively, these essays expose the cultural biases that derive from notions of selfhood defined by a white, masculine, and Christian experience. In an effort to revise our prevailing concept of autobiography, these essays deal with differences of race, class, religion, sexual orientation, and gender.

Discussed here are writings by more than two dozen women including Jane Austen, Emily Dickinson, Alice James, Virginia Woolf, Charlotte Forten Grimke, Zora Neale Hurston, Maya Angelou, Sophie Kovalevsky, Anais Nin, Hilda Doolittle, and Simone de Beauvoir. The work of these writers reveals a split between public and private self-representations, and it is the notion of a private self expressed through women's autobiographical writings that forms the link among all the essays.

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Languages of Class: Studies in English Working Class History 18321982
Gareth Stedman Jones
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Paperback

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'There Ain't no Black in the Union Jack': The Cultural Politics of Race and Nation (Black Literature and Culture Series)

Gender and the Politics of History

Imagined Communities: Reflections on the Origin and Spread of Nationalism, New Edition

Whig Interpretation of History

Historiography in the Twentieth Century: From Scientific Objectivity to the Postmodern Challenge

ASIN: 0521276314

Book Description

This collection of essays by Gareth Stedman Jones proposes a different way of seeing both historiansâ€™ analytical conceptions of â€~classâ€™, and the actual manifestation of class in the history of English politics and English culture since the 1830s. As the progenitor of the first generally acknowledged working-class movement, the English working class provided the initial empirical basis for not only the original Marxist theory of modern industry and proletarian revolution, but also subsequent historiansâ€™ reactions against, or adaptations of, the Marxist theory of class. In Languages of Class Gareth Stedman Jones draws a distinction between two conceptions of class: the everyday and commonplace perception of its pervasiveness in England, and the Marxist idea of its revolutionary significance. He proceeds to challenge the predominant conceptions of the meaning and development of â€~class consciousnessâ€™ by stressing the political and discursive conditions in which particular languages appeared and receded. Among the themes of individual essays in the book are a rethinking of â€~the making of the English working classâ€™ and the phenomenon of Chartism, a novel exploration of the formation and components of â€~working-class cultureâ€™, and, in the light of these, a new approach to understanding the history of the Labour Party.

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