Book Description
This comprehensive, thought-provoking text is the only one on the market that truly emphasizes global and cross-cultural issues as its core strength throughout each chapter. What better way to introduce your students to sociological concepts and applications than by invoking and instilling global issues. This text is the leader in the global perspective segment of the introduction to sociology market. Eleven of the sixteen chapters incorporate an example highlighting important and long-standing interconnections between the United States and some other country or countries. Five chapters highlight interconnections across national borders but in a more general way. Such extended examples mean that the core sociological concepts and theories are not presented in an encyclopedia-like way. Rather, the example becomes the vehicle for weaving together and applying key concepts and theories to issues confronting the United States and the world.
Customer Reviews:
WONDERFUL book!.......2006-03-19
This is a great book to learn about cultures and the way society runs. I have learned so much from this book, it's unbelieveable. It has a non-objective view point on every topic, and contains quotes and sources for everything Ferrante writes. It's very easy to read and very well written! A WONDERFUL book!
Covers the basics.......2006-02-25
This text book is very basic, but it is good at covering the basic principles of Sociology. Reading this text book would pretty much have you covered for a Soc 101 course. Anything beyond that you would need extra reading material.
OK.......2005-09-26
Not sure how I ordered this book. I remember looking up the info on this book but not ordering it. It didn't cost but a few dollars, but it was useless to my daughter. It didn't include what was to be InfoTrac.
Average customer rating:
- Horrible
- Good
- Beautiful art
- Comprehensive
- Very interesting pictures
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Gardner's Art Through the Ages: The Western Perspective, Volume I (with ArtStudy CD-ROM 2.1, Western)
Fred S. Kleiner , and
Christin J. Mamiya
Manufacturer: Wadsworth Publishing
ProductGroup: Book
Binding: Paperback
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A Short Guide to Writing About Art (The Short Guide Series)
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Gardner's Art Through the Ages, Volume I, Chapters 1-18 (with ArtStudy Student CD-ROM and InfoTrac )
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Gardner's Art Through the Ages, Volume II (Chapters 19-34)
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Study Guide, Volume I for Kleiner/Mamiya's Gardner's Art Through the Ages: The Western Perspective, Volume I, 12th
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Study Guide for Kleiner/Mamiya's Gardner's Art Through the Ages: Western Perspective, Volume II, 12th
Accessories:
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ArtBasics: An Illustrated Glossary and Timeline
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Study Guide, Volume I for Kleiner/Mamiya's Gardner's Art Through the Ages: The Western Perspective, Volume I, 12th
ASIN: 0495004790 |
Book Description
As the market-leading text for the art history survey course, GARDNER'S ART THROUGH THE AGES has served as a comprehensive and thoughtfully crafted guide to the defining phases of the world's artistic tradition. The story of art unfolds in its full historical, social, religious, economic, and cultural context, deepening students' understanding of art, architecture, painting, and sculpture. This version explores the history of art in the Western world in a concise 23-chapter format (also available in a two-volume split). GARDNER'S ART THROUGH THE AGES: THE WESTERN PERSPECTIVE features such enhancements as more color photographs, a stunning new design, and the most current research and scholarship. Unique to survey texts with a Western Art focus, the authors include a chapter on Islam, providing students with insightful coverage of the Islamic tradition's impact on Western culture and art history. Additionally, every copy of the text contains a free copy of the ArtStudy 2.1 CD-ROM-an interactive electronic study aid that fully integrates with the text and includes hundreds of high-quality digital images, plus maps, quizzes, and more.
Customer Reviews:
Horrible.......2007-10-04
I am extremely disappointed in amazon and this book. You guys delivered it over a month late.I'm not paying for amazon prime so I can receive much needed books over a month late. I had to go to my College bookstore and pay $120. You wanna know the worst part? They don't accept devolutions. So I'm extremely disappointed.
Good.......2007-09-12
This book is very informative and it tries to explain so that there is not much confusion after looking it over.
Beautiful art.......2007-08-23
Loved this book for my Art class. I didn't think I would like the class, fell in love with art, and even kept the book afterwards instead of selling it.
Comprehensive.......2007-02-16
I would recommend this to anyone who wants to better themselves in the region of art history knowledge and the ability to evaluate art's content as well. It was well worth buying and compliments any classes orientated towards the subject...maybe would even overshadow the required text.
Very interesting pictures.......2006-12-07
I purchased this book for my Art History class. Very interesting pictures along with non-boring texts. I really like the accompanied CD as it has all pictures from this text as well as other version of Gardner's art history books. Pictures are crystal clear. Although I finished that class long ago in 2002 and sold the book for school's book store with attractive price, I still have a copy of that CD and often reviewed whenever I saw some interesting stories of art history (such as female goddess from Dan Brown's Da Vinci Code). All pictures are under flash cards section. Besides a good text book, it should be kept as a reference.
Average customer rating:
- Emperor's New Clothes
- On reproductions
- Great book!
- Collectable
- If you have any sort of an interest in art...
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Vitamin D: New Perspectives in Drawing (Themes)
Emma Dexter
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Hardcover
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Vitamin P: New Perspectives in Painting
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Drawing Now: Eight Propositions
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Vitamin Ph: New Perspectives in Photography
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Art: 21 - Art in the 21st Century (Seasons One & Two)
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Art: 21: Art in the Twenty-First Century
ASIN: 0714845450 |
Book Description
Drawing has recently experienced a renewal of importance in the art world; in fact, it has rarely been as widely represented in the biennials, art fairs, and exhibitions as it is now. Similar in concept, scope and structure to Phaidon's successful volume Vitamin P, Vitamin D presents, in A to Z order, the work of 109 artists who have emerged internationally since 1990 using the medium of drawing. Whether representational or abstract, small or large in scale, using only one line or rich in colors and pattern, drawings have a highly descriptive and meticulously detailed quality that is being explored by an increasing number of contemporary artists. Extending beyond the traditional image associated with this medium, Vitamin D hopes to illustrate the complexity, variety, and relevance of the practice of drawing today.
Customer Reviews:
Emperor's New Clothes.......2007-09-25
Anyone who would call this art is either lacking an objective sensibility or has some measure of vested interest in the sales of this book. The "drawings" (lol) in this book are fine examples of why mainstream Americans no longer care about the fine arts.
One reviewer actually used the word "refreshing" in describing the contents. Are you kidding me? Refreshing, perhaps, if I had only been exposed to blank pages my entire life.
This is not art. This is the Emperor's New Clothes.
On reproductions.......2007-06-07
Vitamin D is an outstanding publication of drawings from contemporary artists which shows great depth in both subjectivity and theme, the one overwhelming issue seems to be the quality of the reproductions within. Context gives us the reason for this.. in that these are works by CONTEMPORARY artists and as such have not been digitized as throughly as say the often if not OVER reproduced imagery of Leonardo or Michelangelo, so yes some of the reproductions are less stunning however they are more than adequate and what is more important, they are reproduced well enough to spark interest in seeing the original. Artwork can never truly be reproduced, you must experience the original to truly appreciate the pieces. However Vitamin D does what it was designed to, as did it's predecessor Vitamin P, giving a contemporary overview of works and the artists who create them which have yet to be studied. These books are history in the making and that alone gives them more merit than most art publications. This series is more than worth owning and will prove to be volumes you will return to again and again.
Great book!.......2007-04-03
If you are interested in a wide range of edgy drawings..this book is terrific. It is inspiring, informative and current...not a "how-to" but a survey of all the wonderful and strange drawings being done today.
Collectable.......2007-02-04
Vitamin D, is complete inside and out. The binding is terrific, the type, the torn paper edges, the layout, everything that went into designing this book was well thought out. Its not only fabulous, but a pleasure to look through. The artists chosen are all exceptionally talented, and each with a unique edge. Nevertheless, all work presented will be a definite point of reference for many many years to come, including the work by my own mentor,and teacher.
If you have any sort of an interest in art..........2006-11-12
Then you will absolutely fall in love with this book. This book is full of images from a wide range of media and artists. The short bios on the artists are short but informative and don't take up much space (more room for pictures). If you're something of an artist yourself then you can certainly pull lots of ideas from this book. I definitely am glad I bought this book.
Book Description
The Pulitzer Prize-winning author of Battle Cry of Freedom and the New York Times bestseller Crossroads of Freedom, among many other award-winning books, James M. McPherson is America's preeminent Civil War historian. Now, in this collection of provocative and illuminating essays, McPherson offers fresh insight into many of the most enduring questions about one of the defining moments in our nation's history. McPherson sheds light on topics large and small, from the average soldier's avid love of newspapers to the postwar creation of the mystique of a Lost Cause in the South. Readers will find insightful pieces on such intriguing figures as Harriet Tubman, John Brown, Jesse James, and William Tecumseh Sherman, and on such vital issues such as Confederate military strategy, the failure of peace negotiations to end the war, and the realities and myths of the Confederacy. This Mighty Scourge includes several never-before-published essays--pieces on General Robert E. Lee's goals in the Gettysburg campaign, on Lincoln and Grant in the Vicksburg campaign, and on Lincoln as Commander-in-Chief. In that capacity, Lincoln invented the concept of presidential war powers that are again at the center of controversy today. All of the essays have been updated and revised to give the volume greater thematic coherence and continuity, so that it can be read in sequence as an interpretive history of the war and its meaning for America and the world. Combining the finest scholarship with luminous prose, and packed with new information and fresh ideas, this book brings together the most recent thinking by the nation's leading authority on the Civil War. It will be must reading for everyone interested in the war and American history. "James McPherson is the master historian of the Civil War in our time." --Gabor Borritt, Director, Civil War Institute, Gettysburg College "Not merely is McPherson the leading living historian of the Civil War, but he is a scholar whose knowledge and authority are unsurpassed; when McPherson speaks, even in a minor key, people listen." --Jonathan Yardley, The Washington Post
Customer Reviews:
Citizen Soldiers.......2007-09-22
The Forgotten Cause of the Civil War: A New Look at the Slavery Issue
I was very impressed with the way Union soldiers debated the issue of slavery in their letters (Slavery was not a controversy in the slave states, so no comparable debate took place among Confederate soldiers). Few Americans are also aware that Union soldiers' experience with confronting slavery in the South provided essential support for emancipation.
it is unprofessional to mix social activism and history.......2007-08-09
Instead of giving us a balanced study showing the foibles and positives of both sides, we are given this pro-Northern dribble. McPherson has a made career of distorting history to suit his social agenda, That puts him the same class as Howard Zinn and Eric Foner.
A Reader's Delight - Except for the UDC and the SCV! .......2007-08-05
With 'This Mighty Scourge: Perspectives on the Civil War' James McPherson demonstrates once again why he is America's foremost Civil War historian. McPherson serves up sixteen essays for your delectation (most of which have been previously published elsewhere).
McPherson arranges his essays around several themes: What caused the war? What were the goals of each side? What strategies did the leaders pursue? And how is the war remembered?
McPherson's genius lies in his ability to synthesize perspectives of value to any reader, but especially the general reader with some knowledge of the war. Many of the essays analyze recent scholarship with McPherson's encyclopedic knowledge and understanding gained from years of study. This reader especially appreciates McPherson's even-handed dispassionate scholarship in a still field laced with emotional landmines despite the passage of nearly 150 years.
Despite all that has been written, McPherson remains remarkably able to bring fresh insight. One essay ('Long-Legged Yankee Lies: The Lost Cause Textbook Crusade') examines the extraordinary efforts by Confederate loyalists to distort the war's history and its teaching, especially in Southern schools. No doubt that gets the goat of the SCV (Sons of Confederate Veterans) and the UDC (United Daughters of the Confederacy), but they don't like him anyway.
An earlier essay ('And the War Came') establishes beyond cavil that the institution of slavery and the interests behind it were the cause of the war. In other essays McPherson examines the relative merits of Grant, Lee, and Sherman and whether the South was foreordained to lose the war due to the imbalance of resources.
I am not a Civil War historian, but I can't imagine that even the most learned professor would not benefit from McPherson's wonderfully distilled insights. I've read a number of McPherson's other works and rank this book at the top. McPherson's sparkling prose and easy clarity made reading 'This Mighty Scourge: Perspectives on the Civil War' a rare pleasure.
Mighty Interesting.......2007-06-12
This is a fine series of essays and book reviews by the author of Battle Cry of Freedom, the best single volume on the Civil War. McPherson is a passonate and lively writer, full of interesting facts and angles on the War.
I would not, however, recommend this particular book for the Civil War neophyte, as it assumes a fair amount of prior knowledge. If your new to the subject, read Battle Cry of Freedom or any of a number of other comprehensive histories before moving on to this book.
Some of the topics:
Slavery as the the main cause of the War.
Harriet Tubman and John Brown.
Confederate war strategy-offense or defense?
Antietam as the death knell for British and French recognition of the Confederacy.
Lee's goals in Gettysberg campaign.
Jesse James' post-war motivations.
Southern censorship of history textbooks inconsistent with the "Lost Cause."
Grant and Sherman.
The North's transition from restraint to total war.
Copperhead newspapers.
Peace negotiations.
Herndon on Lincoln.
Lincoln's exercise of war powers.
The tension between war powers and civil liberties is addressed in the last topic. After a military commission jailed Clement Vallandigham for "disloyal sentiments and opinions" at a crucial stage of the War, the Copperheads howled about free speech, trial by jury, and habeas corpus. Lincoln's famous response: "Must I shoot a simpleminded soldier boy who deserts, while I must not touch the hair of a wily agitator who induces him to desert?"
Excellent in every way..........2007-05-22
Prof. McPherson is, in my opinion, the dean of Civil War historians, a well-earned complement. This collection of essays is up to his usual high standards. They are thoughtful, persuasively argued and well-written. Whether one is new to CW scholarship or has read hundreds of titles, this should not be missed.
Book Description
The Definitive Book on Photography Today;Featuring 121 Artists from Over 30 CountriesThe life of an artistic medium lies in the capricious nature of thecontemporary art market.Even the heavy-hitters - painting, sculpture anddrawing - have fallen victim to this ebb and flow; declared dead onemoment, only to be resurrected the next. Now it is photography's turn tocontemplate its fate atop this precarious fence.Does it fall backward andplay into the taunts that call photography an "obsolete" medium, sostretched and manipulated by its collaborations with other practices thatit is rendered indefinable?Or, inspired by globalization, does it jumpforward into distinction, with practitioners resuscitating the traditionalform of the documentary image?VITAMIN Ph: NEW PERSPECTIVES IN PHOTOGRAPHY, with an introduction by TJDemos, is the definitive book on photography in the contemporary art worldtoday.VITAMIN Ph is a global survey of new developments in the medium ofphotography, featuring 121 living artists who have made a contribution tothe international art photography scene in the last five years. VITAMIN Ph presents a stunning collection of 500 images, the magnitude anddiversity of which illustrates the integral developments in photography -the dispersal of the medium on the one hand and the reinvention ofdocumentary representation on the other - that have recalibrated the mediumin the age of globalization. The artists were nominated by 78 of theworld's top critics, curators and fellow artists such as: Vince Aletti,Christine Macel, Martin Parr, Sandra Philips, Mark Godfrey, Tod Papageorge,Tim Griffin, Jack Persekian, Richard Flood, Donna De Salvo, Katy Seigel,Richard Prince and Sarah Lewis. VITAMIN Ph features an introduction by TJ Demos, Lecturer in Art History atUniversity College London, member of Art Journal's editorial board andcontributor to ArtForum.Demos offers a critical account of photography asa medium driven by two things - the reinvention of documentary practice andphotography's fragmentation as a medium - and inspired by the historicalcircumstances of our current era.He explores the impact of technologicaladvances, geographic mobility, and the decline in national sovereignty onphotography today.Demos theorizes that photography, through its growingdiversity, illustrates the many ways that we are different, helps us tounderstand those differences, and connects us to a global world.The 121 artists selected represent over 30 countries including, Morocco,Russia, South Africa, Israel, South Korea, Greece, Mexico, Palestine, andthe United States. There is an ocean of talent: established artists, recentcrossovers to the medium, and artists who are just making their mark on theart scene.Some highlights from the book include:*The work of established artists Tacita Dean and Anri Sala and themore emerging, Miriam B+ckstr+m and Markus Schinwald, display theinfluence of a trained camera-eye.These artists have made a foray intophotography that is built upon the elements of video: storytelling,framing, and the importance of place and time. Schinwald, who's artisticstudies began in fashion design, explores strategies of theatrical gesturewith a polished cinematic style *The performance artist, Tim Lee, uses the medium to stage complexrelationships between iconic artworks, canonical moments of popular cultureand issues of racial identity.His image, The Jerk, Carl Reiner, 1979(2004), illustrates a duality in meaning, one with complex culturalundertones as well as full frontal absurdity.*The Russian collaborate AES+F, the Israeli artist Emily Jacir and theemerging artists Ahlam Shibli and An-My L+ create works inspired by thepolitics of their respective cultures, as they exist in today's society. Le, a political refugee from Vietnam, became involved in a Vietnam Warre-enactor group in South Carolina in which she participated and tookphotographs of Vietnam battles restaged on her newly adopted American soil. Under the guise of photojournalism, Le documents the actors on theirhistorical stage, achieving a look that is both rigorously aesthetic andconceptual, almost dream like. *Inspired by a decade of belly dancing, Elinor Carucci photographs thelives of belly dancers taken in the years following Carucci's move from herhometown of Jerusalem to New York.Seen alongside images of Carucciherself, this series addresses the divisions between public and privateselves, celebrating the moments of preparation and repose as much as thosefilled with glamour and noise. *Drawing from his own experience as a drug addict Gareth McConnell'smost recent series is filled with a palpable loneliness.In Night Flower#43, for example, the stark contrast of delicate pink petals that seem tofade into a dark void cause the viewer to rethink issues of time,permanence, abandon and hope.In VITAMIN Ph, the featured artists are presented in A to Z order.Foreach artist, approximately five selections of work are reproduced alongsidetext by a critic who is a specialist on the artist's career.The surveyscover the artists' careers to date and explain the methods and subjectmatter featured in recent works.Whether the style is documentary, deadpan, abstract, or portraiture; nomatter that the artists are sculptors, video artists, painters, andphotography has become a vital part of contemporary art.VITAMIN Ph is theonly book of its kind to illustrate the up-to-the-minute complexity,variety and global spectrum of photography today.The book follows the similar concept, scope and structure to Phaidon'ssuccessful volumes Vitamin P (2002), for painting, and Vitamin D (2005),for drawing.
Customer Reviews:
An impeccably-made survey of contemporary photography........2007-08-31
This is a wonderful book. I bought it truly as a "vitamin", to give myself a kick in the pants regarding my own photography: to find some sources of inspiration that were more up-to-date than my usual heroes (Minor White, Cartier-Bresson, etc). It served that purpose admirably. The artists and photographs are carefully chosen, and the essays are well-written. Some of the essays are even in English rather than art-speak. There is an incredible range of styles represented here, encompassing both conceptually-driven and aesthetically-driven art. Because of the large size and beautiful paper and production, this book is a tactile and visual treat that would make a great gift for any photographer on one's holiday list.
An overview of photography.......2007-07-11
It's big, it's well produced and it's a worthy addition to a photo book collection. Phaidon is a great publisher and the production values of this book are up to their usual high standards. The concept of "New Perspectives in Photography" is an ambitious topic, given the broad variety of art photography practice around the world. If you could sum up the main trend, it would have to be the movement away from the photo document and towards a conceptual exploration of the photographic object as it relates to the human experience. It is not photography, it is photographic.
Much of the work is relatively new, made in the past ten years and is representative of that shown by a certain kind of photography gallery -- one looking forward, yet rooted in the past. That said, much of the work references earlier photographs. Artists such as Gregory Crewdson and Anne Hardy create narrative, staged environments that the photograph documents, yet they look back to work from the 80's by Sandy Skoglund. Nikki Lee's work with her personal identity clearly references earlier work by Cindy Sherman. Tim Lee uses the photograph as a document of his conceptual work, a traditional way to preserve performance and conceptual art. However, there are some valuable new perspectives.
Rinko Kawauchi's beautiful photographs of life's ephemeral moments indeed provide a new, thoughtful perspective -- her book "the eyes, the ears" is worth searching out (sorry, not available on Amazon, I found my copy in Tokyo). Esteban Pastorino Diaz challenges our understanding of visual devices and the way they form our perspective of the world. And Paul Pfeiffer uses a database filtering model to create meaning from a photographic practice based on images appropriated from popular media. Clearly, innovation is limited only by the imagination.
The challenge with this type of overview is that it is almost too wide ranging and lacks depth -- it is without a singular point of view. It mostly covers artists who are already "established" in the gallery and museum circuit, which means you will be about five years behind the state of the art. The latest, newest work is found on the Internet, but only to those with the time, desire and domain knowledge to seek it out.
While you may pick it up once or twice, it is most valuable as a point of departure for further exploration of individual artists. As the other reviewers from New Zealand mentioned, it will probably be most valuable to readers without access to contemporary art galleries.
A great glimpse at contemporary photography.......2007-04-01
This book provides a short sample of each artists work along with an explanation about the artist or the works.
It is fantastic as a student tool to have such a range of works at your fingertips. It is also great for those just looking as the content is broad and dynamic.
I have yet to come across a book that has such a large number of contemporary photographers along with a range of their work (rather than a single iimage job).
New Zealand Artist.......2007-01-19
Having already purchased Vitamin D and Vitamin P I was expecting great things of Vitamin Ph. I was not disappointed. This book is beautifully presented. The Artists work chosen for this book are all of a high standard. Living in NZ you are a long way away from the International art scene. The only way to find out what is happening is from books such as this.
Book Description
Hervé This (pronounced "Teess") is an internationally renowned chemist, a popular French television personality, a bestselling cookbook author, a longtime collaborator with the famed French chef Pierre Gagnaire, and the only person to hold a doctorate in molecular gastronomy, a cutting-edge field he pioneered. Bringing the instruments and experimental techniques of the laboratory into the kitchen, This uses recent research in the chemistry, physics, and biology of food to challenge traditional ideas about cooking and eating. What he discovers will entertain, instruct, and intrigue cooks, gourmets, and scientists alike.
Molecular Gastronomy, This's first work to appear in English, is filled with practical tips, provocative suggestions, and penetrating insights. This begins by reexamining and debunking a variety of time-honored rules and dictums about cooking and presents new and improved ways of preparing a variety of dishes from quiches and quenelles to steak and hard-boiled eggs. He goes on to discuss the physiology of flavor and explores how the brain perceives tastes, how chewing affects food, and how the tongue reacts to various stimuli. Examining the molecular properties of bread, ham, foie gras, and champagne, the book analyzes what happens as they are baked, cured, cooked, and chilled.
Looking to the future, This imagines new cooking methods and proposes novel dishes. A chocolate mousse without eggs? A flourless chocolate cake baked in the microwave? Molecular Gastronomy explains how to make them. This also shows us how to cook perfect French fries, why a soufflé rises and falls, how long to cool champagne, when to season a steak, the right way to cook pasta, how the shape of a wine glass affects the taste of wine, why chocolate turns white, and how salt modifies tastes.
Customer Reviews:
Entertaining but not the best cooking reference.......2007-10-08
I was looking for something to use as a reference for how to prepare different types of food. This definitely is not it. It is an entertaining read but it does not really have the level of detail I was looking for when I got this book. The best I have gotten so far is On Food and Cooking: The Science and Lore of the Kitchen (or something like that) by Harold McGee.
We're that much closer to Jetson style food pills.......2007-06-19
Herve This is a genius and should be respected simply for the fact that he approaches cuisine with something other than blind awe of traditions that regarded as fact but are little more than a step up from superstitions and old wives' tales. Already a bit on the dry academic side and then translated from French to English, it can occassionally be a difficult read, but the unique nature of the subject makes sure it says a fascinating read. The book is broken up into sections each a few pages long asking if and why a preconceived notion regarding food is true (Does the juices of meat really contract to the center when you cook it?, Does it matter if you slowly heat your stock or use hot water from the beginning?), the nature of flavor (how salt affects sweet and bitter flavors), just what goes on with the food before we eat it (What causes cheeses to taste the way they do tracing it all the way back to the diet of the cow), and theoretical ideas to make the culinary field better (Developing new cooking techniques involving technology such as artificial vacuums and electrical fields). While the book uses specific examples, it's easy to take This's basic technique and apply it to anything food related, which you could imagine is his goal, having founded the field sharing its name with the book.
good, but.......2007-05-20
good, but, not very complete, inaccurate and simplistic. if you have read harold mcgee, it is a bit simplistic, un-scientific, and extremely biased. good for the beginner or home cook. short stories (and lack of scientific guidelines) are good for those without the patience for "on food and cooking"...
Disappointing.......2007-05-11
I was hoping to find something along the lines of Harold McGee's "On Food and Cooking". If this is what you are looking for, look elsewhere.
Trick in the kitchen.......2007-03-20
This hardcover is divided in small paragraphs which are dealing with the different topics in kitchen science. The first section is dedicated to the tricks in cooking and is the one I like better. Then the author goes through the new discoveries about how do we perceive taste and flavour.
Good start to get in the argument of molecular gastronomy;)
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Customer Reviews:
a conversation between four persons with an interlocutor .......2007-06-19
This book is simply not a conversation (at least not for one of the participants). Further, Mark Driscoll doesn't seem to be listening to any of the other people who contribute to this book.
Driscoll's chapter seems to be a recycled piece of propaganda. His positions are "backed" by scripture references over 200 for his 15 pages. He advocates a "Biblicist" tradition that reads as a very reformed position (with the possible exception of a modified Arminianism or Wesleyanism). Driscoll's responses to the other person's chapters are especially revealing as he labels the other person's positions and then rejects them. For example he dismisses Karen Ward as the pastor of an "average" church and then even questions here leadership because of her gender. He mentions Dan Kimball's cool hair. I found Driscoll's "contribution" to the book to be of very little value. Further, he doesn't seem to be engaged in the emergent conversation unless you count the fact that he recommends Leslie Newbigin and Gruder's books on his website.
John Burke's chapter speaks of the messiness of ministry. He advocates a place where people are accepted and engaged by persons who attempt to incarnate Jesus.
Dan Kimball moves to explain how he moved from being Dispensationalist position to a missional theology. This missional theology is much more mysterious and adventurous than a mathematical puzzle.
Doug Pagitt seeks a theology which is embodied. This theology must be contextual and he argues for thinking in relational terms. I suppose that this chapter aligns most closely with what I think of when it comes to the emergent church.
Karen Ward takes the local theology of the "apostles" of the "Church of the Apostles" located in Seattle. She advocates a communal listening to the Scriptures from the Revised Common Lectionary. Her chapter is an ad hoc correlation of comments from the theological soup of her congregation.
The Theologianhood Of The Believer..........2007-05-03
...is what emerging churches are about, at least according to this book (with the exception of Mark Driscoll's contributions). I say "contributions" because each of the five contributors not only writes a chapter of his/her own, but responds to each of the chapters by the other contributors. So by the time you've finished the parts written by the contributors, you have a pretty good idea of what the contributors are thinking about things.
In addition, this book contains some context for the conversations of the contributors, provided at the beginning and end by evangelical theologian Robert Webber. He contends American evangelical Christianity is at the beginning of the fourth of four roughly twenty-year cycles, seeking how to interact with a post-Christian, neo-pagan culture, finding that the questions to which they have answers aren't being asked anymore.
The placement of the names on the cover is a pretty accurate reflection of where the contributors are theologically. The only change I would make is swapping Karen Ward and Doug Pagitt.
Each of the five contributors have different diagnoses of the problems with American evangelical Christianity in the early 21st century:
Mark Driscoll says the problem is watering down the truth of Scripture, giving Jesus a makeover to make him more attractive to our culture. His prescription is to unapologetically present the message of Jesus as told by an authoritative Scripture. As I read his words, I remembered Bible teacher J. Vernon McGee saying "The chief sin of the church is ignorance of the word of God."
John Burke says the problem is that American Christians are both hypocritical, unchanged in their character and behavior, and judgemental, believing they have a monopoly on truth. His prescription is to invite people to come as they are, recognizing it might take a while for changes in people to take place.
Dan Kimball says the problem is that we're still stuck with those dispensational end-time charts, and scared that someone is going to ask a question to which we don't know the answer. His prescription is to create a worshipping community of missional theologians, people who are well-versed in the study of the nature of God, and inquiring into religious questions.
Doug Pagitt says the problem is any number of assumptions about the way we do theology, an unwillingness to address new questions raised by scientific advances, and an unwillingness to think about the increasing rate of cultural change. His prescription is to challenge these assumptions and address new cultural realities.
Karen Ward says the problem is the modern pastor-as-CEO model. Her prescription is an apprentice model of discipleship, distributing as much of the mentoring as possible. Her prescription also involves a metaphor of theology as the cooking of tasty, nutritious food, as opposed to the metaphor of theology as architecture.
Robert Webber provides a helpful summary of the contributions in his conclusion section. In my opinion, Webber's Appendix 2, "What is the Ancient-Future Vision?" and Appendix 3, "A Call to an Ancient Evangelical Future" should have been placed immediately after the conclusion section, because Webber just wasn't finished commenting. It is unfortunate that some readers of this book won't read these parts because of where they are placed.
I considered my complaints about the placement of names on the cover, and the placements of the appendices to be insufficient to take the fifth star away from a revealing book about American evangelical Christians in the early 21st century.
Full Disclosure: I attend Solomon's Porch in Minneapolis, Minnesota, and Doug Pagitt, one of the contributors, is my pastor.
A great look at the diversity of the Emerging Churches.......2007-04-20
After a while, studying the Emerging Church leaves you wondering if any of the major figureheads of the movement really agree on anything. Robert Webber has created a "boy band" (with one girl) of the Emerging Church with this book - putting together the right blend of different leaders from the movement to show five representative streams and make it an entertaining read all at the same time.
Although the idea may have originated to show the commonality between Emerging leaders, what is better highlighted is the diversity of belief between these folks. Through reading this book you learn what makes a Dan Kimball who he is and how that is different from the approach that a Karen Ward will take.
The book shows the commonalities found in the Emerging Church in a more inductive way. The Emerging Church's focus on those who do not know the faith yet is very apparent, and the missional philosophy of church is a major factor. Additionally, a general feeling that the things that these pastors were taught in seminaries didn't give them all that they needed. Dan Kimball who went to a Baptist seminary goes on and on about the Nicene Creed which was probably not taught all that much. Karen Ward, educated in the ELCA (she actually grew up as an LCMS Lutheran) expresses a dissatisfaction with how she was taught theology as a "big theology" instead of a more localized effort. Lastly, an overwhelming warm fuzzy feeling prevades the book. I don't think this is a mistake, these Emerging Church leaders don't see each other as enemies even when they disagree which says things both good and bad about the movement.
This book is also a rare look into what many theologians want to know about the Emerging Church, the specific theological beliefs of the Emerging Church. However, rather than finding specific theological beliefs, what the reader finds is theological beliefs from all sorts of different Christian traditions (liberal protestant, post-evangelical emergent, Calvinistic conservative, etc) tied together by a sense of urgency and purpose.
There are specific ideas about favorite theological "picking points" in the book. Scripture's role, the Trinity, and substitutionary atonement are all addressed. It would be remiss, however, for someone to claim that this book clears up how the Emerging Church sees these issues as a whole. It appears that the Emerging Church has beliefs, but they are far from homogenized as of yet.
Instead, what the reader finds is a clearer understanding of how they might fit into what this "Emerging Church" looks like. Five of the Emerging Church's most popular pastors seek to show not only the unity that they feel in being "emerging" but in the diversity that they express through their different takes on things from Baptism to ideas about physics.
It's a good read and I would recommend it to anyone who is far enough along in their research to know at least a few of the names in the book. If you don't know who Mark Driscoll, Dan Kimball, and Doug Pagitt are - you should spend a little more time getting to know the movement before you read this book.
Driscoll gets both stars...the others: Zero.......2007-03-29
I was pretty apprehensive about reading this book. I really didn't know what to expect and didn't know really what the approach was going to be with this book. To be honest, the only reason that I picked up the book is because I went to the Resurgence Conference and Mark Driscoll was one of the contributors. I am glad I didn't "judge" Driscoll for being a part of this book before I read this, because I thought he was distancing himself from the people that contributed to this book. After reading, let's just say that Driscoll is definitely NOT a part of what is commonly known as the Emergent church and he is really a lot different than those a part of the wider used term, "emerging church."
The only thing that I got from this book, besides Driscoll admonishing the other contributors (Burke, Kimball, Pagitt, Ward), is to make sure that our theology is put into practice. I can say that it did make me think from that perspective. Outside of that, this book was very shallow and far from, and I mean FAR FROM, biblical ecclesiology. Mark Driscoll had to continually "exhort sound doctrine" to these other "pastors" and return them to the Scriptures. Driscoll was the only pastor that truly held to Sola Scriptura, while the others look more to our culture and those around them to form their ecclesiology, orthopraxy, and most dangerous: orthodoxy.
The two "pastors" that people need to really be warned of is Doug Pagitt and Karen Ward. They are far from Christendom (which they would admit and happily accept) and should not be given an ear to listen to. Burke and Kimball were on the edge but still held to the complete authority of Scripture, although I would definitely not adhere to a lot of the ways that they practice their theology and more specifically, their ecclesiology.
Again, Driscoll was the lone bright spot and because of the far reaching post-modern ideas of the other contributors, Driscoll sounded like John MacArthur more than an emerging pastor. Througout the discussion, just when you thought Driscoll was getting "soft" he "brought it" again.
As far as the frame of the book, it is set up to give each "pastor" a chapter with the other four being able to respond to that pasor's contribution. The original intent was for each author to show their thoughts on the Trinity, the atonement and Scripture. I found only Driscoll's chapter to be the only one who "followed the rules." But, what else should we expect from these emerging leaders? The sad thing is that since the authors were so shallow, Driscoll was forced to defend basic orthodoxy and wasn't able to give a great in depth study or defense of the above said topics.
If you would like to read about these different views on the emerging church, I guess it is okay to read, but it is just so messed up as far as their thinking on how church should be run that it is hard for me to recommend. I am glad I read it so that I could see that Driscoll is NOT Emergent in any way. He is far from Pagitt and McLaren and should be seen as the lone bright spot out of these that contributed to the book.
Please be discerning if you pick this book up and like a Berean, test all teachings to Scripture.
Disturbing modern trends........2007-03-21
This is a study that should be read. I find the evolving of Evangelicalism most troubling. Mark Driscoll is one of the founders of the emerging church. He too is now troubled by where this movement is headed. I figured the church had seen the worst with the "seeker-sensitive" movement, but this is one step further to the left. I realize in this post-christian era we should expect anything, but this movement is becoming most unbelievable! Truly these are the "last days" that Christ warned us about.
Book Description
Now in its Third Edition, Perspectives from the Past has been extensively revised to be the ideal companion to Western Civilizations. The breadth and depth of this reader remain unmatched, and the readings have been reorganized to mirror the chapter structure of Western Civilizations. Several documents related to the new theme of Empire and topics like gender and Islam are included with this revision.
Book Description
Divided into three parts, this brief, chronologically-organized, fully-integrated drama anthology offers a global emphasis and extensive critical and historical material of 23 indispensable plays. No other anthology offers such a richly varied selection from the traditional Western canon, Asia, Africa, Latin America, and the Caribbean. This anthology contains many examples of rituals, ceremonies, and folk customs. The role of the storyteller is examined and chronicled to illustrate the impulses that have prompted humans to create theater. Center Stage Essays present dramatic descriptions of special performances, in many cases, the first performance of a well-known play. Spotlight Essays identify and discuss the wide variety of staging conventions of particular theaters. Forum Essays present important critical documents by critics, theoreticians, and theater artists. Lavish maps and annotated timelines familiarize the reader with different cultures and periods. Each play is introduced by a thorough headnote; each includes in-depth biographical information about the playwright and the historical context of the play. Photographs and illustrations help the reader visualize the performance of the play they are reading. For anyone interested in drama and theater.
Customer Reviews:
An Important, Useful Anthology.......2002-01-16
I'm very pleased with this anthology partly because of its international scope, but also because it provides useful theoretical documents that augment and support the plays the authors have chosen. The introductions to each period and country are detailed, interesting, and easy to read.
The students in my undergraduate theatre history course have almost unanimously agreed to keep this text as part of their permanent collection--a rare reaction indeed! The choice of plays was excellent, combining some wonderful translations of important Western European texts with interesting, hard-to-find world theatre classics.
I highly recommend it as a teaching resource--particularly for theatre history, world drama, and intro to theatre courses. Your students will thank you (and they'll keep this one!).
A Milestone in Drama Anthologies.......2001-12-05
American theatre has been slower than any of the other arts to recognize the need to pay attention to what's going on outside the United States and Europe. Most introductory theatre texts make only passing mention of the theatres of Asia, Africa and South America. Anthologies of drama published in the States have likewise generally failed to address the dramatic literature of these regions. Consequently, most Americans, including theatre students, are woefully ignorant of the rich theatrical traditions of two thirds of the world's people.
In the context of this vast blindness, the Longman Anthology of World Drama is a milestone work. It includes both traditional and modern plays from China, India and Japan (integrated into the historical sequence rather than tagged on as appendices.) It treats of African theatre in connection with African-American diaspora theatre. It represents Latin and South American theatre with interesting works from the 16th century to modern Hispanic absurdism. On top of this remarkable diversity, it provides a very solid foundation in the traditional Western canon, with a particularly good sequence tracing the rise of modern realism out of romanticism.
There is an enormous amount of material in this tome, and much to commend. The only serious shortcomings are a sparseness and lack of clarity in the historical background articles (these will confuse students with no framework to build on), and some poor choices in excerpts of supporting criticism (the Victor Turner article will go completely over the heads of the uninitiated, and the excerpt by Zeami is a dull genealogy of the ritual roots of Noh theatre rather than any of the more interesting bits on the art of the performer.)
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